Group items tagged

"Posted by Dario Taraborelli on August 2, 2012 Improving the quality of articles has long been one of the primary aims of contributors to Wikipedia, and is one of the Wikimedia movement's 2010-15 strategic priorities, but measuring it objectively has remained a challenge. In 2005, Nature famously reported that Wikipedia articles on scientific topics contained just four errors per article on average, compared to three errors per article in the online edition of Encyclopaedia Britannica. Britannica objected to the report, but Nature stood by it, and the report remains widely cited today. Since that time, however, there have been relatively few independent analyses of Wikipedia article quality, despite the enormous growth of the project. Wikipedia today counts more than 23 million articles across languages (more than 4 million articles in the English Wikipedia alone) compared to 3.7 million total articles in 2005; today it ranks 6th by overall traffic according to Alexa, while it ranked 37th in 2005. (...) The Wikimedia Foundation is announcing the release of a pilot study conducted by Epic, an e-learning consultancy, in partnership with Oxford University - "Assessing the Accuracy and Quality of Wikipedia Entries Compared to Popular Online Alternative Encyclopaedias: A Preliminary Comparative Study Across Disciplines in English, Spanish and Arabic." The study compared a sample of English Wikipedia articles to equivalent articles in Encyclopaedia Britannica, Spanish Wikipedia to Enciclonet, and Arabic Wikipedia to Mawsoah and Arab Encyclopaedia. 22 articles in the sample were blind-assessed by 2 to 3 native speaking academic experts each, both quantitatively and qualitatively. The small size of the sample does not allow us to generalize the results to Wikipedia as a whole. However, as a pilot primarily focused on methodology, the study offers new insights into the design of a protocol for expert assessment of encyclopedic contents. For our editor community a

"Author: Andy Carvin , EDC Center for Media & Community | December 7th, 2004 You may have noticed recently that lots of websites now contain little graphical buttons with the word XML on them. For example: XML button When you click on the button, all you see is a bunch of jumbled text and computer code. What's this all about? It's an RSS feed, and they're changing the way people access the Internet. RSS, or Really Simple Syndication, is a technical format that allows online publishers to share and distribute their content to other websites or individual Internet users. It's commonly used for distributing headlines on news websites. Bloggers use it to distribute summaries of their blog entries as well. RSS is written in the Internet coding language known as XML, which is why you see RSS buttons labeled that way. If a website publishes an RSS page, commonly known as an RSS "feed," this feed will contain summaries of all the recent articles posted on that site. For example, Yahoo News publishes news related to world headlines, national news, sports, etc. These you can all read by going to the Yahoo website. But they also publish RSS feeds for each of these subjects. Each RSS feed contains a summary of the most recent news stories posted. Similarly, the Digital Divide Network publishes RSS feeds for our news headlines, events listings and other content on our website. I even have my own RSS feed for articles that I publish on my personal blog, Andy Carvin's Waste of Bandwidth. But why do RSS feeds look like a jumbled mess when I click on them with most Web browsers? It's because RSS feeds are meant to be read by machines rather than people. Software and websites can understand the data contained in RSS feeds and make it available to people on personalized websites, through software known as news aggregators, even through email. So when you aggregate RSS feeds, you're having a computer collect content from many different websites and organize them in a convenient pla

Linkato in http://iamarf.org/2013/04/20/racconti-ltis13/ , commento 42. RSS come empowerment.

By Matthew Hughes MakeUseOf.com April 5, 2013 "... Dire Consequences For An Administrative Error The one thing that stuck out for me when speaking to Amber was how catastrophic being removed from Facebook could be. Her suspension almost derailed a social media campaign for a large, multinational company. It resulted in her losing some of her oldest friends. It resulted in a loss of trust in an institution which almost all of us use to handle our social interactions. If an administrative error on a website can result in someone losing old friends and potentially losing their professional reputation, we should be questioning the role that Facebook has in our lives, and if we're too dependent on it. We reached out to Facebook and asked them to comment on this story. When asked how they identify breaches of their terms of service, they said "People report content or accounts to Facebook via the reporting links you can find on every page of Facebook. After you submit a report, Facebook will investigate the issue and determine whether or not the content should be removed based on Facebook's policies". They also said that their policies for dealing with people who breach their TOS depend on the particular rule broken. "If a content violates our policies then we will remove it. For example if a photo breaks our nudity guidelines we would remove it and let the person who posted it know. If someone is using Facebook under a false identity then we remove the profile." (...) Matthew Hughes is a writer, blogger and programmer from Liverpool, England. He's rarely found without a cup of coffee in his hand and loves making beautiful things. You can read his scribblings at matthewhughes.co.uk. " (Ottima spiegazione di come Facebook funziona - e a volte NON funziona -vedi anche i numerosi commenti)

Ho esitato a dare il link nei commenti a http://iamarf.org/2013/04/11/non-solo-luci-ltis13/ . Poi ho deciso di no, perché i commenti già vertevano molto (troppo?) su Facebook.

"Below you will find 50+ web tools you can use to create your own web-based story. They are grouped into categories of tool types, but you can also access a complete list of all tools. Each link points to a full entry on the tool that includes a description, links and embedded versions of the original Dominoe story, links to other stories created in the tool, and some more feedback that can help you decided if the tool might be of interest. People who join this wiki can contribute to the content on these pages (learn more...). Again, your mission is not to review or try every single one (that would be madness, I know), but pick one that sounds interesting and see if you can produce something. But before rummaging around the toolbox, have you done your prep work? Do you have your story idea or presentation concept outlined, developed? This should be on paper or in a document file or scribbled on the back of a napkin, but do not rely on making it up as you go! If not, go back 2 spaces and do this now. Next- do you have your media assets available, your images, video clips, audio files-- if not go find your media now."

"Sparky Sweets' self-styled "gangster" approach to education is bringing books like Jane Eyre and To Kill a Mockingbird to new audiences. Miranda Dobson meets him For those students who hastily scan SparkNotes, Wikipedia or CliffNotes before a seminar, the latest comedy sensation to hit YouTube could be a godsend. Sparky Sweets PhD invites his viewers to join him as he gives the lowdown on the great and the good of literature, urging his Twitter followers to, "Educate yo'self, son", by using his Thug Notes. Hailing from the streets of L.A. and claiming to have a doctorate in Classics, Dr Sweets delivers literary summaries and analysis in his "original gangster" style, in a way that he hopes will both entertain book nerds and educate/enlighten those who aren't into their literature. With an unprecedented surge of YouTube fans, Sparky has over 99,000 subscribers to his channel, and counting, and nearly 506,000 views on his most popular "drop" on classic American novel, To Kill a Mockingbird. Also included on Sparky's reading list are George Orwell's 1984, Jane Eyre by Charlotte Brontë, and popular culture's latest literary buzz courtesy of Baz Luhrmann's film, The Great Gatsby, by F. Scott Fitzgerald. Sparky tells me the idea for Thug Notes came about as a result of his "frustration with the world of academia." "In my opinion," he says, "an academic's job should be to utilise their passion for the classics to make the gift of literature available to everyone. Unfortunately, in my experiences, that is not the case." Sparky believes academia is "enshrouded by a veil of unnecessarily convoluted terminology and intellectual one-upmanship", which negates the whole point of education. "Instead of promoting the universality of these works, they are building them up to a virtually inaccessible plane and saying 'If you want to truly understand classical literature, you have to get on my level.' So Thug Notes is my way of tri

Il video che illustra l'articolo è quello delle Thug Notes per Hamlet.

"...Teachable moments As is often the case in awkward cases - where the system does not quite work as intended - a few things can be drawn from this episode. YouTube's Content ID system - http://youtube-global.blogspot.co.uk/2012/10/improving-content-id.html - is, in fact, intended to act as a buffer between the sometimes conflicting interests of content holders and uploaders: rather than forcing content holders to either ignore infringing content or go straight to a DMCA takedown notice. YouTube compares content that is uploaded to huge numbers of files of copyright works supplied by content owners, as do external agencies contracted to content owners. Content owners are able to set their own parameters, and determine what action YouTube should take - whether that is allowing, monetizing or blocking the content. One problem with this setup is that mechanical systems, while necessary to sort the vast amount of content being uploaded to YouTube and other video sharing sites every moment, are short on nuance. One can make assumptions and built rules based on quantifiable properties - if there are five minutes of rightsholder-owned content scattered across a 30 minute video, for example, that content is more likely to be being used for illustrative purposes in a review than uploaded in an infringing fashion - but ideas like fair use are generally decided by humans, and can only be approximated by mechanical systems. So, the rights holder, the agency pursuing monetization on the rights holder's behalf, the uploader and YouTube have connected but not identical interests. This may go some way to explaining the lacunae which took this example from a formality to a three-month epic. And, in this particular case, there are unusual elements - for example, the double claims, for first audiovisual and then visual content. The system is not intended to enable this kind of double jeopardy

Daniel Nye Griffiths descrive un caso reale di disputa sul copyright nel caso di un remix video pubblicato su YouTube. Da lì, spiega come funziona il sistema YouTube che individua possibili violazioni di copyright ma consente anche di contestare tali individuazioni. Ci sono anche link alle fonti dirette. Cosa buffa: il caso reale riguarda il copyright di una serie TV intitolata "The Twilight Zone", l'area crepuscolare tra giorno e notte. Sono capitata su questo articolo cercando di capire se un episodio del 1960 di questa serie era ancora sotto copyright oppure era caduto nel pubblico dominio. Prima avevo provato con lo strumento Digital Copyright Slider dell'associazione delle biblioteche US - http://librarycopyright.net/resources/digitalslider/ - che aveva cautamente risposto "Forse", con una nota che spiegava che dipendeva se il copyright originale era stato rinnovato, e link a lunghi e complessi documenti su come fare per scoprirlo... quindi sono tuttora nella "Twilight Zone" in merito.

"Other resources: PDF of US Copyright Office circular "Works Made for Hire Under the 1976 Copyright Act" Text of US copyright law "Chapter 2 - Copyright Ownership and Transfer" Article: "Working with freelancers: What every publisher should know about the "work for hire" doctrine." A short analysis of Community For Creative Non-Violence v. Reid the seminal U.S. case on the topic Music Law.com's page on work for hire Legal information site's page on "Works Made for Hire Under the Copyright Act" Video: Protecting Your Work: Understanding Publishing, Copyright, and "Work For Hire"" Law Review article: "Pre-existing Confusion in Copyright's Work-for-Hire Doctrine" The Writing for Children Resource Site article: "The Work-for-hire question" EFF article: "Film Schools Teach Wrong Copyright Lesson" Academy for Creative Media FAQ on the Student Copyright Agreement KeepYourCopyrights.org page on Work for Hire Wikipedia article on work for hire"

Soprattutto interessante per le risorse.

January 9, 2013 by Jeffrey R. Young "...Setting the Price The company also revealed more details about how it would award certificates and how much it would charge for them. Students who want a verified certificate will have to decide early in the course and pay upfront. Paying that fee will put students on what the company is calling the "Signature Track." The company and colleges are still struggling to decide what to charge for the certificates, though in its latest announcement Coursera said the price would run $30 to $100. "It's a huge decision: You're essentially setting a market," said Daphne Koller, a co-founder of Coursera, in an interview this week with The Chronicle. "No one has ever priced this before." Officials also stressed that they would offer financial aid to students who demonstrated that they could not afford the fees but could benefit from the verified certificates. Ms. Koller said Coursera would continue to offer free unofficial certificates to students who passed some of its courses. So why would someone pay for the verified certificates? Peter Lange, provost at Duke University, which plans to offer one of the courses in the new pilot, said each free certificate would have a clear disclaimer on it: "It says something to the effect of, We cannot vouch that the person who got this document took the course or did the work." The new Signature Track could mean serious revenue for Coursera, and for the 33 partner colleges that will get a cut of it. Exactly how the colleges will divide that revenue is still being worked out, it seems. Mr. Lange said the question was on the agenda at the next monthly meeting of Duke's Advisory Committee on Online Education." So, when Coursera staff offered free Statements of Accomplishment as "Recognition" to the volunteers of the Global Translator community, they did so in full awareness of their lack of value and of the mentioned disclaimer

"Items sold on through the CreateSpace service must follow our content policy and guidelines, detailed below. (...) Public Domain and Other Non-Exclusive Content Some types of content, such as public domain content, may be free to use by anyone, or may be licensed for use by more than one party. We will not accept content that is freely available on the web unless you are the copyright owner of that content. For example, if you received your content from a source that allows you and others to re-distribute it, and the content is freely available on the web, we will not accept it for sale through CreateSpace. We do accept public domain content, however we may request that you provide proof that your submitted material is actually in the public domain and may choose to not sell a public domain title if its content is undifferentiated or barely differentiated from one or more books already available through our service or available through other retail sites. We do not currently accept public domain material for Amazon Video on Demand. "

"...Subtitles and transcripts Every talk on TED.com will now have English subtitles, which can be toggled on or off by the user. The number of additional languages varies from talk to talk, based on the number of volunteers who elected to translate it. Along with subtitles, every talk on TED.com now features a time-coded, interactive transcript, which allows users to select any phrase and have the video play from that point. The transcripts are fully indexable by search engines, exposing previously inaccessible content within the talks themselves. For example, searching on Google for "green roof" will ultimately help you find the moment in architect William McDonough's talk when he discusses Ford's River Rouge plant, and also the moment in Majora Carter's talk when she speaks of her green roof project in the South Bronx. Transcripts will index in all available languages. The interplay between the video, subtitles and transcript create what we call a Rosetta Stone effect. You can watch, for example, an English talk, with Korean subtitles and an Urdu transcript. Click on an Urdu phrase in the transcript, and the speaker will say it to you in English, with Korean subtitles running right-to-left below. It's captivating. ...."

Descrizione del progetto di traduzione aperta - e collaborativa - dei sottotitoli dei video TED, con tante sotto-pagine linkate, in particolare a indicazioni per i tradutttori volontari.

January 22, 2014 | By Katitza Rodriguez "We aren't going to let the NSA and its allies ruin the Internet. Inspired by the memory of Aaron Swartz, fueled by our victory against SOPA and ACTA, the global digital rights community are uniting to fight back. On February 11, on the Day We Fight Back, the world will demand an end to mass surveillance in every country, by every state, regardless of boundaries or politics. The SOPA and ACTA protests were successful because we all took part, as a community. As Aaron Swartz put it, everybody "made themselves the hero of their own story." We can set a date, but we need everyone, all the users of the Global Internet, to make this a movement. Here's part of our plan (but it's just the beginning). Last year, before Ed Snowden had spoken to the world, digital rights activists united on 13 Principles. The Principles spelled out just why mass surveillance was a violation of human rights, and gave sympathetic lawmakers and judges a list of fixes they could apply to the lawless Internet spooks. On the day we fight back, we want the world to sign onto those principles. We want politicians to pledge to uphold them. We want the world to see we care. Here's how you can join the effort: Send an email to rights (AT) eff.org confirming your interest in participating in this action and receiving updates. Let us know what you would like to do in your own country so we can send you more information and amplify your voice. Visit TheDayWeFightBack.org and Take Action. Join your fellow global citizens and, sign the 13 Necessary and Proportionate Principles here: https://en.necessaryandproportionate.org/take-action/EFF Use social media tools to announce your participation. Develop memes, tools, websites, and do whatever else you can to encourage others to participate. Be creative -- plan your own actions and pledge. Go to the streets. Promote the Principles in your own country. Then, let us know what your plan is, s

11 febbraio: giornata di azione contro la sorveglianza globale tipo PRISM della NSA. Vedi anche i 13 "Princìpi internazionali in materia di applicazione dei diritti umani alla sorveglianza delle comunicazioni" https://it.necessaryandproportionate.org/text . Tra i firmatari, in Italia: Agorà Digitale, Electronic Frontiers Italy - ALCEI, Hermes Center for Transparency and Digital Human Rights,

"In Douglas Adams's famous Hitchhiker's Guide to the Galaxy series of science-fiction books, interstellar species use Babel fish - "small, yellow, leech-like" creatures that feed on "brain-wave energy" - to translate speech in real time. A team of developers at Google is working on the real thing, using statistical models to translate different languages, including Afrikaans, on the Web and on mobile phones, using voice input and output as well as text. TechCentral sat down with Google Translate research scientist Ashish Venugopal at Google's headquarters in Silicon Valley last week and asked him about the stumbling blocks to effective real-time translation and the future of the technology. This is an edited transcript of that interview. (...).Do you have a team of linguists working all over the world? We have a team of statisticians, all working right over there [points and laughs]. It's less linguistically orientated. There are linguistic ideas that influence our decisions. To give you an example, when I was working on the last set of Indian languages that were launched, I didn't use any linguistic knowledge; I used Wikipedia and my grandmother. So, it's Wikipedia, my grandmother and statistics. That's what we use to put a language together. - Duncan McLeod, TechCentral"

Intervista a uno sviluppatore di Google traduttore, su come funziona, pubblicata nella rivista sudafricana TechCentral il 12 gennaio 2012.

"A blogger claiming to be "A Gay Girl in Damascus" attracted a lot of online attention. But when she was reported kidnapped, some journalists became suspicious. From Carvin's Storify of the incident: Around this time I received a Twitter direct message from @DannySeesIt, a Syrian I've known since the Egyptian revolution. He's given me permission to publish the text of his DM: "I'm asking about that today most of the day and I have some solid connection in the lesbian scene in Damascus. No one knows her." Danny's comment struck me as odd, especially based on all the people I knew who were vouching for her online. I replied to him: I have from a good source that she is indeed real. We'll see, though. (...) Andy Carvin ✔ @acarvin And we have a confession: Tom MacMaster is #Amina! http://bit.ly/lLIY83 9:17 PM - 12 Jun 2011 (...) Andy Carvin ✔ @acarvin If we could only calculate the sheer number of hours we spent this week on #Amina, each one of which was an hour spent not on Syria itself. 9:28 PM - 12 Jun 2011"

"By Harry Keller Editor, Science Education Despite plenty of nay-sayers, the textbook is dead. It just doesn't know it yet and continues on walking about as though alive. Textbooks have evolved considerably over the last fifty years and even somewhat in the previous fifty years. I even have one, A Text-Book of Physics, on my bookshelf beside me that was printed in 1891. It has some line drawings and no color. Its size is about 5"x8". Today, textbooks have lots of colorful images, plenty of side bars, and lots of engaging questions sprinkled about on their heavy-weight glossy paper stock. They also have tons of advice to teachers on how to use them effectively. They've gone about as far as they can go with paper as the medium. (...) You can learn faster and learn more than you think you can. Textbooks do not tap into our brains to realize that learning potential. New software that uses true active learning will. By so doing, it will eliminate textbooks of all forms, both printed and online, both passive and so-called interactive. Today, the textbook is a zombie. It's just waiting for that wooden stake or silver bullet to put it to a well-deserved rest."

Interessante la coincidenza con http://blog-micromega.blogautore.espresso.repubblica.it/2013/07/22/boscaino-guastavigna-libri-di-testo-digitali-un-ragionevole-stop/ , già bookmarkato qui da Francesco Vallotto.

Analisi decisamente più interessante rispetto alle precedenti (citate) perchè vola decisamente più alta evitando di impantanarsi sulla falsa questione del formato dei contenuti per ragionare piuttosto di metodo. Ho condiviso filosofia e conclusioni

Pacchetto di istallazione di Moodle per sistemi windows, con tutorial istruzione procedura di download e prima istallazione. Complete install packages are available from Moodle.org's Windows download page. The packages are designed for new installations on a standalone computer. The complete install package can be used on a server, but it is not recommended that it be used as a production site. Please note Moodle.org's Standard install packages only contain the Moodle code. This document provides instructions for using the Windows packages. Separate instructions are available for Mac OS X packages. The complete install packages allow Moodle to be installed, along with the prerequisites that includes a web server, Apache, database, MySQL, scripting language, PHP, an administration tool, phpMyAdmin and Moodle all wrapped in the Xampp-lite shell. Several versions of the complete install package are available. The instructions on the download page provide guidance on which version is likely to be most suitable. In short, complete install packages are designed to create a matched webserver and Moodle site on a standalone computer with minimal effort."

"Can You Really Teach a MOOC in a Refugee Camp? - Wired Campus - Blogs - The Chronicle of Higher Education August 1, 2014 by Steve Kolowich Two men living in Dadaab, a refugee camp in Kenya, would watch lecture videos and take online quizzes at a nearby United Nations compound. (InZone) One narrative that has driven widespread interest in free online courses known as MOOCs is that they can help educate the world. But critics like to emphasize that the courses mostly draw students who already hold traditional degrees. So when Coursera, the largest provider of MOOCs, published a blog post about how a professor had used one of its online courses to teach refugees near the Kenya-Somalia border, it sounded to some like a satire of Silicon Valley's naïve techno-optimism: Hundreds of thousands of devastated Africans stranded in a war zone? MOOCs to the rescue! Details of the experiment paint a more nuanced picture, one that highlights the challenges MOOC providers face in trying to change the lives of downtrodden people. Barbara Moser-Mercer, a cognitive psychologist at the University of Geneva, ran the refugee experiment and wrote Coursera's optimistic blog post about it. But in an interview with The Chronicle, as well as a more formal article she wrote about the experiment for a European conference on MOOCs, the professor expanded on the logistical issues that come with trying to make sophisticated online courses work in deprived settings."

"We now require captcha on many social features, such as following people, joining groups, etc. For a very nominal fee, you can upgrade yourself to "Social Membership," which would grant you full social features without capcha, plus a lot of other goodies. We expect to stop the vast majority of the spammers with this simple measure. We'd like to elaborate more about Social Membership and its pricing and our thoughts behind the decisions. As long-time Diigo users know, Diigo is a personal knowledge management tool on the one hand, and a knowledge-sharing community on the other hand. While it is perfectly fine to use Diigo solely as the former, we do believe that the value of the knowledge-sharing community could be substantial, as the number of active users increases, and as the spam is minimized. As a result, we have decided to set the social membership annual fee at $5/year on Oct 1, 2014, and will increase the price gradually thereafter according to a pre-determined formula, as the number of active social members increases. To reward existing users, an attractive promotion price of $2/year will be available until Oct. 1, 2014. For future years, you will continue to pay the low annual price you paid in the first year, as long as your credit card stay valid for automatic renewal. We have also taken this opportunity to re-adjust our pricing plan to better align users needs with our business model. Existing basic and premium users will be automatically upgraded to Standard in the new pricing plan."

Attenzione a quel "new pricing plan" https://www.diigo.com/premium che limita drasticamente il numero dei gruppi per le formule meno care, ma non è chiaro cosa succederà ai gruppi creati con formula gratuita.

"Published on Nov 28, 2014 Thanksgiving ruined my productivity, but I wanted to tell you to closed caption your videos! Accessibility is important! The video I captioned in this video! https://www.youtube.com/watch?v=HXORJd5_dgQ Rikki Poynter's video - https://www.youtube.com/watch?v=WmTMiWGiP6Y Take the #SaferCommunityPledge - http://youcoalition.tumblr.com/pledge Tumblr Master Post of Dangerous YouTubers - http://unpleasantmyles.tumblr.com/post/79455706244/tom-milsom-hexachordal-heres-the-post-olga YouTube Speaks on twiter: http://twitter.com/YouTube_Speaks ... Help me by sharing on twitter & facebook or reblogging on tumblr! Please like my video and subscribe and comment! If nothing else, please tell me something that matters to you. If you'd like to transcribe my older videos, please let me know! Follow me on twitter - http://twitter.com/paulidin My comedy series about online dating messages in real life is OKC IRL - http://www.youtube.com/okcirl My dating advice series is It's Probably You - http://www.youtube.com/itsprobablyyou YouTube Wishlist: http://www.amazon.com/gp/registry/wishlist/CWIUEFZBG1CS/ Music: We Wish You A Merry Christmas by Rolask - https://soundcloud.com/rolask/we-wish-you-a-merry-christmas-6 Main Stem by US Army Blues Band - http://freemusicarchive.org/music/US_Army_Blues/ Also, I used a free FCP X plug-in from - http://blog.alex4d.com/2011/08/04/smooth-move-fpx-effect Shot with a Panasonic Lumix DMC-G6 http://www.amazon.com/gp/product/B00CFCTDD6?ie=UTF8&camp=213733&creative=393177&creativeASIN=B00CFCTDD6&linkCode=shr&tag=paulidincom-20&qid=1392247584&sr=8-1&keywords=dmc-g6 "

Opening Remarks WIPO DIP Com 18 June 2013 By: Maryanne Diamond on behalf of the WBU [World Blind Union] "...I urge you to play your part in making a difference in the lives of these millions of people, by agreeing a treaty that is simple, usable and meaningful. We cannot accept a treaty which has no substance, nor, can we accept a treaty full of bureaucratic and cumbersome requirements. We cannot accept a trophy treaty that will not work in practice. When considering your proposals, changes or amendments to the text, please stop and think about what that change will make on the ground to the people this treaty is about. You have received copies of our positions on the key issues in the current text of concern to us. * Commercial availability in articles D and E will ensure the treaty fails * The treaty must allow for distribution to individuals * The treaty must not allow TPMs to be a block to access to a book by blind people Please ask us if you're not sure what the impact of text you are considering will be on the ground. We are here for the entire conference. ..."

"Cinematic Montage II from GameOvais 1 day ago All Audiences The second cinematic montage created by me. Over 300 movies used. I hope you enjoy the video as much as I enjoyed making it. Movies used are: 21 300 2012 12 Years a Slave 3:10 to Yuma 300 Rise of an Empire A Christmas Carol A Few Good Men A Good Day to Die Hard A League of Their Own A Little Princess Abraham Lincoln - Vampire Hunter Alien Aliens Aliens vs Predator American Beauty American Gangster American History X Angels and Demons Apocalypse Now Apocalypto Avatar Back to The Future I,II & III Bad Boys II Bambi Bangkok Dangerous Beauty and the Beast Ben Hur Berverly Hills Cop III Big Fish Big Hero 6 Black Hawk Down Blade Trinity Blood Diamond Braveheart Bridge on the River Kwai Brotherhood Captain America: Winter Soldier Cars Casino Royale Cast Away Catch Me If You Can Chronicles of Narnia Cleopatra Constantine Cool Hand Luke Crimson Tide Dawn of the Planet of the Apes Defendor Deja Vu Despicable Me II Die Hard District 9 Donnie Darko Drive Eagle Eye Edward Scissorhands End of Days Enemy of the State Fantastic Four: Rise of the Silver Surfer Fast & Furious Field of Dreams Fight Club Forrest Gump Gangs of New York Ghosbusters GI Joe: The Rise of the Cobra Gladiator Godzilla Gone Baby Gone Gone With The Wind Good Will Hunting Goodfellas Gran Torino Grease Harry Potter: The Complete Saga High Plains Drifter Hitman Home Alone I & II Hook How to Train Your Dragon I Robot Ice Age Immortals In The Heart of The Sea Inception Independance Day Indiana Jones: Quadrilogy Inglorious Basterds Inside Man Into The Woods Iron Man I, II & III Jack the Giant Slayer James Bond: The Franchise Jaws John Carter Jonah Hex Jumanji Jurassic Park: The Trilogy Jurassic World Kick Ass Kill Bill: Vol 2 Kindergarten Cop King Kong Kingdom of Heaven Kung Fu Panda Lawrence of Arabia Leon: The Professional Little Miss Sunshine Live Free or Die Hard Lockout Loncoln Lone Survivor Lord of The Rings: The Fellowship of the Ring Lord of The