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Home/ Groups/ Net 308/508 Internet Collaboration and Organisation S1 2012
Jocelyn Workman

Yates, D & Paquette, S. (2010) Emergency knowledge management and social media technolo... - 2 views

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    This article looks at the value of social media as a knowledge management platform for managing emergency responses by organisations to disasters, based on a case study of the 2010 Haiti Earthquake. The US was a major stakeholder in coordinating the emergency response to this humanitarian crisis and had, prior to this event, relied on manually intensive and centralised knowledge management systems. This was the first time the U.S. Government "relied on social media to coordinate knowledge and action between cooperating agencies" (p. 7). Data was gathered by one of the participating authors assigned to AFCAT (U.S. Air Force Chief of Staff's Crisis Action Team) to configure social media tools. SharePoint, newly introduced to the organisation, provided a new basis for knowledge sharing. Previously, the only opportunity for staff to find out what others were doing was during information briefings. The SharePoint platform supported mechanisms for knowledge sharing within the team, and Haiti specific wiki pages were developed by participating agencies using a common government MediaWiki platform. Together, these social media tools increased the flow and form of knowledge as they allowed knowledge to be: o shared - it was now visible and accessible within and between agencies o reused as new knowledge o verified and usefulness rated o removed duplication of effort o facilitated collaboration and cooperation between groups Conversely, this study found that the uncontrolled uploading of information to wikis required organisations to put systems in place to manage and monitor the content of wikis. Accuracy of information for emergency response by organisations is critical. This peer reviewed article provided a theoretical framework for social media as it applies to disaster management. I found it took several readings to absorb the content and it was difficult to work out what social media tools were actually created beside wikis.
michelangelo magasic

STEAL THIS FILM - 2 views

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    Steal this Film is a documentary about bittorrent culture centred around the story of the Swedish torrent tracking website The Pirate Bay. In telling their story, the Pirate Bay members relate quite early on that they are not only a filesharing website but also an organisation for free speech. We see bittorrent organisations as situated within the wider context of media piracy and filesharing networks as clandestine organisations that must be diffuse in order to evade detection by anti p2p groups. The Pirate Bay's struggle against media outlets is elevated to a battle against American cultural hegemony. Within this context Kent's (2011) reading of the swarm as a simulacra of group identity can be seen as a defence - a tactic - as deCerteau (1984) puts it for the weak to re-appropriate the power of the strong. Filesharing is a form of protest. By publicising their struggle, The Pirate Bay build a bridge between physical and virtual communities. The film features spontaneous interviews with people on the street."The internet is too big, you can't fight it, (27mins)" says a girl with blue hair. Is she referring to the network of computers which make up the internet, or the strength of communities which practice filesharing, the linkages and solidarity of people across the world? This footage awakens the reader's conceptions of a link between physical and virtual activities, online collaboration breeds a solidarity between users which can echo beyond the activities of the swarm. We see bittorrent used not solely as a method for obtaining entertainment but as a vehicle for ideological struggle. The faces in the movie are conspicuously youthful and one sees that they collaborate not only in terms of files but also in ideas and viewpoints. We see bittorrent as a tool for worldwide collaboration/change. References Certeau, M. (1984), The Practice of Everyday Life. University of California Press, Berkeley. Kent M (2011), 'Strangers in the Sw
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    There is no escaping the debate about copyright when studying the Internet. This however is refreshing point of few surrounding the topic. The reliability of the source is sound as long as a viewer is wary of any bias as it is solely from the Pirate Bay point of view. There is a strong representation of a youth culture also. The youth appear tired of being force fed the institutionalized approach to media that had previously existed. As the interviewees comment, the raid on Pirate Bay was clearly a political power play and one that backfired. There is defiance towards America in particular as the documentary presents evidence of its attempt to pressure Sweden into sabotaging those who are 'threatening' Hollywood industries. Copyright laws do not translate across international boarders and for the first time, thanks to this documentary, I could actually see how this might play out in the real world. This is both valuable and useful in the overall understanding of the Bit torrent topic. Of particular importance to me was the statement made by one of the Piratbyran creators, Rasmus Fleischer, stated that they are 'our basic principle is not about building empires' (The League of Noble Peers, 2006). This is the most crucial difference between the Hollywood approach to copyright and the P2P approach to copyright. Just because media is made available for free consumption does not mean that it will not translate into sales on any level. I went away from this documentary feeling that industry producers and distributors need to get creative with their content, listen to their consumers and create a shared experience of shared benefit to both sides of the argument.
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    This roughly thirty minute long documentary, while being a very "copy-left" focussed, helps to place BitTorrent within the context of global politics. It is about "ThePirateBay", one of the biggest BitTorrent trackers in history. ThePirateBay's servers are physically located in Sweden, and this documentary shows how Swedish law has interacted with American and international laws about copyright and file sharing. It uses various clips from many different interviews, including the people central to ThePirateBay but also Swedish citizens seemingly randomly interviewed on the street. It is interesting to note that many of them do seem to have some knowledge about ThePirateBay and also express their support for the site. This sense of community surrounding BitTorrent reminds me of the Australian youths in the "BitTorrents and Family Guy: teenage peer group interactions around a peer-to-peer Internet download community" paper. This documentary highlights the feeling of oppression and resistance to control of media which seems to underlie the communities who use BitTorrent. Combined with the copyright laws, these are worth thinking about because of how they influence the way people use BitTorrent to collaborate, and also how people collaborate to support file-sharing, including by demonstration as seen in the documentary.
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    This film provides various aspects of online file sharing, particularly, in relation to music and movies. The topics discussed in the film include: the difference in copyright laws between America and Sweden, how online file sharing changed the nature of networking within society. The film also presented the contrast of perspectives of online file sharing held by younger consumers as opposed to those of the older producers. In America, major music and film industries regard peer-to-peer file sharing as an infringement to copyright, while in Sweden there is no copyright law for film and music productions that are available in bittorent. A Swedish user disputed that American copyright law should not intervene in other countries because there is no geographical limitation in the Internet. The age gap also highlighted different perspectives, for example, younger users believe in the right to public access while the older producers believe in that commodities (such as music and films) cannot be given to people for free. To argue this, the market of music and film industry cannot outlaw social change. Lastly, the activity of file sharing through bittorent has changed how the way society collaborates to exchange ideas and information. For example, the support to use bittorent is not documented in a fixed website but only transferred through online forums where users collaborate as social groups. This film relates well to the resources I had about Youtube in terms of different perspective based on age. Young people tend to use online media fluently and do not see copyright implications. The movements towards file sharing has become even more apparent, this is shown by social online collaboration is the current method to consume popular media, how the consumer recreate this media and contribute to the mass again.
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    Steal this Film, is a short 30-minute documentary that looks at the social politics and debate about file sharing and the bit torrent client, focusing on Swedish torrent tracking website The Pirate Bay. The documentary outlines how file sharing and copyright is a touchy subject within American laws, and through the documentary we are able to hear differing opinions on who is right and who wrong. The various people that are interviewed who are involved with the Pirate Bay take a 'us against the world' approach and make it clear that technically they aren't doing anything wrong, and through the power of free speech they are making their voice heard. Numerous youths are also interviewed and each seem to be of the copyleft opinion that what they are doing is almost some sort of activism, and believe that these torrent communities are un-able to be stopped. I would also have to agree with this as a 'Pirate' myself and also through the learning that I have undertaken while at university, that this excuse by the Movie/Music industry that they aren't being hurt through piracy is totally utterly false and I think as one of the speakers in the video says "We aren't going to wake up one day and find that all music artists have died because of Piracy". In fact I would go as far to say that because of this cry-baby outlook by these industries that the bit torrent and file-sharing communities have been strengthened because of it.
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    I was taken aback when I went to download 'Steal This Film' and it popped up as a torrent file in BitTorrent. I suppose I wasn't used to, what I perceived as, 'legitimate' content being provided in the form of a torrent. The film stated, "right now ten million people are using BitTorrent" and indeed, at the time of watching, I was also using BitTorrent. One of the things I found admirable, and also a little surprising, was the resilience of the Pirate Bay founders. Even after being raided and shut down by the authorities, their belief in what they were doing, and their advocacy of free speech, was too strong to just let go. I also found the film interesting in its depiction of the various anti piracy campaigns created by Hollywood film studios juxtaposed with the interviews of young people claiming that the amount of money made by Hollywood is "absurd". Even if crew members and writers are suffering at the hands of film piracy, like the people interviewed, I find it difficult to sympathise with Hollywood's view point when you can safely assume that the largest chunk of proceeds made from any film go to the 'talent' and not those people working so hard behind the scenes. Perhaps Hollywood losing money could be considered a positive outcome, as so many subpar films probably should never have been made in the first place. Perhaps having less money to fund any film on a whim will lead film studios to choose their projects more carefully, resulting in the delivery of quality rather than quantity to film consumers.
michelangelo magasic

Idea Bank - One should be able to say thanks to peers after torrent download by a tiny ... - 2 views

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    This is a page from BitTorrent.com's Idea Bank, a messageboard where people can post the ideas they would like to see adopted by BitTorrent's programmers. This page can be used as a text in the way that it demonstrates the user attitudes toward collaboration in bittorrent. The page shows conversation in fourteen posts. Firstly, we see something of the ideology of bittorrent, coming from the culture of Open Source software it actively invites the user's input into development. The conversation is interesting because it presents distinct 'for' and 'against' arguments on the inclusion of a 'thank you pop up'. The context of the page is salient, sitting at number two in popularity on the requests board, one realises that not being able to say thanks to peers is of concern to members of the swarm. The majority of commenters see the 'thank you pop up' as a good thing (nine 'for' comments to four 'against') stating sentiments of altruism, politeness and an intent to strengthen relationships within the bittorrent community. User Jp comments: "The world would certainly be a better place to live in, if only it's people would start to be kind toward those who share. To become more polite is a small step for man and a bigger one for humanity. I will surely pop one up (a thank you window) to the man who will spread the code for a better living." On the other hand the 'against' comments relate statements as to why a 'thank you pop up' is actually harmful to bittorrent community, Jimmy Hendrix posting: " I absolutely.......... absolutely do NOT want a feature to say thanks, chat, or get to know anybody that I'm downloading from. I want to stay as anonymous and impersonal as possible. Viren......you do know that this is still illegal? request/ban viren chocha." While the swarm is by nature anonymous, users do you yearn for a way to extend a warm hand to members they are collaborating with. Whilst the extralegal nature of bitorrent inhibits the devel
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    This suggestion combined with the much polarised reactions in the comments section is worth looking at and thinking about. Although the majority of the comments are positive and there are a significant amount of votes for this feature, five out of fourteen of the comments are either against it or express that they would not want to use it by bringing up issues like anonymity as well as legal issues. Unlike the interactions within the close social group looked at in the paper "BitTorrents and Family Guy: teenage peer group interactions around a peer-to-peer Internet download community", it seems that some of the users' who made comments about this suggestion do not want to make contact with other BitTorrent users, perhaps because the illegal nature of the exchange makes them feel uncomfortable. Their perspectives suggest that they just want to use BitTorrent for downloading and uploading, and not directly as a kind of community. I think they may have a point, and real life social groups as well as online communities seem to function fine without communication being possible directly within BitTorrent programs. It is interesting to think if file-sharing was less taboo, perhaps it would be more acceptable for social features like this to be directly integrated into the platforms.
Stephen R

Pastebin: How a popular code-sharing site became a hacker hangout - 2 views

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    Matt Brian, mobile editor for The Next Web, discusses the popularity of pastebin.com among hacking (or perhaps more accurately 'cracking') groups. Brain notes that Pastebin is a tool originally designed for collaboratively editing code, but has since gained popularity among malicious security crackers as a method of releasing stolen data to the public. While there are numerous spinoffs of the simple text-sharing concept, pastebin.com remains the most popular. Searching the pastebin.com website for 'anonymous' or their (now disbanded and arrested) spinoff group 'Lulzsec' reveals a considerable level of Pastebin usage by Anonymous. Manifestos and anouncment seem to be a popular use of Pastebin by Anonymous. For example searching '#opegypt' reveals a list of sites taken down by Anonymous - perhaps it was collaboratively updated while the operation took place? The Anonymous group link to Pastebin.com pastes (or other equivalent websites) through blogs and twitter accounts associated with the Anonymous movement. Brain notes its utility in escaping the 140 character limitation of twitter, whilst still retaining anonymity with minimum fuss. If illegal material was posted on Anonymous blogs such as anonops.blogspot.com, youranonnews.tumblr.com or anonnews.org it would likely violate terms of service and result in blogs being closed. Pastebin.com therefore, provides a suitably nebulous zone for posting illegal content. Brain makes extensive note of the use of Pastebin.com to release sensitive, stolen information to the web. Although the hacking groups mentioned are not always directly related to Anonymous, it highlights the usage of Pastebin.com as a tool for sharing information. Hacker groups could potentially be working on releases or manifestos collaboratively with their peers, although this in not discernible in the final Pastebin product. Brian, Matt. 2011, June 5. "Pastebin: How a popular code-sharing site became the ultimate hacker hangout." The Next Web: Social M
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    This article provides an interesting (if somewhat brief) account of the Anonymous movement, and associated (as well as un-associated) hacktivist networks, using a relatively simple internet tool and altering the intended usage to suit the purposes of the movement. The article focuses mainly on the usage of Pastebin by an offshoot of the Anonymous movement called LulzSec, and how the group was able to use Pastebin to greatly aid their hacktivism efforts (Brian, 2011). Although now disbanded and with most of its members arrested (Apps, 2012), LulzSec very successfully utilised Pastebin for various leaks and links to their efforts of retrieving data from a number of high-profile organizations. This article touches on another example of the confrontational tactics for raising media awareness outlined by Andrews and Caren (2010), and thus the two articles may provide relevant references for discussions relating to the reactions to hacktivist groups such as LulzSec, as well as providing information regarding another tool used by such movements. In terms of my focus on the Anonymous movement, the article may not provide a direct reference to the divides between individuals within the movement based on motivation for activities under the Anonymous movement. The article does however provide a relevant secondary source for additional discussion relating to the way in which particular offshoots of the Anonymous movement operate. Andrews, K., & N. Caren. (2010) Making the News: Movement Organisations, Media Attention, and the Public Agenda. Retrieved from http://proquest.umi.com.dbgw.lis.curtin.edu.au/pqdweb?did=2527572391&sid=1&Fmt=6&clientId=22212&RQT=309&VName=PQD Apps, P. (2012). LulzSec Arrests Hurt Hacker Groups, Anonymous Movement Hard To Kill. Reuters. Retrieved from http://www.huffingtonpost.com/2012/03/08/lulzsec-arrests-anonymous_n_1331982.html Brian, M. (July 5th, 2011). Pastebin: How a popular code-sharing site became the ultimate hacker hangout. Retrieved fr
michelangelo magasic

Influences on cooperation in BitTorrent communities - 2 views

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    Based on a longitudinal study of five torrent hosting sites (Btefnet, e-tree, easytree, piratebay, torrentportal), this scholarly paper is an in-depth examination of cooperation in bittorrent communities. It relates that collaboration is a social activity. This paper is pertinent as it compliments its examination with data collected by its authors. Firstly, it explores the ethic of sharing central to bittorrent community - people who leech (download) files must later seed (upload) them so that they are available to other members of the organisation - relating this reciprocality as the main incentive for torrent users to collaborate (p.111). Comparing the five sites, the paper examines the different tools used to shape how sharing occurs, they find that the most salient of these is seeding ratios. Seeding ratios are used to ensure that users spend a fair amount of time seeding in comparison to the amount they spend leeching. These ratios are publicly viewable, it is as such that the user's contribution to the community is overt and users feel obligated to maintain this in order to preserve good relations within the group. Users in torrent swarms (collection of seeders and leechers linked via a common file) have minimalist identities (Kent 2012), however, they are not completely anonymous, linking their identity with download activity (p.112). In this way users in swarms are still connected to the physical world and individual identity through things like bandwidth speed, which determines how a user interacts with their peers. The paper relates how easytree, a network for bootleg recordings, had to have ratio enforcement emplaced as the site grew and received new users who were not familiar with the sharing culture of offline bootleg traders who had originally populated the network ( pp.114-5). We see that even within the diffuse nature of virtual entities, online collaboration is influenced by (physical and virtual) social factors (p.114).
theresia sandjaja

The YouTube Effect: How YouTube has Provided New Ways to Consume, Create, and Share Music - 1 views

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    Youtube acts as a place that enables users to access media, create, connect, collaborate and share between other Youtube users. This article explores how Youtube provides community space through technology that facilitates music creativity by the users. The article is divided by two sections; firstly, the relationship of art and technology will be examined and reflected on appropriate literatures, the other section will analyse a case study of an amateur musician who consumes music and ideas, recreates and shares back this 'art' work. Through Youtube, masses are able to view and listen digitalised artwork and the technological revolution enable users to play, reconstruct and share innovative ideas. Thus this action has created democratisation of art where previously artworks were constrained by institutions and now the artwork politic has become bias. The case study included in this article covers many aspect on how a user utilise Youtube to collaborate online. Firstly, Youtube as a medium has the ability to connect communities of users with similar interest. Secondly, Youtube enables users to combine talents and create a piece of work even though the creators live in different geographical area. Thirdly, difficulties that affecting the production were discussed: time differences constrain, physical distance between creators, file size, different Internet access and privacy of creators. The factors mentioned is similar to the three properties of digital networks explained by Sassen (2002), which are: decentralized access, simultaneity and interconnectivity. Youtube enable the producers to promote themselves by distributing their creation to the crowd. The audience has become the 'jury' to give feedback on how they perceive the work and may become producer recreating new original work and supplementing the existing one. This made the communication and ideas to circulate within the online community.
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    Resource: Cayari, C. (2011) "The YouTube Effect: How YouTube has Provided New Ways to Consume, Create, and Share Music." International journal of education and the arts, July 2011, 12(6). Available online at http://www.ijea.org/v12n6/ Additional reference: Sassen, S. (2002), 'Towards a Sociology of Information Technology', Current Sociology, May, 50(3): 365-388 available online at http://transnationalism.uchicago.edu/infotech.pdf
Jocelyn Workman

http://www.cs.colorado.edu/~palen/vieweg_1700_chi2010.pdf - 1 views

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    Vieweg, S., Hughes, A., Starbird, K & Palen, L. (2010). Microblogging During Two Natural Hazards Events: What Twitter May Contribute to Situational Awareness. Retrieved 15 March 2012 from http://www.cs.colorado.edu/~palen/vieweg_1700_chi2010.pdf Individuals affected by the emergency events of the Red River Floods and the Oklahoma Grassfires in North America during the Spring of 2009, posted information about their respective situations via the microblogging service, Twitter. In this study, the authors analyse "situational update" information tweeted by individuals experiencing these hazards 'on the ground' to see how these people used the tweets to inform and develop an awareness of the current situation within their community. Twitter is seen as a commonly used social tool increasingly used for emergency communications "because of its growing ubiquity, communication rapidity, and cross platform accessibility", and are "a place for "harvesting" information during a crisis event to determine what is happening on the ground". From the analysis of collected data, coding was allocated by geo-location, location referencing and situational update information. Findings indicated Tweeters broadcasted similar types of information in both emergency situations, and tweets of high Tweeterers during emergencies were 'content rich' and displayed 'big picture situational awareness', with retweets indicating important updates. This study confirms how individuals facing a crisis rely on social media for their own safety and use the tool for altruistic purposes by providing current awareness of the crisis. In addition, the authors developed a Microblog-Enhanced Situational Features for Emergency outline of information categories for use in emergency response. They suggest this outline be used to assist with the development of system s
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    This article relates to the article by Sutton (2010) because it talks about how micro-blogging in the time of disasters is one of the easiest ways for individuals to retrieve, produce and spread information through social networking sites such as Twitter. Sutton (2010) states that Twitter can bring people together in disasters which not only prompts micro-blogging but also can involve micro-volunteering as well. Online communities such as Twitter are decentralized which brings about self-organization and mobilization of information. The two articles are linked in that they both discuss how micro-blogging during disasters is about how information such as warnings, evacuations and peoples locations is shared online by different individuals in the community. Both articles had images implemented to show the readers where the location was that they were discussing as well as graphs to compare the data that is being focused. This made it very reliable to the topic and the range of references also showed how different perspectives were used in this research. I found the article relevant in showing how Twitter had an impact in disaster management and how micro-blogging can actually make a huge effect on how people communicate during a crisis. The graphs and images in the article were very useful because that provided evidence which complemented the text. The article is very valuable for this project because it shows how Twitter is evolving from being used for just a social medium to disaster management. References: Sutton, N. J. (2010). Twittering Tennessee: Distributed Networks and Collaboration Following a Technological Disaster. Proceedings of the 7th International ISCRAM Conference. Retrieved from http://www.jeannettesutton.com/uploads/Twittering_Tennessee_FINAL.pdf (Accessed 16/03/2012)
theresia sandjaja

Communicating Creativity on YouTube: What and for Whom? - 1 views

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    Youtube has lowered the barriers for amateurs to upload their video online, this allows users to share content to large scale of audience. This article explores on how nonprofessional users connect to the mass at many different levels. Based on the quantitative research in this article there are combination of elements that contribute to the usage of Youtube: primary level by identifying the video narrative content from as expressing idea or opinion to displaying skills (music, sports, etc.) and secondary level by analysing the creativity made by the users and whether the production of creativity covey message about the uploader's personality traits.  The first study analyse the varieties of narrative contents uploaded in Youtube. The contents available consist from personal creativity that contain self-made sound and images, remix creativity containing both self made footage and drawing on popular culture, and borrowed creativity that consists third party performances that were rarely edited The study on the second level analyse the personality traits of the uploader which classified into: actual and ideal self when opening their personality to the audience in the online environment.   Youtube producers use their creations to connect socially by uploading their videos and sharing them to the public. This highlighted the needs of 'strong social orientation and the desire to engage in social interaction' within online environment. The collective works available on Youtube has blurred the line between authors and audiences, creators and consumers as well as experts and amateurs. 
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    Source: Courtois C., Mechant P., De Marez L. (2012) Communicating creativity on YouTube: what and for whom? Cyberphsychology, behavior and social networking. March 2012, 15(3): 129-134. Available online through Curtin Library Since the publication quite recent, to access this reading please go to Curtin Library catalogue and find the article through journal name.
Oliver Hennessey

Twitter bots target Tibetan protests - 1 views

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    Krebs, B. (2012). Twitter bots target Tibetan protests. The Sydney Morning Herald. Retrieved on March 24, 2012 from http://www.smh.com.au/it-pro/security-it/twitter-bots-target-tibetan-protests-20120322-1vl5h.html This news article examines the emerging use of Twitter bots to hinder and thwart political protest. Twitter bots are automated Twitter accounts that auto-follow and send junk tweets that can jam up a Twitter feed. The news article covers the current political unrest in Tibet where dissidents are using the social media tool Twitter to protest their suppression under Chinese rule. Popular Tibetan hash tags used by the protesters are being targeted by these Twitter bots and effectively rendered useless as they are flooded with meaningless tweets. The author reports that this practice of online suppression was also put into use by pro-government forces during the disputed parliamentary elections in Russia last year, where anti-Kremlin tweets were diluted by the inundation of automated pro-government messages. This article shows the challenges being faced by political protesters using Twitter as its strength as a message platform is being subverted and used against them. It also highlights how governments can avoid taking the extreme action of shutting down Twitter in their country, and the negative backlash this would bring, and instead leaving it open for their own ends. And whilst the author notes that Twitter did crack down on the events in Russia, it remains to be seen what action, if any, will be taken in Tibet and what actions the protesters themselves can take to circumnavigate this threat.
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    This article reveals an emergence of spam-bots and pro-governmental forces using social media to suppress political activism. It is ironic that this liberating technology that provides activists with an outlet to report, communicate and collaborate information, is being used against them to prevent further protesting. Clearly, this news report is of great value towards the discussion of political activism because most articles appear to discuss the way in which protesters have harnessed the web to their advantage. Yet, there is evidence to suggest that the government, or at least pro-governmental supporters, are using the same technology to interfere with events. Tibetan protestors were using Twitter as a tool in their stand against Chinese rule. It follows suit of the successful Arab Revolution, by organizing the dissemination of information and reports with the tags #tibet and #freetibet (Krebs, 2012). However, it took a turn for the worst when spam-bots started flooding these hashtags with meaningless information to break down the means of communication for protestors (Krebs, 2012). This shares similarities with the methods used by the Iranian government to spread misinformation to protestors, by manipulating the technology to their own advantage (Grossman, 2009). The authorities infiltration of Twitter appears to be an effortless solution to thwart political protest, rather than completely shutting down access to the Internet. Whilst this has the potential to endanger the lives of citizens, people are quick to recognize the difference between bots and genuine people, as other users were warned to be wary of new Twitter accounts spreading misinformation in Iran (Grossman, 2009). Clearly, this article is highly relevant to the topic and appears to be a reliable source. It discusses an aspect of political protesting that has had little to no coverage in the broader mainstream media and academic papers. Reference: Grossm
Mitchell Houwen

Measuring Wikipedia - 1 views

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    To measure the usage of Wikipedia you can count how many people are actively editing a page and the amount of hits each article receives. This however does not take into account the amount of hours spent researching each subject and verifying the facts and figures presented in the articles. Figure 1 in the article shows how Wikipedia grew exponentially in terms of the size of the database and users of the actual site. We see that after 2002 Wikipedia grew to cover a far greater range of topics but the graph does not show how many more hours are put into the research behind the articles. The research may have been done before the invention of Wikipedia or even without Wikipedia in mind but it must be remembered that these hours go in to the site so they must be included. Wikipedia has allowed this information to be shared with more people across the globe. The information is collected by a group of people and they collaborate to create an article that is both accurate and detailed. This is why Wikipedia is so popular, because the information is not just provided by one person which allows for cross referencing between parties by using the the other tools available through Wikipedia.
theresia sandjaja

YouTube as a participatory culture - 1 views

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    The introduction of this chapter captivated me because it defined that Youtube is not just a media space for user to consume media but it acts as a platform that provides social networking framework which enable young people to create and share original content while making social connection virtually. This article explains how Youtube has created a participatory culture within young people. The easy and interactive features in Youtube have enabled young people to be pro-active within the online community. By collaborating online through Youtube, young people can express their identity through their creativity, seek support from peers (either from family, close friend or even strangers who have similar interest), learn new skills by watching other people tutorial and engage in public space.  To understand how Youtube enables participatory culture, this article provides thorough explanations on how the framework is supported. There are five different characteristics that form participatory culture in Youtube, these are: low barrier of artistic expression and civic engagement, strong support for creating and sharing project, informal setting of mentorship, belief of the importance of contributions and a sense of social connection. These characteristics illustrate how Youtube users especially young people engage to communicate and exchange ideas with other users virtually. 
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    Source: Chau, C. (2010), YouTube as a participatory culture. New Directions for Youth Development, 2010: 65-74. Available online at http://onlinelibrary.wiley.com/doi/10.1002/yd.376/pdf
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    I found the statistical information in this article very revealing and insightful. But I did find it hard to place within the overall topic. The ability for youth to 'explore identity' and 'acquire new skills' as the article states, are themes that seem to be synonymous when youth cultures are in focus. With this in mind I would assume that this article has relevance to the Knowledge Production and Higher Education topic. I was particularly interested when the article explained the affects that commenting on videos and video view counts can have on video production. As they highlight 'feedback interactions' are crucial to motivating users to create new content. This could either be a new video or increasing circulation of a video with in the community. Just recently there has been a lot of focus on adolescent users of you tube in the media (3 high school girls suspended due to a video they uploaded to youTube). It is no wonder that the participatory nature, or non- participatory (viewing but not creating or commenting) nature of youTube appeals so much to a youth culture. YouTube simply provides a non-confrontation space where youth can determine their own level of participation enabling it to be used as tools for knowledge production and Higher Education. However as the ability for videos to go viral increases and the frontiers of social media expand, I worry the 'empowerment' of youthTubers isn't being backed up by public broadcasting education and as with all higher education, there needs to be a basic level of knowledge already in place and a set of standards.
Jocelyn Workman

http://www.usip.org/files/resources/SR252%20-%20Crowdsourcing%20Crisis%20Information%20... - 1 views

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    You Tube Need to Know | Crisis mappers: Mobile technology helps disaster victims worldwide | Uploaded by PBS . Retrieved 20 March 2012 http://www.youtube.com/​watch?v=xW7Vt5iunWE This YouTube presentation tells the story of how crisis mapping came to be a source of critical and timely support to Haitians requiring aid following the 2010 devastating earthquake. It is a remarkable example of resourcefulness, voluntary collaboration and use of social media to assist with the humanitarian aid response. The video includes a live interview with, Patrick Meier, head of Ushahidi, a not-for-profit organisation, who explains that within hours of the news of the quake reaching the world, he knew that it would be a real challenge to get information from people on the ground in Haiti. Based on the Haitians high mobile ownership (85%) he worked out that texting a message would be the best way to find out who needed help. He arranged for a local phone company to provide a number for emergency texts. The number is advertised on the radio as 90% of the population has radio access. A call was put out on Facebook to locate volunteers who could translate messages from Haitian Kreyol to English. These messages are then forwarded to Boston where a voluntary group of students plot the location on an online map. The online location is then forwarded to the US response group coordinating the distribution of aid. Within hours help is sent. I came across this video when sourcing materials and was impressed with the professional presentation, the inclusion of a Haitian recipients experience of receiving aid after texting the number he heard on the radio, and interviews with major stakeholders. Further searches of Patrick Meier verified the story. Crisis mapping was also used during the Libyan crisis to bring aid to victims. Crisis locations were extracted from posts for help on Facebook and Twitter and plotted by volunteers
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    (My commentary is actually against the PDF that's linked to, rather than the YouTube video. Reference at the end). This report, commissioned by the United States Institute of Peace, examines the role of Ushahidi, a crisis-mapping platform, in the relief effort following the 2010 earthquake in Haiti. It highlights the ability of crowd-sourcing to provide a more reliable account of what's happening in a disaster situation than traditional intelligence gathering means which don't engage the local population. It begins by describing the challenge that rescuers faced when sourcing their intelligence from media reports, which tended to focus on isolated incidents of violence, wrongly spreading the idea that violence was commonplace and leading the rescue teams to delay their rescue efforts. The report accuses the media of deliberately producing exaggerated reports, which may be true, but even the most ethical journalist can only report on what he or she experiences - if he or she sees or hears about a violent incident, the resulting report will almost certainly give the impression of violence. For the most objective and detailed picture of the state of a crowd, the largest possible portion of that crowd needs to have a voice - something an individual journalist could never facilitate. That's where Ushahidi proved a valuable tool. By aggregating SMS messages, email and social media communications from those in distress, it allowed rescuers to direct assistance appropriately. In addition to crowd-sourcing the conditions of those in distress, Ushahidi also incorporated other forms of crowd-sourcing - maps were sourced from the World Bank, Yahoo!, GeoEye and the U.S. government to provide geographic information, and staffing power was provided by a vast team of volunteers. This gives the case study a lot of depth. Heinzelman, J. and Waters, C. (2010) Crowdsourcing Crisis Information in Disaster-Affected Haiti Retrieved 2 April 2012 from http://www.us
Stephen R

Beyond Microblogging: Conversation and Collaboration via Twitter - 1 views

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    Courtenay Honeycutt and Susan Herring discuss the collaborative potential of Twitter. This is of particular relevance to the discussion of Anonymous organisation tools, as Anonymous uses Twitter for a large amount of its public relations. @Anonops, @AnonymousIRC and @Youranonnews are twitter users with substantial followers, each with greater than 250,000 followers. Anonymous's favourite method of attack - Distributed Denial of Service (DDoS - works better with every additional participant. Anonymous must recruit members to participate in such attacks through Twitter, Facebook and Youtube. Twitter presents the most anonymous and easily digestible communication channel of the three, whilst also being extremerly active during past operations such as #oppayback. Therefore, Twitter plays a central role in the collaboration of anonymous, especially communicating with those who do not take an active role in IRC chats. Honeycutt and Herring examine the conversational and collaborative potential of Twitter with the use of the @ symbol to direct conversation. This activity is very prominent among the Anonymous Twitter account listed earlier. Anonymous Twitter feeds are full of responses to criticisms and answers to questions. It is worthwhile to note that Honeycutt and Herrings article was written in 2009, before use of the @ symbol became recognised by Twitter as a certified way of creating conversation. Now, it is easy to transverse conversation simply by clicking tweets with an @ symbol. During Anonymous operations, Twitter provides an invaluable resource in being able to address such a number of followers at once. Honeycutt and Herring also note similarities between Twitter and IRC channels, also noting that the hectic, crossing conversation are perhaps part of the appeal to some of IRC. This is certainly present in Twitter, but without the constraints of server based IRC channels. Twitter presents a global audience to which Anonymous reaches out, when recruiting
Victoria Jobling

Protest 2.0: Online Interactions and Aboriginal Activists - 1 views

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    Petray, T.L. (2011). Protest 2.0: Online Interactions and Aboriginal Activists. Media, Culture and Society, 33(6), 923-940. Retrieved March 25, 2012, from Sage Journals Database. http://mcs.sagepub.com.dbgw.lis.curtin.edu.au/content/33/6/923.full.pdf+html This article conveys, that while it is necessary to utilize the tools made available by the digital age, they "should be used to enhance offline activism, rather than to replace it" (p.936). The author has studied an Aboriginal community in Townsville, and the difficulties that activists have faced in gaining momentum in a digital space. Unlike the young tech-savvy protestors in the Arab uprising, or the destructive youths in the London riots, the participants in this community are older and not comfortable with new technology. In this remote community, emails have been favoured when conveying information and organizing meetings online (p.927). However, this has caused difficulties in the disjointed fragmentation of messages, as well as, interfering with a culture that values visual storytelling over the written word (p.930; 927). Similar to, Climate Camp in the UK, the community may have benefited from using some Internet tools, however, face-to-face meetings were found to be more effective when collaborating and organising events. To further their presence online, the group created a Facebook page, allowing people to donate money and support them. However, the lack of success in gaining political momentum is linked to the participants and the current nature of online activism. Whilst the page can facilitate collaboration and organisation, it lost its momentum in the lack of group activity and recent updates (p.933). Due to the current nature of online activism, people can simply 'like' a page or sign a petition to show their support towards a cause, with little to no effort (p
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    Whilst I totally agreed with the concluding points of this article I found it very hard to identify just which topic this article had the greatest relevance to. It is a reliable source as it is associated with the James Cook University and the author has positioned themselves within the community they are researching. I could draw similarities with one of my articles, Public Radio's Social Media Experiments: Risk, Opportunity, Challenge, (Levenshus, 2007) in that they both reference a resistance to social media opportunities. The reasons for this 'resistance' in both articles could be put down to a lack of knowledge, resource allocation and institutional culture or 'cultural explainations' (Petray, 2011, p. 927). The understanding that 'push-button activism' was more of a feeling of evolvement rather than the translation of any 'real participation', supports the articles offer of a resolution. Any negative ideals about cyber-activism are squashed by the simple resolution of combining offline infrastructures with the online and not just relying on either one. Overall I thought this article was a breath of fresh air. Whilst I realise that 'cyber-activism' has been in the spotlight a lot lately due to the Kony 2012 campaign, I was delighted to read an article that turns its attention to local activism. Aboriginal cultures have always maintained my interest and just recently I viewed the 'Tall Man' exhibition that dealt with the Palm Island death in custody referred to in the article. It had a profound affect on me. I also appreciate that preserving oral histories and the rite to communicate in ones own language has deeply embedded social issues within Australia. This is another reason why this articles direct referencing of Aboriginal activism is refreshing and of great value. Equal access to social technologies is so very important in closing the digital divide both globally and locally. As the article points out only '25%' of the globe have such access (P
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    Reference: Levenshus, A. 2007. Public Radios Social Media Experiments: Risk, Opportunity, Challenge. Retrieved from http://www.centerforsocialmedia.org/sites/default/files/public_radio_report3.pdf
Stephen R

Anatomy of an Anonymous Attack - 1 views

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    This article, recently published by security firm Imperva, investigates how an Anonymous attack is mounted. A Particularly interesting point is that this article makes no mention of IRC channels, instead painting Facebook, Twitter and Youtube channels as the main methods of communication for Anonymous. Also interesting is that such communication is referred to as recruitment, recruitment of technically savvy hackers and not so technically savvy activists who are willing to participate in the attack. Particular attention should be paid to pages 6-8 which outline the recruitment activities over Facebook, Youtube and Twitter. Imperva outline the technical methods used to stage the attack, mentioning that there are 10 -15 'Anons' working to analyse the victim website for security vulnerabilities. These are more experienced hackers who are searching for a vulnerability that might allow them to retrieve private data from the victim (p.6). Although not mentioned in this article, perhaps these experienced hackers collaborate using Internet Relay Chat. When no vulnerability was found, Imperva notes that Anonymous instead tries a DDoS attack, but instead of employing the LOIC, a web based version is used for ease of participation (p.13). This way, users of any device can be recruited (through social media) into participate in the attack with minimum of barriers to entry. Although this article focusses heavily on the technical aspect of the attack, a significant portion of the article deals with the recruitment of participant through social media, alongside discussion of the online variant of the LOIC collaborative Denial of Service tool. Anatomy of an Anonymous Attack. 2012. Imperva. http://www.imperva.com/docs/HII_The_Anatomy_of_an_Anonymous_Attack.pdf
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    This document may prove to be quite a significant additional reference to my focus of my chosen topic of the Anonymous movement and hacktivism. This article discusses precisely what Mansfield-Devine (2011) neglected to note; that within the Anonymous movement, there are a number of individuals with significant hacking skills who are able to retrieve valuable data from the targets of Anonymous attacks. The article quite thoroughly deconstructs the order in which Anonymous attacks typically occur, the differences between the two major types of individuals who participate, and circumstances under which Anonymous attacks are generally able to be successfully performed (2012). Of particular interest, is the emphasis placed on the importance of acknowledging the fact that Anonymous attacks are not always as harmless as they may appear. Another interesting note is found within the conclusion of the report. The report suggests that targeted, small-scale data retrieval attacks are the preferred means of attack for the Anonymous movement and that "DDoS is the hacker's last resort" (Anatomy of an Anonymous Attack, 2012). This would suggest that unlike many sources of information regarding Anonymous hacktivism attacks, Imperva has identified the serious nature of many incidents involving the Anonymous movement, which do not necessarily receive as much immediate attention as a simple DDoS attack may. Anatomy of an Anonymous Attack. (2012). Imperva. Retrieved from http://www.imperva.com/docs/HII_The_Anatomy_of_an_Anonymous_Attack.pdf Mansfield-Devine, S. (2011). Anonymous: Serious threat or mere annoyance? Network Security 1: 4-10. Retrieved from http://www.sciencedirect.com.dbgw.lis.curtin.edu.au/science/article/pii/S1353485811700046
samara hartnett

Radio's Social Media Performance is Pathetic | Mark Ramsey Media LLC - 0 views

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    This article is by Mark Ramsey the author of two radio industry bestsellers. He has extensive experience in broadcasting, both television and radio, and is influential in media research and strategic implementation (Ramsey, 2010). Mark Ramsey states 'Radio can have a huge stake in social media thanks in no small part to our powerful megaphones' (2010). It is with this remark that the rest of the article can be better understood as a valuable resource when discussing mobile devices, crowd sourcing and their importance to radio if it wishes to embrace a new media platform. The ease with which users/ 'audience will give up information' (Ramsey, 2010) and participate in real-time interactions (ie.tweeting or sms stations) highlights a need of the audience to not just listen but join the conversation. Radio is shifting from a once passive 'you push, they consume ' to an active ' you join in, and they share' medium (2010). Although this article skims over any direct reference to mobile devices, it remains relevant because it highlights the driving want of audience participation and the role of radio to 'respect the audience and add value to their lives' (Ramsey, 2010). This shifting relationship is facilitated in large by current developments in mobile device technologies. Traditional forms of media such as radio have to now reconsider how their content is being consumed and respond adequately to their audience. Ramsey, M. 2010. About. Retrieved from:http://www.markramseymedia.com/about/ Ramsey, M. (2010, July 26). Radio's Social Media Performance is Pathetic. [Web log post]. Retrieved from: http://www.markramseymedia.com/2010/07/radios-social-media-performance-is-pathetic/
Oliver Hennessey

Encouraging Political Participation in Africa: The Potential of Social Media Platforms - 0 views

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    Chatora, A. (2012). Encouraging Political Participation in Africa: The Potential of Social Media Platforms. Institute for Security Studies. Retrieved March 22, 2012 from http://www.iss.co.za/uploads/15Mar2012SocialMedia.pdf This situation report is from the Institute for Security Studies (a pan-African applied policy research institute based in South Africa), and examines the role of social media in facilitating political participation. It uses as its catalyst the recent popular protests dubbed the 'Arab Spring' to explore the possibility of an 'African Spring' protest movement. The report includes case studies on several African countries highlighting difficulties faced by different countries utilising social media, which includes historical experiences, institutional arrangements and socioeconomic and political conditions. Of note are the actions taken in Cameroon where the government blocked the Twitter service for ten days during the Arab Spring protests for reasons of 'national security', and in Uganda when the 'walk-to-work' protests were successfully initiated by protest groups making use of social media such as Twitter, the government suspended the use of social networks causing 'walk-to-work' protests to lose their momentum. The report concludes that despite the severe challenges facing Africans in taking up social media, that ultimately "engaging with these platforms will allow citizens to circumvent the wide range of tactics used to stifle public opinion". I find this report to be a valuable resource as it explores the current environment, requirements, and limitations within Africa for movements to successfully incorporate social media such as Twitter into their political protests.
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    This article discusses the potential for political protests in African nations, in light of the recent activism in Arab countries. I found this article beneficial, as it clearly highlights the profound difficulties that are faced in some African nations, and discusses elements that are not covered in other articles related to the topic. An element of particular importance was the consideration of historical context when investigating the potential for political activism, both online and offline. The widespread poverty and clear digital divide between some people in Africa, is of significance as many choose to engage in activities of survival, rather than that of political action (Chatora, 2012, p.4). Computer literacy skills and the willingness of people to disobey controlling governments must also be considered, as people in Angola have shown no signs of retreating from political discussion and the organization of protests online, compared to people in Cameroon and Zimbabwe who are facing various difficulties against repressive regimes (Chatora, 2012, p.9-10). The importance of historical context clearly resonates with the article I discussed - "Protest 2.0: Online Interactions and Aboriginal Activists." The Aboriginal activists were uncomfortable with using new technology, due to a lack of computer literacy, as well as, the evident interference it made with the historical context of communication in their culture, as visual storytelling is favoured over the written word used online (Petray, 2011, p.927). This article adds value to the discussion of political activism as it is of great relevance to the topic and appears to be a reliable source of information. Whilst it does comment on various elements not covered in other articles, it also highlights an area of significance regarding the uptake of social media in African nations - clearly implying that there will be future developments in this area of research. Reference: Petray, T.L. (20
Oliver Hennessey

Moldova's internet revolution: Analyzing the role of technologies in various phases of ... - 0 views

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    Lysenko, V., Desouza, K. (2011). Moldova's internet revolution: Analyzing the role of technologies in various phases of the confrontation. Technological Forecasting & Social Change 79 (2012) 341-361. Retrieved March 23, 2012 from http://www.sciencedirect.com.dbgw.lis.curtin.edu.au/science/article/pii/S0040162511001223 This research article published in the journal 'Technological Forecasting & Social Change' analyses the role played by online collaboration and organisation tools in Moldova's revolution of April 2009. It specifically details the different technologies used during various phases of the revolution. The research is quite detailed in identifying the different groups involved - dissenters and authorities - with statistics and case studies breaking down the timeline and dynamics of the revolution. Overall the researchers found that: "1) the protesters organized their initial mobilization through social network services (SNS) and short message service (SMS); 2) Twitter was mostly used during later phases of the revolution - the active street protests and the subsequent information war - for communication about the conflict both locally and globally; and 3) through skillful use of new Internet-based ICTs, it is possible to conduct a successful revolution without noticeable prior offline organization". I chose this article as it highlights the power of Twitter as an organization tool through its involvement in providing a communication platform for the dissenters to organize street protests and then update from the ground what was happening. It also shows Twitters strength as a collaborative tool for movements with the involvement of supporters outside of Moldova tweeting about the revolution.
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    I love this article as it relates to the Orange Revolution. I am also a proud protester of a post Orange Revolution protest in New Europe (Latvia) where I had personal exchanges with MP's in a New European country - read here http://balticguide.ee.klient.veebimajutus.ee/index.php?s=1&n=110&a=4161 In Latvia there have been many protests and I sought to increase international pressure on the Latvian government through my founding the Australian Chamber of Commerce in Latvia and in many other ways. I even managed to gain the participation of Curtin University honours Business Students that stayed in a remote city of Latvia to assist the council with its plans. The use of mobile SNS was not part of the protests I was aware of and participated in. Friends informed me what was being posted on websites about the time and place of the next protest. This enabled the inclusion of older proud Latvians and this caused the dynamic situation where younger people restrained their physical action in respect of the older participants so they would not get caught up in altercations. Later protests were much more violent. I as a primary source of information about student protests in New European countries can attest to the fact that the use of mobile SNS would have been very helpful and would have increased the momentum of protests. Because of the many protests in Latvia, many of the citizens that would like to see change, are suffering from protest fatigue. Possibly the earlier more effective use of mobile SNS could have made a difference. I blogged http://austchamriga.blogspot.com.au/ and wrote threatening letters to the IMF as well as led by example through organising courses for the youth of Latvia http://www.youtube.com/watch?v=9uBThbeXy9Q I will be back to Latvia to push more for the direction and changes the people want. I am arming myself with information like in this paper and what I learn in the Masters of Internet Communication. What is clear to me is that without a
Mitchell Houwen

The Wiki: an environment to revolutionise employees' interaction with corporate knowledge. - 0 views

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    Hasan, H., & Pfaff, C.C. (2006). The wiki: an environment to revolutionise employees' interaction with corporate knowledge. OZCHI. 11(24-26). Pp377-380. Retrieved 19th March 2012 from http://www.ozchi.org/proceedings/2006/sessions/short-papers/social/hasan-p377.pdf This article focuses on collaborative social software, such as wikis, being used by members to communicate and collaborate electronically within corporate organisations. The authors use the term Knowledge Management (KM) to describe the ways in which wikis can be used within these organisations to share knowledge, create content, distribute documents and edit files. The advantages of using wikis within corporate organisations are that knowledge can be shared quickly and efficiently, allowing editing of pages to be recorded and information to be kept up-to-date. New pages are able to be created and old ones deleted. Editing of pages and knowledge contribution is relatively easy when employing a wiki, even for the novice user. Overall the "wiki takes advantage of the collaborative efforts of all members of the organisation to create an effective library of knowledge" (p.378). Major corporations such as IBM, the Disney Corporation, and British Telecommunications, are three major organisations that have been noted to employ wikis to assist with KM amongst workers. However, some corporate organisations choose not to employ wikis to organise KM for a number of reasons. Wikis may appear to change the organisational structure within companies such that "senior executives may be reluctant to share power with their subordinates" (p.379). There are issues surrounding intellectual property and quality control of information. Privacy concerns also come into play, and conflict may arise if workers are contributing more information or less information to the wiki than other employees. However the authors note that through offering corporate incentives, implementing revision control, and employing u
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    Corporate knowledge pertains to the inside information that companies need to operate. Internal wikis allow companies to coordinate and collaborate their internal information to streamline the normal business processes. This also allows businesses to spread their business network across many areas and still work cohesively on a common task. Wikipedia can be considered one enormous organization that serves the single purpose of supplying information to the entire globe through the detailed and yet at the same time brief articles. Global networks like this are true representations of collaboration and how steps can be taken in an effort to allow and access the knowledge of crowds. The knowledge of crowds is an idea that there is a bank of information that can be attained by taking the small pieces that each person in the crowd holds. Can corporations use wikis effectively to store information? Who holds the power? With any type of wiki it is important to remember that someone must be in charge of moderating and filtering the information. Or if a wiki is used inside a corporation does that remove the need for a person in charge of filtering? Either way a wiki can be an effective tool in allowing businesses to collaborate without the need to be in the same geographic location.
Emily Lloyd

Resource 2: Digital Maoism by Jaron Lanier - 0 views

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    Digital Maoism, by self-confessed ranter Jaron Lanier, provides an alternative (and quite contentious) view on collaboration and the way it is used in Wikipedia. Unlike Reagle Jr, who suggests that collaboration can be successful with the correct cultural infrastructure (Reagle Jr, 2011, para. 103), Lanier argues that the best way to achieve successful collaboration on the web is to always cherish the individual over the collective (Lanier, 2006, para. 68). He expresses his frustration with the inaccuracies of his own Wikipedia page and speaks about the work of collaborative communities (or as he calls it, collectives) on wikis more generally, with disgust (Lanier, 2006, para. 33). Lanier argues that, "[h]istory has shown us again and again that a hive-mind is a cruel idiot when it runs on autopilot. Nasty hive mind outbursts have been flavoured Maoist, Fascist and religious, and these are only a small sampling" and that, "[i]f wikis are to gain any more influence they ought to be improved by mechanisms like the ones they have worked tolerably well in the pre-Internet world" (Lanier, 2006, para. 65). Lanier's essay is an interesting resource to view when thinking about collaboration and 'the wisdom of crowds' theory (Surowiecki, 2004, p. 5), and how this applies to Wikipedia. Lanier, a computer scientist and regular writer on the topic of computers and Internet-based technologies, portrays a controversial viewpoint that differs from much other writing on the topic. While I don't agree with most of Lanier's outspoken views which are often unsubstantiated, I think that there is some merit in the suggestion that there needs to be at least one individual, (as well as the correct infrastructure, as other theorists suggest), to guide the work in collaborative organisations. I also think this resource is useful as it is so far removed from other writing on this topic, which often glorifies the collective, allowing you to think about the topic in another way.
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    References Lanier, J. (2006). Digital Maoism. Retrieved from http://edge.org/3rd_culture/lanier06/lanier06_index.html Reagle Jr, J.M. (2011). Good Faith Collaboration. In J.M. Reagle Jr, Good Faith Collaboration: Culture of Wikipedia (Online Edition, Chapter 3). Cambridge, MA: The MIT Press. Retrieved from http://reagle.org/joseph/2010/gfc/chapter-3.html Surowiecki, J. (2004). The wisdom of crowds: Why the many are smarter than the few. New York, NY: Doubleday.
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    Digital Maoism is a rumination on the direction of online collaboration. Lanier examines this from a self reflexive viewpoint which begins with an examination of his own self as constructed by users on Wikipedia. In doing this he looks at online collaboration not through the empirical standpoint of participation, but the deeper reflection of having been 'produced' by it. The inconsistencies in the online record of his life introduce his perspective of measured criticism toward collaborative networks which increasingly attempt to function as overarching meta-narratives. Larnier's tone is personal, his perspective artistic rather than academic, he relates his arguments in language which brings it to life, "it's important to not lose sight of values just because the question of whether a collective can be smart or not is so fascinating. Accuracy in a text is not enough. A desirable text is more than a collection of accurate references. It is also an expression of personality." Seeing in Emily's introduction that Larnier was a "self-confessed ranter", I was a little concerned as to how balanced the article would be. He is a bit of ranter, but such is his passion for the subject, and I would say that it is a fair and insightful critique on online collaboration. Larnier's main thrust is reaffirming the importance of the individual as conscious participants within networks of online collaboration: aware of their own value as part of a diverse group rather than drones in a 'hive'. The relevance of this essay is its recognition that online collaboration is not smart merely by aggregation, that users must be empowered in their own beliefs for the group to benefit from the multiplication of which.
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