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Ed Webb

Near Future Laboratory » Blog Archive » I Quote: …. - 0 views

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future sci-fi sciencefiction prediction blog

shared by Ed Webb on 16 Oct 10 - No Cached
  • Warren
    • Ed Webb
      Ed Webb on 16 Oct 10
       
      Warren Ellis, author of Transmetropolitan (also check out his Freakangels - Google will get you there, or warrenellis.com)
  • The Caryatids
    • Ed Webb
      Ed Webb on 16 Oct 10
       
      Bruce Sterling's most recently published novel, quite dystopian.
  • Neuromancer
    • Ed Webb
      Ed Webb on 16 Oct 10
       
      William Gibson's first published novel, mostly reckoned to be the first cyberpunk novel, although that's not undisputed, and there were short stories before that, some of which we've read.
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  • ((via @russelldavies from his post here.))
    • Ed Webb
      Ed Webb on 16 Oct 10
       
      Russell Davies is the main force behind the recent revival of Doctor Who, as well as its spin-off Torchwood.
  • Advertising is probably the worst kind of SciFi in this regard. No integrity. No expectations that what is being presented has any relationship to possibility. Maybe SciFi as it was has switched places with advertising: Warren Ellis says SciFi does extrapolation. Advertising-as-SciFi does..what? Dishonest predicting?
Ed Webb

FreakAngels - 0 views

www.freakangels.com/

dystopia WarrenEllis comics webcomics scifi sci-fi sciencefiction

shared by Ed Webb on 16 Oct 14 - Cached
  • Ed Webb on 16 Oct 14
     
    For those who enjoy Transmetropolitan, a different kind of treat from Mr Ellis.
Ed Webb

Piper at the Gates of Hell: An Interview with Cyberpunk Legend John Shirley | Motherboard - 0 views

motherboard.vice.com/...-cyberpunk-legend-john-shirley

cyberpunk scifi sciencefiction dystopia

shared by Ed Webb on 06 Sep 14 - No Cached
    • Ed Webb
      Ed Webb on 06 Sep 14
       
      City Come A Walking is one of the most punk of the cyberpunk novels and short stories I have ever read, and I have read quite a few...
  • I'll press your buttons here by positing that if "we" (humankind) are too dumb to self-regulate our own childbirth output, too dim to recognize that we are polluting ourselves and neighbors out of sustainable existence, we are, in fact, a ridiculous parasite on this Earth and that the planet on which we live will simply slough us off—as it well should—and will bounce back without evidence of we even being here, come two or three thousand years. Your thoughts (in as much detail as you wish)?I would recommend reading my "the next 50 years" piece here. Basically I think that
 climate change, which in this case genuinely is caused mostly by humanity, 
is just one part of the environmental problem. Overfishing, toxification of 
the seas, pesticide use, weedkillers, prescription drugs in water,
 fracking, continued air pollution, toxicity in food, destruction of animal
 habitat, attrition on bee colonies—all this is converging. And we'll be 
facing the consequences for several hundred years.
  • I believe humanity will
 survive, and it won't be surviving like Road Warrior or the Morlocks from The Time Machine, but I think we'll have some cruelly ugly social consequences. We'll have famines the like of which we've never seen before, along with higher risk of wars—I do predict a third world war in the second half of this century but I don't think it will be a nuclear war—and I think we'll suffer so hugely we'll be forced to have a change in consciousness to adapt. 
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  • We may end up having to "terraform" the Earth itself, to some extent.
Ed Webb

Can Sci-Fi Writers Prepare Us for an Uncertain Future? | WIRED - 0 views

www.wired.com/...are-us-for-an-uncertain-future

future futures futurism scifi sci-fi sciencefiction prediction predictions

shared by Ed Webb on 14 Jul 19 - Cached
  • a growing contingent of sci-fi writers being hired by think tanks, politicians, and corporations to imagine—and predict—the future
  • Harvard Business Review made the corporate case for reading sci-fi years ago, and mega consulting firm Price Waterhouse Cooper published a guide on how to use sci-fi to “explore innovation.” The New Yorker has touted “better business through sci-fi.” As writer Brian Merchant put it, “Welcome to the Sci-Fi industrial complex.”
  • The use of sci-fi has bled into government and public policy spheres. The New America Foundation recently held an all-day event discussing “What Sci-Fi Futures Can (and Can't) Teach Us About AI Policy.” And Nesta, an organization that generates speculative fiction, has committed $24 million to grow “new models of public services” in collaboration with the UK government
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  • Some argue that there is power in narrative stories that can’t be found elsewhere. Others assert that in our quest for imagination and prediction, we’re deluding ourselves into thinking that we can predict what’s coming
  • The World Future Society and the Association of Professional Futurists represent a small but growing group of professionals, many of whom have decades of experience thinking about long-term strategy and “scenario planning”—a method used by organizations to try and prepare for possible futures.
  • true Futurism is often pretty unsexy. It involves sifting through a lot of data and research and models and spreadsheets. Nobody is going to write a profile of your company or your government project based on a dry series of models outlining carefully caveated possibilities. On the other hand, worldbuilding—the process of imagining a universe in which your fictional stories can exist—is fun. People want stories, and science fiction writers can provide them.
  • Are those who write epic space operas (no matter how good those space operas might be) really the right people to ask about the future of work or water policy or human rights?
  • critics worry that writers are so good at spinning stories that they might even convince you those stories are true. In actuality, history shows us that predictions are nearly impossible to make and that humans are catastrophically bad at guessing what the future will hold
  • it's important to distinguish between prediction and impact. Did Star Trek anticipate the cell phone, or were the inventors of the cell phone inspired by Star Trek? Listicles of “all the things sci-fi has predicted” are largely exercises in cherry picking—they never include the things that sci-fi got wrong
  • In this line of work, specifics matter. It’s one thing to write a book about a refugee crisis, but quite another to predict exactly how the Syrian refugee crisis unfolded
  • It’s tempting to turn to storytelling in times of crisis—and it’s hard to argue that we’re not in a time of crisis now. Within dystopian pieces of fiction there are heroes and survivors, characters we can identify with who come out the other side and make it out OK. Companies and governments and individuals all want to believe that they will be among those lucky few, the heroes of the story. And science fiction writers can deliver that, for a fee.
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