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This website is, as its title suggests, a directory of open access journals. These journals are free, full text, quality-controlled scientific and scholarly journals that cover a wide range of subjects. It features search fields for both journals and articles, with the ability to search by title, ISSN, author, keywords, and abstract.

Blogger and self proclaimed Digital Humanist Shannon Christine Mattern worries that the technical term "digital humanities" does not do the field any justice. The title was then broken down by Mattern. She says that digital is too broad of a term. If something by chance involves technology, it might be prematurely designated into Digital Humanities. The focus relies too heavily on "digital".

This article about the 2011 Digital Humanities meeting highlights three big project announcements from that meeting. The first of these was a then new grant program: Digital Humanities Implementation Grants, a follow up to the Digital Humanities Start-Up Grant program. The second of these was a collection of alternative academic careers for humanities scholars titled #alt-academy. The last of these was the introduction of Press Forward, an initiative aiming to fuse traditional scholarly review with open-web filters.

In this article, Stanley Fish is trying to explain what he believes it means to be in the digital humanities field. There seems to be an undercover snobbery situation when it comes to individuals in the academic world placing a title on themselves. For example, one may prefer to be known as a philosopher rather than a humanist. Not knowing what exactly falls into the term "humanities" is not new.

This article explains New York Public Library's project called "What's on the Menu?" This database is created for users across the nation, so easily accessible that no application needs to be downloaded and can be used with a simple click of a button titled "transcribe" on their website.Over 865,660 dishes and 13,440 menus have been transcribed for free access. Already within a year more than three million page views have been recorded. Its use is more than handy for culinary students, but those studying graphic design, history, and health issues.

This short statement at the beginning of San Marinos article Literature is not Data: Against Digital Humanities establishes the argument that BIG DATA IS INDEED COMING FOR OUR BOOKS. Marino believes that all Human endeavors have generated its own Monadic mass of data, and through these vast accumulations of ciphers the robots now endlessly scour for significance. He also believes that a smart book with a stupid title offers a fascinatingly general look at the new algorithmic culture. This culture is generated by a step by a step procedure for calculation and of times displayed through technological advancements. Marino ultimately argument is that literature is currently being took over by this "new" culture.

This article, titled Humanities in the Digital Age by Alan Liu and William G. Thomas III, addresses the hard times that have fallen upon higher education. One solution and innovative way to combat these financial cuts, the writers claim, is to make a movement into the digital humanities in higher education. The article continues on to highlight the best parts of digital humanities and how it can be a huge help to struggling universities both public and private.

D.D. Guttenplan of New York Times covers an article about an ancient Egypt virtual environment created by the digital humanists of Harvard University's Berkman Center of Internet and Society.This virtual tour is called "Giza 3D" where a person can see real life places such as the waves by Ancient Egypt's harbor, funeral rites, and even pyramid burial shafts that have not been seen by humans for over 100 years. The entire tour can even be seen in 3D at home with 3D glasses. Guttenplan compares this project to the works of other digital humanists. He brings up another excellent project titled Hypercities Egypt, created at the University of California, which archives tweets from Cairo. Such an archive allows people to see what is posted in real time and track back tweets back to the start of the protests in Tahrir Square.

The NDIIP (National Digital Information Infrastructure and Preservation) twitter account tweeted a link to a video featuring Kari Kraus giving a speech titled "Phylogenetic Futures: Big Data and Design Fiction" at Big Data & Uncertainty in the Humanities hosted at the University of Kansas. Kraus spoke about the application of digital humanities to phylogenetics, or the study of evolutionary relatedness between various groups of organisms. She presents phylogenetics as a part of the big data segment of digital humanities. Her speech details the applications of phylogenetics in digital humanities through examining cultural materials.

In China scientist are rewarded with cash for publishing an article in a prestigious general. The more prestigious the journal, the larger the sum. So because of the limited international circulation of Chinese journals, there is a real push to have one's work appear in an international index, such as the science citation index, Engineering index, or the index to scientific & technical proceedings. The author of this article Does the Chinese Model Make Sense, Phil Davis, questions wither or not this model is authentic. He believes that the need for money will eventually exceed the need to produce valid, and original work. Davis is able to justify is argument by mentioning previous works that were written by the chinese that had an extreme amount of plagerism and unoriginal work. From this evidence he was able to persuade readers that the Chinese Model did not make sense nor did it have any valid points. His commentary was a critque of the article The outflow of academic papers from China: Why it happening and can it be stemmed, written by Shao Jufang and Shen Huiyun.

This post focuses on the group Weigle Information Commons (WIC) and their thoughts and ideas after attending a Digital Humanities event titles "Libraries, Labs, and Classrooms: Locating the Digital Humanitites." The WIC fit into the categories discussed and expanded on the ideas presented at the event by asking themselves, "how can WIC promote DH projects among our students and faculty and provide the resources to make such studies come to life?" The WIC then outlines some ideas and projects they have to promote "digital publics" through digital humanities work.

Kirstyn Leuner reveals further information about a new Digital Humanities collaboration titled "The 18th-Century Common," the purpose of which is to "provide a medium for eighteenth-century scholars to communicate with an eager public non-academic readership." This projects website's main focus as of the opening is to provide scholarly essays on the arts and science in the 18th century, as well as a blog section for professors to share essays on these topics. The project's creators hope to gain contributions from scholars on the 18th century who would normally publish in journals, books, and other print media to add to their online database. This contributions are also open to students as well, and the author provides a link to gain more information on submitting work to the project.