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What's up with Trump's language? Kathleen Hall Jamieson says that Trump has captivated mass audiences because he does not sound like other presidents who carefully rehearse and perfect their speeches. Instead, Trump says whatever is on his mind. The format of Trump's speeches aren't so rigid either: he will switch to unrelated topics and unnecessarily repeat sentences he just said. In fact, Trump famously repeats words like "very, very" or "many, many". David Beaver points out that Trump speaks like a teleprompter, a business person rather than a politician.

Skepticism of online "news" serves as a decent filter much of the time, but our innate biases allow it to be bypassed, researchers have found - especially when presented with the right kind of algorithmically selected "meme." At a time when political misinformation is in ready supply, and in demand, "Facebook, Google, and Twitter function as a distribution mechanism, a platform for circulating false information and helping find receptive audiences," said Brendan Nyhan, a professor of government at Dartmouth College (and occasional contributor to The Times's Upshot column). Why? Here are the key reasons: 1. Individual bias/first impressions: subtle individual biases are at least as important as rankings and choice when it comes to spreading bogus news or Russian hoaxes. Merely understanding what a news report or commentary is saying requires a temporary suspension of disbelief. Mentally, the reader must temporarily accept the stated "facts" as possibly true. A cognitive connection is made automatically: Clinton-sex offender, Trump-Nazi, Muslim men-welfare. And refuting those false claims requires a person to first mentally articulate them, reinforcing a subconscious connection that lingers far longer than people presume.Over time, for many people, it is that false initial connection that stays the strongest, not the retractions or corrections. 2. Repetition: Merely seeing a news headline multiple times in a news feed, even if the news is false, makes it seem more credible. 3. People tend to value the information and judgments offered by good friends over all other sources. It's a psychological tendency with significant consequences now that nearly two-thirds of Americans get at least some of their news from social media.

Taiwanese-American writer Esme Wang reflects on the untranslated use of other languages in literature which is otherwise written in English. By making the linguistic choice to use untranslated Chinese in a novel geared for an English-reading audience, she hopes her readers will be able to relate to characters, yet also experience the nuances and complexities of inhabiting a space where difficulty in communication is its own kind of trauma.

Tim Kaine, Democratic VP nominee, uses Spanish during his speeches to appeal to Hispanic voters.

This article is about how Hillary Clinton's running mate, Tim Kaine, uses his bilingualism to bring diversity to the Clinton campaign. It is believed that Hillary partly chose Kaine because of his Spanish speaking skills to connect with a different demographic, the Hispanics. During his convention speech Kaine wiped out his Spanish and inspired the listeners to roar into cheers. He spoke about the many Hispanic values such as family, hard work and faith lock in his audience.

The problem of looking at our devices nonstop is physiological and social. The average human head weighs between 10 and 12 pounds, and when we bend our neck to use digital devices, the gravitational pull on our head and the stress on our neck increases to as much as 60 pounds of pressure. That common position leads to incremental loss of the curve of the cervical spine. Posture has been proven to affect mood, behavior and memory, and frequent slouching can make us depressed, according to the National Center for Biotechnology Information. The way we stand affects everything from the amount of energy we have to bone and muscle development, and even the amount of oxygen our lungs can take in. A study in 2010 found that adolescents ages 8 to 18 spent more than 7.5 hours a day consuming media. In 2015, the Pew Research Center reported that 24 percent of teenagers are "almost constantly" online. Adults aren't any better: Most adults spend 10 hours a day or more consuming electronic media, according to a Nielsen's Total Audience Report from last year. "Mobile devices are the mother of inattentional blindness," said Henry Alford, the author of "Would It Kill You to Stop Doing That: A Modern Guide to Manners." "That's the state of monomaniacal obliviousness that overcomes you when you're absorbed in an activity to the exclusion of everything else." Children now compete with their parents' devices for attention, resulting in a generation afraid of the spontaneity of a phone call or face-to-face interaction. Eye contact now seems to be optional, Dr. Turkle suggests, and sensory overload can often mean our feelings are constantly anesthetized. Researchers at the University of Michigan claim empathy levels have plummeted while narcissism is skyrocketing, with emotional development, confidence and health all affected

This article talks about how some World Cup games will be broadcast in pidgin for Nigerian and Ghana audiences. I find it fascinating that the world has become more friendly to pidgin and other "informal" languages. I wonder if Hawaii broadcasts and television shows will start to utilize more pidgin and Hawaii Creole English.

R.I.P. to the understatement. Welcome to death by Internet hyperbole, the latest example of the overly dramatic, forcibly emotive, truncated, simplistic and frequently absurd ways chosen to express emotion in the Internet age (or sometimes feign it). The trend toward hyperbole appears to echo a broader belief among experts that young women are its first adopters. One explanation for the use of hyperbole (OMG!) With the increase in digital, vs. face to face communication, we must come up with increasingly creative ways to express tone and emphasis when facial cues are not an option. There's a performative element to our social media interactions, too: We are expressing things with an audience in mind. Tyler Schnoebelen, a linguist and founder of Idibon, a company that uses computer data to analyze language, notes "Performance generally requires the performer to be interesting. So do likes, comments and reshares. Exaggeration is one way to do that."

The British Broadcasting System (BBC) World Service recently began producing digital news content in Naijá (Nigerian Pidgin). Though Naijá originated as a pidgin, trade communication between Portuguese and English speakers and natives of the Niger Delta, linguistically-speaking, its modern incarnation is actually a creole exhibiting systematic grammar and syntax. The service will bring language diversity to the news and current affairs that West and Central Africa audiences receive, where Pidgin is one of the most widely-spoken languages. The decision to make the service digital only was based on the fact that African people prefer to read content on their mobile phones. Itʻs also interesting to note the transformation of Pidgin, once solely an oral language, into standardized text-based language.

Jennifer Sclafani, Georgetown University linguist, examines the idiolect of Trump. Everyone possesses an idiolect: an idiosyncratic form of language that is unique to an individual. Trump's idiolect seems particularly polarizing. Critics might decry Trump thusly: "He doesn't make any sense." "He uses a lot of small words." "His speeches are non-substantive." On the other hand, supporters see Trump as "authentic," "relatable," and "consistent." He's a "straight shooter" who "doesn't mince words." So how does one idiolect produce such polarizing evaluations? It has to do with the precarious connections between linguistic form and meaning. The relationship between the two, as the anthropologist Elinor Ochs describes, is non-exclusive, indirect, and constitutive. Put simply, there are multiple meanings associated with any given linguistic feature, and the connection between form and meaning is a two-way street Whichever meaning is activated by a specific pronunciation, or any other aspect of your idiolect, has everything to do with context: Where are you? Who is your audience? What is your purpose? What image are you trying to project? These are factors that candidates are always taking into account as they put forth their presidential selves on the campaign trail. Tailoring their speech to the context, like when a candidate takes on a drawl while campaigning in the South, has been grounds for being labeled "inconsistent" or "fake," as we've seen with Hillary Clinton, even though this type of linguistic accommodation is a perfectly natural feature of everyone's idiolect.

Michel Martin, NPR journalist, discusses code-switching, the practice of altering communication style to more closely identify with one's audience or setting at any given moment. Guests: Ta-Nehisi Coates, a writer for The Atlantic, and Marc Lamont Hill, a syndicated columnist and professor of education and African-American studies at Columbia University.

An important area of the field of second/foreign language teaching and learning is pragmatics -- the appropriate use of language in conducting speech acts such as apologizing, requesting, complimenting, refusing, thanking. Meaning is not just encoded in word semantics alone, but is affected by the situation, the speaker and the listener.A speech act is, according to linguist Kent Bach, "the performance of several acts at once, distinguished by different aspects of the speaker's intention: there is the act of saying something, what one does in saying it, such as requesting or promising, and how one is trying to affect one's audience". Speech acts can be broken down into 3 levels: 1. locutionary: saying something 2. illocutionary: the speaker's intent in performing the act. For example, if the locutionary act in an interaction is the question "Is there any salt?" the implied illocutionary request is "Can someone pass the salt to me?"; 3. In some instances, there's a third perlocutionary level: the act's effect on the feelings, thoughts or actions of either the speaker or the listener, e.g., inspiring, persuading or deterring. The Center for Advanced Research on Language Acquisition (CARLA) at University of Minnesota provides a collection of descriptions of speech acts, as revealed through empirical research. The material is designed to help language teachers and advanced learners to be more aware of the sociocultural use of the language they are teaching or learning. These speech acts include: Apologies Complaints Compliments/Responses Greetings Invitations Refusals Requests Thanks

Three University of Southern California professors offer their thoughts on whether print media and traditional books will survive this digital age, or whether they will become obsolete. "Today, practically anyone with online access can blog or tweet to a worldwide audience. This has both democratized writing and, in some ways, devalued it. At the same time, the rise of digital books and online mega-sellers like Amazon means more writers can self-publish their books, and readers can order books instantly with the push of a button. But authors are getting a smaller piece of the economic pie. Then there's the halo effect of social media. Some authors build strong followings on Twitter and Facebook, which bring writers closer to their readers-turned-fans. In this swirling media landscape, what will happen to the book as we know it?"

This article discusses a different type of language - cinematic language. It is the way a film communicates with its audience through not just the dialogue, but through the camera shots, the editing techniques, the sound effects, the score, and the story. It is an immersive, vivid form of communication between the filmmaker and the viewer.