The
once-embattled
ancien regime
is
back
with full force. Not only to consolidate its power in the present,
but also to control the past. Yet, since the outbreak of the January
25 Revolution, besides the Islamists, two distinct communities were –
and still are – in conflict, among other things, over the
revolution’s nature and principles: the regime and the
revolutionary activists. What follows is an exploration of these
communities’ strategies to permeate the people’s collective
consciousness and to enforce their own narratives of the revolution
and its memory, across three different domains: Egypt’s public
space; Egypt’s online sphere; and outside Egypt.
The battle over the memory of Egypt's revolution | openDemocracy - 0 views
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in the revolution’s early years, Egypt’s public space was representative of the young activists’ creativity and rebellion
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Through graffiti on walls, images, texts and structures, the activists created from the country’s streets and squares memorials to keep the memory of the brave martyrs as well as the revolution’s ideals alive. Walls of Freedom, a 2014 book by Hamdy and Stone, offers thorough insights into the revolution and its artistic works. Young Egyptians’ independent cultural activities, including concerts and exhibitions, played a role in enhancing the historical narrative of the pro-revolution community.
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Invisibility and Negrophobia in Algeria - Arab Reform Initiative - 0 views
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In post-independence Algeria, autocratic elites have chosen to characterize the Algerian people as a homogenous block with a single culture (Arab-Islamic), religion (Islam), and language (Arabic) because they consider diversity to be a source of division and a threat to the country’s stability and their hold on power. Identity issues, which the regime insists on controlling, are also used to divide and rule. Aware of this, from the beginning, the Hirak downplayed identity and difference within the movement while focusing on getting rid of le pouvoir (Algeria’s military elite and their civilian allies that rule and exploit the country) as a whole, root and branch.
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placing pressure on existing tensions between Arabs and Amazighs (Berbers) and between Islamists and secularists
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Black Algerians find themselves in a perplexing situation during the current slow-moving peaceful Hirak for democracy. Concentrated in the Saharan south of the country, to an extent, Black Algerians are literally not visible to other Algerian citizens – self-identified white Arabs and Amazighs – who are overwhelmingly found on the northern Mediterranean coast. Nevertheless, Black Algerians are indigenous to Algeria’s Sahara,7Marie Claude Chamla, “Les populations anciennes du Sahara et des regions limitrophes,” Laboratoires d’Anthropologie du Musee de l’Homme et de l’Institut de Paleontologie Humaine, Paris 1968, p. 81. and hundreds of thousands of others, across 13 centuries, were enslaved and forced across the desert to Algeria from sub-Saharan Africa. The history of servitude has stigmatized Black Algerians, generated Negrophobia, and fostered a need – so far unrealized – for the mobilization of civil society organizations and the Algerian state to combat anti-Black racism in the country
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Egypt protests: How cartoon of Sisi the cat burglar became face of a movement | Middle ... - 0 views
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“I just wanted to pitch-in but I wasn't sure how,” says the 37-year-old street artist, who made his name in Cairo during the 2011 revolution against Hosni Mubarak.
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“If I would were in Cairo now, I would have taken to the streets with graffiti, like I did in 2011. I kept on wondering: how can I participate in a concrete and positive way, and make it useful?"
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On the morning of 20 September, Ganzeer woke up anxious. During the next few hours he drew the image that has quickly come to define a new wave of protests against the sitting president. In the illustration, Sisi is dressed in a striped jacket and tie, but drawn as a cartoonish cat burglar.
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