This scholarly paper examines the habits of bittorrent communities in consuming the American TV show Family Guy. The paper bases its position on the study of a focus group of a teenagers who use bittorrent to download and consume Family Guy. In addition to their interaction with users of bittorrent networks, the teenagers in the case study are also members of 'face-toface' LAN clans. In this way the paper ties the anonymous collaboration of bittorrent swarm members with that of smaller groups with a more obvious physical presence.

In using research and a well referenced argument the paper presents nuanced and reliable insights into bittorrent community. Of particular interest to me was the juxtaposition of 'real' and 'online' worlds, as are the bittorrent and LAN networks, as well as the' real world' effects of online collaboration as we see Family Guy revived from cancellation by a passionate fan base which had formed around the hub of bittorrent. The paper explores bittorrent culture, relating that social cohesion between users is formed as much by the act of downloading as it is interest in the actual media product (in this case Family Guy), "Each participant might do this [download episodes] without necessarily being a fan of the show, but because it forms a point of contact with others in the LAN. (p.6)" The value of this paper is its proffering of concrete examples of the way in which bittorrent culture is effecting real world social interaction as online mores gain cache in physical groups.

Torrent etiquette is more than just good manners, it is a tool by which bittorrent sites promote collaboration and organisation between users. Torrent etiquette has many faces, it is frequently a formal mechanism such as seeding ratios needed to stay on site or the instructions of Admin on discussion boards, yet it is also something which users proliferate themselves purely through the course of interaction. Etiquette allows bittorrent communities to solidify user collaboration. There are 1,090,000 results for 'torrent etiquette' on google, this page presents one net user's guide to the subject. That bittorrent has evolved to the point of having a widely understood etiquette says something: strangers need just a very basic framework to be able to come and work together collaboratively. Before, people would download individually, now, with a little guidance a group of people from all over the world, with different intents, schedules and backgrounds can work as a coherent entity, each individual not only gaining his or her needs but contributing to the needs of the group. Aside from some specific information on ratios and multiple accounts, Brooks' advice is very simple, "If someone uploads something you happen to like, click the thanks button. If there's a forum, say hi. If a tracker has a list of requests to fill then see how you can help out." Etiquette provides boundaries to the crowd and by looking closely at its form we see that its is very close to the ethics we live by in day to day life. Thus, we realise the power the internet has in connecting people and concatenating the work of individuals into that of an organisation. References Brookes, T. (2010). Torrent Etiquette: How to avoid getting banned from private trackers . Retrieved 20th March from http://www.makeuseof.com/tag/bittorrent-etiquette-avoid-banned-private-trackers/.

Steal this Film is a documentary about bittorrent culture centred around the story of the Swedish torrent tracking website The Pirate Bay. In telling their story, the Pirate Bay members relate quite early on that they are not only a filesharing website but also an organisation for free speech. We see bittorrent organisations as situated within the wider context of media piracy and filesharing networks as clandestine organisations that must be diffuse in order to evade detection by anti p2p groups. The Pirate Bay's struggle against media outlets is elevated to a battle against American cultural hegemony. Within this context Kent's (2011) reading of the swarm as a simulacra of group identity can be seen as a defence - a tactic - as deCerteau (1984) puts it for the weak to re-appropriate the power of the strong. Filesharing is a form of protest. By publicising their struggle, The Pirate Bay build a bridge between physical and virtual communities. The film features spontaneous interviews with people on the street."The internet is too big, you can't fight it, (27mins)" says a girl with blue hair. Is she referring to the network of computers which make up the internet, or the strength of communities which practice filesharing, the linkages and solidarity of people across the world? This footage awakens the reader's conceptions of a link between physical and virtual activities, online collaboration breeds a solidarity between users which can echo beyond the activities of the swarm. We see bittorrent used not solely as a method for obtaining entertainment but as a vehicle for ideological struggle. The faces in the movie are conspicuously youthful and one sees that they collaborate not only in terms of files but also in ideas and viewpoints. We see bittorrent as a tool for worldwide collaboration/change. References Certeau, M. (1984), The Practice of Everyday Life. University of California Press, Berkeley. Kent M (2011), 'Strangers in the Sw

This is a page from BitTorrent.com's Idea Bank, a messageboard where people can post the ideas they would like to see adopted by BitTorrent's programmers. This page can be used as a text in the way that it demonstrates the user attitudes toward collaboration in bittorrent. The page shows conversation in fourteen posts. Firstly, we see something of the ideology of bittorrent, coming from the culture of Open Source software it actively invites the user's input into development. The conversation is interesting because it presents distinct 'for' and 'against' arguments on the inclusion of a 'thank you pop up'. The context of the page is salient, sitting at number two in popularity on the requests board, one realises that not being able to say thanks to peers is of concern to members of the swarm. The majority of commenters see the 'thank you pop up' as a good thing (nine 'for' comments to four 'against') stating sentiments of altruism, politeness and an intent to strengthen relationships within the bittorrent community. User Jp comments: "The world would certainly be a better place to live in, if only it's people would start to be kind toward those who share. To become more polite is a small step for man and a bigger one for humanity. I will surely pop one up (a thank you window) to the man who will spread the code for a better living." On the other hand the 'against' comments relate statements as to why a 'thank you pop up' is actually harmful to bittorrent community, Jimmy Hendrix posting: " I absolutely.......... absolutely do NOT want a feature to say thanks, chat, or get to know anybody that I'm downloading from. I want to stay as anonymous and impersonal as possible. Viren......you do know that this is still illegal? request/ban viren chocha." While the swarm is by nature anonymous, users do you yearn for a way to extend a warm hand to members they are collaborating with. Whilst the extralegal nature of bitorrent inhibits the devel

Based on a longitudinal study of five torrent hosting sites (Btefnet, e-tree, easytree, piratebay, torrentportal), this scholarly paper is an in-depth examination of cooperation in bittorrent communities. It relates that collaboration is a social activity. This paper is pertinent as it compliments its examination with data collected by its authors. Firstly, it explores the ethic of sharing central to bittorrent community - people who leech (download) files must later seed (upload) them so that they are available to other members of the organisation - relating this reciprocality as the main incentive for torrent users to collaborate (p.111). Comparing the five sites, the paper examines the different tools used to shape how sharing occurs, they find that the most salient of these is seeding ratios. Seeding ratios are used to ensure that users spend a fair amount of time seeding in comparison to the amount they spend leeching. These ratios are publicly viewable, it is as such that the user's contribution to the community is overt and users feel obligated to maintain this in order to preserve good relations within the group. Users in torrent swarms (collection of seeders and leechers linked via a common file) have minimalist identities (Kent 2012), however, they are not completely anonymous, linking their identity with download activity (p.112). In this way users in swarms are still connected to the physical world and individual identity through things like bandwidth speed, which determines how a user interacts with their peers. The paper relates how easytree, a network for bootleg recordings, had to have ratio enforcement emplaced as the site grew and received new users who were not familiar with the sharing culture of offline bootleg traders who had originally populated the network ( pp.114-5). We see that even within the diffuse nature of virtual entities, online collaboration is influenced by (physical and virtual) social factors (p.114).