Group items tagged

papers published through archimuse.com

Wurde am Museum and the Web 2008 vorgestellt: http://www.archimuse.com/mw2008/abstracts/prg_335001856.html "The Universidad Nacional Autónoma de México (UNAM), as an active cultural promoter, implemented a virtual museum system in order to help and develop expression related to art, science and humanities. The UNAM's cultural heritage is, as in many other universities, a vast number of different kinds of objects, ranging from painting and sculpture to numismatics and architecture, from traditional art to modern multimedia-based exhibits to Scientific Collections. It is impossible to exhibit it all in a single place in an orderly fashion." http://www.archimuse.com/mw2008/abstracts/prg_335001856.html

Ein Beispiel für neue Zielgruppen erreichen (s. Konferenzbeitrag Archimuse: http://www.archimuse.com/mw2008/abstracts/prg_335001837.html Our solution (in progress): - By creating many experiments across the widest range of existing social networking models we are making links with the local community who in turn show what the Gallery and the area is really about through their own images, ...- We always ensure we can back each experiment with adequate resources and talent to ensure a high quality result that does justice to the Gallery we represent.

The following strategy worksheets and guidelines were developed by Enterprise Technology and Local History Services at the Minnesota Historical Society (MHS) as templates for use by other history organizations. The guidelines were created both from experiences here at MHS and by glomming good ideas from the guidelines of others around the web.

The following strategy worksheets and guidelines were developed by Enterprise Technology and Local History Services at the Minnesota Historical Society (MHS) as templates for use by other history organizations. The guidelines were created both from experiences here at MHS and by glomming good ideas from the guidelines of others around the web.

"How to measure and define the success of cultural websites and online services is a problem common to all parts of the cultural sector - museums, archives, galleries, arts organizations, libraries and publishers. Worse, funding agencies and government departments lack the expertise to offer guidelines or set standards. The result is a confusing mixture of statistics and reporting that reveals little about genuine user satisfaction."

Examples of great crowdsourcing projects:

Augmented reality and storytelling Stedelijk Museum. Der Dialog zwischen der realen und virtuellen Welt fordert neue Formen des Storytellings:Read more: MW2011 Conference Beitrag: http://conference.archimuse.com/mw2011/programs/augmented_storytelling_how_to_create_interes

Kristen defined six possible roles for museums on the Internet: 1) Filter - find and share relevant, accurate, trustworthy information 2) Curator - become a one stop shop for primary and secondary source material on specific topics 3) Node in a network - package information to live beyond your walls, monitor conversations around your content 4) Community builder - create your own network, be involved in online conversations 5) Lifesaver - provide portable information when and where people need it most 6) Tour Guide - connect your content to the real world

This paper looks at the use of cell phones for tours of cultural sites in Europe. Although several projects have experimented with IVR, SMS and even multimedia tours on standard and next-generation networks, take-up of this platform by museums has remained low in comparison to US activity, despite cell phone usage being more wide-spread and longer-developed than in North America. Through case studies of recent phone tour projects at Tate Modern and the San Francisco Museum of Modern Art, we examine what the key differences and similarities are between phone-based tours on the two continents, and what each can learn from the other.

Chris Alexander vom San Jose Museum of Art stellte 2008 ausserdem einen iphone guide prototyp vor: http://www.archimuse.com/mw2008/abstracts/prg_335001800.html

Based on the semantically-enriched data model, we have implemented three different components/tools in the CHIP demonstrator: Artwork Recommender, web-based virtual Tour Wizard and PDA-based Mobile Tour. (i) Artwork Recommender. a Web-based rating dialog for artworks/topics to build a user profile, based on semantics-driven recommendations. (ii) Tour Wizard. a Web-based tool using the user prole to generate (semi)automatically personalization virtual museum tours for each user. (iii) Mobile Tour. a PDA-based tool to map virtual tours into the physical museum space with constraints; to give guidance to users and to synchronize the user profile on the web and in the PDA. prsented at Museum and the Web 2008: http://www.archimuse.com/mw2008/abstracts/prg_335001703.html

vimu - das virtuelle Museum zeigt lebendige Geschichte der deutsch-dänischen Grenzregion von Hamburg bis Odense von 1830 bis heute. Wurde an der Museum and the Web Conference 2008 vorgestellt: http://www.archimuse.com/mw2008/abstracts/prg_335001678.html

In 2002, the people of Ontario became the fortunate recipients of a time capsule vividly illustrating life in the province during the 1950s and 1960s when London television station CFPL generously donated 2,700 reels of news film to the Archives of Ontario. (das Projekt wurde 2008 an der Museum an the Web Conference vorgestellt: http://www.archimuse.com/mw2008/abstracts/prg_335001830.html

ECHO's most recent web project is Learning from the People, a sub-site on WGBH's site Teachers' Domain. It draws on both Native and 'standard' (Euro-American) sources to examine two themes: traditional storytelling in the Native world, and Arctic climate change.  Museum and the Web 2008 : http://www.archimuse.com/mw2008/abstracts/prg_335001722.html

Salgado untersucht Partizipation von interaktiven Auststellungsstücken. Sie entwirft anhand von 6 Fallbeispielen Paramter zur Entwicklgn und Beurteilung von Partizipation: * Theme (chosen for participation, and the openess with wihich it is presented) * Atmosphere (of the piece) * Input-output modalities * Accessibility * Time: Ties to the actual time of the visit * Community: Ties to the community Konference-Beitrag an der "Museums an the Web"-Konference, 2008 in Motreal

"Museums and the Web is an annual conference exploring the social, cultural, design, technological, economic, and organizational issues of culture, science and heritage on-line. Taking an international perspective, MW reviews and analyzes the issues and impacts of networked cultural, natural and scientific heritage." Our community has been meeting since 1997, imagining, tracking, analyzing, and influencing the role museums play on the Web. The MW2010 Program is composed based on an open Call for Participation. The deadline for most proposals was September 30, 2009. Deadline for Demonstration Proposals: December 31, 2009

Where Do We Go From Here? Continuing with Web 2.0 at the Brooklyn Museum "As we moved forward with Web 2.0 and social media in 2007, we had two objectives in mind while overhauling earlier initiatives and creating new projects for visitors: * Keep it real: We aimed to personalize content as much as possible, since Web 2.0 for the Brooklyn Museum is all about social connections and growing communities. * Deliver content their way: Museum surveys have shown that visitors want to consume more information in shorter visits. Hence, we wanted to allow our audiences to easily receive information from the Museum, and dynamically share it with others. We continued to focus on our community-oriented, visitor-centered mission, and these goals became paramount as we thought about (and adjusted) our early initiatives; they also served as philosophical barometers when we created new projects. "

In this paper we illustrate how Rich Internet Applications (RIAs), combining lightweight information architecture with advanced search paradigms (like faceted search) and interactive visualization strategies, can be used to better support a number of communication goals.

"In the years since the appearance of the first museum Web sites, most museums have established some presence on the World Wide Web. Museums have much to learn from each other, and from developers using the Web for other applications. To facilitate this exchange of information, Archives & Museum Informatics organises an annual international conference devoted exclusively to Museums and the Web. MW is the largest international conference devoted to the exploration of art, science, natural and cultural heritage on-line. "

"ECHO (Education Through Cultural and Historical Organizations), a partnership of six widely dispersed cultural institutions, fosters that learning. Individual missions vary, but the ECHO partners all seek to enhance appreciation of regional heritage;"