In essence, students must learn how to learn, while responding to endlessly changing technologies and social, economic, and global conditions.
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shared by Frederick Eberhardt on 03 Oct 09
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Powerful Learning: Studies Show Deep Understanding Derives from Collaborative Methods |... - 85 views
www.edutopia.org/uiry-project-learning-research
Collaborative Learning Powerful Student as Researcher
shared by Frederick Eberhardt on 03 Oct 09
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Dennis OConnor liked it
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students learn more deeply if they have engaged in activities that require applying classroom-gathered knowledge to real-world problems.
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developing inquiring minds
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Studies of problem-based learning suggest that it is comparable, though not always superior, to more traditional instruction in teaching facts and information. However, this approach has been found to be better in supporting flexible problem solving, reasoning skills, and generating accurate hypotheses and coherent explanations.
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design challenges need to be carefully planned, and they emphasized the importance of dynamic feedback.
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When students have no prior experience with inquiry learning, they can have difficulty generating meaningful driving questions and logical arguments and may lack background knowledge to make sense of the inquiry.
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Absolutely true. I discovered this when I used inquiry-based methods with my students in Qatar who were used to rote learning. They truly did not know where to start. They first needed to learn *how* to be inquisitive.
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Requiring students to track and defend their thinking focused them on learning and connecting concepts in their design work
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All the research arrives at the same conclusion: There are significant benefits for students who work together on learning activities.
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groups outperform individuals on learning tasks and that individuals who work in groups do better on later individual assessments.
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In successful group learning, teachers pay careful attention to the work process and interaction among students.
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"It is not enough to simply tell students to work together. They must have a reason to take one another's achievement seriously.
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She and her colleagues developed Complex Instruction, one of the best-known approaches, which uses carefully designed activities requiring diverse talents and interdependence among group members.
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They require changes in curriculum, instruction, and assessment practices -- changes that are often new for teachers and students.
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A scholarly article with tremendous real-world practical implications and suggestions. Love this.
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A scholarly article with tremendous real-world practical implications and suggestions. Love this.
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Vocational Education meets Research in the dynamic classroom of Linda Darling-Hammond, 2008. The students are doing the research, teaching and learning. They control their own destiny and they are taking the world by storm! They are not waiting to be taught, they are teaching each other and themselves as teams of researchers. Darling-Hammond, L. (2008). Powerful learning: what we know about teaching for understanding. San Francisco, CA: Jossey-Bass.
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shared by Clint Heitz on 23 Sep 16
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CATME | Smarter Teamwork Tools - 1 views
info.catme.org
group learning research collaboration group-work resources tools groupwork teams assessment Teaching
shared by Clint Heitz on 23 Sep 16
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Assigning students to teams: CATME Team-Maker Self and peer evaluations and rating team processes: CATME Peer Evaluation Training students to rate teamwork: CATME Rater Calibration Training students to work in teams: CATME Teamwork Training Making meetings more effective: CATME Meeting Support
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Gather information from students and provide feedback to students. Understand their student teams’ processes, team-members’ contributions, and students’ perspectives on their team experience. Be aware of problems that are occurring on their students’ teams Hold students accountable for contributing to their teams. Use best practices when managing student team experiences.
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shared by Martin Burrett on 25 May 17
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Resource: Q&A Battleships - 34 views
ukedchat.com/...qa-battleships
resource teaching resources game questions q&a download printables battleships
shared by Martin Burrett on 25 May 17
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"Enter your custom questions and answers, and let your pupils play battleships where only the right answers will bring victory. Each play has a question sheet for them to answer, and the answers for their opponent, so the pupils can peer assess the answers being given." -
The post sends you to Patreon where you can support Ukedchat with a donation before you can download the resource.
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The relationship between flow and music performance anxiety amongst professional classi... - 1 views
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Cohen, S., & Bodner, E. (2019). The relationship between flow and music performance anxiety amongst professional classical orchestral musicians. Psychology of Music, 47(3), 420–435. https://doi.org/10.1177/0305735618754689
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In conclusion, the current study provides evidence that professional classical orchestral musicians experience flow and that there is a significant negative relationship between flow and MPA amongst professional classical orchestral musicians, thereby supporting the suggestion that developing techniques for facilitating flow may provide a useful tool for helping to reduce MPA.
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Mental skills for musicians: Managing music performance anxiety and enhancing performance. - 1 views
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In asurvey of 2,212 classical musicians, 40% re-ported that anxiety interfered with their perfor-mances (Kirchner, Bloom, & Skutnick–Henley,
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, see Kenny (2005) andMcGinnis and Milling (2005
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Few studies have investigated whether a cog-nitive intervention can reduce anxiety and en-hance performance in musicians (Lehrer, 1987;Steptoe & Fidler, 1987)
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did notreturn any recent studies investigating the effec-tiveness of a purely cognitive intervention in thetreatment of MPA; consequently, research inthis particular area is needed
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Past re-search has focused on combined interventions;however, often these programs run for over 6weeks and it is unknown which aspects of theintervention are most effective (e.g., Nagel,Himle, & Papsdorf, 1989)
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State–Trait Anxiety Inventory (STAI).The STAI is widely used in anxiety researchand is considered to be a valid and reliable scale(Kenny, 2006).
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The PAI (Nagel, Himle, & Papsdorf, 1981) isbased on the STAI and is a music inventoryassessing the three-systems model of anxiety
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heart rate at 10 min, 5
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Signs of anxiety included trem-bling knees, lifting shoulders, stiff back and/orneck, trembling hands, stiff arms, face deadpan,shaking head, moistening and/or biting lips, dis-tressed facial expressions, and sweating.
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Nagel et al.reported that the average preintervention scorewas 55 and the average postintervention scorewas 38, with a score of 39 or less indicating a
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person has few problems with performance anx-iety
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Researchers have found that MPA af-fects instrumentalists and vocalists of all agesand abilities, including students, professionals,amateurs, and children (Brotons, 1994; Kenny,2006; Liston, Frost, & Mohr, 2003)
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Few studies have investigated whether a cog-nitive intervention can reduce anxiety and en-hance performance in musicians (Lehrer, 1987;Steptoe & Fidler, 1987)
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Few studies have investigated whether a cog-nitive intervention can reduce anxiety and en-hance performance in musicians (Lehrer, 1987;Steptoe & Fidler, 1987
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The cognitive intervention had no significanteffect on anxiety levels. Sweeney and Horan’s(1982) study indicated that a cognitive restruc-turing program may be helpful in the treatmentof MPA; their program, featuring cognitive re-structuring, significantly reduced anxiety.
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d it is unknown which aspects of theintervention are most effective (e.g., Nagel,Himle, & Papsdorf, 1989)
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The STAI is widely used in anxiety researchand is considered to be a valid and reliable scale
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Performance Anxiety Inventory (PAI)
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cognitive, behavioral, and physiological fac
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and has beenwidely used in treatment outcome research
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Behavioral Anxiety Index (BAI)
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igns of anxiety included trem-bling knees, lifting shoulders, stiff back and/orneck, trembling hands, stiff arms, face deadpan,shaking head, moistening and/or biting lips, dis-tressed facial expressions, and sweating
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Participants were then taught howthoughts, behaviors, and feelings interact andinfluence performance
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practical exercise, how people waste their en-ergy trying to control uncontrollable factors,thereby impairing performance
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This exercise wasdesigned to demonstrate how thoughts cansometimes be irrational and can be changed inlight of new evidence
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how to use self-talk effectively and how touse cues
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Participants practiced how to identify negativethoughts, stop the thoughts, and use cues to helpthem overcome the negative thoughts.
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Imagery is a mentalexercise that can help athletes maintain concen-tration, decrease anxiety, and improve confi-dence; thus, it may also be helpful for somemusicians (Gregg & Clark, 2007).
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Participants in the wait-list controlgroup waited 3 weeks until their second perfor-mance, which was on the same night as theirfirst worksho
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MPA is a pervasive problem affecting musi-cians of all ages and abilities. As compared withthe research on mental skills training in athletes,relatively little is known about the assessment,treatment, and theoretical underpinnings ofMPA
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Kenny (2006) suggested that improving perfor-mance quality will have a positive, self-reinforcing effect on the musician and enhanceconfidence in future performances.
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We predicted that anxiety levels would de-crease in the treatment group from pre- to post-test. This hypothesis was partially supported.Specifically, there was a significant reductionon the PAI in the treatment group. Although theparticipants improved after the intervention,they were still not within the optimal rangeaccording to Nagel et al. (1981
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Although the decrease in anxiety was notas large in our study, our participants droppedfrom the high performance anxiety category tothe moderate performance anxiety category
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Office Accessibility Center - Resources for people with disabilities - Office 365 - 0 views
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Office is committed to inclusive design and accessible products and content. We are constantly working to offer more to boost every user's productivity. On this page, find resources for people with disabilities and find out how to make your content accessible for all.
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Teaching Remotely for Grades K - 12 | Free Resources and Strategies - 12 views
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Scholastic is offering K-12 e-magazine for free during this crisis.
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Bib 2.0: Before Blogs and Wikis: Three Tools to Enhance Collaboration - 6 views
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Diigo: Once they start their web-related search, Diigo, an add-on extension for Firefox and Internet Explorer, allows students to highlight text and post sticky-notes directly onto webpages, then share their comments within the group. Others can add their own comments to the note. Selected text is archived to a "my bookmarks" page, along with the comments and a copy of the website. Students can collaborate within the bookmarks site or on the individual websites. Diigo supports RSS feeds, allowing teachers to follow student progress. The more I use this tool, the more I'm convinced it ought to be integral to every research project. It allows students to actively connect with the information they're reading--to question, annotate and infer. All in collaboration with their group. How amazing is that???
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Stephen Downes: The Role of the Educator - 122 views
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The Learner
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The Collector
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The Curator
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The Alchemist
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The Programmer
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The Salesperson
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The Convener
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The Coordinator
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The Designer
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The Coach
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The Agitator
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The Facilitator
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Tech Support
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The Moderator
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The Critic
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The Lecturer
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The Demonstrator
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The Mentor
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The Bureaucrat
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The Theorizer
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The Sharer
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The Evaluator
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The Connector
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In my opinion this is very true, there are few if any directives on how teachers should be facing the changes in the 21st Century, everybody is still focused on hardware rather than cloud computing and web 2.0. -
Yes - it is a focus on the technology - as educaltors the focus should be on the pedagogy
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This isn't just about online learning! How many of these roles do you fulfill as a teacher, "facilitator," or admin? How successful have professional development efforts been in getting teachers to try out new roles? How successful have they been in getting kids to try out some of these roles? What other roles are there for students? -
Article comparing the lack of knowledge about the role of the educator at the moment with the blame put on 'bad teachers'.
Support and Resources for Educators - 33 views
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Education Week Teacher: How to Make the Most of Your Professional Learning Community - 33 views
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During our first meeting of the school year, we jotted down on sticky notes what each of us wanted to accomplish in our weekly meetings. Three main ideas rose to the top and have driven our work together ever since: support for each other, help with pacing an overwhelming curriculum, and detailed plans to implement with our students. Everything we do as a group addresses one or more of these three objectives.
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Talking about the issues and pressures of teaching—always in a solutions-focused way, of course—is cathartic itself.
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PLCs must find ways to share the workload, not increase it.
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Effective PLCs must focus on student learning. It's no use becoming bogged down in issues or procedures that are out of our control as classroom teachers.
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To keep ourselves on track, we examine our students' strengths and weaknesses, creating plans that maximize student success.
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STEM + Art: A Brilliant Combination - Education Week - 44 views
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asked permission to hire an arts-integration teacher
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and that year and subsequent years, the scores on the state assessments improved.
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a compendium of 62 research studies that support the powerful positive academic and social effects of learning in and through the arts
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The research confirms what we know to be true. The arts impact all learning.
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Neuroscience has also provided an emerging branch of research related to studying the arts. For instance, "Learning Arts and the Brain: The Dana Consortium Report on Arts and Cognition" reinforced the positive impact arts learning has on a young person's ability to retain information.
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Neither the arts nor the sciences have a monopoly on teaching creativity, collaboration, or problem-solving skills.
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The design process proved to be as important as the finished product.
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Schools must provide opportunities for students to learn across disciplines. No longer can we teach in silos.
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""Education is not the filling of a pail, but the lighting of a fire." -William Butler Yeats" -
""Education is not the filling of a pail, but the lighting of a fire." -William Butler Yeats"
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4 Premium Productivity Apps to Support Teachers - 22 views
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"As the development of apps has evolved, including the platforms they operate on, the ability to ease the organisational challenges in life have become more refined. Whilst the apps featured in this article come at a premium, the features that they display make organising busy lives less complex, with clever design, features and functionality that will keep you ready for the daily trials of being a busy teacher. The apps mentioned in this article are mainly built for Apple devices (iPhone / iPad / Mac), with links directing to the relevant App Stores, unless otherwise indicated."
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Effective Teaching Resources and Strategies - Oppositional Defiant Disorder - 16 views
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Pick your battles - if you try to fight with them about everything.. nobody wins
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- Talk to a colleague about how you are feeling. Sometimes venting is all you need! - Go for a walk at recess or lunch - Take a deep breath and remember, the child is not doing this on purpose and they may be as frustrated as you. - Play a quick game online...
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It is important to remember that we need to be fair to all students. Fair means to support them with what they need... not to treat them all the same way.
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Big History Project - 45 views
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Our students have been doing BHP for over a year. We have started with our second cohort this year. The scope and support for practical days is fantastic. The students love it and so do our teachers. When staff and students finish a practical day they are so elated with their work, that nobody leaves on the bell...everyone is still evaluating the day.
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100+ Google Tricks That Will Save You Time in School | Online Colleges - 199 views
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Do a timeline search. Use "view:timeline" followed by whatever you are researching to get a timeline for that topic
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Invite others. If you have events on your calendar that you want to invite others to join, just add their email address under Add Guests within the event.
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Use the school year calendar template. Have an easy to use school year calendar through Google Docs by following these instructions.
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Use the
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Use the school year calendar template . Have an easy to use school year calendar through Google Docs by following these instructions.
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Use the school year calendar template. Have an easy to use school year calendar through Google Docs by following these instructions.
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Use the school year calendar template. Have an easy to use school year calendar through Google Docs by following these instructions
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boost. Use the school year calendar template. Have an easy to use school year calendar through Google Docs by following these instructions.
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Use the school year calendar template. Have an easy to use school year calendar through Google Docs by following these instructions.
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Create online surveys for research projects. Quickly and easily create online surveys for any research project that requires feedback from others. The answers are saved to your Google Docs account.
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Calculate with Google. Type in any normal mathematical expressions to get the answer immediately. For example, "2*4" will get you the answer "8." Time. Enter "what time is it" and any location to find out the local time.
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Calculate with Google. Type in any normal mathematical expressions to get the answer immediately. For example, "2*4" will get you the answer "8." Time. Enter "what time is it" and any location to find out the local time.
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Incorporate Google Calendar and Docs on your Gmail page. Have access to recent documents used in Google Docs and get an agenda of upcoming activities you have on Google Calendar with small boxes added to your Gmail page. Go to Labs to select this option.
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The rise of creative youth development: Arts Education Policy Review: Vol 118, No 1 - 3 views
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The article describes creative youth development in the larger contexts of arts education and of education reform.
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Lastly, the article discusses policy, funding, and research needs and opportunities and provides questions for consideration.
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Yet these two worlds largely exist apart, failing to address the reality that youth learn and grow—or fail to reach their potential—through influences and experiences in all spheres of their lives, including home, school, and the settings where they spend time outside of schoo
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attention due to their high levels of youth engagement that contribute to substantial learning, enhanced critical thinking
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such as heightened confidence and sense of agency
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Decades of research findings link adolescent engagement, efficacy, and responsibility with opportunities for immersion and mastery, connection in a community of practice, embracing youth voice, and cultivating youth leadership with adolescent engagement, and non-school settings have emerged as crucial developmental and learning environments for youth
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Throughout the United States, teen participants in CYD programs assert that the programs saved their lives, putting them on positive trajectories and away from gangs, drug use, crime, and ennui.
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The creative process at the center of CYD programs contributes to profound personal growth for youth participants
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And as they experience the creative process over an extended period, they learn that they can use it to express their own identities, understand and change the world around them, and connect to the greater human experience.”
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community of practice of youth artists and their artist mentors, the paid, professional artists who comprise the full-time faculty. SAY Sí boasts a 100% rate of graduation and pursuit of higher education in a community with a 45% dropout rat
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hese programs had a central belief in the ability of young people to achieve and grow artistically and personally through creative expression and skill building in the arts.
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impact of arts-based youth programs in reducing risk factors and building protective factors in a study conducted in three American cities
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She also catalogued characteristics of effective CYD programs, such as supporting risk within a safe space (
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Teens develop intrinsic motivation as they immerse themselves and develop competence in a topic, connect with others who share this interest, and work with educators positioned as senior collaborators—