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Microsoft's resolve to filling-in the web app productivity space dominated by Google is increasingly on the spotlight as the company demonstrated more collaborative Office features on more devices. The new update means bringing more real-time collaborations to Office web apps, which hitherto had been available only on the desktop Office software. - See more at: http://www.questechie.com/2013/06/microsoft-demonstrates-real-time-co.html#sthash.0oz8d2EU.PMi6P11B.dpuf

"March 20, 2013, 4:55 am By Steve Kolowich The State University of New York's Board of Trustees on Tuesday endorsed an ambitious vision for how SUNY might use prior-learning assessment, competency-based programs, and massive open online courses to help students finish their degrees in less time, for less money. The plan calls for "new and expanded online programs" that "include options for time-shortened degree completion." In particular, the board proposed a huge expansion the prior-learning assessment programs offered by SUNY's Empire State College. The system will also push its top faculty members to build MOOCs designed so that certain students who do well in the courses might be eligible for SUNY credit. Ultimately, the system wants to add 100,000 enrollments within three years, according to a news release."

"I finally found the video I have been searching for, for a long time. I have mentioned several times the electronic tablet as a precursor of the tablet. The video is of 1994 and has been produced by the research department of the American newspaper company Knight Ridder, which was lead by Roger Fidler. I had the pleasure of meeting him in 1995 in Amsterdam, where he showed the video and the prototype of the electronic newspaper on Berlin format."

Vedi, anche di Jak Boumans, http://buziaulane.blogspot.nl/2010/01/bpn-1419-eat-your-heart-out-roger.html . Il video si trova in http://youtu.be/JBEtPQDQNcI , con riferimento a http://www.paleofuture.com/blog/2007/5/14/tablet-newspaper-1994.html nella descrizione. Sottotitolazione (inglese per ora) in corso in http://www.amara.org/en/videos/wMXBxslc8HCH/info/tablet-newspaper-1994/

"Your payment to Ning was declined - First Notice : My point is it will always decline * Posted by Badan Barman on August 23, 2010 at 1:02am in Plans and Pricing * View Discussions Just one minute before, I received this message. Its frustrating. If not hundred, I request several time to Ning to come forward to make the payment successfully. I open help ticket, I post in forum, (CHARGE MY VISA CARD FOR THE IMMEDIATE PAYMENT, I Need Personal Assistant from Ning to Make the Payment Successfully) I personally wrote to Ning employee through email (Eric Suesz), i post as scrap. Still why you are charging my card after 23 hours of validity. You will absolutely get nothing after 23 hours from my card. Hey Ning can you please let me know exactly at what time of tomorrow you will again charge my card.So that I can enter the details of a fresh card just before you charge the card for payment?"

"Features No programming skills required Just choose interaction formats, enter contents, set the app design and with one click generate your apps. Multiple interaction formats You can choose several formats like tests, flashcards, video, audio, plain texts and more. Multiple publishing platforms Create your apps for users of Apples iOS, Googles Android, HTML5 and soon even more platforms. Brand your app Make your app individual by using your own designs. Or just choose one out of many predefined professional designs. No access limits There is no need for an IT infrastructure. Build your apps in the cloud, no matter where you are or what time it is 24/7 updates Upload or change any contents and update them for your end users in real time."

Trovato perché mi ha seguita su Twitter. Troppo bello per essere onesto? Però se il prodotto deve funzionare su tutte quelle piattaforme, questo dovrebbe comportare una benvenuta semplificazione della struttura, no? La quale dovrebbe facilitare l'accessibilità? Ci proverò.

Mm però il tutorial YT fa proprio schifo, nello stile "ti mostro ma non dico niente così [non] funziona in tutte le lingue", con musichetta del cavolo.

"Wordcounter is a word count and a character count tool. Simply place your cursor into the box and begin typing. Word counter will automatically count the number of words and characters as you type. You can also copy and paste a document you have already written into the word counter box and it will display the word count and character numbers for that piece of writing. Knowing the number of words or characters in a document can be important. For example, if the author is required to write a minimum or maximum amount of words for an article or paper, word counter can help them know if their article meets these requirements. In addition, word counter automatically shows you the top 10 keywords and keyword density of the article you're writing. This allows you to know what keywords you use most often and what percentage each is used within the article. This can help you from over-using certain words in your writing and allow you to make sure you have the correct keyword distribution you're trying to obtain for any article you write. Word counts can also be important in defining typing and reading speeds. Word counter can help determine both of these. Simply set a timer and start typing and when the time is up, you'll instantly know how many words you have typed for that period of time. If you have any questions about word counter, please feel free to contact us here. Disclaimer: We strive to make our word counter as accurate as possible but we cannot guarantee it will always be so."

Contatore di parole online: si scrive o si incolla un testo, e lui ti dà automaticamente il numero, oltre a quello delle parole, dei segni (non so se con o senza spazi però), delle frasi, dei paragrafi, e la lunghezza media delle frasi (in No di parole), nonché la frequenza delle parole chiave più usate. Cioè potrebbe anche essere utile per scegliere tag quando si fa un segnalibro su Diigo ;)

"In Douglas Adams's famous Hitchhiker's Guide to the Galaxy series of science-fiction books, interstellar species use Babel fish - "small, yellow, leech-like" creatures that feed on "brain-wave energy" - to translate speech in real time. A team of developers at Google is working on the real thing, using statistical models to translate different languages, including Afrikaans, on the Web and on mobile phones, using voice input and output as well as text. TechCentral sat down with Google Translate research scientist Ashish Venugopal at Google's headquarters in Silicon Valley last week and asked him about the stumbling blocks to effective real-time translation and the future of the technology. This is an edited transcript of that interview. (...).Do you have a team of linguists working all over the world? We have a team of statisticians, all working right over there [points and laughs]. It's less linguistically orientated. There are linguistic ideas that influence our decisions. To give you an example, when I was working on the last set of Indian languages that were launched, I didn't use any linguistic knowledge; I used Wikipedia and my grandmother. So, it's Wikipedia, my grandmother and statistics. That's what we use to put a language together. - Duncan McLeod, TechCentral"

Intervista a uno sviluppatore di Google traduttore, su come funziona, pubblicata nella rivista sudafricana TechCentral il 12 gennaio 2012.

"Welcome to PrimaryPad PrimaryPad is a web-based word processor designed for schools that allows pupils and teachers to work together in real-time. Look below to see how it works and create a new pad to the right to have a go, you also get a free 3 month trial when you sign up! Free pads last 30 days from the time of creation."

"Here's the lastest video educator's are jacked about: [ http://www.youtube.com/watch?feature=player_embedded&v=UFpe3Up9T_g ] I like much about this video. I like the message. I like the way it's shot. I like the girls. What I don't like is the perception that this is the girl's invention. It's not. These girls are likely no more into inventing and making than most girls their age. While I might be able to look past that, and I can, I don't like the perception that this is authentic as it suggests. Which raises the larger question of authentic student voice. I remember first being struck by this when this video came out about 6 years ago: [ http://www.youtube.com/watch?feature=player_embedded&v=_A-ZVCjfWf8 ] It's an iteration of Michael Wesch video using college aged students. When I saw the k-12 version it just didn't sit well with me. The signs the students held seemed to be the language and ideas of adults. I had a hard time thinking any 5 year old would use the phrase "engage me". But still I thought the video had value but I never used them to share with others. (...) If you're still jacked about the little girls video, that's okay, show it to your young girls, encourage them to explore science but let's have enough awareness to know when we're being sold something. My point with this little wander through video is let's advocate for student voice but not fake ones. Our students do have a voice. Most of them are childlike, full of child like ideas and most aren't as eloquent as adults because they aren't adults. That's what we're supposed to be doing, helping them develop that voice. Yet we do have some that are ready for prime time and we should provide ways for them to share. I know some districts have had students keynote. I think that's great, as long as the core of their story is their own, not the districts or their teachers. I'd way rather listen to a student share a less polished message that was their ow

Vedi anche il commento di Stephen Downes in http://www.downes.ca/cgi-bin/page.cgi?post=61423

"4. Titles 4.1 Content Rejection and Removal We may, in our sole discretion, at any time, and without notice to you (a) reject Content; or (b) remove, or refuse to list or distribute any Content on or from any CreateSpace E-Store, Amazon Property or other sales channel. You will remain liable for all fees and other amounts that you may owe under this Agreement in connection with any Title or Content we remove because of a violation of this Agreement or our Content Guidelines. You may withdraw your Title from the Services at any time, but we will have 30 days from the date of a Title's withdrawal (or termination of this Agreement) to remove all applicable Content. However, we may fulfill any Customer orders pending as of the date we remove such Title from the Services. If we request that you provide additional information relating to your Content, such as information confirming that you have all rights required to permit our distribution of the Content, you represent and warrant that any information and documentation you provide to us in response to such a request will be current, complete, and accurate. You authorize us, directly or through third parties, to make any inquiries we consider appropriate to verify your rights to permit our distribution of the Content and the accuracy of the information or documentation you provide to us with respect to those rights."

"Cinematic Montage II from GameOvais 1 day ago All Audiences The second cinematic montage created by me. Over 300 movies used. I hope you enjoy the video as much as I enjoyed making it. Movies used are: 21 300 2012 12 Years a Slave 3:10 to Yuma 300 Rise of an Empire A Christmas Carol A Few Good Men A Good Day to Die Hard A League of Their Own A Little Princess Abraham Lincoln - Vampire Hunter Alien Aliens Aliens vs Predator American Beauty American Gangster American History X Angels and Demons Apocalypse Now Apocalypto Avatar Back to The Future I,II & III Bad Boys II Bambi Bangkok Dangerous Beauty and the Beast Ben Hur Berverly Hills Cop III Big Fish Big Hero 6 Black Hawk Down Blade Trinity Blood Diamond Braveheart Bridge on the River Kwai Brotherhood Captain America: Winter Soldier Cars Casino Royale Cast Away Catch Me If You Can Chronicles of Narnia Cleopatra Constantine Cool Hand Luke Crimson Tide Dawn of the Planet of the Apes Defendor Deja Vu Despicable Me II Die Hard District 9 Donnie Darko Drive Eagle Eye Edward Scissorhands End of Days Enemy of the State Fantastic Four: Rise of the Silver Surfer Fast & Furious Field of Dreams Fight Club Forrest Gump Gangs of New York Ghosbusters GI Joe: The Rise of the Cobra Gladiator Godzilla Gone Baby Gone Gone With The Wind Good Will Hunting Goodfellas Gran Torino Grease Harry Potter: The Complete Saga High Plains Drifter Hitman Home Alone I & II Hook How to Train Your Dragon I Robot Ice Age Immortals In The Heart of The Sea Inception Independance Day Indiana Jones: Quadrilogy Inglorious Basterds Inside Man Into The Woods Iron Man I, II & III Jack the Giant Slayer James Bond: The Franchise Jaws John Carter Jonah Hex Jumanji Jurassic Park: The Trilogy Jurassic World Kick Ass Kill Bill: Vol 2 Kindergarten Cop King Kong Kingdom of Heaven Kung Fu Panda Lawrence of Arabia Leon: The Professional Little Miss Sunshine Live Free or Die Hard Lockout Loncoln Lone Survivor Lord of The Rings: The Fellowship of the Ring Lord of The

Filmed Feb 2008 * Posted Mar 2008 * TED2008 "Neuroscientist and inventor Christopher deCharms demonstrates a new way to use fMRI to show brain activity -- thoughts, emotions, pain -- while it is happening. In other words, you can actually see how you feel. Christopher deCharms is working on a way to use fMRI scans to show brain activity -- in real time."

From http://www.stanford.edu/~efs/693b/TED1.html : "1. length: 4:00 2. overall speed (WPM): 182 3. vocabulary profile: 3K-94.3%; 5K-96.4%; 10K-97.9%; OL-3.2% 4. accent: US standard 5. comments: there is a reference at the beginning of shrinking a ship and injecting it into the bloodstream, see: http://www.imdb.com/title/tt0060397/; http://www.imdb.com/title/tt0093260/?ref_=fn_al_tt_1. fMRI = functional magnetic resonance imaging--a way to view the brain in action. 6. Neuroscientist and inventor Christopher deCharms demonstrates a new way to use fMRI to show brain activity -- thoughts, emotions, pain -- while it is happening. In other words, you can actually see how you feel.

Descrizione di una ricerca sull'efficacia dei MOOC

(di Anna Lisa Bonfranceschi | Pubblicato il 22 Novembre 2013 . Alla fine: Via: Wired.it ( http://daily.wired.it/news/internet/2013/11/21/mooc-corsi-gratuiti-chi-frequenta-290384.html ) Credits immagine: World Bank Photo Collection/Flickr ( http://www.flickr.com/photos/worldbank/ ) L'articolo di Wired.it è lo stesso per il testo ma le illustrazioni sono diverse. Inoltre è sotto una licenza Creative Commons BY-NC-ND, mentre quello di galileo.net è sotto copyright stretto. Per l'articolo di Ezekiel J. Emanuel su Nature, del 20 novembre 2013, vedi http://www.nature.com/nature/journal/v503/n7476/full/503342a.html : abstract e possibilità di comprare la versione completa, oppure di visualizzarla gratuitamente). Annarita, scusa la parentesi aggiunta sopra: mi serve per un post che sto rimunginando sulla traduzione di ipertesti. Sul fondo: la cosa buffa è che Emanuel aveva scritto un ditirambo sui fondatori di Coursera ad aprile, http://time100.time.com/2013/04/18/time-100/slide/andrew-ng-and-daphne-koller/ , concludendo: "After I taught my first class through Coursera, I got this beautiful postcard from Sri Lanka in the mail, thanking me. I just thought that was crazy and amazing. There's no chance I would have reached that student just by what I was doing before." E quella cartolina di cui andava così fiero, cfr. anche http://www.post-gazette.com/news/education/2012/11/20/College-of-Future-Could-Be-Come-One-Come-All.print Per un'altra recensione di "Online education: MOOCs taken by educated few" di Emanuel , cfr. http://chronicle.com/blogs/wiredcampus/moocs-are-reaching-only-privileged-learners-survey-finds/48567 di Steve Kolowich, 20 nov. 2013.

"Overview - This course is offered by University of Zurich with Prof Paul-Olivier Dehaye and his students. This lesson plan is created by Dilrukshi Gamage (www.sdgamage.weebly.com) a MOOC student from this class due to few reasons. 1. Course started with giving some ideas, but now it appears no more ideas facilitated 2. Forums are closed and we have no clue of what to do 3. Students who take this course or any of coursera for the first time will be wondering and might lose the context of learning. 4. This lesson plan will guide us to collaboratively find solution to be in synchronized and learn from the time we invest in this. Introduction - The course named Teaching goes massive : new skills needed. It is our responsibility to find out what are the skills we need when we are teaching to a massive class.. or any class. Prof.Paul mentioned some experiments which we can do and previous forums already started and gone very well until suddenly closed everything. So let us drive this MOOC , learn to learn ourselves how to be organized and learn from each other. Anyone can suggest things but not like as forums it has to be much more effective. This document will contain how to participate and what can you do in contributing to expand your learning. Don't worry this will not stop suddenly as we the students are in charge. First step lets set some objectives so we can see did we achieve when we finish this course. Objectives - After you complete this course 1. You will learn how to learn yourselves to work without a real teacher or a lecturer. 2. You will learn to make communications and build a network where you can share and learn throughout your interest. 3. You will learn to work on inclusive projects in the same course ( by inclusive what I mean was anyone can work in one project or more) 4. You will gain knowledge on what skills you need and how to handle it when teaching is massive Where to contact - Please use the links provided in collaborating

vedi anche http://www.elearnspace.org/blog/2014/07/09/congrats-to-paul-olivier-dehaye-massiveteaching/ di George Siemens per un ottimo riassunto e altri link utili

e https://etherpad.mozilla.org/pr8ZtLXODg , il Pad dove Dehaye spiega il contesto della sua decisione. Se qualcuno ne ricancella il contenuto, usate la storia delle revisioni: funziona come PiratePad

"TWITTER -- February 17, 2011 at 9:30 AM EDT NPR's Andy Carvin on Tracking and Tweeting Revolutions By: Hari Sreenivasan We caught up with NPR's Senior Strategist Andy Carvin between his 400+ tweets a day for a chat about his Twitter stream. It has become a must-follow wire service of sorts for people interested in the latest developments in Tunisia, Egypt and a growing number of countries across the Middle East, Persian Gulf and North Africa. We discussed how he began mapping out whom to trust in the "Twittersphere," and how he works to verify and share facts with NPR as the stories develop. His tweets are populated with the words "source" and "verified?" More often than not, as he re-tweets trends and waves of information across the streams he tracks as his sources verify or discount facts on the ground. Carvin uses a combination of old media (wire services, broadcast networks) and follows a series of bloggers and Twitter accounts. He verifies with sources he trusts before saying a piece of information is "confirmed." Andy has spoken about his open news-gathering processes during a live-chat with Poynter, a Q&A with the Atlantic, the Knight Digital Media Center and it has been blogged about at the New York Times."

URL dei link del testo Conto twitter di Andy Carvin: http://twitter.com/acarvin Poynter: http://bit.ly/fND2aM Atlantic: http://bit.ly/h4O3Gr Knight Digital Media Center: http://bit.ly/fAjoBi New York Times: http://nyti.ms/edNSIi Conto twitter di Hari Sreenivasan: http://twitter.com/hari

"Antonio Fini, Andreas Formiconi, Alessandro Giorni, Nuccia Silvana Pirruccello, Elisa Spadavecchia, Emanuela Zibordi Abstract In Fall 2007 David Wiley, professor at Utah State University held a course about Open Education. That time, however, Dr Wiley's course was followed by a rather unusual group of students. The Fall 2007 edition, in fact, was available to anybody, free of charge, all over the world. The only requisite required was the possession of a blog for the completion of the weekly assignments. The present paper, whose authors attended the course completing it successfully, is an account of the experience they had. It can be considered an innovating experience from many different viewpoints and can be regarded as an example of how the world of the formal education can meet the demands of the informal one, in the broader landscape of professional training and lifelong learning. Keywords OER; Open Education; online community; informal learning Full Text: PDF This work is licensed under a Creative Commons Attribution 3.0 License."

"...Our vision is to encourage the growth of a more open set of intellectual communities than those spawned by the traditional university system. In particular, we focus on the ideal of introducing inventive methods of interaction to allow these communities to form in new ways. Rather than segregating users based on which university they happen to attend (or indeed, whether they happen to attend a university at all) or even the large subject areas encompassed by university classes, the system allows users to interact with one another in focused ways based on the specific ideas they are addressing at the time: users can gather around the specific details of a recently passed piece of legislation or the implications of a particular article, rather than around larger subject blocks. H2O encourages users to share the content they create through these interactions by making archives of previous materials easily available and browsable and by enabling the sharing of content among different intellectual communities. ..."

" Sign-up is now closed. But don't worry, we'll definitely be back! Follow us at @medialabcourse for updates. Free & Online! You've been dying to take the MIT Media Lab course on creative learning, but you're not in Cambridge? Despair no more. We invite you to join the course right here, on the interwebs. It's free of charge and we hope you'll like it. A Big Experiment This is a big experiment. Things will break. We don't have all the answers. Sometimes we plan to rely on you to make it work. But we'll try our very darndest to make sure you have a good time, and get something out of it. Weekly Lessons Make new friends, and start learning from weekly live videos, readings, discussions, and project-based activities. Open for signup now, course starts February 11th. Questions? Drop us a note in our Google+ community or send us an email at medialabcourse@p2pu.org. All materials licensed under the Creative Commons Attribution 3.0 license."

"Published on March 18th, 2013 | by Guest Author [Kate Lee] Infographics are becoming an increasingly popular method of communicating information quickly and clearly. Great designs can reduce the complexity of information, making a process, product or service easily understandable and accessible to the general public. And a good infographic means that all of that information is presented in a way that is aesthetically pleasing to boot. But have infographics become too good at streamlining information? Have they become the fast food of graphic design - quickly digestible, but lacking in substance? Infographics: Guilty As Charged The web has lots of criticisms levelled at infographics and it's true that many are poorly created, failing to fulfil their purpose, using Papyrus or other crimes against design. The main complaints when it comes to infographics are: 1. Creates confusion: the data is presented in a manner that takes a long time to interpret, is difficult to follow and creates additional complexity instead of providing clarity. 2. Inaccurate information: [...] 3. Too long: [...] 4. General ugliness: [...] The problem with infographics is that so many people think it's easy to create them, when in fact it's a particular subset of skills in an already specialised profession.[...] Data Visualisation Requires Thinking That being said, there are truly great infographics out there that tick all the boxes: accurate information, presented in an effective visual manner that helps the audience interpret and understand quickly. And so we come to the point of this post: with complex information rendered so comprehensible, without the need to read long reports and with the ability to look at pictures and share it with all your friends - is there a danger that infographics cause the audience to stop thinking? In short, the answer is no. In most cases where the audience needs to think, the data isn't simple anyway. The mission of infographics is to re

Titolo volutamente provocativo. Ottima presentazione delle "infographics", di cosa dovrebbero e potrebbero essere ma purtroppo spesso non sono, e degli risvolti cognitivi del loro uso.