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Henry James did the limited third person really well, showing us the way to do it. He milked that cow successfully. And it’s a great cow, it still gives lots of milk. But if you read only contemporary stuff, always third-person limited, you don’t realize that point of view in a story is very important and can be very movable. It’s here where I suggest that people read books like Woolf’s To the Lighthouse to see what she does by moving from mind to mind. Or Tolstoy’s War and Peace for goodness’ sake. Wow. The way he slides from one point of view to another without you knowing that you’ve changed point of view—he does it so gracefully. You know where you are, whose eyes you are seeing through, but you don’t have the sense of being jerked from place to place. That’s mastery of a craft.

Any of us who grew up reading eighteenth- or nineteenth-century fiction are perfectly at home with what is called “omniscience.” I myself call it “authorial” point of view because the term “omnisicence,” the idea of an author being omniscient, is so often used in a judgmental way, as if it were a bad thing. But the author, after all, is the author of all these characters, the maker, the inventor of them. In fact all the characters are the author if you come right down to the honest truth of it. So the author has the perfect right to know what they’re thinking. If the author doesn’t tell you what they are thinking … why? This is worth thinking about. Often it’s simply to spin out suspense by not telling you what the author knows. Well, that’s legitimate. This is art. But I’m trying to get people to think about their choices here, because there are so many beautiful choices that are going unused. In a way, first person and limited third are the easiest ones, the least interesting. 

to preach that story is conflict, always to ask, “Where’s the conflict in your story?”—this needs some thinking about. If you say that story is about conflict, that plot must be based on conflict, you’re limiting your view of the world severely. And in a sense making a political statement: that life is conflict, so in stories conflict is all that really matters. This is simply untrue. To see life as a battle is a narrow, social-Darwinist view, and a very masculine one. Conflict, of course, is part of life, I’m not saying you should try to keep it out of your stories, just that it’s not their only lifeblood. Stories are about a lot of different things

The first decade of her career, beginning in the sixties, included some of her most well-known works of fiction: A Wizard of Earthsea, The Left Hand of Darkness, The Dispossessed, and The Lathe of Heaven. Each of these works imagined not just worlds, but homes, homes that became real for her readers, homes where protagonists were women, people of color, gender fluid, anticapitalist—imaginary homes that did not simply spin out our worst dystopic fears for the future like so many of the apocalyptic novels of today, but also modeled other ways of being, other ways to create home.

“Children know perfectly well that unicorns aren’t real,” Le Guin once said. “But they also know that books about unicorns, if they are good books, are true books.”

“Fake rules” and “alternative facts” are used in our time not to increase moral understanding and social possibility but to increase power for those who already have it. A war on language has unhinged words from their meaning, language from its capacity as truth-teller. But perhaps, counterintuitively, it is in the realm of the imagination, the fictive, where we can best re-ground ourselves in the real and the true.

you can’t find your own voice if you aren’t listening for it. The sound of your writing is an essential part of what it’s doing. Our teaching of writing tends to ignore it, except maybe in poetry. And so we get prose that goes clunk, clunk, clunk. And we don’t know what’s wrong with it

You emphasize the importance of understanding grammar and grammar terminology but also the importance of interrogating its rules. You point out that it is a strange phenomenon that grammar is the tool of our trade and yet so many writers steer away from an engagement with it. In my generation and for a while after—I was born in 1929—we were taught grammar right from the start. It was quietly drilled into us. We knew the names of the parts of speech, we had a working acquaintance with how English works, which they don’t get in most schools anymore. There is so much less reading in schools, and very little teaching of grammar. For a writer this is kind of like being thrown into a carpenter’s shop without ever having learned the names of the tools or handled them consciously. What do you do with a Phillips screwdriver? What is a Phillips screwdriver? We’re not equipping people to write; we’re just saying, “You too can write!” or “Anybody can write, just sit down and do it!” But to make anything, you’ve got to have the tools to make it.

In your book on writing, Steering the Craft, you say that morality and language are linked, but that morality and correctness are not the same thing. Yet we often confuse them in the realm of grammar. The “grammar bullies”—you read them in places like the New York Times—and they tell you what is correct: You must never use “hopefully.” “Hopefully, we will be going there on Tuesday.” That is incorrect and wrong and you are basically an ignorant pig if you say it. This is judgmentalism. The game that is being played there is a game of social class. It has nothing to do with the morality of writing and speaking and thinking clearly, which Orwell, for instance, talked about so well. It’s just affirming that I am from a higher class than you are. The trouble is that people who aren’t taught grammar very well in school fall for these statements from these pundits, delivered with vast authority from above. I’m fighting that. A very interesting case in point is using “they” as a singular. This offends the grammar bullies endlessly; it is wrong, wrong, wrong! Well, it was right until the eighteenth century, when they invented the rule that “he” includes “she.” It didn’t exist in English before then; Shakespeare used “they” instead of “he or she”—we all do, we always have done, in speaking, in colloquial English. It took the women’s movement to bring it back to English literature. And it is important. Because it’s a crossroads between correctness bullying and the moral use of language. If “he” includes “she” but “she” doesn’t include “he,” a big statement is being made, with huge social and moral implications. But we don’t have to use “he” that way—we’ve got “they.” Why not use it?

Some argue that there is power in narrative stories that can’t be found elsewhere. Others assert that in our quest for imagination and prediction, we’re deluding ourselves into thinking that we can predict what’s coming

The World Future Society and the Association of Professional Futurists represent a small but growing group of professionals, many of whom have decades of experience thinking about long-term strategy and “scenario planning”—a method used by organizations to try and prepare for possible futures.

true Futurism is often pretty unsexy. It involves sifting through a lot of data and research and models and spreadsheets. Nobody is going to write a profile of your company or your government project based on a dry series of models outlining carefully caveated possibilities. On the other hand, worldbuilding—the process of imagining a universe in which your fictional stories can exist—is fun. People want stories, and science fiction writers can provide them.

Are those who write epic space operas (no matter how good those space operas might be) really the right people to ask about the future of work or water policy or human rights?

critics worry that writers are so good at spinning stories that they might even convince you those stories are true. In actuality, history shows us that predictions are nearly impossible to make and that humans are catastrophically bad at guessing what the future will hold

it's important to distinguish between prediction and impact. Did Star Trek anticipate the cell phone, or were the inventors of the cell phone inspired by Star Trek? Listicles of “all the things sci-fi has predicted” are largely exercises in cherry picking—they never include the things that sci-fi got wrong

In this line of work, specifics matter. It’s one thing to write a book about a refugee crisis, but quite another to predict exactly how the Syrian refugee crisis unfolded

It’s tempting to turn to storytelling in times of crisis—and it’s hard to argue that we’re not in a time of crisis now. Within dystopian pieces of fiction there are heroes and survivors, characters we can identify with who come out the other side and make it out OK. Companies and governments and individuals all want to believe that they will be among those lucky few, the heroes of the story. And science fiction writers can deliver that, for a fee.

Hayabusa2 reminds us that space exploration is more multinational and more disaggregated than ever.  Besides JAXA there are space programs being build up by China and India, including robot craft, astronauts (taikonauts, for China, vyomanauts, for India), and space stations.  The Indian Mars Orbiter still circles the fourth planet. The European Space Agency continues to develop satellites and launch rockets, like the JUICE (JUpiter ICy moons Explorer).  Russia is doing some mixture of commercial spaceflight, ISS maintenance, exploration, and geopoliticking.  For these nations space exploration holds out a mixture of prestige, scientific and engineering development, and possible commercial return.

Bezos, Musk, and others live out a Robert Heinlein story by building up their own personal space efforts.  This is, among other things, a sign of how far American wealth has grown, and how much of the elite are connected to technical skills (as opposed to inherited wealth).  It’s an effect of plutocracy, as I’ve said before.  Yuri Milner might lead the first interstellar mission with his Breakthrough Starshot plan.

Privatization of space seems likely to continue.

Uneven development is also likely, as different programs struggle to master different stations in the space path.  China may assemble a space station while Japan bypasses orbital platforms for the moon, private cubesats head into the deep solar system and private companies keep honing their Earth orbital launch skills.

Surely the challenges of getting humans and robots further into space will elicit interesting projects that can be used Earthside.  Think about health breakthroughs needed to keep humans alive in environments scoured by radiation, or AI to guide robots through complex situations.

robots continue to be cheap, far easier to operate, capable of enduring awful stresses, and happy to send gorgeous data back our way

Japan seems committed to creating a lunar colony.  Musk and Bezos burn with the old science fiction and NASA hunger for shipping humans into the great dark.  The lure of Mars seems to be a powerful one, and a multinational, private versus public race could seize the popular imagination.  Older people may experience a rush of nostalgia for the glorious space race of their youth.

This competition could turn malign, of course.  Recall that the 20th century’s space races grew out of warfare, and included many plans for combat and destruction. Nayef Al-Rodhan hints at possible strains in international cooperation: The possible fragmentation of outer space research activities in the post-ISS period would constitute a break-up of an international alliance that has fostered unprecedented cooperation between engineers and scientists from rival geopolitical powers – aside from China. The ISS represents perhaps the pinnacle of post-Cold War cooperation and has allowed for the sharing and streamlining of work methods and differing norms. In a current period of tense relations, it is worrying that the US and Russia may be ending an important phase of cooperation.

Space could easily become the ground for geopolitical struggles once more, and possibly a flashpoint as well.  Nationalism, neonationalism, nativism could power such stresses

Enough of an off-Earth settlement could lead to further forays, once we bypass the terrible problem of getting off the planet’s surface, and if we can develop new ways to fuel and sustain craft in space.  The desire to connect with that domain might help spur the kind of space elevator which will ease Earth-to-orbit challenges.

The 1960s space race saw the emergence of a kind of astronaut cult.  The Soviet space program’s Russian roots included a mystical tradition.  We could see a combination of nostalgia from older folks and can-do optimism from younger people, along with further growth in STEM careers and interest.  Dialectically we should expect the opposite.  A look back at the US-USSR space race shows criticism and opposition ranging from the arts (Gil Scott-Heron’s “Whitey on the Moon”, Jello Biafra’s “Why I’m Glad the Space Shuttle Blew Up”) to opinion polls (in the US NASA only won real support for the year around Apollo 11, apparently).  We can imagine all kinds of political opposition to a 21st century space race, from people repeating the old Earth versus space spending canard to nationalistic statements (“Let Japan land on Deimos.  We have enough to worry about here in Chicago”) to environmental concerns to religious ones.  Concerns about vast wealth and inequality could well target space.

How will we respond when, say, twenty space tourists crash into a lunar crater and die, in agony, on YouTube?

That’s a lot to hang on one Japanese probe landing two tiny ‘bots on an asteroid in 2018, I know.  But Hayabusa2 is such a signal event that it becomes a fine story to think through.

The truth is that we are actually already at that moment of climate change and crisis. The political project that my novel discusses really ought to be enacted now, not 120 years from now. In the real world, what we’ve got is a necessity for our economic system to take damage to the ecosystem into account, and pay for that damage.

I worry that we’ve already swallowed the idea of the Anthropocene and stopped considering the importance of it; the profound shock that it should cause has already been diffused into just one more idea game that we play.

there is no question that, at times in the past, the Earth has been an ice ball with none of its water melted, and also a jungle planet with all of its water melted, and no ice on the planet whatsoever. And this is just from the natural extremes of planetary orbiting, and feedback loops of the atmosphere that we have naturally. But then what humanity is doing – and the reason you need the term “Anthropocene” – is pushing us into zones that the planet maybe has been in the past, but never with this extraordinary speed. Things that would have taken three, four, five million years in the past, or even longer, a 50-million-year process, are being done in fifty years, a million times faster

The market doesn’t have a brain, a conscience, a morality or a sense of history. The market only has one rule and it’s a bad rule, a rule that would only work in a world where there was an infinity of raw materials, what the eco-Marxists are calling the “four cheaps”: cheap food, cheap power, cheap labour, cheap raw material

this isn’t the way capitalism works, as currently configured; this isn’t profitable. The market doesn’t like it. By the market I mean – what I think everybody means, but doesn’t admit – capital, accumulated capital, and where it wants to put itself next. And where it wants to put itself next is at the highest rate of return, so that if it’s a 7% return to invest in vacation homes on the coast of Spain, and it’s only a 6% rate of return to build a new clean power plant out in the empty highlands of Spain, the available capital of this planet will send that money and investment and human work into vacation homes on the coast of Spain rather than the power plants

If Spain were to do a certain amount for its country, but was sacrificing relative to international capital or to other countries, then it would be losing the battle for competitive advantage in the capitalist system

Nobody can afford to volunteer to be extra virtuous in a system where the only rule is quarterly profit and shareholder value. Where the market rules, all of us are fighting for the crumbs to get the best investment for the market.

the market is like a blind giant driving us off a cliff into destruction

we need postcapitalism

I look to the next generation, to people who are coming into their own intellectual power and into political and economic power, to be the most productive citizens, at the start of their careers, to change the whole story. But, sometimes it just strikes me as astonishing, how early on we are in our comprehension of this system

design is a strange amalgam, like a science-fictional cyborg between art and engineering, planning, building, and doing things in the real world

you can´t have permanent growth.

The Anthropocene is that moment in which capitalist expansion can no longer expand, and you get a crush of the biophysical system – that’s climate change – and then you get a crush of the political economy because, if you’ve got a system that demands permanent growth, capital accumulation and profit and you can’t do it anymore, you get a crisis that can’t be solved by the next expansion

If the Anthropocene is a crisis, an end of the road for capitalism, well, what is post-capitalism? This I find painfully under-discussed and under-theorized. As a Sci-Fi writer, an English major, a storyteller – not a theorist nor a political economist – looking for help, looking for theories and speculations as to what will come next and how it will work, and finding a near emptiness.

here is the aporia, as they call it: the non-seeing that is in human culture today. This is another aspect of the Anthropocene

Economics is the quantitative and systematic analysis of capitalism itself. Economics doesn’t do speculative or projective economics; perhaps it should, I mean, I would love it if it did, but it doesn’t

If the rules of that global economy were good, there could not be bad actors because if the G20,  95% of the economy, were all abiding by good rules, there would be nowhere for greedy actors to escape to, to enact their greed.

You can see the shapes of a solution. This is very important for anybody that wants to have hope or everybody that is realizing that there will be humans after us, the generations to come. It’s strange because they are absent; they are going to be here, they are going to be our descendants and they are even going to have our DNA in them. They will be versions of us but because they are not here now, it’s very easy to dismiss their concerns.

capitalist economics discounts their concerns, in the technical term of what is called in economics “the discount rate”. So, a high discount rate in your economic calculations of value — like amortized payments or borrowing from the future – says: “The future isn’t important to us, they will take care of themselves” and a low discount rate says: “We are going to account for the future, we think the future matters, the people yet to come matter.” That choice of a discount rate is entirely an ethical and political decision; it’s not a technical or scientific decision except for, perhaps, the technical suggestion that if you want your children to survive you’d better choose a lower discount rate. But that “if” is kind of a moral, an imaginative statement, and less practical in the long-term view.

I have been talking about these issues for about fifteen years and, ten years ago, to suggest that the Paris Agreement would be signed, people would say: “but that will never happen!” As a utopian science-fiction writer, it was a beautiful moment.

As a Science-Fiction writer, what is in your view the responsibility that the arts, literature and literary fiction can have in helping to articulate possible futures? It seems that imagining other forms of living is key to producing them, to make them actionable.

The sciences are maybe the dominant cultural voice in finding out what’s going on in the world and how things work, and the technicalities about how and why things work. But how that feels, the emotional impact in it, which is so crucial to the human mind and human life in general, these are what the arts provide

The way that we create energy and the way that we move around on this planet both have to be de-carbonized. That has to be, if not profitable, affordable

This is what bothers me in economics; its blind adherence to the capitalist moment even when it is so destructive. Enormous amounts of intellectual energy are going into the pseudo-quantitative legal analysis of an already-existing system that’s destructive. Well, this is not good enough anymore because it’s wrecking the biophysical infrastructure

What would that new way of living be? The economists are not going to think of it. The artists are often not specific enough in their technical and physical detail, so they can become fantasy novelists rather than science-fiction novelists; there is too much a possibility in the arts, and I know very well myself, of having a fantasy response, a wish fulfilment. But when you’re doing architecture you think: “Well, I need ten million dollars, I need this land, I need to entrain the lives of five hundred people for ten years of their careers in order to make something that then will be good for the future generations to use.”

After the 2008 crash of the world economy, the neoliberal regime began to look a bit more fragile and brutal, less massive and immovable. I see things very differently, the world reacting very differently since the 2008 crash to how it did before it. There was this blind faith that capitalism worked, and also even if it didn’t work it wasn’t changeable, it was too massive to change. Now what I am pointing out comes from the radical economists coming out of political economy, anthropology and leftist politics saying that international finance is simply overleveraged and therefore is extremely fragile and open to being taken down. Because it depends on everybody paying their bills and fulfilling their contracts.

Human extinction, this is bullshit. Humans will scratch around and find some refuge. You could imagine horrible disasters and reductions of human population but extinction is not the issue for humans, it’s for everybody else. All of our horizontal brothers and sisters, the other big mammals, are in terrible trouble from our behaviour

I actually am offended at this focus on the human; “Oh, we’ll be in trouble,”: big deal. We deserve to be in trouble, we created the trouble. The extinctions of the other big mammals: the tigers, rhinoceroses, all big mammals that aren’t domestic creatures of our own built in factories, are in terrible trouble. So, the human effort ought to be towards avoiding extinctions of other creatures. Never waste a worry for humanity itself, which, no matter what, won’t become extinct. Ten centuries from now, humanity will be doing something and that something is likely to be more sustainable and interesting than what we are doing now. The question for us is. “How do you get there?” But ten centuries from now, there might not be any tigers.

There’s an Antonio Gramsci idea you have used to explain your position: “pessimism of the intellect, optimism of the will.” Your optimism is a moral and political position, it’s not just hoping for the best. Why do you think we need to defend optimism

Use the optimism as a club, to beat the crap out of people who are saying that we are doomed, who are saying let’s give up now. And this “let’s give up now” can be very elaborated academically. You can say: “Well, I’m just into adaptation rather than mitigation, there’s nothing we can do about climate change, all you can do is adapt to it.” In other words, stick with capitalism, stick with the market, and don’t get freaked out. Just adapt and get your tenure because it is usually academics who say it, and they’re not usually in design or architecture, they aren’t really doing things. They’re usually in philosophy or in theory. They come out of my departments, they’re telling a particular story and I don’t like that story. My story is: the optimism that I’m trying to express is that there won’t be an apocalypse, there will be a disaster. But after the disaster comes the next world on.

there’s a sort of apocalyptic end-of-the-world “ism” that says that I don’t have to change my behaviour, I don’t have to try because it’s already doomed

Maybe optimism is a kind of moral imperative, you have to stay optimistic because otherwise you’re just a wanker that’s taken off into your own private Idaho of “Oh well, things are bad.” It’s so easy to be cynical; it’s so easy to be pessimistic

And for the record, I've never understood why a writer who recognizes technology is labeled a "sci-fi writer", as if being a "sci-fi writer" were equal to being some sort of substandard, second-rate hack. The great Kurt Vonnegut managed to get stuck in that drawer after he recognized technolgy in his 1st novel "Player Piano". No matter that he turned out to be (imo) one of the greatest authors of the 20th century, perio

it's chilling how prescient he was about modern media culture in Fahrenheit 451. It's not a Luddite screed against TV. It's a speculative piece on what happens when we become divorced from the past and more attuned to images on the screen than we are to each other.

ite author of mine since I was in elementary school way back when mammoths roamed the earth. To me, he was an ardent enthusiast of technology, but also recognized its potential for seperating us from one another while at the same time seemingly making us more "connected" in a superficial and transitory way

Bradbury is undeniably skeptical of technology and the risks it brings, particularly the risk that what we'd now call "virtualization" will replace actual emotional, intellectual or physical experience. On the other hand, however, I don't think there's anybody who rhapsodizes about the imaginative possibilities of rocketships and robots the way Bradbury does, and he's built entire setpieces around the idea of technological wonders creating new experiences.    I'm not saying he doesn't have a Luddite streak, more that he has feet in both camps and is harder to pin down than a single label allows. And I'll also add that in his public pronouncements of late, the Luddite streak has come out more strongly--but I tend to put much of that down to the curmudgeonliness of a ninety-year-old man.

I don't think he is a luddite so much as he is the little voice that whispers "be careful what you wish for." We have been sold the beautiful myth that technology will buy us free time, but we are busier than ever. TV was supposed to enlighten the masses, instead we have "reality TV" and a news network that does not let facts get in the way of its ideological agenda. We romanticize childhood, ignoring children's aggressive impulses, then feed them on a steady diet of violent video games.  

Because the term “AI” is ambiguous, it makes having clear discussions more difficult. In one sense, it is the name of a subfield of computer science. In another, it can refer to the computing techniques developed in that subfield, most of which are now focused on pattern matching based on large data sets and the generation of new media based on those patterns. Finally, in marketing copy and start-up pitch decks, the term “AI” serves as magic fairy dust that will supercharge your business.

output can seem so plausible that without a clear indication of its synthetic origins, it becomes a noxious and insidious pollutant of our information ecosystem

Not only do we risk mistaking synthetic text for reliable information, but also that noninformation reflects and amplifies the biases encoded in its training data—in this case, every kind of bigotry exhibited on the Internet. Moreover the synthetic text sounds authoritative despite its lack of citations back to real sources. The longer this synthetic text spill continues, the worse off we are, because it gets harder to find trustworthy sources and harder to trust them when we do.

the people selling this technology propose that text synthesis machines could fix various holes in our social fabric: the lack of teachers in K–12 education, the inaccessibility of health care for low-income people and the dearth of legal aid for people who cannot afford lawyers, just to name a few

the systems rely on enormous amounts of training data that are stolen without compensation from the artists and authors who created it in the first place

the task of labeling data to create “guardrails” that are intended to prevent an AI system’s most toxic output from seeping out is repetitive and often traumatic labor carried out by gig workers and contractors, people locked in a global race to the bottom for pay and working conditions.

employers are looking to cut costs by leveraging automation, laying off people from previously stable jobs and then hiring them back as lower-paid workers to correct the output of the automated systems. This can be seen most clearly in the current actors’ and writers’ strikes in Hollywood, where grotesquely overpaid moguls scheme to buy eternal rights to use AI replacements of actors for the price of a day’s work and, on a gig basis, hire writers piecemeal to revise the incoherent scripts churned out by AI.

too many AI publications come from corporate labs or from academic groups that receive disproportionate industry funding. Much is junk science—it is nonreproducible, hides behind trade secrecy, is full of hype and uses evaluation methods that lack construct validity

We urge policymakers to instead draw on solid scholarship that investigates the harms and risks of AI—and the harms caused by delegating authority to automated systems, which include the unregulated accumulation of data and computing power, climate costs of model training and inference, damage to the welfare state and the disempowerment of the poor, as well as the intensification of policing against Black and Indigenous families. Solid research in this domain—including social science and theory building—and solid policy based on that research will keep the focus on the people hurt by this technology.

Urbanscale founder Adam Greenfield has written a lot about ubiquitous computing in urban environments, most notably in 2006's Everyware, which posits that computers will "effectively disappear" as objects around us become "smart" in ways that are nearly invisible to lay-people.

tailored advertising just about anywhere

Some futurists are still predicting that cities will become closer to arcologies — huge slabs of integrated urban life, like a whole city in a single block — as they grapple with the need to house so many people in an efficient fashion. The implications for heating and cooling an arcology, let alone dealing with waste disposal, are mind-boggling. Could a future arcology become our first machine mind?

Science fiction gives us the occasional virtual worlds that look rural — like Doctor Who's visions of life inside the Matrix, which mostly looks (not surprisingly) like a gravel quarry — but for the most part, virtual worlds are always urban

So here's why cities might have an edge over, say, the Internet as a whole, when it comes to developing self awareness. Because every city is different, and every city has its own identity and sense of self — and this informs everything from urban planning to the ways in which parking and electricity use are mapped out. The more sophisticated the integrated systems associated with a city become, the more they'll reflect the city's unique personality, and the more programmers will try to imbue their computers with a sense of this unique urban identity. And a sense of the city's history, and the ways in which the city has evolved and grown, will be important for a more sophisticated urban planning system to grasp the future — so it's very possible to imagine this leading to a sense of personal history, on the part of a computer that identifies with the city it helps to manage.

next time you're wandering around your city, looking up at the outcroppings of huge buildings, the wild tides of traffic and the frenzy of construction and demolition, don't just think of it as a place haunted by history. Try, instead, to imagine it coming to life in a new way, opening its millions of electronic eyes, and greeting you with the first gleaming of independent thought

I can't wait for the day when city AI's decide to go to war with other city AI's over allocation of federal funds.

John Shirley has San Fransisco as a sentient being in City Come A Walkin

I doubt cities will ever be networked so smoothly... they are all about fractions, sections, niches, subcultures, ethicities, neighborhoods, markets, underground markets. It's literally like herding cats... I don't see it as feasible. It would be a schizophrenic intelligence at best. Which, Wintermute was I suppose...

If I have a gripe with the Internet, it isn't short attention spans, it isn't blogging, or it isn't ease of idiot communication. It would be that the initial effect of the Internet, probably because it has academic origins rather than economic origins, was to devalue content. And I mean that in a gross monetary sense. The idea was that information was suddenly free. Information is not free. You [always] pay a price for information. Sometimes the price is just paying attention or being careful. But usually there's a monetary price involved because it costs money to get people out there who know what they're doing and have reasonable judgment and knowledge and perspective and background, and you don't want it to be free. It's not going to be terribly expensive, it's probably going to be cheaper than what newspapers have come to cost.

when it comes to the more important analytical side of news, where it is important say for instance for a news organization to have a team of experienced reporters in place with the background knowledge of the place they're in and contacts they've developed over time, you can't replace that with a random backpacker tweeting from Tajikistan

The job wasn't to speak truth to power. Anybody can speak truth to power if they're far enough away from the power.

For most of human history, forgetting was the default and remembering the challenge.

Chants, songs, monasteries, books, libraries, and even universities were established primarily to overcome our propensity to forget over time. The physical and economic limitations of all of those technologies and institutions served us well. Each acted not just as memory aids but also as filters or editors. They helped us remember much by helping us discard even more.

Our use of the proliferating data and rudimentary filters in our lives renders us incapable of judging, discriminating, or engaging in deductive reasoning. And inductive reasoning, which one could argue is entering a golden age with the rise of huge databases and the processing power needed to detect patterns and anomalies, is beyond the reach of lay users of the grand collective database called the Internet.

Even 10 years ago, we did not consider that words written for a tiny audience could reach beyond, perhaps to someone unforgiving, uninitiated in a community, or just plain unkind.

Remembering to forget, as Elvis argued, is also essential to getting over heartbreak. And, as Jorge Luis Borges wrote in his 1942 (yep, I Googled it to find the date) story "Funes el memorioso," it is just as important to the act of thinking. Funes, the young man in the story afflicted with an inability to forget anything, can't make sense of it. He can't think abstractly. He can't judge facts by relative weight or seriousness. He is lost in the details. Painfully, Funes cannot rest.

Just because we have the vessels, we fill them.

the default habits of our species: to record, retain, and release as much information as possible

Perhaps we just have to learn to manage wisely how we digest, discuss, and publicly assess the huge archive we are building. We must engender cultural habits that ensure perspective, calm deliberation, and wisdom. That's hard work.

we choose the nature of technologies. They don't choose us. We just happen to choose unwisely with some frequency

surveillance as the chief function of electronic government

critical information studies

Siva Vaidhyanathan is an associate professor of media studies and law at the University of Virginia. His next book, The Googlization of Everything, is forthcoming from the University of California Press.

Nietzsche's _On the Use and Disadvantage of History for Life_

Google compresses, if not eliminates, temporal context. This is likely only to exacerbate the existing problem in politics of taking one's statements out of context. A politician whose views on a subject have evolved quite logically over decades in light of changing knowledge and/or circumstances is held up in attack ads as a flip-flopper because consecutive Google entries have him/her saying two opposite things about the same subject -- and never mind that between the two statements, the Berlin Wall may have fallen or the economy crashed harder than at any other time since 1929.

intellectual overextension is often found in economics, as Gary Saul Morson and Morton Schapiro explain in their wonderful book “Cents and Sensibility: What Economics Can Learn from the Humanities” (Princeton). Morson and Schapiro—one a literary scholar and the other an economist—draw on the distinction between hedgehogs and foxes made by Isaiah Berlin in a famous essay from the nineteen-fifties, invoking an ancient Greek fragment: “The fox knows many things, but the hedgehog one big thing.” Economists tend to be hedgehogs, forever on the search for a single, unifying explanation of complex phenomena. They love to look at a huge, complicated mass of human behavior and reduce it to an equation: the supply-and-demand curves; the Phillips curve, which links unemployment and inflation; or mb=mc, which links a marginal benefit to a marginal cost—meaning that the fourth slice of pizza is worth less to you than the first. These are powerful tools, which can be taken too far. Morson and Schapiro cite the example of Gary Becker, the Nobel laureate in economics in 1992. Becker is a hero to many in the field, but, for all the originality of his thinking, to outsiders he can stand for intellectual overconfidence. He thought that “the economic approach is a comprehensive one that is applicable to all human behavior.” Not some, not most—all

Becker analyzed, in his own words, “fertility, education, the uses of time, crime, marriage, social interactions, and other ‘sociological,’ ‘legal,’ and ‘political problems,’ ” before concluding that economics explained everything

The issue here is one of overreach: taking an argument that has worthwhile applications and extending it further than it usefully goes. Our motives are often not what they seem: true. This explains everything: not true. After all, it’s not as if the idea that we send signals about ourselves were news; you could argue that there is an entire social science, sociology, dedicated to the subject. Classic practitioners of that discipline study the signals we send and show how they are interpreted by those around us, as in Erving Goffman’s “The Presentation of Self in Everyday Life,” or how we construct an entire identity, both internally and externally, from the things we choose to be seen liking—the argument of Pierre Bourdieu’s masterpiece “Distinction.” These are rich and complicated texts, which show how rich and complicated human difference can be. The focus on signalling and unconscious motives in “The Elephant in the Brain,” however, goes the other way: it reduces complex, diverse behavior to simple rules.

“A traditional cost-benefit analysis could easily have led to the discontinuation of a project widely viewed as being among the most successful health interventions in African history.”

Another part of me, though, is done with it, with the imperialist ambitions of economics and its tendency to explain away differences, to ignore culture, to exalt reductionism. I want to believe Morson and Schapiro and Desai when they posit that the gap between economics and the humanities can be bridged, but my experience in both writing fiction and studying economics leads me to think that they’re wrong. The hedgehog doesn’t want to learn from the fox. The realist novel is a solemn enemy of equations. The project of reducing behavior to laws and the project of attending to human beings in all their complexity and specifics are diametrically opposed. Perhaps I’m only talking about myself, and this is merely an autobiographical reflection, rather than a general truth, but I think that if I committed any further to economics I would have to give up writing fiction. I told an economist I know about this, and he laughed. He said, “Sounds like you’re maximizing your utility.” 

finance is full of “attribution errors,” in which people view their successes as deserved and their failures as bad luck. Desai notes that in business, law, or pedagogy we can gauge success only after months or years; in finance, you can be graded hour by hour, day by day, and by plainly quantifiable measures. What’s more, he says, “the ‘discipline of the market’ shrouds all of finance in a meritocratic haze.” And so people who succeed in finance “are susceptible to developing massively outsized egos and appetites.”

one of the things I liked about economics, finance, and the language of money was their lack of hypocrisy. Modern life is full of cant, of people saying things they don’t quite believe. The money guys, in private, don’t go in for cant. They’re more like Mafia bosses. I have to admit that part of me resonates to that coldness.

Economics, Morson and Schapiro say, has three systematic biases: it ignores the role of culture, it ignores the fact that “to understand people one must tell stories about them,” and it constantly touches on ethical questions beyond its ken. Culture, stories, and ethics are things that can’t be reduced to equations, and economics accordingly has difficulty with them

There is something thrilling about the intellectual audacity of thinking that you can explain ninety per cent of behavior in a society with one mental tool

According to Hanson and Simler, these unschooled workers “won’t show up for work reliably on time, or they have problematic superstitions, or they prefer to get job instructions via indirect hints instead of direct orders, or they won’t accept tasks and roles that conflict with their culturally assigned relative status with co-workers, or they won’t accept being told to do tasks differently than they had done them before.”

The idea that Maya Angelou’s career amounts to nothing more than a writer shaking her tail feathers to attract the attention of a dominant male is not just misleading; it’s actively embarrassing.

"The use of facial recognition in schools creates an unprecedented level of surveillance and scrutiny," says John Cusick, a fellow at the Legal Defense Fund. "It can exacerbate racial disparities in terms of how schools are enforcing disciplinary codes and monitoring their students."

The school would ask adults, not kids, to register their faces with the SAFR system. After they registered, they’d be able to enter the school by smiling at a camera at the front gate. (Smiling tells the software that it’s looking at a live person and not, for instance, a photograph). If the system recognizes the person, the gates automatically unlock

The software can predict a person's age and gender, enabling schools to turn off access for people below a certain age. But Glaser notes that if other schools want to register students going forward, they can

There are no guidelines about how long the facial data gets stored, how it’s used, or whether people need to opt in to be tracked.

Schools could, for instance, use facial recognition technology to monitor who's associating with whom and discipline students differently as a result. "It could criminalize friendships," says Cusick of the Legal Defense Fund.

SAFR boasts a 99.8 percent overall accuracy rating, based on a test, created by the University of Massachusetts, that vets facial recognition systems. But Glaser says the company hasn’t tested whether the tool is as good at recognizing black and brown faces as it is at recognizing white ones. RealNetworks deliberately opted not to have the software proactively predict ethnicity, the way it predicts age and gender, for fear of it being used for racial profiling. Still, testing the tool's accuracy among different demographics is key. Research has shown that many top facial recognition tools are particularly bad at recognizing black women

"It's tempting to say there's a technological solution, that we're going to find the dangerous people, and we're going to stop them," she says. "But I do think a large part of that is grasping at straws."

ten years earlier, in an essay for Vogue, he described in detail the spread of social media and its totalizing effects on our lives. In the technological future, he wrote, “each of us will be both star and supporting player.” Every one of our actions during the day, across the entire spectrum of domestic life, will be instantly recorded on video-tape. In the evening we will sit back to scan the rushes, selected by a computer trained to pick out only our best profiles, our wittiest dialogue, our most affecting expressions filmed through the kindest filters, and then stitch these together into a heightened re-enactment of the day. Regardless of our place in the family pecking order, each of us within the privacy of our own rooms will be the star in a continually unfolding domestic saga, with parents, husbands, wives and children demoted to an appropriate supporting role.

this description almost perfectly captures the behavior of the average user of Facebook, Instagram, etc.

Ballard wrote a 1977 short story called “The Intensive Care Unit,” in which—writes the site Ballardian---“ordinances are in place to prevent people from meeting in person. All interaction is mediated through personal cameras and TV screens.”

“Now everybody can document themselves in a way that was inconceivable 30, 40, 50 years ago,” Ballard notes, “I think this reflects a tremendous hunger among people for ‘reality’—for ordinary reality. It’s very difficult to find the ‘real,’ because the environment is totally manufactured.” Like Jean Baudrillard, another prescient theorist of postmodernity, Ballard saw this loss of the "real" coming many decades ago. As he told I-D in 1987, “in the media landscape it’s almost impossible to separate fact from fiction.”

Our politics clearly adore fear, notably from the Trump administration and its emphasis on immigrant-driven carnage.  Our news media continue to worship at the altar of “if it bleeds, it leads.”

that CNN is the opposite of a fringe news service.  Between Fox and MSNBC it occupies a neutral, middle ground.  It is, putatively, the sober center.  And it simply adores scaring the hell out of us

What does the likelihood of even more stupid fear-mongering mean for education?  It simply means, as I said years ago, we have to teach people to resist this stuff.  In our quest to teach digital literacy we should encourage students – of all ages – to avoid tv news, or to sample it judiciously, with great skepticism.  We should assist them in recognizing when politicians fire up fear campaigns based on poor facts.

politicians peddle terror because it often works

the negative impacts of such fear – the misdirection of resources, the creation of bad policy, the encouragement of mean world syndrome, the furtherance of racism – the promulgation of real damage