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Kathleen Hancock

Information, Community, and Action: How Nonprofit Organizations Use Social Media* - Lov... - 0 views

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    Nonprofit organizations and social media
marikejp

How Facebook Beat MySpace - Forbes - 0 views

  • not only an early internet success – but a seminal web site for the movement we now call social media. 
  • very simple management mistake News Corp. made.  News Corp tried to guide MySpace, to add planning, and to use “professional management” to determine the business’s future.  That was fatally flawed when competing with Facebook which was managed in White Space, lettting the marketplace decide where the business should go.
  • If you have an idea for networking on something, Facebook pushed its tech folks to make it happen.  And they kept listening.
marikejp

The Rise and Inglorious Fall of Myspace - Businessweek - 0 views

  • Jackson still hustles for attention on the lower rungs of fame—he currently stars in season five of Celebrity Rehab, in which he battles his addiction to growth hormones for cable television viewers.
  • this year
    • marikejp
       
      (2011)
  • "Getting people to come back to something that in their minds has become less useful is an incredible challenge on the Web—just ask AOL,"
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  • LinkedIn (LNKD) valued at $6.4 billion
  • Many Myspace pages appear to be host bodies for the worst kinds of advertising parasites. On the upper right-hand corner of the page for Zaiko Langa Langa, an African band Googled at random, a photo of a blonde in a tight T-shirt appears, asking, "Want a Girlfriend? View Hundreds of Pics HERE!"
  • Mismanagement, a flawed merger, and countless strategic blunders have accelerated Myspace's fall from being one of the most popular websites on earth—one that promised to redefine music, politics, dating, and pop culture—to an afterthought.
marikejp

Myspace Collapse: How The Social Network Fell Apart - 0 views

  • Facebook offered something as basic as being able to actually see your real friends vs. anonymous friends.
  • "We tried to create every feature in the world and said, 'O.K., we can do it, why should we let a third party do it?' " said DeWolfe. "We should have picked five to ten key features that we totally focused on and let other people innovate on everything else."
    • marikejp
       
      Same Quote from other article
andhearsonars

What happened to the expert curator? | Guardian Professional - 0 views

  • Within these contexts, the act of arranging objects, images or sounds into an order that may or may not have meaning has proliferated throughout the creative and cultural industries. The curator is now a producer: you might curate your Flickr feed, your mates playing records at a bar or an exhibition in your own apartment – a trend showcased by the Serpentine Gallery's co-director Hans Ulrich Obrist, a master orator of what he calls a "global dialogue… in space and time".
  • A space has now opened up – both physically and online – where anyone can give curating a go.
  • What, then, if we're looking in the wrong place for qualified, ground-breaking curators? Perhaps they are no longer in museums, galleries or cultural institutions, but instead in front of a screen – sociable and connected. Curating in the age of the internet is the act of responding to social and technological developments: their usability, instability and the various networks of communication in which they are presented online.
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  • Dealing with networks means that nothing is stable, everything is constantly moving in response to massive amounts of data
  • "Broadly accounting for any act where a person organises visual content on the internet in a way that creates meaning through the differences and similarities of their collected images."
  • relatively meaningless
  • 'digital curating'
  • "curating is now linguistically deluded beyond the point of return to an artistic context
  • people are creating meaning themselves – online, inside, outside
andhearsonars

Pinterest, Tumblr and the Trouble With 'Curation' - NYTimes.com - 0 views

  • evoke in the viewer a certain feeling, atmosphere or mood
  • Not just on Pinterest, but also in the form of dopamine-boosting street-fashion blogs and cryptically named Tumblr blogs devoted to the wordless and explanation-free juxtaposition of, say, cupcakes and teapots and shoes with shots of starched shirts and J.F.K.
  • artfully arranged pictures of other people’s stuff?
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  • “curation,”
  • rarefied and highly specialized skill, would all of a sudden go viral
  • Not because I don’t like magazines. In many ways, I like them better. But they’re too grounded in space and time, too organized and linear, too collaborative and professional to deliver the synaptic frisson available from the stream-of-consciousness image blog.
  • A friend of a friend calls his addiction to sites like these “avenues for procrastination,” but I think there’s something else involved. Like other forms of pastiche — the mix tape, the playlist, the mash-up — these sites force you to engage and derive meaning or at least significance or at the very least pleasure from a random grouping of pictures. Why not dive into an alternative world full of beauty and novelty and emotion and the hard-to-put-your-finger-on feeling that there’s something more, somewhere, where you’re not chained to your laptop, half dead from monotony, frustration and boredom
  • the sudden rise of the mood board as mood regulator, a kind of low-dose visual lithium
  • So maybe we are like the rats, and what we’re seeking while idly yet compulsively cruising Pinterest is really just the reliably unpredictable jumble of emotions that their wistful, quirky juxtapositions evoke. Maybe that is our rectangularity.
  • This is, I think, what these sites evoke: the feeling of being addicted to longing for something; specifically being addicted to the feeling that something is missing or incomplete. The point is not the thing that is being longed for, but the feeling of longing for the thing.
  • In other words, your average Pinterest board or inspiration Tumblr basically functions as a longing machine.
  • They target aspects of our lives that “are incomplete or imperfect”; involve “overly positive, idealized, utopian imaginations of these missing aspects”; focus on “incompleteness on the one hand and fantasies about ideal, alternative realities on the other hand”
  • frivolous and feminine
  • People don’t post stuff because they wish they owned it, but because they think they are it, and they long to be understood, which is different.
  • In fact, the company discourages people from posting images they have created themselves, preferring that they venture out into the wilds of the Internet looking for beautiful things to bring back to the cave.
  • “Curation” does imply something far more deliberate than these inspiration blogs, whose very point is to put the viewer into an aesthetic reverie unencumbered by thought or analysis. These sites are not meant (as curation is) to make us more conscious, but less so.
  • But products are no longer the point. The feeling is the point. And now we can create that feeling for ourselves, then pass it around like a photo album of the life we think we were meant to have but don’t, the people we think we should be but aren’t.
Kathleen Hancock

How Nonprofits Use Social Media to Engage with their Communities - NPQ - Nonprofit Quar... - 0 views

  • most (74%) use social networks as a megaphone, announcing events and activities and sharing organization-centric info.
  • Nonprofits overwhelmingly (88%) said their most important communication tools were email and their websites, even though fully 97% of them are on Facebook. This may have to do with the fact that in their mind, the pinnacle of engagement is a donation (47%).
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    Nonprofits statistics with social media
braxtondn

Selfies and Self-Esteem, Emotional Effects of Pictures - 0 views

  • So, if you’re doing a little more than documenting the moments of your life, and obsessing about your image seems to be taking over your life, what can you do to put things into perspective? “Make sure the focus is on the internal as much as the external,” says Weiner. “If all the images are fabricated to a degree, they’re not really showing life as it really is. Not all moments are perfect and model-ready. Enjoy your beauty, take that selfie, but be present for those memories while you're taking the photo.”
    • braxtondn
       
      This is interesting because of the phrase " model ready". 
  • “It may reset the industry standard of beauty to something more realistic.”
  • “It can be empowering. Some women use it as a way to control how their image is portrayed in social media, which is completely fine.”
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  • “It depends on how you use it. If you're using it as a tool to document feeling good about yourself and you’re just taking mementos of living a great life, that’s fine.”
  • “The concern lies when people who are using it to create a personae that will be approved of, i.e., how many Facebook or social media clicks, 'likes,' and approvals they get. Facebook and other types of social media create a feedback loop, and some people take more to feed their self-esteem, which can become more important than simply documenting the experience.”
  • Jess Weiner, Global Self-Esteem Ambassador for Dove, a social messaging strategist, and CEO of Talk to Jess, has seen a considerable rise in self-esteem issues with the pressure to constantly be camera-ready. “I have seen a remarkable shift is self-esteem issues with the rise of the selfies," she says. "The pressure to be camera-ready can elevate self-esteem issues, with the pressure of commenting on posts and with the rise of social media. It has a more competitive aspect, and that can really put the pressure on.”
mjminutoli

Facebook Will Gather More User Information, but Offer More Control Over Ads | CIO - 0 views

  • Facebook will use the information gathered from all those sources to identify its users' interests and match them with advertising, as it already does with information about their onsite activities.
  • A screenshot illustrating the function showed that clicking on one corner of the ad will drop down a menu allowing users to select one of four options: "I don't want to see this," "Hide all ads from this advertiser," "Why am I seeing this?" and "This ad is useful." Asking for more information will show the interest areas identified by Facebook to which the ad is related, allowing users to reject further ads associated with that interest.
  • Facebook will use the information gathered from all those sources to identify its users' interests and match them with advertising, as it already does with information about their onsite activities.
anonymous

Giorgio Bertini's Public Library | Diigo - 1 views

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    Recommend this Diigo Metacognition Multidisciplinary Annotated Bibliography about Learning Change http://gfbertini.wordpress.com/ ... some readings from multidisciplinary research on society, culture, critical thinking, neuroscience, cognition, intelligence, creativity, autopoiesis, rhizomes, emergence, self-organization, complexity, systems, networks, methods, thinkers, futures ...
anonymous

Augmented Revolution » Cyborgology - 0 views

  • The Egyptian resistance used web tools as well as physical space, and most importantly, they did so by looking at the intersection of both. They used the web to inform people how to behave in physical space, e.g., what to do with tear gas containers, who should stand in front of the crowds and how the crowds should move about the city. It makes little sense to argue about whether these are social media revolutions or not. Instead, we should recognize them as augmented revolutions. Only then can we debate just how and how much of a role the digital aspect played.
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    Thinking about how augmented reality impacts physical reality.
andhearsonars

Curators of databases: circulating images, managing attention and making value on socia... - 0 views

  • relationships between cultural spaces, the image-making practices of smartphone users and social media platforms.
  • curatorial
  • In addition to targeted advertising, value is created by leveraging a continuous circulation of meaning and attention
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  • They are a significant site in the development of a mode of media driven not only by ideological or representational forms of control, but also by the effort to manage participation and social space in order to harness and modulate an ongoing circulation of meaning, attention and data.
  • monitor and respond
  • This activity involves the affective labour of structuring image-based relationships between people, places and practices
  • persuade them with specific messages
  • On the social and mobile web, images are more than just representations of people, events and places. They also capture attention, and generate data and networks. An image is a device that holds in place a network of associations and affects in time and place, that can be tracked and responded to.
  • structuring feeling
  • In this article, I propose that conceptualising how value is made on social media involves examining how the analytic capacities of platforms are interrelated with the flows of images created by smartphone users within material cultural spaces.
  • Hashtags, tags, likes, comments and shares are 'manual' devices users employ to position images within a larger flow. Algorithms are 'automated' devices that determine how images circulate within a network based on a set of rules.
  • Users often know that posting certain kinds of content at certain times or places will attain more or less interaction from peers in their network. Efforts users make to position content--for instance, by tagging or liking an image--create data that algorithms use to manage the circulation of content in general by recognising patterns of interaction over time.
Kathleen Hancock

http://scholarworks.gvsu.edu/cgi/viewcontent.cgi?article=1003&context=spnhareview - 0 views

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    Non-profit organizations and social media
andhearsonars

MD Consult - Pin It to Win It: Using Pinterest to Promote Your Niche Services - Journal... - 0 views

  • and now that Pinterest has taken off, it's clear that people are drawn to an image—an image is what gets them in to learn more about an idea, product, or service,”
  • “Every registered dietitian (RD) has a different specialty, a different job, a different nutrition philosophy, and Pinterest is a good way to curate your values and expertise—and by doing that you can create a niche.”
  • The primary thing to keep in mind is that a key function of Pinterest is to drive users to your website or blog where they can learn more about your expertise as a food and nutrition practitioner. In fact, Pinterest reportedly drives more web traffic to other sites than Google+, LinkedIn, and YouTube combined.
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  • you can take your interests and use them to explain more about you and what you have to offer
  • In other words, she might pin an appetizing image of a gluten-free dish on a Pinterest board, and a user will click on the picture taking them to her website, which features information about her services such as food and nutrition writing, corporate consulting, foodservice consultation, and nutrition counseling and lifestyle coaching—particularly for people with celiac disease and food allergies.
bdm1chael

The Power of Social Media to Affect Our Health and Fitness - 3 views

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    "Did you Instagram it? No, but it is on Facebook, Twitter, Tumblr, Pinterest... Social media is the new "social life" but has its proliferation changed our once-healthy habits? One billion people couldn't possibly be wrong, right?"
bdm1chael

Using interactive technology to improve health : is weight loss just a mouse-click away? - 2 views

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    "Since 1980, the prevalence of obesity among U.S. adults has more than doubled, accompanied by increases in chronic conditions like heart disease and diabetes. This high prevalence and associated disease burden continues to be a threat to public health. Despite years of efforts to stem the tide of obesity, successful weight loss has proven difficult to achieve and sustain."
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