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This link links to Duke University Professor Mark Anthony Neal's live webcast show website where he discusses black studies in relationship to the digital humanities along with other experts in the field. The live show encourages interaction by use of the twitter hashtag #leftofblack to contribute to the conversations going on throughout the webcast.

This information page on the NEH website is meant to explain the purpose of the Office of Digital Humanities within the National Endowment for the Humanities. It explains the impact that digital technology has had on how scholars do their work and explains that the ODH is meant to "support projects that employ digital technology to improve humanities research." This is done through government grants to those projects that the office sees as most deserving of aid in improving their work. The ODH also collaborates with the scholars and librarians in the DH field through conferences and workshops.

The NEH Office of Digital Humanities joined together with the Museum of the City of New York in October to put on a panel presentation. This presentation was over the museum's effort to create a massive collection of digitized photographs. The presentation also covered how using technology can help cultural heritage organizations to enrich an improve access to collections of cultural heritage items.

Digital Humanities 2012 was a conference held in July of 2012 with the Alliance of Digital Humanities Organizations. ADHO is an umbrella organization meant to promote digital research and teaching within the humanities disciplines. Originating in 1989, the Digital Humanities 2012 conference was held at the University of Hamburg in Germany this year. The website contains all of the conference activities as well as many of the presentations in the form of podcasts.

This post highlights a project by Sanna Dullaway to recolor old black-and-white photographs from the 19th and 20th centuries in order to recreate the vibrant, colorful worlds that we usually imagine in sepia-tone. In addition to the praise of the project, Yvonne Seale questions if it takes away our historical imaginations and violates the artifacts' historical integrity. Either way, she concedes that this project makes the past more tangible to newer and younger audiences used to seeing everything in color and gets them thinking about history.

This blog post created in anticipation of a panel on undergraduate work and research in the digital humanities creates many questions and ideas for discussion at the panel. The author invites others to share input in hopes of turning it into a discussion to bring forward to the panel at the 2013 Digital Humanities conference. Among these questions and ideas are questions of the best way to incorporate project-based digital humanities research approaches in the undergraduate classroom as well as designing curricula to incorporate Digital Humanities into the coursework while still including traditional humanities disciplines.

Audrey Altman is set to give a presentation at the University of Iowa entitled, "Attck of the Digital Map! The Wonderful Monsters We Create When Humanities and Technology Collide." In her upcoming presentation Audrey will discuss both historical analysis and digital mapping and the requirements that both bring to the table individually in any given project. Both are individually composed of different aspects and Audrey will try to discuss the pros and cons of both tools when used together simultaneously for one project. Altman will also highlight on the project that she and her undergraduate students have embarked upon this semester that attempts to utilize the two aspects into one project. She will attepmt to delve into the findings, triumphs, ailures, and education gained by she and her students throughout the whole experience.

This short blog post announces and advertises Audrey Altman's upcoming talk about digital mapping. This talk is designed to discuss how historical analysis of maps and digital mapping require different sets of skills and methodologies. She is speaking from the context of a project she is heading which is which is involving undergraduate students in to creation of map-based documents for an archive on Iowa Latino/a history. Her talk is going to talk about both problems and surprises involved with the project and digital mapping.

Richard E. Miller, an English professor at Rutgers University, gives a presentation to the Rutgers University Board of Governors on Digital Humanities. He argues that the English department is moving towards that of Digital Humanities due in large part to the internet becoming increasingly involved in English and humanities education. His presentation defines and discusses Web 2.0 (the web as used for creation rather than just research) and how the use of things such as Wikipedia, blogs, etc. are pushing everyone towards creation-mode on the internet. Through this presentation, Miller hopes to convince the Board of Governors to allow for the creation of a Digital Humanities department at Rutgers University.

The Berkeley Folk Music Festival Collection is an archive of audio recordings, documents, film footage, and photographs from the Special Collections Library at Northwestern University. The archive's purpose is to preserve the collection, present it to a wider audience, interpret its significance and importance, and allow users to learn more about the cultural heritage and history in the digital age. It is also functioning as a sort of prototype for an historically-infused digital folk music festival and a research workshop.

At the Digital Studio for Public Humanities, Kyle Moody attempted to define digital humanities in one sentence: "open and accessible research and content creation, distribution, and evaluation by persons able to use or utilize technology." In his definition, all people are included whether they are coders or not, a notable difference from many other digital humanists' definitions. Moody discusses how the digital humanities and technology are helping to blur the line between those accessing and consuming content and those creating content. This active reaction to what is being consumed helps developers to see what is wanted and needed and adjust their content based on public reaction. He left his audience with the open question of whether or not the academy has the responsibility to give the public more control over what scholars produce as well as if the academy should be the benevolent curator of cultural content.

The EBBA Archive is a website with a specific goal in mind in regards to 17th century broadside ballads. The site seeks to make 16th-18th century fully accessible as texts, art, music, and cultural records. Basically the main objective of the EBBA is to transcribe these broadside ballads into usable means that are open, accessible, useful, and applicable to the public.

The English Broadside Ballad Archive is a database of 17th century ballads. These ballads are made available on the website in the form of texts, art, music, and cultural records. The purpose of the database is to preserve the estimated 8,000 surviving ballads from this era for future generations to discover and study again. Several universities have teamed up to work on this archive, include the University of Texas at Dallas.

An interesting website with the sole intent of informing and involving its viewers. Viewers are able to correct, transcribe, tage and comment digitally uploded information. This information comes from archives of cookbooks, diaries, collections, letters, etc. The website also includes an extensive amont of news, tweets, updates, and contributions via the viewers for the viewers, A great website that really involves its audience. Like a modern day wiki.

This is a neat site created to allow viewers to interact with the archives they come in contact with. ALomost like a modern day wiki. The site contains links that enable the participant to correct, transcribe, or tag and comment of the collections they come across. Some of their collections include cookbooks, diaries, collections, letters, etc. The site also contains news updates, contributions, and tweets to and from the viewers themselves.

DIY History is a website for the public to use to help contribute to preserving diaries, letters, cookbooks, and other handwritten documents by transcribing them and posting them to the database. It also allows these users to go through already machine-transcribed documents to check for errors and make corrections when necessary. The diaries and documents included on this website range from Civil War-era documents, World War II items, and college yearbooks.

HASTAC Scholar Rebecca Nesvest announces her work in testing out new software meant to be a digital accompaniment to texts. In her example, she is using "The String of Pearls, or the Barber of Fleet Street" to map out the locations from the story onto a map of the actual Fleet Street in London where the Demon Barber Sweeney Todd was said to live and work. Her work will also include historical evidence for and against the reality of the events depicted in the story that have always been said to be entirely true.

The Haiti Digital Library is an online library available in English, French, and Kreyol that is meant to serve as a guide and portal to resources all about Haiti, for both its citizens and scholars interested in the country. The content hosted on the website includes both historical materials related to the country as well as published works by Haitian authors throughout time. They are currently accepting comments and suggestions for works that the public would like to see digitized and uploaded to the archive.

GeaCron is a project for mapping the entire world with not just the geography, but the history of the locations as well. Its purpose is to provide a map where researchers and students can select a time period and see what historical events were occurring at that same time period all over the world in as many countries as possible. Currently, the maps cover political events starting at 3000 BC, and the newest events being archived for modern day will be available at the start of 2013. The maps allow for a variety of features including relief maps, zooming, navigating in time, and embedding digital media sites to further enrich the information on the geographical areas through time.

A professor used her Women's Studies class as a way to test out the use of digital humanities in the undergraduate classroom. The assignment was to create an online archive of every issue of the feminist magazine "Conditions" as well as a presentation over the issue they chose. In doing so, they were required to scan in every page of the magazine and edit them on computer to fit together uniformly. At the end of the assignment period, she submitted the archive into the "Lesbian Poetry Archive" for public viewing and use. Through working on this archive, she became convinced that the PDF format will continue to be the main format for converting physical documents into the digital medium. This is due to the format being almost universal in digital humanities and the likelihood of it continuing to be a relevant file format for many years to come.

Elizabeth Hopwood of Northeastern University blogs about the process of digitizing 19th century Caribbean texts for an archive. Due to her involvement in the archive, she was required to take a TEI encoding course along with others on the project so that they could learn to properly code everything themselves. As the workshop went on, she began to notice how intricate coding could be as well as how selective you must be in coding to choose what will be coded and what will not be coded. It is up to the individual coder to decide what kinds of things in the text need to be coded, whether that be mentions of gender, commodities, slaves, etc. She ends this blog post with some links to quick tutorials on TEI for those interested in getting into TEI coding for the Digital Humanities.

This article on the National Endowment for the Humanities website contains information on a project directors meeting for the Digital Humanities department that was open to the public. The meeting took place in Washington, D.C. on September 20th, and it included multiple aspects such as lightning-talks and roundtable discussions with librarians, researchers, and funding organizations.

The NEH's Office of Digital Humanities announces 5 institutes that will receive government grants to further their research. Included are the University of Texas at Austin's HiPSTAS, the University of Maryland, College Park's Digital Humanities Data Curation, George Mason University's Another Week | Another Tool - A Digital Humanities Barnraising, Folger Shakespeare Library's Folger Shakespeare Library Summer Institute for Advanced Topics in the Digital Humanities: "Early Modern Digital Agendas," and Arkansas State University's Humanities Heritage 3D Visualization: Theory and Practice.

Kirstyn Leuner's blog post announces and links to "The 18th-Century Common Project." She also gives readers a list of what to expect from the project when it is launched. She also talks about her part in the project's growth, which includes reviewing it. This post is just the first part in a 3-part series on "The 18th-Century Common Project."