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Claude Almansi

Odds And Not Ends: Automated translation: Babelfish 101 - DDN C. Almansi 2005-03-04 - 0 views

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    "Babelfish 101 (also appliable to the Google translator) Babelfish is not a little polyglot genius lurking in your computer or in cyberspace Babelfish is A computer program made of lists of words and phrases in different languages complex, but not all-covering, rules applied to these lists in order to produce translations Babelfish will not give you a publishable or even editable version of your text in another language analyse and render correctly complex sentence structures always choose the meaning you had it mind if two or more words have the same spelling confuse two words due to approximate memory Babelfish will produce apparent gibberish give you a rough idea of what someone else's original text is about Therefore, when dealing with Babelfish, you must use commonsense Don't use Babelfish to produce a translation into another language, especially if you don't know that language If you know others will use Babelfish to read you, use simple sentence structure and avoid terms that can have several meanings If you read something absurd or outrageous in a Babelfish translation, don't immediately attribute the absurdity or outrage to the author. Try to guess from the context what the author might have meant Compare what the author might have meant with what you know of Babelfish's limitations, to see if these limitations are the likely cause of the apparent absurdity or outrage be wary of commonsense The author may indeed have expressed something that would baffle you even if you both used the same language: because your cultural references are different, because s/he is using irony because (make your own list) ask when in doubt ;-)" Avevo scritto questo post su un blog del Digital Divide Network (DDN) che non c'è più. Questa è la copia salvata sull'Internet Archive il 13 agosto 2007
Claude Almansi

Sample Contract Clause | Keep Your Copyrights | Columbia Law School - 0 views

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    Example + comment: "This language is designed to grab all rights from a free-lance author or artist. The first clause purports to create a work for hire agreement, which would mean that the author has no rights left at all, ever (and cannot even get them back through the termination right). The second clause takes a belt-and-suspenders approach: if for any reason the work is not for hire -- which it would not be if the commissioned work did not fall within the statutory categories -- the author explicitly assigns all rights not only in this work, but in any work based on this work, for the full term of copyright, for the whole world."
Claude Almansi

Le revisioni dei post WordPress - #ltis13 | Claude Almansi 2013-04-18 - 0 views

  • Le revisioni dei post WordPress – #ltis13 April 18, 2013 by Claude Almansi | 2 Comments Nel mio commento #34 al post Due o tre cose sui blog #ltis13, ho provato a spiegare come le revisioni salvate – deliberatamente e dal software – dei post WordPress consentono spesso di recuperare un post apparentemente scomparso, ad es. per un problema di connettività.  Lo rifaccio qui, però aggiungendo delle catture di schermo per maggior chiarezza: WordPress fa anche regolarmente salvataggi automatici, e l’ultimo si ritrova con le versioni salvate volontariamente sotto “Revisions”, in fondo alla pagina del post: (la revisione con “[Autosave]” è quella che il software ha salvato per ultimo)
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    "Le revisioni dei post WordPress - #ltis13 April 18, 2013 by Claude Almansi | 2 Comments Nel mio commento #34 al post Due o tre cose sui blog #ltis13, ho provato a spiegare come le revisioni salvate - deliberatamente e dal software - dei post WordPress consentono spesso di recuperare un post apparentemente scomparso, ad es. per un problema di connettività. Lo rifaccio qui, però aggiungendo delle catture di schermo per maggior chiarezza: WordPress fa anche regolarmente salvataggi automatici, e l'ultimo si ritrova con le versioni salvate volontariamente sotto "Revisions", in fondo alla pagina del post: Elenco delle revisioni, con l'ultima, fatta dal software, seguita da [Autosaved] (la revisione con "[Autosave]" è quella che il software ha salvato per ultimo)"
Claude Almansi

IntroOpenEd 2007: an experience on Open Education by a virtual community of teachers | ... - 0 views

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    "Antonio Fini, Andreas Formiconi, Alessandro Giorni, Nuccia Silvana Pirruccello, Elisa Spadavecchia, Emanuela Zibordi Abstract In Fall 2007 David Wiley, professor at Utah State University held a course about Open Education. That time, however, Dr Wiley's course was followed by a rather unusual group of students. The Fall 2007 edition, in fact, was available to anybody, free of charge, all over the world. The only requisite required was the possession of a blog for the completion of the weekly assignments. The present paper, whose authors attended the course completing it successfully, is an account of the experience they had. It can be considered an innovating experience from many different viewpoints and can be regarded as an example of how the world of the formal education can meet the demands of the informal one, in the broader landscape of professional training and lifelong learning. Keywords OER; Open Education; online community; informal learning Full Text: PDF This work is licensed under a Creative Commons Attribution 3.0 License."
Claude Almansi

2013UPCEA-WCET-SloanCStateAuthorizationReport_FULL.pdf - 0 views

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    "While about two thirds of respondents to a 2011 survey had not applied to any state, now about two thirds have applied to, at least, one state. * More institutions are deciding not to apply in some states. Those most cited: MN (22.4%), MA (19.5%), AR (18.0%), MD (14.6%), and AL (14.1%). This will have an impact on student choice. * Institutions are averaging about half of an FTE dedicated to authorization compliance. We believe that most did not have such staff in 2011."
Claude Almansi

Are Infographics Making Us Stupid? - Make your ideas Art - 0 views

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    "Published on March 18th, 2013 | by Guest Author [Kate Lee] Infographics are becoming an increasingly popular method of communicating information quickly and clearly. Great designs can reduce the complexity of information, making a process, product or service easily understandable and accessible to the general public. And a good infographic means that all of that information is presented in a way that is aesthetically pleasing to boot. But have infographics become too good at streamlining information? Have they become the fast food of graphic design - quickly digestible, but lacking in substance? Infographics: Guilty As Charged The web has lots of criticisms levelled at infographics and it's true that many are poorly created, failing to fulfil their purpose, using Papyrus or other crimes against design. The main complaints when it comes to infographics are: 1. Creates confusion: the data is presented in a manner that takes a long time to interpret, is difficult to follow and creates additional complexity instead of providing clarity. 2. Inaccurate information: [...] 3. Too long: [...] 4. General ugliness: [...] The problem with infographics is that so many people think it's easy to create them, when in fact it's a particular subset of skills in an already specialised profession.[...] Data Visualisation Requires Thinking That being said, there are truly great infographics out there that tick all the boxes: accurate information, presented in an effective visual manner that helps the audience interpret and understand quickly. And so we come to the point of this post: with complex information rendered so comprehensible, without the need to read long reports and with the ability to look at pictures and share it with all your friends - is there a danger that infographics cause the audience to stop thinking? In short, the answer is no. In most cases where the audience needs to think, the data isn't simple anyway. The mission of infographics is to re
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    Titolo volutamente provocativo. Ottima presentazione delle "infographics", di cosa dovrebbero e potrebbero essere ma purtroppo spesso non sono, e degli risvolti cognitivi del loro uso.
Claude Almansi

Cantieri o(pml)erosi - #ltis13 | Claude Almansi 2013-04-22 - 0 views

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    "Aggiornamento: i ritratti degli abitanti del Villaggio cmook#ltis13 Monica Terenghi invece ha trasformato il file OPML per #ltis 13 in una stupenda tabella dove appaiono tutti nostri avatarl linkati ai nostri blog o alle nostre pagine gravatar: Villaggio cmooc#ltis13. E spiega chiarissimamente come ha fatto in L'html e l'arte di arrangiarsi. Compito OPML Il 18 aprile 2013, nel post Cantieri - #ltis13, Andreas ci ha proposto di mettere in un nostro aggregatore il file OPML con la lista dei feed dei post e dei commenti dei nostri blog per #ltis13, file che aveva linkato in cima a destra del suo blog: così avremmo potuto seguire facilmente ciò che facevano gli altri, e anche interagire direttamente con loro. Questa volta quasi ci stavo. Per altri due suoi corsi precedenti, avevo preferito dirottare il suo file OPML per crearmi una pagina wikispaces con aggregatori separati per ciascun feed: editing_multimediale_02_blogoclasse_feed (2011 - meno di 40 blog ) linf12 aggregatore (2011 - 20 blog, 17 quando ho smesso di aggiornar la pagina) In passato, certo, ho adoperato aggregatori: ne avevo persino fatto uno pubblico su Bloglines per ADISI, così era più facile mostrare cosa facevano i feed. Però gli aggregatori mi mettono il magone. I contenuti dei feed (qui, dei nostri blog) ci stanno dentro come i polli negli allevamenti in batteria. Preferisco dare a ciascuno dello spazio per ruspare. Ma questa volta, siamo in tanti partecipanti a #ltis13. Quindi ho pensato, vada per l'aggregatore, sigh. Adattamento / dirottamento del compito Poi ci ho ripensato: per fare editing_multimediale_02_blogoclasse_feed e linf12 aggregatore, avevo adoperato wikispaces.com con l'editore WISYWIG, usando "inserisci Widget -> RSS" per ogni feed, il ce ti crea un grosso quadrato con sopra "rss" e basta nella pagina di scrittura: Tra le parti testuali - nome autore, commenti, nome autore ecc: quadrati con solo scritto rss per tutti Hic sunt leones insomm
Claude Almansi

MOOCs and Beyond | eLearning Papers 33 - May 2013 - 1 views

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    eLearning Papers nº 33 [May 2013] "...This issue aims to shed light on the way MOOCs affect education institutions and learners. Which teaching and learning strategies can be used to improve the MOOC learning experience? How do MOOCs fit into today's pedagogical landscape; and could they provide a viable model for developing countries? We must also look closely at their potential impact on education structures. With the expansion of xMOOC platforms connected to different university networks-like Coursera, Udacity, edX, or the newly launched European Futurelearn-a central question is: what is their role in the education system and especially in higher education? This special issue of eLearning Papers brings together in-depth research and examples from the field to generate debate within this emerging research area." Author(s): Yishay Mor, Tapio Koskinen Anche in italiano e altre lingue
Claude Almansi

DDN Articles - What's RSS and Why Should I Care About It? [copia Internet Archive del 8... - 0 views

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    "Author: Andy Carvin , EDC Center for Media & Community | December 7th, 2004 You may have noticed recently that lots of websites now contain little graphical buttons with the word XML on them. For example: XML button When you click on the button, all you see is a bunch of jumbled text and computer code. What's this all about? It's an RSS feed, and they're changing the way people access the Internet. RSS, or Really Simple Syndication, is a technical format that allows online publishers to share and distribute their content to other websites or individual Internet users. It's commonly used for distributing headlines on news websites. Bloggers use it to distribute summaries of their blog entries as well. RSS is written in the Internet coding language known as XML, which is why you see RSS buttons labeled that way. If a website publishes an RSS page, commonly known as an RSS "feed," this feed will contain summaries of all the recent articles posted on that site. For example, Yahoo News publishes news related to world headlines, national news, sports, etc. These you can all read by going to the Yahoo website. But they also publish RSS feeds for each of these subjects. Each RSS feed contains a summary of the most recent news stories posted. Similarly, the Digital Divide Network publishes RSS feeds for our news headlines, events listings and other content on our website. I even have my own RSS feed for articles that I publish on my personal blog, Andy Carvin's Waste of Bandwidth. But why do RSS feeds look like a jumbled mess when I click on them with most Web browsers? It's because RSS feeds are meant to be read by machines rather than people. Software and websites can understand the data contained in RSS feeds and make it available to people on personalized websites, through software known as news aggregators, even through email. So when you aggregate RSS feeds, you're having a computer collect content from many different websites and organize them in a convenient pla
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    Linkato in http://iamarf.org/2013/04/20/racconti-ltis13/ , commento 42. RSS come empowerment.
Claude Almansi

Word Counter - 1 views

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    "Wordcounter is a word count and a character count tool. Simply place your cursor into the box and begin typing. Word counter will automatically count the number of words and characters as you type. You can also copy and paste a document you have already written into the word counter box and it will display the word count and character numbers for that piece of writing. Knowing the number of words or characters in a document can be important. For example, if the author is required to write a minimum or maximum amount of words for an article or paper, word counter can help them know if their article meets these requirements. In addition, word counter automatically shows you the top 10 keywords and keyword density of the article you're writing. This allows you to know what keywords you use most often and what percentage each is used within the article. This can help you from over-using certain words in your writing and allow you to make sure you have the correct keyword distribution you're trying to obtain for any article you write. Word counts can also be important in defining typing and reading speeds. Word counter can help determine both of these. Simply set a timer and start typing and when the time is up, you'll instantly know how many words you have typed for that period of time. If you have any questions about word counter, please feel free to contact us here. Disclaimer: We strive to make our word counter as accurate as possible but we cannot guarantee it will always be so."
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    Contatore di parole online: si scrive o si incolla un testo, e lui ti dà automaticamente il numero, oltre a quello delle parole, dei segni (non so se con o senza spazi però), delle frasi, dei paragrafi, e la lunghezza media delle frasi (in No di parole), nonché la frequenza delle parole chiave più usate. Cioè potrebbe anche essere utile per scegliere tag quando si fa un segnalibro su Diigo ;)
Claude Almansi

Attorney General Eric Holder Speaks at the E-books Press Conference Washington, D.C. - ... - 0 views

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    Attorney General Eric Holder Speaks at the E-books Press Conference Washington, D.C. ~ Wednesday, April 11, 2012 "Earlier today, we filed a lawsuit in U.S. District Court for the Southern District of New York, against Apple and five different book publishers - Hachette, HarperCollins, Macmillan, Penguin and Simon & Schuster. In response to our allegations, three of these publishers - Hachette, HarperCollins and Simon & Schuster - agreed to a proposed settlement. If approved by the court, this settlement would resolve the Department's antitrust concerns with these companies, and would require them to grant retailers - such as Amazon and Barnes & Noble - the freedom to reduce the prices of their e-book titles. The settlement also requires the companies to terminate their anticompetitive most-favored-nation agreements with Apple and other e-books retailers. In addition, the companies will be prohibited for two years from placing constraints on retailers' ability to offer discounts to consumers. They will also be prohibited from conspiring or sharing competitively sensitive information with their competitors for five years. And each is required to implement a strong antitrust compliance program. These steps are appropriate - and essential in ensuring a competitive marketplace. Beginning in the summer of 2009, we allege that executives at the highest levels of the companies included in today's lawsuit - concerned that e-book sellers had reduced prices - worked together to eliminate competition among stores selling e-books, ultimately increasing prices for consumers. As a result of this alleged conspiracy, we believe that consumers paid millions of dollars more for some of the most popular titles. During regular, near-quarterly meetings, we allege that publishing company executives discussed confidential business and competitive matters - including Amazon's e-book retailing practices - as part of a conspiracy
fabrizio bartoli

Connectivism and Connective Knowledge ~ Stephen's Web - 2 views

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    "Connectivism is the thesis that knowledge is distributed across a network of connections, and therefore that learning consists of the ability to construct and traverse those networks. The bulk of this work is devoted to tracing the implications of this thesis in learning. Yes, this could have been a shorter book - and perhaps one day I'll author a volume without the redundancies, false starts, detours and asides, and other miscellany. Such a volume would be sterile, however, and it feels more true to the actual enquiry to stay true to the original blog posts, essays and presentations that constitute this work."
Claude Almansi

Amy Tan: Where does creativity hide? | Video on TED.com - 0 views

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    Filmed Feb 2008 * Posted Apr 2008 * TED2008 "Novelist Amy Tan digs deep into the creative process, looking for hints of how hers evolved. Amy Tan is the author of such beloved books as The Joy Luck Club, The Kitchen God's Wife and The Hundred Secret Senses."
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    From http://www.stanford.edu/~efs/693b/TED1.html : "1. length: 22:49 2. overall speed (WPM): 164 3. vocabulary profile: 3K-96.5%; 5K-97.6%; 10K-98.8%; OL-0.6% 4. accent: US standard 5. comments: tells stories about her life; references to quantum mechanics 6. Novelist Amy Tan digs deep into the creative process, looking for hints of how hers evolved."
fabrizio bartoli

ARIS - Mobile Learning Experiences - Creating educational games on the iPhone - 1 views

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    "ARIS is a platform for creating, not just playing. Get involved with us as we create layers of story, science, art and history all over the globe! Launch the Editor Now! Access the authoring tool at http://arisgames.org/editor Remember to "Show Games in Development" in ARIS Settings on the iPhone! Training, Manuals and Workshop Plans ARIS … Read more →"
fabrizio bartoli

Welcome to Open Library (Open Library) - 2 views

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    "About the Project Open Library is an open, editable library catalog, building towards a web page for every book ever published. More Just like Wikipedia, you can contribute new information or corrections to the catalog. You can browse by subject, author or lists members have created. If you love books, why not help build a library? Developers If you're even remotely interested in libraries or big data, we encourage you to have a look around the Open Library API. We welcome any and all patches and data re-use."
Claude Almansi

Member Agreement - CreateSpace - 0 views

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    "4. Titles 4.1 Content Rejection and Removal We may, in our sole discretion, at any time, and without notice to you (a) reject Content; or (b) remove, or refuse to list or distribute any Content on or from any CreateSpace E-Store, Amazon Property or other sales channel. You will remain liable for all fees and other amounts that you may owe under this Agreement in connection with any Title or Content we remove because of a violation of this Agreement or our Content Guidelines. You may withdraw your Title from the Services at any time, but we will have 30 days from the date of a Title's withdrawal (or termination of this Agreement) to remove all applicable Content. However, we may fulfill any Customer orders pending as of the date we remove such Title from the Services. If we request that you provide additional information relating to your Content, such as information confirming that you have all rights required to permit our distribution of the Content, you represent and warrant that any information and documentation you provide to us in response to such a request will be current, complete, and accurate. You authorize us, directly or through third parties, to make any inquiries we consider appropriate to verify your rights to permit our distribution of the Content and the accuracy of the information or documentation you provide to us with respect to those rights."
Claude Almansi

WordPress tops for blogging and malware distribution | Larry Seltzer ZDNet -2014-03-25 - 0 views

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    "By Larry Seltzer for Zero Day | March 25, 2014 -- 12:00 GMT (05:00 PDT) Internet security research and services company Netcraft has determined that sites running the WordPress blogging software are a major source of both phishing attacks and malware distribution. Interestingly, none of the phishing sites were hosted on WordPress.com, a a large blog-hosting service run by Automattic. The founder of Automattic was one of the original authors of WordPress and the company still contributes to the WordPress.org open source project. Netcraft speculates that this familiarity explains their security record. It also shows that WordPress can be administered securely. But the WordPress application is free and is installed on many web sites across the world. The administrators of these sites are responsible for keeping WordPress and its component parts updated, and many do not. "
Claude Almansi

The Ultimate Section 508 Guide for Students: Content for Everyone - 0 views

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    "The Ultimate Section 508 Guide for Students In 1973, the United States government passed a sweeping piece of legislation known as the United States Workforce Rehabilitation Act. Intended to aid those with disabilities, this legislation provides funding for ...vocational rehabilitation, supported employment, independent living, and client assistance (and) authorizes a variety of training and service discretionary grants administered by the Rehabilitation Services Administration. As technology advanced, and both the workplace and society as a whole underwent significant changes, the need of those with disabilities also evolved. In order to foster equal access to the Internet and related technologies for all, the government added Section 508 to the Workforce Rehabilitation Act in 1998. What is Section 508? As amended by the Workforce Investment Act of 1998 (P.L. 105-220), Section 508 ...requires federal agencies to develop, procure, maintain and use electronic and information technology (EIT) that is accessible to people with disabilities - regardless of whether or not they work for the federal government. In short, federal law requires government agencies to create and use electronic devices, and content developed to be used with them (e.g., websites, media files, etc.), that people with disabilities can readily access. "
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    Questa guida è scritta in lingua molto semplice e illustrata da video, mentre la sezione 508 dell'ADA (Americans with Disabilities Act, un po' come la legge Stanca in Italia) in legalese originale è più difficile da capire.
Claude Almansi

The MOOC Guide (Stephen Downes author/coordinator) - 0 views

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    "The purpose of this document is two-fold: - to offer an online history of the development of the Massive Open Online Course (MOOC) - to use that history to describe major elements of a MOOC Each chapter of this guide looks at one of the first MOOCs and some early influences. It contains these parts: - a description of the MOOC, what it did, and what was learned - a description of the element of MOOC theory learned in the offering of the course - practical tools that can be used to develop that aspect of a MOOC - practical tips on how to be successful Contribute to this Book You are invited to contribute. If you participated in a MOOC, add a paragraph describing your experience (you can sign your name to it, so we know it's a personal story). If you know of resources or can add information about an element of MOOC theory, add to or edit the text that already exists. If you know of tools, provide a link to the tool, a short description, and your assessment of the tool. If you have a tip, add the tip. In order to participate, please email or message your contact details, and we'll you to the list of people who can edit pages. Send your request to stephen@downes.ca Your contributions will be accepted and posted under a CC-By license. http://creativecommons.org/licenses/by/3.0/ Creative Commons License This work is licensed under a Creative Commons Attribution 3.0 Unported License. Thanks for your participation. The finished product will be published online and made freely available on the web. Stephen Downes"
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    Trad: Questo documento ha un doppio scopo: - offrire una storia online dello sviluppo del Massive Open Online Course (MOOC) - adoperare questa storia per descrivere elementi importanti di un MOOC. Ogni capitolo di questa guida esamina uno dei primi MOOC ed alcune delle influenze iniziali. È composto di: - una descrizione del MOOC, di cosa vi si è fatto ed imparato - una descrizione dell elemento della teoria dei MOOC imparato nell'offrire il corso - strumenti concreti che possono essere adoperati per sviluppare quell'aspetto di un MOOC - consigli concreti per la riuscita Contribuite a questo Libro Siete invitati a contribuire. Se avete partecipato a un MOOC, aggiungete un paragrafo dove descrivete la vostra esperienza (potete firmare il vostro nome, così sapremo che si tratta di una storia personale). Se conoscete risorse o se potete aggiungere informazioni su un elemento della teoria dei MOOC, aggiungetelo al testo esistente o modificatelo. Se conoscete strumenti, date un link allo strumento, una breve descrizione, e la vostra valutazione dello strumento. Se avete un consiglio, aggiungete quel consiglio. Per partecipare, mandateci un e-mail o un messaggio con i dati per contattarvi, e vi aggiungeremo alla lista di coloro che possono modificare le pagine. Mandata la vostra richiesta a stephen@downes.ca I vostri contributi verranno accettati e pubblicati sotto una licenza Creative Commons BY (attribuzione) http://creativecommons.org/licenses/by/3.0/ Grazie della vostra partecipazione. Il prodotto finito verrà pubblicato online e reso liberamente accessibilie sul web Stephen Downes.
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