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Ed Webb

Tunisia's Dying Jazz | Foreign Policy - 0 views

foreignpolicy.com/...ng-jazz-stambeli-chedli-bidali

Tunisia politics transition religion music art censorship Salafism

shared by Ed Webb on 28 Sep 17 - Cached
  • Bidali is one of the last living practitioners of stambeli, a uniquely Tunisian hybrid of musical genre, healing practice, and religious ceremony. It’s deeply rooted in the history of a specific community: the descendants of slaves brought to the region from sub-Saharan Africa during the eighteenth and nineteenth centuries. It also has close links to Sufism, an ancient form of Islamic mysticism that uses music, dance, and rhythm to induce trance-like states that are supposed to bring listeners closer to the essence of the divine
  • President Habib Bourguiba, Tunisia’s first postcolonial leader, gave state support to many forms of art, but stambeli wasn’t among them; it didn’t fit the modern image of the country he was trying to shape
  • while subsequent police crackdowns have landed Salafists of all stripes in jail, some of the trends they promoted, such as moral self-policing and austere interpretations of Islamic cultural heritage, have taken root in society. With its unorthodox religious associations, stambeli has found itself in the firing line
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  • because of the rising influence of orthodox interpretations of the faith, stambeli artists are careful to stress the monotheistic, Islamic essence of their practice
  • The origins of stambeli music resemble those of American jazz (even though the two genres don’t sound alike). In both cases, the musical traditions of former slaves combined with the diverse cultural influences of their new environments to create something radically new. Whereas slaves arriving in Louisiana mixed their music and practices with European, Caribbean, and American ingredients, slaves arriving in Tunis during the same period fused their animist practices with North African versions of mystical Sufism and orthodox Islam. Mounir Argui, a theater director and music producer who works with Bidali, says that the metal castanets that play such a prominent role in stambeli performances evoke “the sounds of chains and shackles” that the slaves once wore, while the chanting recalls the “moaning.”
  • the Tunisian state never prioritized the preservation of stambeli, focusing instead on the art and culture it considered highbrow
  • Many Tunisians see stambeli as an alien phenomenon associated with blacks, who are already widely viewed as not quite Tunisian. In post-revolutionary Tunisia, where asserting the Islamic character of the country has become an important political symbol for some, the pagan origins of stambeli also cause suspicion
  • As long as some Tunisians continue to see freedom of religion and freedom of art as mutually exclusive, the rare traditions like stambeli that manage to straddle both will find little space
Ed Webb

The Silencing of Writers in Turkey | The New Yorker - 0 views

www.newyorker.com/...silencing-of-writers-in-turkey

authoritarianism literature Turkey

shared by Ed Webb on 02 Sep 17 - Cached
  • it is one of the endless ironies of Turkey that the liberals and democrats who were among the first to oppose the putschists’ sinister attempts to overthrow the A.K.P. government would also become the first to be punished and silenced by that very same government
  • what we do not know are the effects of the ongoing crackdown on those of us who are “free.” As one commentator wrote on social media, “If all these writers are ‘inside,’ none of the other writers can really said to be ‘outside.’ ”
  • Since the Arab Spring, I have had many exchanges with writers from “wobbly geographies”—Egypt, Pakistan, Libya, Tunisia. We all know that when you are a novelist from such territories, you do not have the luxury of being apolitical. And although every discipline in the arts is susceptible to degeneration and manipulation under authoritarian regimes, fiction is particularly at risk in such circumstances—prose, rather than poetry. In “The Prevention of Literature,” George Orwell considered the fates of the two genres under nondemocratic rule. A poet could survive despotism relatively unscathed, unhurt, Orwell thought, but not a prose writer, who could neither control nor limit the range of his thoughts without “killing his inventiveness.” Orwell examined the ways in which literature had withered away in Germany, Italy, and Russia whenever autocracy was on the rise. Then he warned future writers, “Poetry might survive in a totalitarian age, and certain arts or half-arts, such as architecture, might even find tyranny beneficial, but the prose writer would have no choice between silence or death.”
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  • Nothing is sadder than the emergence of opportunistic “journalists” and “writers” under authoritarianism. Some of these figures will be older writers who have not had the kind of success they want, and are determined to take advantage of the crackdown, with hopes of climbing fast. Others will be neophytes eager to reap benefits from darkness and chaos. In Turkey, we now have a cohort of such people, who publicly call for the arrest of their colleagues and celebrate when their wishes come true.
  • Writers from wobbly geographies are being compelled to write and talk about politics like never before. Every day we face the challenge of how to balance the mundane and the momentous, the banal and the sublime, the “inside” and the “outside.” Every day we face the challenge of how to defend nuances in a culture of gross generalizations, how to build bridges of empathy where pitting one side of the society against the other plays into the hands of populist demagogues. And although the Turkish case is in some ways uniquely depressing, it is part of a much larger trend. Wave after wave of nationalism, isolationism, and tribalism have hit the shores of countries across Europe, and they have reached the United States. Jingoism and xenophobia are on the rise. It is an Age of Angst—and it is a short step from angst to anger and from anger to aggression.
Ed Webb

Iraq clamps down on media and broadcast networks covering protests - 0 views

www.al-monitor.com/...iraq-protests-media.html

Iraq media censorship repression broadcast networks protests

shared by Ed Webb on 28 Nov 19 - Cached
  • the Iraqi National Communications and Media Commission shut down or gave warnings to 17 media institutions for covering the protests in Iraq. The offices of Al-Arabiya, Al-Hadath, Dijlah TV, Al-Rasheed TV, NRT, Al-Sharqiya TV, Al-Fallujah TV, Houna Baghdad and Al-Hurra were closed, while Al-Sumariya, Asia Network Television, Rudaw Media Network, Sky News Arabia and Ur Television were warned to change how they cover the demonstrations.
  • On Nov. 17, a mortar shell hit Iraq Art Co. in Karrada in the center of Baghdad.
  • Iraq Art Co. is a local production business that offers television services to several satellite channels such as the BBC, Al-Araby TV (owned by the Palestinian politician Azmi Bechara) and other channels. Al-Araby Al-Jadeed, which is affiliated with Al-Araby TV, said, “The missile was targeting the Al-Araby TV office in Baghdad.”
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  • On Nov. 8 and 15, two episodes of the news satire Al-Basheer Show were jammed, as soon as the broadcast began on the German DW channel. Jamming would start at 9 p.m. while the episodes were being shown, and would end an hour later at 10 p.m., when the show was over.
  • The government clampdown on the media and journalists has taken several forms, ranging from obscure threats to the shutdown of media institutions to jamming channels or not offering security protection. There were also insinuations that media channels have been inciting people to protest.
  • “I received a text message on my personal phone threatening to kill me and attack my family if I continue to use my phone to contact the channel where I work.”
  • The Iraqi Media House, a civil society organization in Iraq, reported that “as a result of the internet ban, 90% of Iraqi media coverage was cut off, and 70% of social media coverage was dead. Fears of targeting media channels and journalists also reduced coverage.”
  • The Press Freedom Advocacy Association in Iraq reported that there had been “89 violations against journalists," 33 death threats and the shutdown of or warnings to 17 offices and headquarters of media institutions.
Ed Webb

Is Iran on the Verge of Another Revolution? | Journal of Democracy - 0 views

www.journalofdemocracy.org/he-verge-of-another-revolution

Iran protests revolution analysis uprising

shared by Ed Webb on 10 Mar 23 - Cached
  • the most severe and sustained political upheaval ever faced by the Islamist regime in Iran. Waves of protests, led mostly by women, broke out immediately, sending some two-million people into the streets of 160 cities and small towns, inspiring extraordinary international support. The Twitter hashtag #MahsaAmini broke the world record of 284 million tweets, and the UN Human Rights Commission voted on November 24 to investigate the regime’s deadly repression, which has claimed five-hundred lives and put thousands of people under arrest and eleven hundred on trial.
  • This is neither a “feminist revolution” per se, nor simply the revolt of generation Z, nor merely a protest against the mandatory hijab. This is a movement to reclaim life, a struggle to liberate free and dignified existence from an internal colonization. As the primary objects of this colonization, women have become the major protagonists of the liberation movement.
  • Since its establishment in 1979, the Islamic Republic has been a battlefield between hard-line Islamists who wished to enforce theocracy in the form of clerical rule (velayat-e faqih), and those who believed in popular will and emphasized the republican tenets of the constitution.
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  • Only popular resistance from below and the reformists’ electoral victories could curb the hard-liners’ drive for total subjugation of the state, society, and culture.
  • The Green revolt and the subsequent nationwide uprisings in 2017 and 2019 against socioeconomic ills and authoritarian rule profoundly challenged the Islamist regime but failed to alter it. The uprisings caused not a revolution but the fear of revolution—a fear that was compounded by the revolutionary uprisings against the allied regimes in Syria, Lebanon, and Iraq, which Iran helped to quell.
  • once they took over the presidency in 2021 and the parliament in 2022 through rigged elections—specifically, through the arbitrary vetoing of credible rival candidates—the hard-liners moved to subjugate a defiant people once again. Extending the “morality police” into the streets and institutions to enforce the “proper hijab” has been only one measure—but it was the one that unleashed a nationwide uprising in which women came to occupy a central place.
  • the culmination of years of steady struggles against a systemic misogyny that the postrevolution regime established
  • With the emergence of the “people,” a super-collective in which differences of class, gender, ethnicity, and religion temporarily disappear in favor of a greater good, the uprising has assumed a revolutionary character. The abolition of the morality police and the mandatory hijab will no longer suffice. For the first time, a nationwide protest movement has called for a regime change and structural socioeconomic transformation.
  • Over the years, headscarves gradually inched back further and further until finally they fell to the shoulders. Officials felt, time and again, paralyzed by this steady spread of bad-hijabi among millions of women who had to endure daily humiliation and punishment. With the initial jail penalty between ten days and two months, showing inches of hair had ignited decades of daily street battles between defiant women and multiple morality enforcers such as Sarallah (wrath of Allah), Amre beh Ma’ruf va Nahye az Monker (command good and forbid wrong), and EdarehAmaken (management of public places). According to a police report during the crackdown on bad-hijabis in 2013, some 3.6 million women were stopped and humiliated in the streets and issued formal citations. Of these, 180,000 were detained.
  • This is the story of women’s “non-movement”—the collective and connective actions of non-collective actors who pursue not a politics of protest but of redress, through direct actions.
  • the uprising is no longer limited to the mandatory hijab and women’s rights. It has grown to include wider concerns and constituencies—young people, students and teachers, middle-class families and workers, residents of some rural and poor communities, and those religious and ethnic minorities (Kurds, Arabs, Azeris, and Baluchis) who, like women, feel like second-class citizens and seem to identify with “Woman, Life, Freedom.”
  • The thousands of tweets describing why people are protesting point time and again to the longing for a humble normal life denied to them by a regime of clerical and military patriarchs. For these dissenters, the regime appears like a colonial entity—with its alien thinking, feeling, and ruling—that has little to do with the lives and worldviews of the majority.
  • The feminism of the movement, rather, is antisystem; it challenges the systemic control of everyday life and the women at its core. It is precisely this antisystemic feminism that promises to liberate not only women but also the oppressed men—the marginalized, the minorities, and those who are demeaned and emasculated by their failure to provide for their families due to economic misfortune.
  • A segment of Muslim women did support the Islamic state, but others fought back. They took to the streets to protest the mandatory hijab, organized collective campaigns, and lobbied “liberal clerics” to secure a women-centered reinterpretation of religious texts. But when the regime extended its repression, women resorted to the “art of presence”—by which I mean the ability to assert collective will in spite of all odds, by circumventing constraints, utilizing what exists, and discovering new spaces within which to make themselves heard, seen, felt, and realized. Simply, women refused to exit public life, not through collective protests but through such ordinary things as pursuing higher education, working outside the home, engaging in the arts, music, and filmmaking, or practicing sports.
  • At this point in time, Iran is far from a “revolutionary situation,” meaning a condition of “dual power” where an organized revolutionary force backed by millions would come to confront a crumbling government and divided security forces. What we are witnessing today, however, is the rise of a revolutionary movement—with its own protest repertoires, language, and identity—that may open Iranian society to a “revolutionary course.”
  • The disproportionate presence of the young—women and men, university and high school students—in the streets of the uprising has led some to interpret it as the revolt of generation-Z against a regime that is woefully out of touch. But this view overlooks the dissidence of older generations, the parents and families that have raised, if not politicized, these children and mostly share their sentiments. A leaked government survey from November 2022 found that 84 percent of Iranians expressed a positive view of the uprising. If the regime allowed peaceful public protests, we would likely see more older people on the streets.
  • Although some workers have joined the protests through demonstrations and labor strikes, a widespread labor showdown has yet to materialize. This may not be easy, because the neoliberal restructuring of the 2000s has fragmented the working class, undermined workers’ job security (including the oil sector), and diminished much of their collective power. In their place, teachers have emerged as a potentially powerful dissenting force with a good degree of organization and protest experience.
  • Shopkeepers and bazaar merchants have also joined the opposition. In fact, they surprised the authorities when at least 70 percent of them, according to a leaked official report, went on strike in Tehran and 21 provinces on 15 November 2022 to mark the 2019 uprising. Not surprisingly, security forces have increasingly been threatening to shut down their businesses.
  • Protesters in the Arab Spring fully utilized existing cultural resources, such as religious rituals and funeral processions, to sustain mass protests. Most critical were the Friday prayers, with their fixed times and places, from which the largest rallies and demonstrations originated. But Friday prayer is not part of the current culture of Iran’s Shia Muslims (unlike the Sunni Baluchies). Most Iranian Muslims rarely even pray at noon, whether on Fridays or any day. In Iran, the Friday prayer sermons are the invented ritual of the Islamist regime and thus the theater of the regime’s power. Consequently, protesters would have to turn to other cultural and religious spaces such as funerals and mourning ceremonies or the Shia rituals of Moharram and Ramadan.
  • During the Green revolt of 2009, the ruling hard-liners banned funerals and prevented families from holding mourning ceremonies for their loved ones
  • the hard-line parliament passed an emergency bill on 9 October 2022 “adjusting” the salaries of civil servants, including 700,000 pensioners who in late 2017 had turned out in force during a wave of protests. Newly employed teachers were to receive more secure contracts, sugarcane workers their unpaid wages, and poor families a 50 percent increase in the basic-needs subsidy.
  • beating, killing, mass detention, torture, execution, drone surveillance, and marking the businesses and homes of dissenters. The regime’s clampdown has reportedly left 525 dead, including 71 minors, 1,100 on trial, and some 30,000 detained. The security forces and Basij militia have lost 68 members in the unrest.
  • The regime’s suppression and the protesters’ pause are likely to diminish the protests. But this does not mean the end of the movement. It means the end of a cycle of protest before a trigger ignites a new one. We have seen these cycles at least since 2017. What is distinct about this time is that it has set Iranian society on a “revolutionary course,” meaning that a large part of society continues to think, imagine, talk, and act in terms of a different future. Here, people’s judgment about public matters is often shaped by a lingering echo of “revolution” and a brewing belief that “they [the regime] will go.” So, any trouble or crisis—for instance, a water shortage— is considered a failure of the regime, and any show of discontent—say, over delayed wages—a revolutionary act. In such a mindset, the status quo is temporary and change only a matter of time.
  • There are, of course, local leaders and ad hoc collectives that communicate ideas and coordinate actions in the neighborhoods, workplaces, and universities. Thanks to their horizontal, networked, and fluid character, their operations are less prone to police repression than a conventional movement organization would be. This kind of decentralized networked activism is also more versatile, allows for multiple voices and ideas, and can use digital media to mobilize larger crowds in less time. But networked movements can also suffer from weaker commitment, unruly decisionmaking, and tenuous structure and sustainability. For instance, who will address a wrongdoing, such as violence, committed in the name of the movement? As a result, movements tend to deploy a hybrid structure by linking the decentralized and fluid activism to a central body. The “Woman, Life, Freedom” movement has yet to take up this consideration.
  • a leadership organization—in the vein of Polish Solidarity, South Africa’s ANC, or Sudan’s Forces of Freedom and Change—is not just about articulating a strategic vision and coordinating actions. It also signals responsibility, representation, popular trust, and tactical unity.
  • if the revolutionary movement is unwilling or unable to pick up the power, others will. This, in fact, is the story of most of the Arab Spring uprisings—Egypt, Iraq, Lebanon, and Yemen, for instance. In these experiences, the protagonists, those who had initiated and carried the uprisings forward, remained mostly marginal to the process of critical decisionmaking while the free-riders, counterrevolutionaries, and custodians of the status quo moved to the center.
  • Things are unlikely to go back to where they were before the uprising. A paradigm shift has occurred in the Iranian subjectivity, expressed most vividly in the recognition of women as transformative actors and the “woman question” as a strategic focus of struggle.
  • Those who expect quick results will likely be dispirited. But the country seems to be on a new course.
Ed Webb

On the Second Anniversary: Censorship Concerns | Arabic Literature (in English) - 0 views

arablit.wordpress.com/...nniversary-censorship-concerns

Egypt censorship politics #jan25 cartoons art

shared by Ed Webb on 25 Jan 13 - No Cached
  • At a recent news conference, the Egyptian Initiative for Personal Rights noted that, two years after January 25, many abuses of state power continue. Censorship is among these abuses
  • censorship, instability, and fear of censorship create a difficult environment for longer-form artistic developments
  • in a recent interview with Mai Elwakil and Andeel at the Egypt Independent, pioneering political cartoonist Amro Selim remained steadfast: We need to constantly push the boundaries whether they are set by society, the political regime or even a newspaper’s editors. If people equate your critique of a bearded political Islamist figure with atheism, then you must do it more, all the time, on purpose. This is ground that we are gaining. It is a battle with possible lawsuits and threats. But we must continue. We went through a lot to be able to draw the president every day. We won ground under Mubarak’s rule. At the beginning of Al-Dostour, I told them that we must shatter the god-like image of the ruler who we cannot draw. We started drawing him from the back, and bit-by-bit we turned him around, until making a cartoon of him became the norm. Then we drew his sons, Gamal and Alaa. We were very happy when these cartoons were published. Before that, if Mubarak were ever represented, it would be with Egypt holding him like her beloved son. We have come a long way in a society that asked us to “respect” the ruler. Now, they want us to go back.
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  • I believe there is a communication channel between cartoonists and readers that even editors might miss. It is amusing to experiment with overcoming censorship.
Ed Webb

Political courage - and risk - in Tunisia | David Rohde - 0 views

blogs.reuters.com/...tunisia-ennahda-jebali

Tunisia ennahda transistion parties politics

shared by Ed Webb on 20 Feb 13 - No Cached
  • The ruling Islamist party, Ennahda, has rejected complaints of poor governance and failing to crackdown on attacks on liquor stores and art exhibits by hardline Salafists. Instead, it has blamed Tunisian news media, secular elites and elements of the old government for its decreasing popularity.
  • Islamists in both Tunisia and Egypt have overplayed their electoral victories and underestimated the secular opposition they face
  • “If Ennahda designates one of its hawks, there will be a conflict with the secular parties,” Labyed said. “At that moment the atmosphere would be very tense and could move to the streets.”
Ed Webb

Who should save Egypt's archives? - Opinion - Al Jazeera English - 0 views

www.aljazeera.com/...2012121132641226409.html

Egypt history culture education archives opinion

shared by Ed Webb on 27 Jan 12 - No Cached
  • the National Archive of Egypt continues to be held within the state's coercive grip. State security plays arbiter. Despite the efforts of Egypt's preeminent historian, Khaled Fahmy, it continues to viciously restrict access to the documents to all but a privileged few: These tend to be professional historians whose research is perceived as non-subversive to the state and its narratives, which are overwhelmingly nationalist.
  • since 1963, when a precedent-setting court decision forced the family of Egypt's nationalist icon, Saad Zaghlul, to "gift" his diaries to the state, private collectors have tended to keep their troves hidden from view. That same year, the Ministry of Culture formed a new Committee for the Writing of Egyptian History, which was tasked with identifying documents of "national importance". Those deemed worthy of the honour were confiscated from their owners and deposited in the National Archive. Rather than having the desired effect of bringing new resources out into the public, the Committee has encouraged owners - be it through inheritance or purchase - to hide away their collections and restrict access to them.
  • few have faith in the state as custodian of the nation's (particularly modern) heritage. Only days after the Mahfouz affair, thousands of invaluable books were set aflame in the 19th century Institut d'Egypte during an altercation between protesters and the Army. It was only by the intervention of ordinary citizens that the material was salvaged.
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  • If the new Egyptian state is to become un-autocratic, it will have to relinquish the monopoly it has long held over all "culture". No longer can "Literature", "History" and "Art" be cast as matters of National Security. Attempts to interrogate their meaning outside the framework of nationalism can no longer be viewed as heretical. Independent intellectuals and their audiences will have to turn away from the state, not towards it. Egypt's cultural heritage can really be left to the Egyptians. And if this heritage is to take the place it rightfully should in Egypt's post-revolution landscape, it is imperative to encourage the efforts of "ordinary Egyptians", those who have all along looked to build strong independent institutions outside the clutches of the ministries of culture and education.
Ed Webb

Consent of the Governors - 0 views

www.foreignpolicy.com/...stitution_military_brotherhood

Egypt politics authoritarianism MB ikhwan analysis military

shared by Ed Webb on 22 Jan 14 - No Cached
  • Democratic politics rest upon the guarantee that all sides understand and agree upon these rules of the game: Without such predictability, politics is no more than an endless game of Calvinball, with powerful players changing the rules at a moment's notice to suit their interests. Nobody knows from one day to the next whether their political activity, journalistic investigations, protest against injustice, or organizational membership will be a demonstration of democratic commitment or evidence of terrorism. This debilitating uncertainty helps to fuel polarization and dangerously raises the stakes of political conflict. 
  • The precedent has now been firmly established that the military will step in if it does not approve of the direction in which politics is heading. No promises to avoid future such interventions can possibly be made credible, regardless of what the constitution says.
  • the pathologies of uncertainty, unaccountability and unpredictability will continue to afflict Egyptian politics
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  • The military's relentless "war on terror" against the Muslim Brotherhood and the campaign of arrests against journalists and activists makes Egypt's future look even bleaker. The fight against the Muslim Brotherhood has been so far-reaching that virtually anyone who dissents from the current regime is at risk.
  • Egypt's new regime has proved all too willing to extend the terrorist label to any political opponent, whether it's youth leader Ahmed Maher or Al Jazeera journalist and occasional FP contributor Mohamed Fadel Fahmy (a Canadian citizen whose government has proven unable to help). A prominent pro-regime Egyptian journalist, Mostafa Bakry, even took to the airwaves last week to announce that the United States had a plan to assassinate Sisi -- which if completed, he warned, would cause Egyptians to "kill the Americans in the streets." And how can anyone take seriously the guarantees of rights in the new constitution when, barely a day after the results were announced, both the Salafi former presidential candidate Hazem Abu Ismail and liberal icon Amr Hamzawy face legal sanction for insulting judges -- the latter for a year-old tweet?
  • I'm not even sure that I would risk going to Egypt these days, given how easily anyone can be imprisoned if accused of Brotherhood sympathies (which happens to me, like many other Western and Egyptian analysts, roughly 50 million times a day in the ongoing performance art of the Egyptian Twittersphere).
  • maybe now there is space to contemplate releasing political prisoners and stopping the campaign of arrests and persecution of political opponents. Egyptian officials could demonstrate their willing subordination to the new constitution by turning away from the "war on terror," and Gen. Sisi could commit to not seeking political office and instead insist upon the political neutrality of the military and the state.
  • All signs currently point in the other direction, unfortunately. And that's why so few observers of Egypt see this week's referendum as anything other than the next step in the country's slow drift back into authoritarianism.
sean lyness

Sacred and Secular Mix in Turkey's Museums - 1 views

www.nytimes.com/...26museums.html

reform Turkey Islam democracy

shared by sean lyness on 28 May 10 - Cached
  • sean lyness on 28 May 10
     
    "the forces of secularism and Islam are in contention." "Finally, in 1934, by order of the founder of the secular Turkish Republic, Mustafa Kemal Ataturk, the mosque was turned into a museum."
Ed Webb

Mobile phones, Internet essential in building democracies | Hamara News covers Politics... - 0 views

hamaraphotos.com/...l-in-building-democracies.html

internet development democracy acquire

shared by Ed Webb on 05 Sep 10 - Cached
  • Globally, one in 10 Internet users is a Muslim living in a populous Muslim community. Often young and digitally savvy, these users spread information independently of governments and beyond manipulation by cultural and religious elites. The researchers found that day-to-day civic discourse, not cyber terrorism, is the most important political aspect of the Internet in Muslim countries, and that the Internet is helping societies get better at running elections, providing civic services and exposing corruption. Researching their topic, Howard and his team determined that "The Digital Origins of Dictatorship and Democracy" would be the first book to move beyond potential and hypothetical relationships between the spread of communication technology, such as mobile phones and the Internet, and empirical evidence about democratic outcomes.
sean lyness

Dive into the Ocean - 0 views

rubasaqr.blogspot.com

music jordan islam

shared by sean lyness on 20 Apr 10 - Cached
  • Ruba Saqr sings her self-composed folk songs as authentically as her vocal improvisations inspired by Islamic mysticism.
  • this talent is not mine, it's a gift from God, or rather an amaneh one is entrusted with.
  • adio interview with me on Watan FM (Jordan) a few months ago. The interview talks about alternative Arabic music, commercial waves and the general media strategies in the Arab World and how they prefer to support morally deteriorating forms of so-called art on the expense of productive and creative forms of self expression.
  • sean lyness on 20 Apr 10
     
    alt sufi artist in jordan
Ed Webb

The battle over the memory of Egypt's revolution | openDemocracy - 0 views

www.opendemocracy.net/...r-memory-of-egypt-s-revolution

Egypt Bahrain memory history revolution #jan25 military authoritarianism

shared by Ed Webb on 23 Feb 19 - Cached
  • The once-embattled ancien regime is back with full force. Not only to consolidate its power in the present, but also to control the past. Yet, since the outbreak of the January 25 Revolution, besides the Islamists, two distinct communities were – and still are – in conflict, among other things, over the revolution’s nature and principles: the regime and the revolutionary activists. What follows is an exploration of these communities’ strategies to permeate the people’s collective consciousness and to enforce their own narratives of the revolution and its memory, across three different domains: Egypt’s public space; Egypt’s online sphere; and outside Egypt.
  • in the revolution’s early years, Egypt’s public space was representative of the young activists’ creativity and rebellion
  • Through graffiti on walls, images, texts and structures, the activists created from the country’s streets and squares memorials to keep the memory of the brave martyrs as well as the revolution’s ideals alive. Walls of Freedom, a 2014 book by Hamdy and Stone, offers thorough insights into the revolution and its artistic works. Young Egyptians’ independent cultural activities, including concerts and exhibitions, played a role in enhancing the historical narrative of the pro-revolution community.
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  • the activists’ 2012 campaign: Askar Kazeebon (Lying Military) whose modus operandi was to broadcast videos and documentaries to pedestrians that falsify the military’s accounts of various events and expose the soldiers’ crimes and human rights violations that official and regime-friendly media ignored
  • the military, Egypt’s central power, endeavoured to restrict the public space and erase the memory of the January 25 revolution. For this power knows that while memories are linked to the past, they determine how many Egyptians will perceive the future. The military pursued 1984’s Orwellian prophecy: ‘he who controls the past controls the future’.
  • the walls of revolutionary graffiti were repainted, CCTV cameras were installed in central spaces, and governmental offices were relocated away from the heart of Cairo
  • in dismantling the revolutionary symbols, the regime intended to construct a collective memory that excludes rival interpretations of events to its own. That is reminiscent to the Bahraini government’s destruction of Pearl Roundabout, the rallying point of the 2011 mass anti-government protests.
  • In November 2013, a few hours after Prime Minister Beblawi inaugurated it, protesters vandalised a memorial that the government built for ‘the martyrs of the revolution’. In his inaugurating speech, Beblawi referred to January 25 and June 30 ‘revolutions’ as well as the martyrs of the police and the army. That was interpreted by the protesters as another attempt to conflate the meanings and disrupt the image and the perceptions of the January 25 Revolution in the Egyptians’ collective consciousness
  • The unprecedented crackdown on dissent and the draconian laws that reportedly imprisoned tens of thousands of activists had prompted many to surrender the public space. Some are silent out of fear or disappointment. Others tried to put the memory of the revolution aside, so that they can go on with their own personal lives
  • Since the 2013 military coup, state and private media outlets – mostly controlled by the regime’s clientele – have kept glorifying the military’s role in recent years as well as defaming the revolution and activists as tools of the west to destroy Egypt
  • tech-savvy young activists already utilised memorialisation to foment the democratic uprising. We Are All Khalid Said, a Facebook page created to commemorate the 28-year old Khalid Said who was brutally tortured and killed by police, in 2010, became the January 25 protests’ virtual rallying point and main coordinator.
  • there are many initiatives to resist forgetting the revolution and silencing its voices. The most recent of which is Mosireen Collective’s 858 archive of resistance. In the Collective’s own words, the archive includes raw photographs, videos and documents that ‘present thousands of histories of revolt told from hundreds of perspectives. While the regime is using every resource to clamp down on public space and public memory the time has come to excavate and remember and re-present our histories.’
  • Wiki-Thawra whose slogan is ‘so we don’t forget’; UCLA’s Tahrir Documents; AUC’s University on the Square; and MIT’s 18 Days in Egypt.
  • After the 2013 military takeover, thousands involuntarily left the country to live in exile abroad. A minority among the exiled are still engaged in telling stories of the revolution and protesting al-Sisi government’s human rights violations and destruction of Egypt’s democratic hopes. Using art and satire, they continue to disturb the regime’s hegemonic revolution-defaming narratives.
  • it is still uncertain whether the regime has successfully dominated the Egyptian collective memory of the January 25 Revolution. That is because collective memory is not a static realm but rather a fluid construct that shapes – and is shaped by – current conditions and future aspirations.
Ed Webb

The Turbulent World of Middle East Soccer: Turning Qatar into an Island: Saudi cuts off... - 0 views

mideastsoccer.blogspot.sg/...ar-into-island-saudi-cuts.html

KSA Saudi Qatar GCC religion politics media territory

shared by Ed Webb on 13 Apr 18 - No Cached
  • There’s a cutting-off-the-nose-to-spite-the face aspect to a Saudi plan to turn Qatar into an island by digging a 60-kilometre ocean channel through the two countries’ land border that would accommodate a nuclear waste heap as well as a military base. If implemented, the channel would signal the kingdom’s belief that relations between the world’s only two Wahhabi states will not any time soon return to the projection of Gulf brotherhood that was the dominant theme prior to the United Arab Emirates-Saudi-led imposition in June of last year of a diplomatic and economic boycott of Qatar.
  • The message that notions of Gulf brotherhood are shallow at best is one that will be heard not only in Doha, but also in other capitals in the region
  • The plan, to be funded by private Saudi and Emirati investors and executed by Egyptian firms that helped broaden the Suez Canal, also envisions the construction of five hotels, two ports and a free trade zone.
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  • the nuclear waste dump and military base would be on the side of the channel that touches the Qatari border and would effectively constitute a Saudi outpost on the newly created island.
  • Qatar’s more liberal Wahhabism of the sea contrasts starkly with the Wahhabism of the land that Prince Mohammed is seeking to reform. The crown prince made waves last year by lifting a ban on women’s driving, granting women the right to attend male sporting events in stadiums, and introducing modern forms of entertainment like, music, cinema and theatre – all long-standing fixtures of Qatari social life and of the ability to reform while maintaining autocratic rule.
  • The $750 million project would have the dump ready for when Saudi Arabia inaugurates the first two of its 16 planned nuclear reactors in 2027. Saudi Arabia is reviewing proposals to build the reactors from US, Chinese, French, South Korean contractors and expects to award the projects in December.
  • A traditional Gulf state and a Wahhabi state to boot, Qatari conservatism was everything but a mirror image of Saudi Arabia’s long-standing puritan way of life. Qatar did not have a powerful religious establishment like the one in Saudi Arabia that Prince Mohammed has recently whipped into subservience, nor did it implement absolute gender segregation. Non-Muslims can practice their faith in their own houses of worship and were exempted from bans on alcohol and pork. Qatar became a sponsor of the arts and hosted the controversial state-owned Al Jazeera television network that revolutionized the region’s controlled media landscape and became one of the world’s foremost global English-language broadcasters.
  • Qatari conservatism is likely what Prince Mohammed would like to achieve even if that is something he is unlikely to acknowledge
  • “I consider myself a good Wahhabi and can still be modern, understanding Islam in an open way. We take into account the changes in the world,” Abdelhameed Al Ansari, the then dean of Qatar University’s College of Sharia, a leader of the paradigm shift, told The Wall Street Journal in 2002.
  • if built, the channel would suggest that geopolitical supremacy has replaced ultra-conservative, supremacist religious doctrine as a driver of the king-in-waiting’s policy
Ed Webb

'The Insult,' Lebanon's first Oscar-nominated film, examines a country's deepest wounds... - 0 views

www.pbs.org/...ines-a-countrys-deepest-wounds

Lebanon film media war identities sectarianism

shared by Ed Webb on 05 Mar 18 - No Cached
  • The film follows Yasser, a Palestinian construction worker who becomes embroiled in conflict with Toni, a right-wing Lebanese Christian, over a leaking water pipe. When Yasser confronts Toni about his grievances, Toni hurls back an insult that strikes sharply at the heart of the Palestinian struggle. The film examines the many forms our personal truths can take, how they collide, and the consequences of words in a polarized world.
  • It could happen like that in Lebanon. You could have a very silly incident that could develop into a national case.
  • we were fought because some people thought that we’re opening old wounds, and then all the people felt that, you know, we were defaming the Palestinians. Other people said we were attacking the Christians. Anytime you make a movie that is a bit sensitive — this one is a little bit more than a bit sensitive — people go up in arms. You know, they look at the film and then they immediately start projecting themselves and projecting their prejudices against it
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  • The subject came out of something I lived through, growing up in a war. Something that my co-screenwriter Joelle also lived through. It’s not like we read a book or based it on a TV interview on CNN. It’s something that we lived through, all the dynamics that you saw in the film, we are very familiar with it. You know, the Palestinian point of view, the Christian point of view. These are things that are so familiar to us. You know it’s this thing that we grew up eating and drinking and living. We were stopped at checkpoints, we hid under the bombs, we lived in shelters in Beirut in the 70s and the 80s and the 90s
  • We could have been such a lighthouse in the midst of all these other places around because we’re so interesting. Lebanon so interesting. But it’s sad that it does not fully use its potential. You know Christians, Muslims, Shiites, Sunni, liberal, it has all the potential of making a very, very interesting place
  • I had a lot of prejudice towards the Christians growing up. Like incredible. My parents were very left wing pro-Palestinian. And anybody from the Christian camp, from East Beirut, was considered a traitor, the enemy. And then you meet people from East Beirut, Christians, who were part of the Christian camp, and then you sit down and they work on your movie and and then you go have a drink and then you suddenly say, “Their story’s like mine, they suffered as much as [me].”
  • “The Insult” is about reexamining the other side. The woman who co-wrote the film with me who became my wife — we wrote four films together — she comes from the Christian camp. I come from [Muslim] West Beirut. She wrote all the scenes of the Palestinian. And I wrote the scenes of the Christians. We swapped.
  • every screening we do in the states, in Los Angeles in Telluride, in Toronto people were like so emotional about it. And then they said, “We totally identified because of what’s going on in the States today. We are living in America at a period where it feels like this entire society is tearing apart a bit.” And they look at the film and suddenly it’s speaking to them, even though that was not the intention.
  • Sometimes the country needs to go through a tear in order to heal better.
Ed Webb

Trapped in Iran | 1843 - 0 views

www.1843magazine.com/...trapped-in-iran

Iran IRGC media journalist repression culture religion minorities Jews Muslims Islam

shared by Ed Webb on 02 Mar 20 - Cached
  • Iran has a complicated, and at times paranoid, government. Elected parliamentarians give a veneer of democracy but power ultimately resides with the Supreme Leader, Ayatollah Ali Khamenei. The Islamic Revolutionary Guard Corps, the regime’s most powerful security force, answers directly to him. Rival arms of the state, including the security forces, jostle for influence. And the rules are unclear.
  • I had gone to report on the impact of American-imposed sanctions. Some news stories were claiming that Tehran was on the brink of collapse, but I saw few signs of it. There was no panic buying. The city looked cleaner and more modern than on my visit three years before. It has the best underground in the Middle East, with locally made trains. Parks and museums were abundant and well-tended, pavements were scrubbed and the city’s many flower-beds immaculately maintained.
  • My captors wore no identifying uniforms, but on the second day the doctor told me that he was an officer in the intelligence arm of the Revolutionary Guards. Iran’s security agencies are many tentacled. In 1979 the new Islamic Republic retained much of the existing state apparatus, including the army and a good part of the bureaucracy, but it added another tier to keep existing institutions in check, and the parallel systems have competed ever since. The government’s own intelligence ministry would be unlikely to detain a Western journalist whose entry it had approved. My accusers were from its more powerful rival.
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  • America’s sanctions had hurt people, of course. Average monthly salaries were worth less than a pair of imported shoes. I saw people sleeping rough or hawking junk on the streets. One former university lecturer I met had been reduced to busking. But few people went hungry and there seemed to be a joie de vivre among many of those I talked to. Cafés, theatres and music halls were packed. An earlier bout of sanctions had forced Tehran’s Symphony Orchestra to disband but I wangled a ticket for the opening night of the reconstituted Philharmonic.
  • It was liberating to have the run of Tehran, without minders, deadlines or chores. But of course, I wasn’t truly free. I policed myself on behalf of the regime, becoming my own jailer and censor, aware that any lapse could have consequences. Sometimes I tried to speak over colleagues or relatives who were saying things that I feared might enrage my captors. I felt the presence of hundreds of electronic eyes. The friendliest faces who greeted me might be informers. And I could not leave Iran. It is an odd experience to know that you can be caught out at any time. But this was the way of Tehran. Some avenues open up, others close. Everyone feels like a captive. There are those who say that it is all a grand plan of the ayatollahs to keep people on edge.
  • Self-censorship ranks as one of an authoritarian regime’s strongest tools, and I was complicit.
  • Despite Iran’s pious reputation, Tehran may well be the least religious capital in the Middle East. Clerics dominate the news headlines and play the communal elders in soap operas, but I never saw them on the street, except on billboards. Unlike most Muslim countries, the call to prayer is almost inaudible. There has been a rampant campaign to build new mosques, yet more people flock to art galleries on Fridays than religious services. With the exception, perhaps, of Tel Aviv, I had visited nowhere in the Middle East where people read as voraciously as Tehran. “The Handmaid’s Tale”, Margaret Atwood’s dystopian fable of women enslaved to a theocratic caste, is a particular favourite, the owner of one bookstore told me.
  • Life in Iran has always swung both ways. Nothing goes and everything goes. Alcohol is banned but home delivery is faster for wine than for pizza.
  • The space for veil-free living had grown since I last visited. In the safety of their homes, women often removed their head coverings when chatting over the internet. Darkened cinema halls offered respite from the morality police who enforce discipline. In cafés women let their scarves fall languorously. The more brazen simply walked uncovered in the streets, risking imprisonment. And, in an unusual inversion of rebellion, ties have made a reappearance some 40 years after Ayatollah Khomeini denounced them as a symbol of British imperialism.
  • The listing of plays in Tehran was almost as long as London’s West End and I devoured them. Directors are adept at finding ways to evade the censors. A striking number of plays and films I saw were set in prisons – a commentary on the Iranian condition – but under bygone regimes. Opera was taboo, but a performance one evening in the red-cushioned opera house of the former shah, which was billed as Kurdish folk music, included Verdi. Beneath a vast glittering chandelier the audience threw bouquets of flowers at the Iranian singer, who is acclaimed in both Rome and Berlin; for an encore, she finally dared to sing a solo.
  • Of course not everyone got away with pushing at the strictures. In my first week in Tehran the authorities pulled a production of Ibsen’s “Hedda Gabler” – the play is about suicide, which is forbidden in Islam – and another about poor women reduced to hawking to feed their families. Cafés that hosted live bands risked closure until they had paid off fines. Women without head-coverings who were spotted on one of Tehran’s many surveillance cameras received police summons by text. But the morality police, who drove around town in new green-and-white vans, seemed too stretched to suppress every challenge.
  • as well as being an intelligence officer, he was an academic and wrote a newspaper column
  • There was a Jewish café, two kosher restaurants and a maternity hospital funded by the Jewish community in the south of Tehran, where less than 5% of those born were Jewish. A Jewish sports centre was also under construction
  • Over the course of four days the men spent most of their time glued to phone-screens, watching Bollywood films, or American or Chinese schlock full of street fights, which they accessed through virtual private networks to evade the censorship they were supposed to enforce.
  • I feared either that the Revolutionary Guards thought they could use my presence to negotiate some kind of deal, or that I was becoming a pawn in the internal rivalry within the Iranian government. I was beginning to see at first hand the glaring tensions between the two arms of the state. My hotel seemed increasingly nervous about hosting an over-stayer without a passport. In an attempt to evict me one evening, they cut the lights and blamed an unfixable electrical fault. The following morning the Guards arrived to transfer me to another location. En route we were chased by two motorbikes and careened up and down the alleyways of northern Tehran. Only when we pulled into a cul-de-sac did the Guards succeed in shaking them off.
  • A new interrogator – toad-like and clad in leather – told me that the Guards had found incriminating material on my laptop that touched on matters of national security: he had found a note from a conversation I’d had with a government flunkie about smuggling rings connected to the offspring of senior Iranian officials. This proved, he said, that I had crossed the line from journalism to espionage. They were reopening the case.
  • Notes he had discovered on Iran’s spiralling brain drain confirmed, to his mind, that I was seeking to undermine national morale.
  • I wasn’t even sure how genuinely religious many of those I had met were. When we drove about town, Ali talked of his student days, his young family and his passion for British football. Ideology rarely came up. Within the parameters set by the vice squads, Tehran’s dominant culture was defiantly secular. Iran called itself a theocracy, yet religion felt frustratingly hard to locate and the truly religious seemed sidelined, like a minority.
  • For ten nights in Muharram these passion plays were performed with growing fervour. Even an irreverent man who taught me Farsi, who devoted much of his spare time to picking up waitresses in cafés, said Muharram was the one religious occasion he observed. The streets were lined with mokebs, stalls offering tea and dates and decorated with tragic representations of the battlefield using decapitated toy soldiers. At one mokeb, I came across a camel being readied for sacrifice. Many of these rites drew on ancient folklore rather than Muslim practice, akin to the celebration of Easter in the West. Since its inception the clerical regime had sought – and failed – to purify Iran of its non-Islamic elements.
  • “You feel a direct connection between people and God here,” a 40-year-old programme manager told me. He had stopped going to government mosques altogether, he said. Like some other pious Iranians I met, he feared that politics had sullied their religion rather than elevating it.
  • Panahian preached from a cushioned, teak throne beneath a vast chandelier while his acolytes crowded around him on the floor. He projected so much power, I got the feeling that if he’d read from a phone directory his disciples would still have sobbed. “Are you a servant of God or of man?” he said, scanning the crowd for suspects. “Choose between the tyranny of westernisation and God.” After he’d left a woman in a black chador took me aside. I steeled myself for an ideological harangue. Instead, she held up a plastic bag of bread and a plastic container of beans that the Husseiniya distributed after the sermon. “That’s why we came,” she said. “If you ask about the contents of the sermon, no one can tell you. If you ask about the contents of breakfast, they’ll all remember.”
  • the largest and most vibrant Jewish community in the Muslim world. Since the ayatollahs toppled the shah, Iran’s Jewish population has shrunk from 80,000 to around a tenth of that number. The ayatollahs have largely kept the remaining Jews safe, but they have also confiscated some of their property, particularly that of those who have left the country. Tensions between Iran’s Jews and the regime ebb and rise depending on the country’s relationship with Israel. But over time the Islamic Republic seems to have grown more at ease with the community
  • Iran has 22 mikva’ot – pools for ritual immersion. Many of Tehran’s dozen active synagogues are vast and packed with worshippers
  • I was caught in a political game involving high-seas tankers and international diplomacy that far exceeded my ability to influence it.
  • By rare coincidence the first service of selichot, the penitential prayers recited for a month in the run up to the High Holidays, began on the first day of the solemn month of Muharram. The synagogues were packed. At 1am Iran’s largest synagogue still teemed with families. At 2am the congregation swayed in prayer for Israel and its people. The communal chest-beating was gentler than in the Husseiniya, but more ardent than in Western congregations. Women walked up to the ark and kissed the smooth Isfahani tiles painted with menorahs and stars of David, acting like Shia pilgrims at their shrines. People milled around on the street outside chatting. I must have recited my prayers for forgiveness with conviction.
  • two men in black entered and introduced themselves as officers from another branch of intelligence. They apologised profusely for the difficulties I had faced and blamed the Guards for the inconvenience. They hoped that I had been well treated and expressed outrage that the Guards had made me pay my own hotel bill. They assured me that they’d been working strenuously for weeks to fix matters. My ordeal was over, they said. But could they just ask a few questions first?After 40 minutes of interrogation, they disappeared. Ten minutes later they were back with embarrassed smiles. One awkward matter needed resolving. Because I had overstayed my visa, I needed to pay a fine of 4m toman, about  $200.“Of course, the Guards should be paying since the delay was of their making,” they said.I called Ali and asked him to clear the fine.“No way,” he replied. “Can’t they waive it?”The intelligence officers apologised again but remained insistent. There were regulations. They couldn’t foot the bill for a mistake of the Guards.
  • Only when the flight map on my seat-back screen showed the plane nosing out of Iranian airspace did I begin to breathe normally.
Ed Webb

In the Arab region, education cannot wait | openDemocracy - 0 views

www.opendemocracy.net/...b-region-education-cannot-wait

MENA Syria IDPs refugees education opinion

shared by Ed Webb on 26 May 21 - Cached
  • According to the GEM Report, Migration, displacement and education: Arab States, published in November, there is no place on earth affected by migration and displacement to the same extent as the Arab States.Despite representing just 5% of the global population, the Arab states account for 32% of the global refugee population and 38% of people displaced within their own borders.
  • Forced displacement on this scale has had a devastating impact on education and the trends revealed in UNESCO’s report are deeply concerning. They paint the picture of a region lagging globally, one that has seen the pace of education development stymied by decades of conflict and crisis.For a region draped in so much history, innovation and discovery, it is heart breaking to read these figures.
  • Hundreds of billions of dollars are spent every year on national security in the Arab region, but only a fraction of that on education. The GEM report makes a compelling case for why governments, donors and the private sector must step up their political and financial support for education. Time has come to make responsible choices for a whole generation of children and youth in a region which once gave so much to our own education elsewhere in the world, be it in math, medicine, astronomy or the arts.
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  • the scale of internal displacement and its impact on education systems
  • It often surprises people to know that there are just as many Syrians displaced within Syria as there are internationally. 36% of the Syrian population is internally displaced.In Yemen, it’s 8%. Iraq, Palestine and Sudan have all seen at least 5% of the population displaced internally, as a result of ongoing conflicts.
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