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Salgado untersucht Partizipation von interaktiven Auststellungsstücken. Sie entwirft anhand von 6 Fallbeispielen Paramter zur Entwicklgn und Beurteilung von Partizipation: * Theme (chosen for participation, and the openess with wihich it is presented) * Atmosphere (of the piece) * Input-output modalities * Accessibility * Time: Ties to the actual time of the visit * Community: Ties to the community Konference-Beitrag an der "Museums an the Web"-Konference, 2008 in Motreal

Interactive Radio: Exploring Visitors Stories using a Radio Interface: << ROOM OF OPINION>> Retracing the past: exploring objects, stories, mysteries (June 2003) was an exhibition held in the Hunt Museum The Hunt Museum and the Interaction Design Centre of The University of Limerick, in Ireland, jointly developed this exhibition. At that exhibition there was a Room of pinion where visitiors coul leave a message about the nature and possible use of some mysterious objects. Comments were collected, and visitors could listen to them in rel time through a radio in the Sudy room. The sound of earlier opinions also generated a sort of murmur that was heard in the same room. Comments were made using an interactive telephone. A visual analogue of the prcess of storing the comments could be seen in a dynamic graühic display representing a visual trace of these opinions. Visitors could see and listen to their own comments recorded. (hier zitiert nach Salgado, ., Breaking Apart Participation in Museums, S. 3f)