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The speed of light in vacuum, commonly denoted c, is a universal physical constant important in many areas of physics. Its value is exactly 299,792,458 metres per second, a figure that is exact because the length of the metre is defined from this constant and the international standard for time.[1]

The first quantitative estimate of the speed of light was made in 1676 by Rømer (see Rømer's determination of the speed of light).[83][84] From the observation that the periods of Jupiter's innermost moon Io appeared to be shorter when the Earth was approaching Jupiter than when receding from it, he concluded that light travels at a finite speed, and estimated that it takes light 22 minutes to cross the diameter of Earth's orbit. Christiaan Huygens combined this estimate with an estimate for the diameter of the Earth's orbit to obtain an estimate of speed of light of 220000 km/s, 26% lower than the actual value.[105]

Beginning in the 1880s several experiments were performed to try to detect this motion, the most famous of which is the experiment performed by Albert A. Michelson and Edward W. Morley in 1887.[128] The detected motion was always less than the observational error. Modern experiments indicate that the two-way speed of light is isotropic (the same in every direction) to within 6 nanometres per second.[129]

The bold new era of content distribution and technological efficiency has served up entire, original award-winning series series like Netflix' House of Cards and Orange is the New Black for consumption in one sitting, if the viewer desires.

Quite frankly, we've never had it so good.

empowered the consumer.

Presence is widely accepted as the key concept to be considered in any research involving human interaction with Virtual Reality (VR). Since its original description, the concept of presence has developed over the past decade to be considered by many researchers as the essence of any experience in a virtual environment. The VR generating systems comprise two main parts: a technological component and a psychological experience. The different relevance given to them produced two different but coexisting visions of presence: the rationalist and the psychological/ecological points of view. The rationalist point of view considers a VR system as a collection of specific machines with the necessity of the inclusion of the concept of presence. The researchers agreeing with this approach describe the sense of presence as a function of the experience of a given medium (Media Presence). The main result of this approach is the definition of presence as the perceptual illusion of non-mediation produced by means of the disappearance of the medium from the conscious attention of the subject. At the other extreme, there is the psychological or ecological perspective (Inner Presence). Specifically, this perspective considers presence as a neuropsychological phenomenon, evolved from the interplay of our biological and cultural inheritance, whose goal is the control of the human activity. Given its key role and the rate at which new approaches to understanding and examining presence are appearing, this chapter draws together current research on presence to provide an up to date overview of the most widely accepted approaches to its understanding and measurement.

Pandora (which is also the name of the company) grew out of the Music Genome Project, which company founder Tim Westergren began six years ago.

He became fascinated with the way directors described the music they were looking for, which led to his wondering what made people enjoy certain types of music. He asked himself, "If people haven't found any music that they love since college, and artists are struggling to find an audience, is there a role for technology to help bridge the gap?"

Westergren started the Genome Project from the idea of creating a platform for connecting people with music that they'll love based on music they already enjoy. The project uses experts called "music analysts" to deconstruct music into its fundamental parts and capture the results into a database. Pandora has 40 professional musicians who come to the office every day and listen to one song at a time, analyzing each in anywhere from 200 to 400 dimensions. (The dimensions are somewhat different for each genre of music.)

Internet of Things should deliver consumer experiences that were not possible 2-3 years ago. These new experiences not only deliver consumer value but awe and delight as well. Products that tap into these human emotions will become the corner stones of tomorrows connected reality.

Based on the data the we have collected and analyzed there are three interesting questions to ask when approaching consumer based IoT products:      Does the product leverage ambient intelligence as the consumer interface?What is the unprecedented consumer experiences created from the product? How does the product connect with other products to deliver unique consumer services? 

Accommodated as we are to mass media, we must work to imagine the impact of commercial radio broadcasting in its early years. From the late 1800s, new electronic devices had been expanding the realm of shared human experience — people conversed on telephones, sent news through telegrams, played records on phonographs, and enjoyed films in local theaters. But until the radio, nothing offered such widely shared simultaneous mass experience. By turning on your radio set, you could listen to a jazz band, baseball game, religious service, even a president’s speech, live, along with millions of fellow listeners.

social media fulfilled the role of real-time reporting

powerful instrument of public scrutiny

Still, social media cannot prevent police brutality on its own.

Like a perfectly addictive drug, almost every aspect of the television viewing experience grabs and holds your brain’s attention, which explains why it’s so tough to stop watching after just one (or three) episodes of Orange is the New Black.

Characters run or shout or shoot accompanied by sound effects and music. No two moments are quite alike. To your brain, this kind of continuously morphing sensory stimulation is pretty much impossible to ignore, explains Robert F. Potter, Ph.D., director of the Institute for Communication Research at Indiana University.

“Our brains are hardwired to automatically pay attention to anything that’s new in our environment, at least for a brief period of time,” he explains. And it’s not just humans; all animals evolved this way in order to spot potential threats, food sources, or reproductive opportunities, Potter says.

rites observes that the majority of YA novels about gay and lesbian teens "are very Foucaultian in their tendency to privilege the discourse of homosexuality over the physical sexual acts of gay men, defining homosexuality more rhetorically than physically" (102-03).

Star Trek is widely considered to be the first "modern" fandom, and the majority of studies of participatory media fandom begin their history with Trek fans. However, activities that could be called "fannish" go back much further, and include eighteenthcentury unauthorized sequels of works such as Gulliver's Travels, the aforementioned Sherlock Holmes pastiches, and the entire body of literary and folk "retellings." See Brewer, Pflieger, Derecho, and Stasi.

According to Francesca Coppa, the Internet enabled "an increasingly customizable fannish experience" (54). As a result, "[a]rguably, this may be fandom's postmodern moment, where the rules are 'there ain't no rules' and traditions are made to be broken" (57).

The paper presents a framework for understanding AR learning from three perspectives: physical, cognitive, and contextual. On the physical dimension, we argue that physical manipulation affords natural interactions, thus encouraging the creation of embodied representations for educational concepts. On the cognitive dimension, we discuss how spatiotemporal alignment of information through AR experiences can aid student's symbolic understanding by scaffolding the progression of learning, resulting in improved understanding of abstract concepts. Finally, on the contextual dimension, we argue that AR creates possibilities for collaborative learning around virtual content and in non-traditional environments, ultimately facilitating personally meaningful experiences.

We found 87 research articles on augmented reality learning experiences (ARLEs) in the IEEE Xplore Digital Library and other learning technology publications. Forty-three of these articles conducted user studies, and seven allowed the computation of an effect size to the performance of students in a test. In our meta-analysis, research show that ARLEs achieved a widely variable effect on student performance from a small negative effect to a large effect, with a mean effect size of 0.56 or moderate effect.

Live and weekly DVR ratings have plummeted for most broadcast programs, as many viewers can now catch their favorite shows on demand via Hulu or illegal torrents.

Neither of these represent the biggest problem facing TV – that would be Netflix. More specifically, it’s the streaming giant’s foray into the original programming game that should cause all couch potatoes’ skin to crawl.

Sleep. Using a laptop, cell phone, or iPad late at night can seriously mess with your sleep patterns and habits, potentially leaving you with a sleep disorder.

Depression. A Swedish study found that participants who felt the need to have their cell phones constantly accessible were more likely to report depressive mental health symptoms.

The popularity of social media and sharing everything has led to this new sensation where everyone from middle school-ers to working adults feel the pressure to attend every event and share every experience.

People engage in an information search experience holistically, with an interplay of thoughts, feelings and actions.  Common patterns of thinking, feeling, and acting are characteristic in each phase.  These studies were among the first to investigate the affective aspects or the feelings of a person in the process of information seeking along with the cognitive and physical aspects.  Rather than a steady increase in confidence from the beginning of a search to the conclusion, as might be expected, a dip in confidence is commonly experienced once an individual has initiated a search and begins to encounter conflicting and inconsistent information.  A person “in the dip” is increasingly uncertain and confused until a focus is formed to provide a path for seeking meaning and criteria for judging relevance. Advances in information technology, that open access to a vast assortment of sources, have not helped the user’s dilemma and may have intensified the sense of confusion and uncertainty.  Information systems may intensify the problem particularly in the early stages of the ISP by overwhelming the user with “everything” all at once.

Workers fear being replaced by robots

higher ranking humans will tell lies about how the robots will never, ever take away your job.

robots are more persuasive when they refer to the opinions of humans and limit pauses to about a third of a second to avoid appearing confused.