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Good questions about The Participatory Cultures.

Participatory Culture is a culture that everyone inside the society can talk, share and control the media. People with loud voice and much money have the equal opportunity of joining in the culture with people with nothing. This is an ideal situation. In the article, Aaron Alan Delwiche and Dr. Jennifer Jacobs Henderson express their idea on Participatory culture. They think that people should join the culture and join in efficiently. People can not bully on minority or hurt others. On the other side, it is more harmful not to join the culture. I think they are right to a large extent. However, participatory culture is an ideal situation to a large extent. People can not achieve equality on the social media

The city of Sao Paulo adopted a "participatory culture" a few months ago. Are there any other cities in the world who`ve done the same?

there's a lot going on there: http://www.artisopensource.net/network/artisopensource/category/projects/ecosystems/

It's good that people make a participatory culture over the cyberspace, it is way beyond the limitations like in a classroom setting. It creates a social connection with one another and can be a life-long learning process.

' Pirate Philosophy' explores how the development of various forms of so - called internet piracy is affecting ideas of the author, the book, the scholarly journal, peer review, intellectual property, copyright law, content creation and cultural production that were established pre - internet. To this end it contains a number of contributions that engage with the philosophy of internet piracy, as well as the emergence out of peer-to-peer file sharing networks of actual social movements- even a number of political 'Pirate Parties' Culture Machine Journal of Culture and Theory Vol 10 (2009)

Merete Sanderhoff edited this collection of 18 articles on the topic of Openness in the cultural sector (predominantly museums). An excellent resource as museums struggle to retain image rights while at the same time fulfilling their both their educational and preservational missions.

This is really interesting! Thanks for sharing - I'll be reading this on my commute this week. The juxtaposition raised between safeguarding collections and allowing access (and possible re-use) is enlightening.

Caring for collection being shared is also a part of knowledge openness to access because all collections are precious for its timeless value , memoirs, and cultural heritage.

The best free cultural and educational media on the web

erikitaymarijo, thank you for the attached list it is very helpful.

Some of us get our education at film school. More of us get it from The Criterion Collection, that formidably cinephilic restorer, curator, and packager of classic motion pictures from every era.

About the book: Information Literacy and Cultural Heritage: Developing a model for lifelong learning Kim Baker, Cape Town, South Africa - covers cultural heritage in the museums, archives and... Kim is our fellow co-student from Cape Town. She already created a digital project, her blog. She also has created an analog project: a book, you know, something printed on paper :) Kim is a GLAM (Galleries, Libraries, Archives and Museums) expert. Her book covers anything digital and GLAM or cultural heritage, at least that is what the content section promises. So I'm very glad to have such an expert in her field in the class.

Thank you very much. :) And I am so happy to be here and learn from so many experts around the world!

Christopher Kelty has written a book on the cultural importance of open source software and made it freely available under a CC license. It looks at free software from both a technical and social perspective, allowing for greater insights into its significance for today and for tomorrow.

This is a very interesting and thought provoking ebook. Not only does it provide a helpful historical view of how free software came to be, but it posits the impact of such a phenomenon on industry and culture. I particularity liked the view that the pervasiveness of free software - thanks to the Internet - is such that free software itself is instigating much change beyond its original perceived sphere of influence, being software applications. A good read if open source software, free software and impacts on culture interests you.

Schlitz M, Vieten C, Miller E. Journal of Consciousness Studies. 2010 July-Aug;17(7-8):18-36. "In this paper, we examine how increasing understanding and explicit awareness of social consciousness can develop through transformations in worldview." In order to develop a participatory culture which allows for participation by people from different cultural, educational and political backgrounds to the dominant Western culture in the digital domain, it is argued that Worldview Literacy needs to be cultivated, and tolerance learned for different worldviews. This would facilitate participation by all, and prevent the silencing and exclusion from agency of those from different backgrounds.

"Increased access to information and knowledge, underpinned by universal literacy, is an essential pillar of sustainable development. Greater availability of quality information and data and the involvement of communities in its creation will provide a fuller, more transparent allocation of resources."

"In this context, a right to information would be transformational. Access to information supports development by empowering people, especially marginalised people and those living in poverty, to: - Exercise their civil, political, economic, social and cultural rights. - Be economically active, productive and innovative. - Learn and apply new skills. - Enrich cultural identity and expression. - Take part in decision-making and participate in an active and engaged civil society. - Create community-based solutions to development challenges. - Ensure accountability, transparency, good governance, participation and empowerment. - Measure progress on public and private commitments on sustainable development. "

An interesting opinion/confessional piece on one academic's experience of publishing in the developing world. The author points out cultural pressures and differences that could possible contribute to the expanding knowledge gap.

It is very fascinating articles, thank you for posting this. I myself, most of the times, focus on the publisher issues rather than the author himself. However, after read this I realise how important it is to pay attention to the authors because their contribution can really affect the quality of researches that they involved in. Regardless how successful the authors are, they are still human beings who are also affected by the national cultures.

This is an interesting piece but raises the question - why is the institution placing the pressure? It says, tacitly, a lot about the culture of the academic institutions in the country as a whole - and this culture is often shaped by funding patterns from central government, or major funders. The institution then responds to these funding patterns by pressuring staff to produce what is funded. In South Africa this is very much the pattern, with central government funding articles published in selected journals (see the readings for the module 11). However, there has been a rethink and there is proposed changes in now supporting book publication to a much greater degree. So whereas the pressure was on to produce articles, now the universities are looking at book production to a greater extent. As has been said as a truism; "Follow the money" - and in this case we see how this affects what should be, in effect, academic freedom.

This is about the inequitable global power and how it dynamics the confronting global knowledge production in nowadays.

Underlying this notion of global knowledge production inequities is how developed countries "The Global North" dominate modern knowledge systems. This hegemonic control of global knowledge, driven by increased globalization, places pressure on virtually all societies to adopt global values and services. While this development does have positive implications (e.g. better understanding of modern health practices, nutrition, environmental protection, governance systems, etc), on the negative side, the imposition of cultural forms from the developing world could be considered a form of political and economic domination. This leads to the increasing homogenization of cultures and a threat to local knowledge, and the exacerbation of local differences and inequalities through uneven access to such knowledge and the means for it's application. The production of knowledge implicates and is implicated in power relations, as those with superior technology cannot only generate but also store, monopolize and disseminate information to safeguard their interests. Foucault (1972) suggests that the relationship between power and knowledge has its origin in the ownership of the means of material production and technical expertise. According to Said (1978), Western powers in a colonial and post-colonial context, using agents in developing countries, have been able to develop elaborate cultural and political institutions where knowledge production exists with supporting mechanisms that dominate and suppress African communities. In a critical examination of development policies and programs in Africa, Okolie (2003) considers these to be shaped by knowledge and assumptions about knowledge production that are primarily Euro-American centered, and are consequently "exclusionary and often contemptuous of other ways of knowing" (Okolie, 2003). The establishment of the continent's universities and research centers was primarily driven by Western powers, and the African elites who h

"With the emergence of new publishing tools, public libraries are able to be publishers for themselves. In essence, we can build a Maker culture for local publishing. "

Thanks! I did not know about Amazon's Kindle Direct Publishing. Quite useful!

Two competing views on the future of publishing, and how shifts in consumer behavior to purchasing or consuming electronic content is causing such a shift in the literary world. I found it interesting to read that a number of open source software platforms were identified as the harbingers of today's self-publishing model online. I never knew Wattpad existed - watt an awesome site (pun intended). I agree with the articles viewpoint about the role that public libraries can play in this shifting landscape. A good read.

FREE CULTURE is available for free under a Creative Commons license. You may redistribute, copy, or otherwise reuse/remix this book provided that you do so for non-commercial purposes and credit Professor Lessig. " America needs a national conversation about the way in which so-called 'intellectual property rights' have come to dominate the rights of scholars, researchers, and everyday citizens. A copyright cartel, bidding for absolute control over digital worlds, music, and movies, now has a veto over technological innovation and has halted most contributions to the public domain from which so many have benefited. The patent system has spun out of control, giving enormous power to entrenched interests, and even trademarks are being misused. Lawrence Lessig's latest book is essential reading for anyone who want to join this conversation. He explains how technology and the law are robbing us of the public domain; but for all his educated pessimism, Professor Lessig offers some solutions, too, because he recognizes that technology can be the catalyst for freedom. If you care about the future of innovation, read this book." -- Dan Gillmor, author of MAKING THE NEWS, an upcoming book on the collision of media and technology

Hi Kim, Thanks for sharing this great work by Lawrence Lessig published ten years ago.

Open Access repositories promote the widespread dissemination of scientific and scholarly production. Researchers and teachers publish free on line digital assets for claiming their activity and for sharing research results with other researchers. In particular universities, research centres, libraries and, for limited subsets of their collections, museums, administrative archives and other cultural institutions are promoting open access. In the future, a considerable section of scholarly, academic and cultural institutions memory will be formed by born-digital assets, stored in open access archives. Their digital collections will have an ever growing relevance in making up the scientific and information heritage of the next generations. In order to ensure that these objects will survive and continue to be cited, scholarly and academic communities should be committed to the long term preservation of their repositories.

FAIR USE CULTURE

Buen contenido.

The competencies discussed by Dr. Jenkins in the Module 3 video, for those who are interested, are: "Play - the capacity to experiment with your surroundings as a form of problem-solving Performance - the ability to adopt alternative identities for the purpose of improvisation and discovery Simulation - the ability to interpret and construct dynamic models of real world processes Appropriation - the ability to meaningfully sample and remix media content Multitasking - the ability to scan one's environment and shift focus as needed to salient details. Distributed Cognition - the ability to interact meaningfully with tools that expand mental capacities Collective Intelligence - the ability to pool knowledge and compare notes with others toward a common goal Judgment - the ability to evaluate the reliability and credibility of different information sources Transmedia Navigation - the ability to follow the flow of stories and information across multiple modalities Networking - the ability to search for, synthesize, and disseminate information Negotiation - the ability to travel across diverse communities, discerning and respecting multiple perspectives, and grasping and following alternative norms."

Participatory Culture in the Age of. Social Media ... approaches and theory. There is a need for ... future directions in participatory culture research

Mark Thorley (Conventry University): Participatory music culture: the challenges for identity, creativity and recognition The advent of recording technology served to break down the link between musician and audience (Eisenberg 2005), and the music participant became the music consumer. Emerging digital technologies are now reversing this trend and music participation is all the more possible.

An interesting overview of the challenges that both teachers and students face in the era of participatory culture

By Elisabeth Losh in Information Science and Web 2.0.

Two interesting links extracted from the article: Connected learning http://connectedlearning.tv/ Connected Learning is an educational approach designed for our ever-changing world. It makes learning relevant to all populations, to real life and real work, and to the realities of the digital age, where the demand for learning never stops. http://www.itofisher.com/mito/weblog/2012/03/connected_learning.html