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A Chief Ranger of a historical site and a digital media specialist collaborate together to create a class that discusses mobile media design and digital storytelling. The students also visit a historical site weekly and discuss the history of the village during the Fur Trade Era. Special guests are also included in the teachings such as archaeologists, anthropologists, and historians that know more about the history during this era. The students final project is to create an app that shows some aspect of this village during this era. This will help the students learn how to design a digital media that can be accessed mobile.

metaLAB is a research and teaching unit at Harvard University dedicated to exploring and expanding the frontiers of networked culture in the arts and humanities. They're part of the Graduate School of Design and work in Cambridge. It is defined as "a community of scholars, artists, designers, journalists, technologists, architects, and students engaged in team-based experiments that merge research, teaching, publication, social action, and the use and development of digital tools."

Like the archive websites that we viewed in class, this website is designed to archive material from the Renaissance. There are course related material, such as blogs and lesson plans, there are databases with texts and images from this early time period, and there is a "studio" designed to help writers in their research. There are also external links for any other sites that are wished to view. An archive website is useful for research and Stanford University designed this one for research purposes and informational value.

Video series "At the Intersection" focuses on the use of big data by large companies, such as popular car companies. Land Rovers has accomplished many awards within only one year greatly due to the use of digital humanities. The old tactics of constructing a new car would be through physical examples such as clay models. With the use of virtual processing, designers could compare nine to eleven designs and examine specific problems. They invented a high computing ecosystem in order to generate over ten terabytes a day and store all their data. All these decisions was a huge change for their company and as a result they were able to create more options for better results in their products.

The NDIIP (National Digital Information Infrastructure and Preservation) twitter account tweeted a link to a video featuring Kari Kraus giving a speech titled "Phylogenetic Futures: Big Data and Design Fiction" at Big Data & Uncertainty in the Humanities hosted at the University of Kansas. Kraus spoke about the application of digital humanities to phylogenetics, or the study of evolutionary relatedness between various groups of organisms. She presents phylogenetics as a part of the big data segment of digital humanities. Her speech details the applications of phylogenetics in digital humanities through examining cultural materials.

Hyperstudio is a blog written by Digital Humanist at the Massachusetts Institute of Technology. The latest post on the home page seems to be an invite/ad for the Visual Interpretations Conference that was held over two years ago. The purpose of the conference to provide a venue for experts in art and design to collaborate with digital humanist with the goal of the two become dependent on the other. This visualizations should allow for a different view and possibly promote questions and thoughts that were not previously discussed.

Dan Cohen's transcript of his anonymous speech at Harvard on March 1, 2011 provides insight into the demands scholars have digitization efforts and digital archives. Cohen identifies five major demands on the part of scholars: reliable metadata, the ability to experience serendipity, an interface to handle differing modes of research, a representation of the physical book, and open APIs to accommodate the demands digital libraries cannot anticipate. Dan Cohen's goal is to borrow the best aspects of a physical library - the ability to stumble upon new material readily as well as some measure of its tactile feel - with the ease of use of a well designed digital archive.

This article explains the use of curating early modern texts and how the process of doing so has advanced over the past few years. This new style of curating and archiving is organized to make the digital archive design and the use of the sites much more easy to navigate and explore for certain content. The author of this article believes that archiving and open access is a public service but not all works need to be available.

This blog post created in anticipation of a panel on undergraduate work and research in the digital humanities creates many questions and ideas for discussion at the panel. The author invites others to share input in hopes of turning it into a discussion to bring forward to the panel at the 2013 Digital Humanities conference. Among these questions and ideas are questions of the best way to incorporate project-based digital humanities research approaches in the undergraduate classroom as well as designing curricula to incorporate Digital Humanities into the coursework while still including traditional humanities disciplines.

Audrey Altman is set to give a presentation at the University of Iowa entitled, "Attck of the Digital Map! The Wonderful Monsters We Create When Humanities and Technology Collide." In her upcoming presentation Audrey will discuss both historical analysis and digital mapping and the requirements that both bring to the table individually in any given project. Both are individually composed of different aspects and Audrey will try to discuss the pros and cons of both tools when used together simultaneously for one project. Altman will also highlight on the project that she and her undergraduate students have embarked upon this semester that attempts to utilize the two aspects into one project. She will attepmt to delve into the findings, triumphs, ailures, and education gained by she and her students throughout the whole experience.

This short blog post announces and advertises Audrey Altman's upcoming talk about digital mapping. This talk is designed to discuss how historical analysis of maps and digital mapping require different sets of skills and methodologies. She is speaking from the context of a project she is heading which is which is involving undergraduate students in to creation of map-based documents for an archive on Iowa Latino/a history. Her talk is going to talk about both problems and surprises involved with the project and digital mapping.

This future course at a University wants to show how the human and the new machine are used for research and teaching. Their online learning method is used to incorporate different learning styles that are used in research with computational tools and networks that are connected throughout the world. This class is designed to prepare students in the humanities and social sciences that use new ways of thinking, teaching and learning. Their hoping with showing how online learning better educates students that it transforms higher education making it more meaningful to the present and future. After students have finished this course they will leave with many e-portfolio projects, public online writing, multimedia and collaborative productions.

The Andrew W. Mellon Foundation has generously funded the MONK Project. MONK is a digital landscaped designed to help humanities scholars in their research and analysis of text. This projects is publicly available with texts from Indiana University, University of Virginia, Martin Mueller at Northwestern University, and the University of North Carolina at Chapel Hill.

Blogger and self proclaimed Digital Humanist Shannon Christine Mattern worries that the technical term "digital humanities" does not do the field any justice. The title was then broken down by Mattern. She says that digital is too broad of a term. If something by chance involves technology, it might be prematurely designated into Digital Humanities. The focus relies too heavily on "digital".

In this article a case study is shared discussing car manufacturing company Volvo and their strategy in organizing their big data in order to improve their company as a whole. By implementing digitized reports in organized topics such as product design and vehicle diagnostics in to their large Teradata system, data can be processed and completed in one minute, rather than the hour it used to take to process a single query. Moreover, the Volvo company now analyzes a number of issues in an integrated and organized way. For instance analysts can predict failure rates of vehicles over time through the monthly stored collected reports of cars that have experienced specific failures. They can also correlate mechanical failures with the specific geographical areas the vehicle is located in. A car in urban Japan will most likely experience different conditions in rural France, and with DRO error codes (diagnostic read out data recorded in each car about performance and mechanical failures) collected through the Teradata system, analysts can figure out how certain mechanical failures connect to different locations. It is with this strategy in organizing digital information that Volvo can create large goals such as creating vehicles no one will be killed or injured in by 2020.

This article explains New York Public Library's project called "What's on the Menu?" This database is created for users across the nation, so easily accessible that no application needs to be downloaded and can be used with a simple click of a button titled "transcribe" on their website.Over 865,660 dishes and 13,440 menus have been transcribed for free access. Already within a year more than three million page views have been recorded. Its use is more than handy for culinary students, but those studying graphic design, history, and health issues.

Jouranlist Steve Kolowich reveals how digital humanities can help education, especially through undergraduate work. He explains that most undergraduate students are unaware of how to use digital tools in their research and the best way to confront this issue is to teach them to work with metadata and design databases. Teaching digital humanities is a fundamental shift as well, because grading items such as crowdsourcing projects is quite different to grading a multiple question exam. Like many other professors in the digital humanities field, Professor Laura McGrane believes if the job is done right, students will be able to conquer research in a more knowledgeable way.

This program is designed to fund the implementation of innovative digital-humanities projects that have successfully completed a start-up phase and demonstrated their value to the field. These projects help us better understand the central problems in the humanities, and they also raise new questions in the humanities which help develop new digital applications and approaches for the use in the humanities. The digital humanities Implementation Grants programs seeks to identify projects that have successfully completed their startup phase and are well positioned to have a major impact. These grants involve, Implementation of computationally bases methods or techniques for humanities research; implantation of new digital tools for use in humanities research; implementation of new digital tools for use in humanities research, public programming, or educational settings; efforts to ensure the completion and long-term sustainability of existing digital resources; studies that examine the philosophical or practical implications of the use of emerging technologies in specific fields or disciplines of the humanties, or in interdisciplinary collaborations involving several fields or disciplines; or implementation of new digital modes of scholarly communication that facilitate peer review, collaboration, or the dissemination of humanities scholarship for various audiences.