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justin41683

Band Directors Group: File Repository - 0 views

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    A band director friend of mine told me about this site last summer.  There is a password, which is:  Grainger The Band Director Posthaven began with the Band Director Facebook page and the originator of the page, Brian Wis, wanted a place to share files with other band directors. This is a great resource in which band directors share files and other resources to assist the daily needs of a band director.  These files include posters, music (warm-ups, chorales, technique builders, curriculum guides, recruit tools and ideas, rubrics, music appreciation activities, band room rule/policies, how to deal with administrators, and more).  With the resources being submitted by band directors, this is a great source for new band directors and band directors at new schools.   I have used this site to find pitch tendency charts, scale sheets, and three excellent warm-ups.  You can spend hours upon hours searching this site.  Most of the files are PDFs which allows to open and print form any computer with a PDF reader.  There are some Microsoft Office documents which can be a problem.  Be mindful that some of the music repertoire may needs some adjustments for your ensembles needs or you have to add instruments to the instrumentation (missing Baritone TC, Oboe, Bassoon, or Baritone Sax parts)
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    A band director friend of mine told me about this site last summer.  There is a password, which is:  Grainger The Band Director Posthaven began with the Band Director Facebook page and the originator of the page, Brian Wis, wanted a place to share files with other band directors. This is a great resource in which band directors share files and other resources to assist the daily needs of a band director.  These files include posters, music (warm-ups, chorales, technique builders, curriculum guides, recruit tools and ideas, rubrics, music appreciation activities, band room rule/policies, how to deal with administrators, and more).  With the resources being submitted by band directors, this is a great source for new band directors and band directors at new schools.   I have used this site to find pitch tendency charts, scale sheets, and three excellent warm-ups.  You can spend hours upon hours searching this site.  Most of the files are PDFs which allows to open and print form any computer with a PDF reader.  There are some Microsoft Office documents which can be a problem.  Be mindful that some of the music repertoire may needs some adjustments for your ensembles needs or you have to add instruments to the instrumentation (missing Baritone TC, Oboe, Bassoon, or Baritone Sax parts)
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    A band director friend of mine told me about this site last summer.  There is a password, which is:  Grainger The Band Director Posthaven began with the Band Director Facebook page and the originator of the page, Brian Wis, wanted a place to share files with other band directors. This is a great resource in which band directors share files and other resources to assist the daily needs of a band director.  These files include posters, music (warm-ups, chorales, technique builders, curriculum guides, recruit tools and ideas, rubrics, music appreciation activities, band room rule/policies, how to deal with administrators, and more).  With the resources being submitted by band directors, this is a great source for new band directors and band directors at new schools.   I have used this site to find pitch tendency charts, scale sheets, and three excellent warm-ups.  You can spend hours upon hours searching this site.  Most of the files are PDFs which allows to open and print form any computer with a PDF reader.  There are some Microsoft Office documents which can be a problem.  Be mindful that some of the music repertoire may needs some adjustments for your ensembles needs or you have to add instruments to the instrumentation (missing Baritone TC, Oboe, Bassoon, or Baritone Sax parts)
johntc11

Teaching Resources & Lesson Plans | Teachers Pay Teachers - 1 views

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    An online marketplace for teachers to buy and sell classroom resources. I have found many free and low cost worksheets, visuals and even lesson plans online. Resources include worksheets for pitch, rhythm, composers, specific songs, like the Star Spangled Banner and so much more. A valuable resource for a teacher who does not want to "recreate the wheel" OR who is creative and likes to "recreate the wheel" and earn a little cash doing it!
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    Why re-invent the wheel when someone has already created the resource you need? TeachersPayTeachers is that resource for everything from classroom decor to lesson manipulatives and presentations.
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    This is a great resource for any educators. Teachers pay teachers is an online website where teacher share and sell their creative ideas for other teachers to use in their classrooms. You can purchase materials, lessons plans, assessments, and pretty much anything for a lesson plan you are using, or in need of. You are also able to upload and sell your creative ideas to collaborate with your colleagues. This is a useful tool if you find yourself in a jam for a lesson or in need of supplemental materials.
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    Teachers Pay Teachers is a resource for a wide variety of teacher-created lesson plans. Teacher-authors can share their lesson plans and resources via digital download, and receive payment in return. The search function allows teachers to find materials related to a particular subject and view the ratings from other users. Music teachers need to use careful keywords and search tactics to weed out lessons aimed at incorporating songs in the general classroom, but there are many great music education plans about music elements, instruments, guided listening, etc., as well as rubrics and visual aids.
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    Teachers pay teachers is a website that allows educators to purchase curriculum and resources from other educators. There is a wide variety of resources available on the website for every age group and subject area. I find this website to be incredibly helpful when I am looking to use technology in my teaching. Many teachers upload their lessons including links and videos, which allows students to see and hear many great examples of music.
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    Teachers pay teachers is basically the amazon for any educator to find lesson plans, games, manipulatives, and much more. I love to check out teachers pay teachers when I need new ideas on teaching music and generally I look for music games. I actually have a store on TPT, but hardly upload anything because I stay busy. I believe my most popular buy is my music jenga game, if any UFME students want it I would be more than happy to send it your way, for free!
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    Teachers Pay Teachers is a platform where educators can support each other and share resources. There are all kinds of resources available from composer studies, music theory, games, and centers.
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    Teachers Pay Teachers contains music lessons, interactive media, and administrative aids developed by music educators around the world. While many of the resources are for purchase the cost is minimal and there are many available for free. The musical content ranges from specific learning objectives (like steady beat for elementary classrooms) to entire curricular supplements using specific teaching methods (such as Kodaly). While there are resources for performing ensembles, most tend to be for elementary or beginning performing ensemble classes.
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    Great resource for all subject matters. It also keeps a library of all your purchases in case you lose them. All lessons I have bought through here have been of very good quality and easy to use.
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    Site where teachers can find music lesson ideas from other teachers. Print outs, IWB, lessons, etc...
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    Teachers Pay Teachers a website where you can look up different resources for your classroom from sub plans, posters, to fun activities to play with your students. When teaching a specific concept in music class such a dynamics, this resource will have vocabulary with pictures, power-points, and activities to play with students in order to reinforce the concept. It is a great website that eliminates the time component of creating these documents on your own time, while also supporting others teachers with inexpensive prices for their products.
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    This site is great for finding just about anything you could need in the classroom, developed by other teachers! They have general lesson plans, substitute lesson plans, worksheets, and more!
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    Teachers Pay Teachers (TPT), is a great resource for lesson plans, bulletin boards, and so much more! While most resources are free, some you do have to pay for.
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    This would be a great source for teachers who need the documentation for certain topics. This website provides every grade level, along with every subject being provided. There are lots of information on this source for free, and there are also many sources that are not free. But it depends on what you want or need. The purpose of this sources is to give teachers a wide range of things, that they may need in their classrooms.
Michael Lione

NAfME – Music Education – “Strategies for Working with Special Needs... - 0 views

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    NAFME (National Association for Music Education) talks about classroom strategies for teaching students with special needs in a general music class setting.
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    NAFME (National Association for Music Education) talks about classroom strategies for teaching students with special needs in a general music class setting.
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    NAFME (National Association for Music Education) talks about classroom strategies for teaching students with special needs in a general music class setting.
bumthun

Special Learners in Music - 0 views

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    The following pages contain current information about working with special learners and music. You will also find selected links to sites with additional resources.
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    This site offers articles and information about approaches for teaching music to students with special needs. Aside from providing a detailed list of special needs, the site also has a list of outside resources that may prove to be beneficial for educators.
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    Music and Students with Special Needs has numerous articles and resources to help music educators understand the benefits and challenges of working with special needs students.
jheaver

About Us | Teachers Pay Teachers - 0 views

  • TpT is the go-to place for educators to find the resources, knowledge, and inspiration they need to teach at their best. We offer more than 3 million free and paid resources, created by educators who understand what works in the classroom. Our marketplace is growing every day to meet the evolving needs of the PreK-12 classroom. When educators get the resources and support they need, they're best equipped to inspire our next generation of learners.
    • jheaver
       
      Teachers Pay Teachers is a great marketplace for teachers from all over to share their technological teaching resources they have created and used with their students. Membership is free and many of the resources are free. The resources that aren't free are very budget friendly! There's no need to reinvent the wheel when we can share the resources that work! With the option to review products, you can review and make sure an item is good before purchasing.
  • TpT is the go-to place for educators to find the resources, knowledge, and inspiration they need to teach at their best. We offer more than 3 million free and paid resources, created by educators who understand what works in the classroom. Our marketplace is growing every day to meet the evolving needs of the PreK-12 classroom. When educators get the resources and support they need, they're best equipped to inspire our next generation of learners.
Meghan Kiniry

Music History 102 - 0 views

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    This page is a good beginners who need a crash course in Music History or for those  who need a quick brushing up on a subject before an exam.
Stephen Hull

Decisions Made in the Practice Room: A Qualitative Study of Middle School S...: EBSCOhost - 0 views

  • The quality and quantity with which one approaches practicing are key factors in the development of expert instrumental performance skill (Ericsson, Krampe, & Tesch-Romer, 1993). Miksza (2007), Frost and Hamann (2000), and McPherson (2000) have all found that instrumental performance is related to the quality as well as the quantity of practice.
  • McPherson and Zimmerman (2002) described self-regulation as a form of self-teaching in which students set goals, self-monitor, and self-reflect.
  • Self-efficacy, defined as the confidence one has in his or her ability to plan and execute a given task, is considered to be a key factor predicting self-regulation success
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  • Other researchers have found that novice adolescent musicians tend to exhibit inconsistent practice habits. Rohwer and Polk (2006) categorized the practice tendencies of students as holistic/noncorrective, holistic/corrective, analytic/reactive, or analytic/proactive. They described analytic practicers as those who were prone to remediate sections of their music both proactively and reactively, and they found that these students made significantly more gains than did the holistic practicers. Barry (1990, 1992) focused on the use of structured practice time and supervision in middle school instrumental students and found that the students were significantly more able to prepare a musical etude when practice was carefully structured and supervised. Like McPherson and Renwick (2001), Barry found that students who engaged in unstructured practice tended to play their music faster, use a metronome less, use fewer mental practice strategies, and self-assessed less than those who engaged in structured and supervised practice.
  • Barry and Hallam (2002) argue that this is because novices who have not yet developed strong aural schemata are often unaware of their own errors, whereas more capable musicians are more aware of their strengths and weaknesses.
  • The ability to self-regulate, or self-teach, is a learned skill requiring individuals to make a number of decisions related to goal setting, self-efficacy, attention, strategy use, and assessment.
  • In order for teachers to improve the way in which they teach their students to practice, it seems apparent that they must first understand the ways in which their students think during practice.
  • retrospective think aloud protocol. Ericsson and Simon (1993) describe this method of data collection as a process in which subjects are asked to describe their thoughts immediately after performing a given task.
  • Though they stated that they knew which pieces needed work, they did not have a specific idea of what aspects of the music needed work.
  • When students encountered difficulty, they reacted in one of three ways. First, although each student exhibited different levels of tolerance for frustration, at some point they each demonstrated the tendency to move on to a new activity when something began to cause frustration.
  • Second, students would retreat to easier passages when things became too difficult.
  • Finally, student ability to maintain focus over the span of the practice period also affected motivation.
  • Although the ability to maintain attention and self-efficacy may be beyond a teacher's realm of direct influence because of the unique personalities of the children, it appears that teachers can improve student motivation by providing students goals for improvement rather than simply recording practice time.
  • The ability to clearly define goals that are specific, proximal (short term), and moderately challenging is a major component of effective practice (
  • The factors influencing the use of practice strategies can be broken down into three categories: strategy repertoire, appropriate use, and motivation. Using the metaphor of having a "practice toolbox," students need to have a number of tools from which to draw on, but they also need the knowledge and skill to use them appropriately and the motivation and self-discipline to make the effort to take the tools out of the box.
  • Educational leaders commonly emphasize the importance of teaching students how to critically think and learn on their own. Musical practice is an important way in which music teachers can provide their students with these opportunities.
  • It seems to follow that helping instrumental music students develop self-regulation would result in improved ensembles and more efficient rehearsals. Methods for teaching practice skills to middle school and high school students must be developed through continued research and best practice in order to develop independent musicians.
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    Teaching middle school students HOW to practice
justin41683

WynnLiterature - Home - 0 views

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    Wynn Literature is a site I found a few years ago as I was looking for music for my high school Intermediate Band to play for the Georgia Music Educators Association's Large Group Performance Evaluation (concert festival). The band I had one year was unprepared to play most Grade 4 Literature and I needed help choosing Grade 2 or 3 pieces. Wynn created this list of compositions that are on the GMEA LGPE required list. It is important to double check the most current LGPE list as the list is updated yearly. The compositions are written by composers whose works have been deemed to be "Contemporary Concert Band Standards" as they have the best mix of challenging the students as well as entertaining. Some of the composers include James Swearingen, Quincy Hilliard Robert W. Smith, David R. Holsinger, and James Curnow just to name a few. The site has changed a lot since I originally found it. You were able to click on the individual compositions to get more information about the piece such as key signature, meter, performance ranges for most of the instruments, technical issues that may occur (difficult rhythms or harmonies), background on the composer and historical perspective of the composition. Since the site's links do not work anymore, WynnLiterature is a great starting point to search for literature to play at the middle school level as well as the lower/developmental bands in high school.
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    Wynn Literature is a site I found a few years ago as I was looking for music for my high school Intermediate Band to play for the Georgia Music Educators Association's Large Group Performance Evaluation (concert festival). The band I had one year was unprepared to play most Grade 4 Literature and I needed help choosing Grade 2 or 3 pieces. Wynn created this list of compositions that are on the GMEA LGPE required list. It is important to double check the most current LGPE list as the list is updated yearly. The compositions are written by composers whose works have been deemed to be "Contemporary Concert Band Standards" as they have the best mix of challenging the students as well as entertaining. Some of the composers include James Swearingen, Quincy Hilliard Robert W. Smith, David R. Holsinger, and James Curnow just to name a few. The site has changed a lot since I originally found it. You were able to click on the individual compositions to get more information about the piece such as key signature, meter, performance ranges for most of the instruments, technical issues that may occur (difficult rhythms or harmonies), background on the composer and historical perspective of the composition. Since the site's links do not work anymore, WynnLiterature is a great starting point to search for literature to play at the middle school level as well as the lower/developmental bands in high school.
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    Wynn Literature is a site I found a few years ago as I was looking for music for my high school Intermediate Band to play for the Georgia Music Educators Association's Large Group Performance Evaluation (concert festival). The band I had one year was unprepared to play most Grade 4 Literature and I needed help choosing Grade 2 or 3 pieces. Wynn created this list of compositions that are on the GMEA LGPE required list. It is important to double check the most current LGPE list as the list is updated yearly. The compositions are written by composers whose works have been deemed to be "Contemporary Concert Band Standards" as they have the best mix of challenging the students as well as entertaining. Some of the composers include James Swearingen, Quincy Hilliard Robert W. Smith, David R. Holsinger, and James Curnow just to name a few. The site has changed a lot since I originally found it. You were able to click on the individual compositions to get more information about the piece such as key signature, meter, performance ranges for most of the instruments, technical issues that may occur (difficult rhythms or harmonies), background on the composer and historical perspective of the composition. Since the site's links do not work anymore, WynnLiterature is a great starting point to search for literature to play at the middle school level as well as the lower/developmental bands in high school.
Elizabeth White

Be Part of the Band - 0 views

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    Be Part of the Band is actually the recruitment tool that we use, along with a public performance and Jazz Band Tour. This website shows you real live musician that perform on their specific instruments as well as talk about their personal involvement with Music. 
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    As a beginning band teacher, this program is incredibly valuable. Be Part of the Band is a fantastic resource to aide music educators in the recruitment process. The program offers high quality tools to help attract as many students to the band program as possible. Proper recruitment is crucial to the success of a program but is sometimes overlooked, and this program has a variety of ways to help bridge the gap between participating and non-participating students. On top of everything, the resources on this website are completely free of charge. 
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    Recruitment videos for beginning band.
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    Be a Part of the Band is a phenomenal resource for band directors to use to encourage students to join band programs. The videos outline the different instruments, as well as the positives about being a member of the band. It is very easy to include these videos on school websites as a resource for parents as well.
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    Beapartoftheband.com is an awesome resource for beginning band teachers. Recruitment is such a huge part of the beginning of the school year and Scott Lang's resources are great! This website provides free resources for both recruitment and organization for bands. Individuals are able to make donations to the program, but no payment is required. Beapartoftheband.com not only provides demonstration videos for each instrument, the site also provides eighteen documents to assist with the recruitment process.
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    Band recruitment is the biggest event in the life of a band director.  This site features high quality tools to help make our lives easier. It also features famous people that have been band members.  Students need to relate to the bigger picture sometimes.  They need to see that big athletic stars can be in the band as well.  I am always looking for new perspective to recruitment.  
William Bauer

TwistedWave Online Audio Editor - 1 views

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    TwistedWave is a browser-based audio editor. You only need a web browser to access it, and you can use it to record or edit any audio file. All the audio is stored and processed on the server, so you don't need to download anything, or save your work when you are done. Close your browser window and your work is saved. Open TwistedWave somewhere else, and all your audio files, with the complete undo history, are still available. With a free account, you can edit mono files up to 5 minutes in length. Once you have an account, you can purchase a subscription to increase this limit.
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    I have been using the Twisted Wave app for music editing for over a year now and have found it to be very user friendly and a wonderful resource.
hjmartin0422

How to Help Students with Special Needs in Music Class | Cued In - The J.W. Pepper Musi... - 0 views

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    How to make accommodations for music students with special needs has always been a topic of conversation; however, as author Mary Rogelstad suggests, we have nothing to fear; among her list of recommended strategies for effective differentiation are items like teaching lessons that appeal to multiple senses and varying the speed of the content, or repertoire, to be learned and performed. As you can see, Rogelstad provides a sort of manual that helps us help our students to reach their maximum potential.
crmusicstudio

Incredibox - Express your musicality! - 1 views

    • jme2742
       
      Used in 2017 w/ 6th 7th and 8th grade. end of year- intro to composition
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    This site gives students the ability to create satisfying compositions that explore texture using loops that are designed to fit in with each other. Perfectly suited for differentiation, students can create works that are simple or complex.
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    Incredibox is a great website to explore musical creation and entertainment. Incredibox invites you to become the conductor of a group of human beatbox. You can share your compositions with others from all over. It's a really fun website that even students will enjoy using.
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    Incredibox is a neat web-based app where seven loops at a time are available for students to use at a time. They may remove and add loops at any point, and there are unlocked special content available for certain combinations. This makes it seem like a game. Students can share their compositions, but unfortunately cannot download it without paying. Regardless, this is a fun activity where all the loops sound good-no matter what the combination.
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    Students can arrange an acapella mix using different beat boxers and vocals. 
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    I love this program.  Great for the kids on a snow day, or a day we cannot get in the band room, but can use the computer room.
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    This is a unique website which allows the user to create rhythm loops with characters in costume representing the individual loops. It is an easy-to-use program which allows the user to create endless combinations of rhythm patterns and sound effects. Selecting the correct combination of figures will unlock bonus features. The program is fun for all ages.
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    This is a website for students to compose beatbox-type songs. Students can combine melodies, rhythms, sound effects and voices to compose their piece.
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    This is user friendly, fun, loop-based software where users can mix their favorite loops and then record and easily share their creations with others. This program is free to use on a computer and can be purchased for an iphone or ipad.
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    I have LOVED this website so much. I use it in class on a regular basis for a variety of uses. It is used as meaningful sub plans, rewards, and to explore creativity and composition. I also use it to discuss beatboxing and form.
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    This is an excellent website that produces high levels of student engagement and buy-in. It allows students to "mix" their own music using pre-created beats, rhythms, and melodies.
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    This is the link for our incredibox software we used in class. Make sure you save to the email stacipendry@yahoo.com so I can see your pieces. Version one will not record
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    Music Improvisation Arranging Music
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    Incredibox is a web-based mixing tool, and its purpose is to create mixes with pre-set loops including, beats, effects, voices, and melodies. In each "dude", the user needs to select a "clothing piece" that contains a specific loops. The user begins creating their mixes, and can add and delete them as needed. Musically speaking, it is a teaching tool because the user learns how to mix loops ate certain points. It enhance several concepts such as rhtyhm and meter. It can be used by elementary and secondary-level students.
crmtbear

Practice Sight Reading and Sight Singing Exercises Online - Sight Reading Fac... - 0 views

  • Try the Demo »
    • Joe Renardo
       
      The Free demo feature was really cool to explore.  I was able to access sight-reading exercises specific to the instrument I wished to practice on!
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    Sight Reading Factory is a subscription based website with the ability to generate unlimited sight reading examples. This is great for group sight reading in class, individual practice, or assessment purposes. Each exercise is fully customizable to suit your students needs.
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    A web-based sight-reading tool that general exercises that can be customized to meet the needs of your band program. You can create opportunities for individual sight-reading as well full ensemble. The assessment tool can track the progress and report the practice sessions. Teacher subscription is $34.99 per year and students can receive access for as low as $2 per year.
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    The Sight Reading Factory link is one of the best sight-reading websites I have come across to date.  Within the free demo, I was able to access sight reading exercises for a number of band, instrumental, and vocal practice lessons.  In my personal exploration of the demo, I first looked into locating sight reading exercises for piano.  I was able to edit the time signature and key signature before seeing the practice exercises.  This feature is GREAT for people who are learning to play/count in different meters or using accidentals in their piano playing.  The same can be said for people learning to utilize solfedge in their singing, utilize new fingerings in their instrumental playing, or simply challenge themselves.  The website offers multiple difficulty levels, making the use of this website in a secondary music school setting ideal.  Sight reading exercises and study are some of the major contributors to my development as a musician and educator.  Since the exercises are generated on command, the site provides unlimited sight reading exercises to its users, making its longevity a strong selling-point.  
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    Sight Reading Factory is a cloud-based program allowing students daily practice with newly generated exercises each time. Check out the demo; free trials are available for up to 20 exercises generated.
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    Sight Reading Factory provides unlimited number of exercises for sight reading/singing to students. This program provides exercises based on instrumentation and other needs/skill levels to accommodate all levels. It also works as a great assessment tool by tracking what and how the student sight reads in real time.
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    SightReadingFactory.com makes practicing the important skill of sight reading quick, easy, effective and fun! This cloud-based service allows you to customize and generate unlimited sight reading examples instantly, on-demand for students of all ages and abilities.
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    Sight Reading Factory is a great resource for all musicians looking to better their sigh treading ability. It develops a random sight reading exercise for all instruments and is something that can be worked on at an individual level or through a school subscription. Quick set-up and easy to use!
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    This site offers customize-able sight-reading examples that are composed in real time in a variety of combinations. It may be used by the music teacher in whole group setting in the classroom, or student accounts may be purchased for use with at-home practice and assessment. The annual fee is reasonable.
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    This is the best sightreading website I have encountered. A student is able to customize the exercises to his/her level of ability and it will create random sightreading excerpts. It is certainly a tool I always suggest to my students to invest in.
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    This is the best sightreading website I have encountered. A student is able to customize the exercises to his/her level of ability and it will create random sightreading excerpts. It is certainly a tool I always suggest to my students to invest in.
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    Sight Reading Factory offers teachers and students opportunities to practice sight reading using complete customization of exercises: time signatures, key signatures, difficulty level and more.
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    Sight Reading Factory is a comprehensive online sight reading tool which provides on-demand computer-generated music examples which are customizable by instrument, playing level, length, key, and time signature. The service provides pre-programmed levels or can be fully customized by the user. Sight Reading Factory covers all major instruments (including voices and piano) and ensembles. Rhythm-only examples are also available. Once configured, the service provides unlimited, computer-generated sight reading examples based on the settings. Although randomly generated, the algorithm delivers rather authentic, musical selections. The user has two choices for participation: timed review period or free play. Settings can also be adjusted to toggle metronome click and cursor, as well as making measures disappear before or after playing.
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    Unlimited sight reading exercises for every instrument and ensemble. Music teachers can customize exercises for the skill level of their students and print each exercise if needed.
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    Sight Reading Factory is a great technology music-education tool. The site offers a short free trial, but the annual fee is very inexpensive. The technical support is great, and can problem solve quickly. Build sight-reading skills with the entire class, or create individual sight-reading assignments for students. Educators can generate custom sight-reading examples by easy selection of criteria. This site is worth the money and can be beneficial for student achievement in learning to read and sing musical notation.
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    Sight Reading Factory is an excellent application and website that generates customizable sight reading exercise for a variety of instruments or using solfege. You can customize the exact rhythms or pitches you would like and the program generates unlimited, yet musical, sight reading examples.
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    This site can be used for practicing sight reading. The possibilities of combinations of notes, short songs, and everything can be found here. I have even found that state all-state bands have used it to create their sight reading pieces for all state band. It does cost, but the price can be worth it even if just a teacher subscription is bought.
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    The purpose of this resource is to provide students and teachers and alternative method for practicing sight reading. The site randomly generates examples based on level specifications about rhythm, time signature, key signature, and intervals as set by the instructor or students. The subscription is only $2 a student.
amgartner

Copyright Considerations for Show Choirs - 0 views

  • For example, the song Yesterday, written by Paul McCartney and John Lennon, was originally written for guitar and vocals. If one wants to make an arrangement of this work for a show choir, one must add in the various vocals, the instruments needed for accompaniment, and the parts for those various instruments. Thus, a custom arrangement license is needed and the permission of the publisher or rights’ holder is required to make this derivative work.
  • cutting and pasting or re-typing the music into a notation program, one must obtain a custom arrangement license.
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    This article discusses the various types of licenses and permissions needed to be compliant with copyright law, specifically geared toward show choirs. Information like this is important to know as a choir director so that you can ensure that the music you are performing isn't infringing on any laws. It also protects your school/organization from unwanted (and often hefty) fines.
reagansr

Sweetwater - 0 views

shared by reagansr on 27 May 17 - Cached
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    This is an online retail store for instruments and music audio equipment. The customer service department in this franchise is extremely helpful to music teachers who need to purchase equipment but are not sure exactly what their needs are. They are very knowledgeable about today's audio equipment, and their prices are competitive in the industry.
Wayne Anderson

DEFINING MUSICIANSHIP IN THE 21ST CENTURY: The Strategic Partnership Between Jazz at L... - 0 views

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    Great article about Wynton Marsalis' view on jazz and music education. He has entered a partnership to bring jazz music into music education. As an indigenous form of American music, we need to preserve and teach it to our students.
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    Great article about Wynton Marsalis' view on jazz and music education. He has entered a partnership to bring jazz music into music education. As an indigenous form of American music, we need to preserve and teach it to our students.
Mary Witaszek

PG Music Inc. - Band-in-a-Box, RealBand, and more - 0 views

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    Band in a Box is a program that will allow the user to plug in chords and it will create a recording for you to use as an accompaniment. This program is extremely helpful for music teachers who need recordings for their students to play or sing with!
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    Band in a Box is a program that will allow the user to plug in chords and it will create a recording for you to use as an accompaniment. This program is extremely helpful for music teachers who need recordings for their students to play or sing with!
Erin Cronan

ARTSEDGE: Five Easy Social Dances for Early Elementary - 0 views

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    Arts Edge provides a list of 5 traditional Folk Dances appropriate for grades K-3. The directions are simple and easy to follow. No dance experience needed!
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    Arts Edge provides a list of 5 traditional Folk Dances appropriate for grades K-3. The directions are simple and easy to follow. No dance experience needed!
etinsley

Feedback in Music Teaching: Why "Good!" Is Not Good Enough | Being musical. Being human. - 0 views

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    Sometimes all people need is a word of encouragement to keep doing well. As teachers, it is difficult to find ways to keep our students engaged and motivated. We can become so absorbed with getting our students to do well that we may forget to actually tell them when they do well. It may seem small, but simply acknowledging when a student does what is asked of them can keep them motivated to keep doing it.
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    Sometimes all people need is a word of encouragement to keep doing well. As teachers, it is difficult to find ways to keep our students engaged and motivated. We can become so absorbed with getting our students to do well that we may forget to actually tell them when they do well. It may seem small, but simply acknowledging when a student does what is asked of them can keep them motivated to keep doing it.
etinsley

A-cappella | Over 100 relevant websites - 0 views

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    A cappella music is quickly becoming a world-wide phenomenon. Schools everywhere have notions of starting an a cappella group. This site provides all the information you would need to start one, including breathing techniques, logistics, and links to other sites that will point you in the right direction.
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    A cappella music is quickly becoming a world-wide phenomenon. Schools everywhere have notions of starting an a cappella group. This site provides all the information you would need to start one, including breathing techniques, logistics, and links to other sites that will point you in the right direction.
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