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I believe there is a communication channel between cartoonists and readers that even editors might miss. It is amusing to experiment with overcoming censorship.

Activists and protesters have added their own slogans to the cartoon, as well as printing it out, cutting it up, and turning it into masks, banners and posters. It has popped up at protests in New York, Washington, Berlin, Paris and Oslo - and even in the back alleys of Cairo.

Egypt has seen an outbreak of protests against Sisi since 20 September, when protesters took to the streets of Cairo and other cities, calling for him to step down.

the most public show of opposition to the president since a crackdown on dissent after the 2013 military coup that brought Sisi to power. Hundreds of protesters were killed by security forces in Rabaa Square, with tens of thousands more arrested and imprisoned

A new wave of repression has followed this month's protests, with more than 2,200 people arrested, according to local activists. Last Friday Egyptian security forces locked down the centre of Cairo and other cities to deter crowds from taking to the streets.

Activists say Ganzeer's image not only plugged into the rising anger on the streets; drawing Sisi as a burglar fundamentally stripped the president down from a so-called statesman to an ordinary, petty thug who had literally stolen the presidency and now the coffers of the state.

Ganzeer’s Twitter account was among those briefly suspended earlier this week.

Middle East Eye asked Twitter why it had suspended the accounts of Egyptian activists and whether it was investigating the closures.

Ganzeer says his Twitter account was reactivated a couple of hours after he filed his appeal, but he told MEE he believed he had faced a coordinated online attack since publishing the image of Sisi. “Since I released the image, I have had to spend a lot of time just blocking [trolls]. It has been coordinated with a number of suspicious handles and accounts that clearly began in September.”

"Some back home are complaining that people are ignoring the deaths and detentions and crackdowns and his attempt to stay in power and now talking about corruption. "But if you ask me, I think this wave of protest is about exposing Sisi as a liar from the inside - and you could say it's a key to opening up all the other lies."

Nohan also posted comments containing anti-establishment messages according to the indictment, including ‘Down with Sisi, Morsi and Mubarak’, which was branded ‘an insult to national figures’

In April, a cybercrimes law was drafted which Human Rights Watch criticised as containing ‘broadly worded provisions that could be abused to penalise legitimate expression online and through social media sites’.

‘We are truly in a Mickey Mouse state,’ his brother Mansour Nohan told IBTimes. ‘Satire is a way for any people that have a mind of their own to express themselves, be that in a democratic country or not.’

Cybercrimes and the circulation of satire have become a serious problem for the Egyptian president in the five years since the beginning of the Arab Spring.

It was ruled that he had ‘thoughts inside of him that run contrary to that of the ruling regime’, and he was court-martialled.

more than 42,000 political prisoners behind bars

the Revolution did not bring the Islamists to power, rather they seized power in the context of the elections that followed. Notably, it is by shifting debates into the field of identity that they could win these elections, while parties, notably the left, failed to build a single and audible speech in the confusion that reigned

the revolution did not take place in a “fallow” social field or a tabula rasa. The national movement and the struggle for independence contributed to the formation of political and administrative elites. Bourguiba's long reign was not only terror and could not prevent the development of a strong trade union movement, or of a feminist movement still active despite its appropriation under the Bourguibist regime, who built an image of liberating the country and its women,[3] and then under the Ben Ali dictatorship, who used it as an excuse to earn its stripes of modernist despotism, fighting against the Islamist threat. This wealth of mobilization and the social movements’ vigor has had a paradoxical fate: they have produced highly recognized characteristics of modern Tunisia (notably secularism and the status of women), while being the victims of a repression

the extent of the crackdown on leftist movements from 1968 to 1978, under the Bourguiban power, which eventually struck the Islamists, led to the implementation of a "selective" education of contemporary history in primary and high schools, and the Benalist propaganda simply replacing that of Bourguiba

the constitution of the party led by former Interim Prime Minister, Beji Caid Essebsi, Nida Tounès. Such an agglomeration of political forces would have been unimaginable a few years earlier. Indeed, this party brings together many of the former partisans of Ben Ali’s regime - and Bourguiba’s – and, like Essebsi himself, a fraction of the post-communist left under the banner of the struggle against the Islamists and for Tunisia’s modern identity. There are those who have been adversaries for a long time, employing a platform that takes great care to remain on the side of national identity (especially vis-à-vis the outside world), of "progressivism," and of modernity, to avoid social and ideological issues. He stands in front of Ennahda as its mirror image. The emergence of such a force, unknown in terms of electoral score and what this might represent, shows the effect of "retrospective treason" produced by the passage from a revolutionary situation to a new context of electoral democracy. Meanwhile, it gave neither the time nor the effort to develop social positions establishing democracy. The press is weak and most often simply amplifies the voices of political actors without deepening the issues. Associations are quite present but very few of them have taken up the question of democracy, with the possible exception of those who were involved during the campaign

The union has also reaffirmed its independence and willingness to engage itself "alongside civil society and the Tunisian people in its diversity to defend not only the working masses, but also and above all, the Republic and its institutions.[6]” It is not surprising that the UGTT is the only prevailing force. It relies on its 517,000 members, its territorial coverage, and its history.

Here, there seems to be a form of necessary betrayal of the "democratic revolution”—difficult to perceive and to decrypt, bitter to those who experience it, but which certainly does not amount to one party’s representative takeover over the rest.

Arbitrary arrest, detention, torture, and disappearance still take place

no constitutional system

Moreover, it is clear is that for all the rhetoric about "revolution" and the "state of the masses" the Libyan leadership has squandered much of the country's wealth twice over: on foolish projects at home and costly adventures abroad.

Libya, with a per capita oil output roughly equal to that of Saudi Arabia, boasts few of the advances - the urban and transport development,  educational and health facilities - that the oil-endowed Gulf states can claim

Libya has not introduced significant changes to its political system, and especially not with regard to human rights or governance. The Jamahiriyah remains in 2009 one of the most dictatorial as well as opaque of Arab regimes. Its 6 million people enjoy no significant freedoms

The improvement in Libya's international profile in recent years reflects the abandonment of the regime's nuclear-weapons programme and its policy of hunting down Libyan dissidents living abroad (including their kidnap and murder).

For Libya's reputation among other Arab states and peoples is abysmal, if the state is not actually an object of contempt.

Libya is far from the most brutal regime in the world, or even the region: it has less blood on its hands than (for example) Sudan, Iraq, and Syria

ruled for forty years with no attempt to secure popular legitimation.

The Libyan people have for far too long been denied the right to choose their own leaders and political system - and to benefit from their country's wealth via oil-and-gas deals of the kind the west is now so keen to promote. 

“The government wants to create a digital Gestapo.”

As the MIT evolves, it does impeccable media relations to convince the AKP’s voter base that it is an indispensable institution for them. Moreover, that public image change would surely be an asset for the AKP as long as it is in power. Now, AKP elites must ask themselves, will they be proud and content with our new institution when they are no longer in government?

the activists’ 2012 campaign: Askar Kazeebon (Lying Military) whose modus operandi was to broadcast videos and documentaries to pedestrians that falsify the military’s accounts of various events and expose the soldiers’ crimes and human rights violations that official and regime-friendly media ignored

the military, Egypt’s central power, endeavoured to restrict the public space and erase the memory of the January 25 revolution. For this power knows that while memories are linked to the past, they determine how many Egyptians will perceive the future. The military pursued 1984’s Orwellian prophecy: ‘he who controls the past controls the future’.

the walls of revolutionary graffiti were repainted, CCTV cameras were installed in central spaces, and governmental offices were relocated away from the heart of Cairo

in dismantling the revolutionary symbols, the regime intended to construct a collective memory that excludes rival interpretations of events to its own. That is reminiscent to the Bahraini government’s destruction of Pearl Roundabout, the rallying point of the 2011 mass anti-government protests.

In November 2013, a few hours after Prime Minister Beblawi inaugurated it, protesters vandalised a memorial that the government built for ‘the martyrs of the revolution’. In his inaugurating speech, Beblawi referred to January 25 and June 30 ‘revolutions’ as well as the martyrs of the police and the army. That was interpreted by the protesters as another attempt to conflate the meanings and disrupt the image and the perceptions of the January 25 Revolution in the Egyptians’ collective consciousness

The unprecedented crackdown on dissent and the draconian laws that reportedly imprisoned tens of thousands of activists had prompted many to surrender the public space. Some are silent out of fear or disappointment. Others tried to put the memory of the revolution aside, so that they can go on with their own personal lives

Since the 2013 military coup, state and private media outlets – mostly controlled by the regime’s clientele – have kept glorifying the military’s role in recent years as well as defaming the revolution and activists as tools of the west to destroy Egypt

tech-savvy young activists already utilised memorialisation to foment the democratic uprising. We Are All Khalid Said, a Facebook page created to commemorate the 28-year old Khalid Said who was brutally tortured and killed by police, in 2010, became the January 25 protests’ virtual rallying point and main coordinator.

there are many initiatives to resist forgetting the revolution and silencing its voices. The most recent of which is Mosireen Collective’s 858 archive of resistance. In the Collective’s own words, the archive includes raw photographs, videos and documents that ‘present thousands of histories of revolt told from hundreds of perspectives. While the regime is using every resource to clamp down on public space and public memory the time has come to excavate and remember and re-present our histories.’

Wiki-Thawra whose slogan is ‘so we don’t forget’; UCLA’s Tahrir Documents; AUC’s University on the Square; and MIT’s 18 Days in Egypt.

After the 2013 military takeover, thousands involuntarily left the country to live in exile abroad. A minority among the exiled are still engaged in telling stories of the revolution and protesting al-Sisi government’s human rights violations and destruction of Egypt’s democratic hopes. Using art and satire, they continue to disturb the regime’s hegemonic revolution-defaming narratives.

it is still uncertain whether the regime has successfully dominated the Egyptian collective memory of the January 25 Revolution. That is because collective memory is not a static realm but rather a fluid construct that shapes – and is shaped by – current conditions and future aspirations.

when he talks he talks the language of the street and the street listens to him. That's Sisi's problem.  

Most Egyptians have seen their real incomes fall, while Egypt under its IMF-backed austerity programme is racking up huge foreign debts. It was $43bn during Morsi’s presidency. It is $106bn now. Seventy per cent of taxes now goes into paying these debts off. Internal debt is over 5 trillion Egyptian pounds ($306bn).

Ali listed them: a luxury house in Hilmiya ($6m), a presidential residence in Alexandria ($15m), a palace in the new administrative capital, and another one in the new Alamein city west of Alexandria.

A report published by the World Bank in April calculated that "some 60 percent of Egypt’s population is either poor or vulnerable". 

Sisi  was a "failed man", a "disgrace", a "midget" who uses make up and hitches his trousers up too high, Ali told Egypt. Sisi was a con man who lectured you on the need to tighten your belt while building palaces for his wife Intissar.

"Now you say we are very poor, we must be hungry. Do you get hungry? You spend billions that are spilt on the ground. Your men squander millions. I am not telling a secret. You are a bunch of thieves."

Every Egyptian remembers the lectures Sisi gave them on the need to tighten their belts. When the IMF forced the state to reduce subsidies, Sisi’s response was: "I know that the Egyptian people can endure more... We must do it. And you’ll have to pay; you’ll have to pay," Sisi said in one unscripted rant a year into his presidency.

Ali’s YouTube channel has done more in three weeks to destroy Sisi’s image than the Brotherhood, liberals and leftists, now all crushed as active political forces in Egypt, have done in six years of political protest. 

To their credit the opposition did not crumble, paying for their stand with their lives and their freedom. To their shame the Egyptian people did not listen.

Sisi thinks he can ride this out, as he has done challenges in the past. Hundreds of protesters have been arrested since last Friday.

The initial demonstration in Tahrir Square in January 2011 was smaller than the ones that broke out in Cairo, Suez and Alexandria last Friday. They called for reform, not the overthrow of Hosni Mubarak. Last Friday, Sisi’s portrait was torn down. “Say it, don’t be afraid, Sisi has to leave!” they shouted on day one of this fresh revolt. 

the "opposition" is everybody - ordinary Egyptians, disaffected junior ranks in the army, Mubarak era businessmen. This is a wide coalition of forces. Once again Egypt has been reunited by a tyrant

unlike 2013, Sisi’s bankers  - Saudi Arabia and the UAE - have run out of cash for Egypt. Today each has its own problems and foreign interventions which are all turning sour - Yemen and Libya.

The steam is running out of the counter-revolution.

popular protest is re-emerging as a driver for change across the region. We have seen it topple dictators in Sudan and Algeria. Both have learned the lessons of failed coups in the past and have so far managed the transition without surrendering the fruits of revolution to the army. This, too, has an effect on events in Egypt.

multiple gay men in Morocco told PinkNews that they were living in a state of absolute terror: watching as other gay men were outed on social media, beaten up by their families, kicked out of their homes, disappearing and, in several, unverified, cases, killing themselves as a result of being publicly outed. Now, tragically, reports of gay men dying by suicide in the Muslim-majority country have been confirmed.

uman Rights Watch told LGBTQ Nation that it was looking into the situation. “The law inherently discriminates against LGBT+ people, so it can only be an incubator for this type of abuse,” said Ahmed Benchemsi of HRW. “Homophobic people feel empowered because the law is on their side.”

“We took immediate action by sending a security message to all our 41,000 users in Morocco, we blocked all profiles created from the time this person addressed her users and contacted Facebook to have the group page taken offline.”

Images of gay men in Morocco are being shared in closed Facebook groups by women following Moussa’s instructions.

“You can feel that the priority of the state isn’t to create an independent judiciary,” he says, noting that the government isn’t taking seriously the advice and suggestions of judges for how to approach reform.

Corruption is a particularly sensitive issue. In a 2013 survey by Transparency International, more than half of Tunisian respondents said they perceived the judiciary to be corrupt or extremely corrupt. And the fact that there have been very few prosecutions of old regime figures — despite considerable evidence of their involvement in systemic malfeasance — has helped to tar the image of the entire justice system.

relations between judges and the police, who cozily coexisted under the old regime, are now experiencing serious friction as the interests of the two sides diverge

Judges who enjoyed relative freedom from criticism in the old days now find themselves under newfound attacks from human rights advocates, who accuse the judiciary (and the police) of using the country’s harsh anti-drug laws to harass government critics. Zammit says that virtually all judges are in agreement that the law is overly strict, which is why they routinely issue only the mandatory minimum sentence to drug offenders. “If you don’t think someone should be prosecuted for marijuana, don’t criticize the police or judges,” Zammit says. “Change the law.” And that’s the job of elected lawmakers, not judges.

Erdogan frequently tells the public that Turkey is engaged in a war of survival. For example, at a Republic Day ceremony Oct. 29, Erdogan made live phone calls to military officers stationed inside and outside Turkey

Pro-AKP columnists still write pieces bragging about “Erdogan’s revolution of civilianization.” The AKP Youth rigorously campaigned to find alternative ways to boost military conscription of males.

In 2002, Erdogan promised to minimize, if not end, the role of the military in Turkish politics. Turkey has suffered several military coups, so this bold promise garnered support from liberals, Kurds, Islamists and even those who were eager for Turkey to gain full EU membership. Up until the 2010 constitutional referendum, Erdogan garnered the support of a wide swath of the country with his promise to end military tutelage.

Erdogan is no longer struggling for civilian control of politics. Rather, he is encouraging an expansive role for the military in Turkish politics. But why?

Scholars and military officials Al-Monitor interviewed agreed that Turkey managed to enact demilitarization but not civilianization. Indeed, the visibility of military symbols and images has become lucrative for the government as failed policies accumulate and the Kurdish problem becomes an international matter.

sales of military uniforms for civilians, particularly kids, have skyrocketed. We do not know if every Turk is born a soldier, but many more today are dressing up in camouflage.

Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.

In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.

Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.

I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.

I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.

Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain

The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply

The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.

I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.

It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”

Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.

Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”

Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating

Bowles prompted me to think beyond the binary of “Western” versus “Arab.”

The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.

Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.

in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic

Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”

as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism

I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.

“Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”

He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”

In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.

I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.

In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)

Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.

The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.

In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.

Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.

Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco

both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.

both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.

The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”

The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West

his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union

for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.

That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.

As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco

today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.

he most significant setback since Haftar launched an assault on Tripoli in April 2019, with the backing of France, the UAE, Egypt, Jordan and Russia

With Turkey deploying ever-increasing numbers of ethnically Turkish Syrian troops on the ground and drones in the skies, the GNA has dealt the LNA a series of setbacks since the start of April. 

Wattiyah had played a key role for Haftar, whose forces seized the air base in 2014, not only because it served as a key operations center for his assault on the Libyan capital but because it was one of the few former Libyan Air Force facilities spared from airstrikes in the 2011 NATO intervention, due the fact it had stored mostly decommissioned aircraft. Haftar had since restored many of the decommissioned jets to service.

the LNA’s closest air base is in Jufrah, some 490 km away from Tripoli in central Libya. The city of Tarhouna, 180 km southeast of Tripoli, is the LNA’s sole remaining stronghold for the assault on the capital.

A high-ranking GNA military source close to Osama al-Juwaili, who hails from the western city of Zintan and led the GNA forces attack on Wattiyah yesterday, told Mada Masr yesterday that the attack was carried out in coordination with Zintani forces aligned with Haftar inside the air base. 

After GNA forces took the air base, they posted images online of what they claimed were captured Russian-made Pantsir air defense systems mounted on trucks as well as manuals on how to use the equipment. 

“The Russians are not at all amused with some of the images that have been shared of the GNA troops capturing Russian weapons,” the Egyptian official says.

“What the spring of 2020 has revealed is that the UAE doesn’t possess the military or diplomatic wherewithal to continue protecting and strengthening Haftar’s ongoing offensive on Tripoli,” Harchaoui says. “Militarily and in terms of strategic savvy, the UAE is no match to NATO member Turkey, especially knowing that the latter enjoys Washington’s tacit acquiescence these days, over a year after the White House’s initial green light to Haftar. Meanwhile, the Russian state has just never provided the strategic support it could have, if it had genuine faith in Haftar’s adventure.”

The Libyan political source who is close to Haftar says that the UAE, after consulting with Egypt, has called on the United Kingdom to intervene to support the political roadmap put forward by Aguila Saleh, the head of the Tobruk-based House of Representatives who was once a strong supporter of Haftar but is now vying for a larger stake in the political scene himself and moving against the general.

The GNA continued to make advances on Tuesday, seizing the towns of Jawsh, Badr and Tiji — all on the outskirts of the Nafusa Mountains — from LNA control. The GNA forces remain engaged in clashes to try to take the city of Asabiah, a crucial city along the LNA’s supply line and strategic location for Haftar’s forces located near Gharyan, the site of Haftar’s former main operations center. 

none of this means that the UAE will necessarily tamp down its ambitions to take control of Tripoli. “The UAE will never relent or abandon this old obsession, even if it takes another decade — Libya is just too important from a Sunni-Arab perspective,”

if these states do discard Haftar, it will be a way for them to freshen up their stance and restore a tiny bit of their credibility by pretending it was Haftar’s fault all along. One must note that Russia will come out of this re-adjustment stronger and more influential in eastern Libya

Egypt is extremely worried that GNA-affiliated troops could head further east toward Egypt’s western border with Libya

Despite the president’s rhetoric, multiple Egyptian officials that have spoken to Mada Masr in recent weeks say that Egypt will not engage in a direct confrontation with Turkey in Libya, as long as Turkey keeps affiliated militias far away from the Egyptian borders

public support for Haftar is eroding, as there are increasing talks among a popular federalist current in the east of the country to withdraw support for Haftar’s war effort

In urban areas, like downtown Benghazi, some militias — which are not unlike those in Tripoli — will also feel emboldened, and may be tempted to break away from the LNA, a structure that has been hyper personalized by Haftar.

According to the UN special mission’s acting head, 58 civilians were killed and more than 100 wounded between April 1 and May 8, a significant increase in the number of civilian victims compared to the first three months of the year. Most of these casualties, according to Williams, could be attributed to Haftar’s forces, who have been carrying out indiscriminate bombing of the capital in recent weeks. 

Forces affiliated with the GNA have meted out harsh reprisals in the past. In 2012, Misrata forces besieged the city of Bani Walid, a stronghold for loyalists to former ruler Muammar Qadhafi, displacing thousands of families. Similar scenes surfaced when GNA forces took the cities of Sorman and Sabratha to the west of Tripoli in mid-April, stoking concerns of further reprisals.

The Egyptian authorities’ efforts to screen out prominent organisations with a record of criticising their rule, particularly on the issue of human rights, comes amid growing concern over their treatment of protests and civil society at the Cop in Sharm el-Sheikh in November.

The UNFCCC told the Guardian host nations were permitted to invite organisations at their discretion for one-time access, but that “there is no fixed written policy” on one-time registration. The UK did not recommend any NGOs for one-time admission to attend Cop26.

The secretariat does not consider itself to be competent to unilaterally identify additional organisations from the host country

Abdallah said the Egyptian government wished to use Cop27 “to portray a different image of Egypt, one where people are kept away from cities suffering from pollution, poverty or repression. Part of this image is keeping critical voices out so that the only ones heard in Sharm el-Sheikh are those praising the government.”

Since coming to power in a military coup in 2013, Sisi has moved to strangle civil society activity. The state has demanded that NGOs receive government approval to continue operating and has outlawed funding received from abroad as a way to curtail their operations.

Organisations tracking detentions by security services, use of torture by state bodies or the state’s crackdown on civil rights have found their offices raided, their founders targeted with asset freezes and travel bans or their premises forcibly closed by the authorities.

Abdallah told the Guardian the ECRF had applied to attend Cop27 not just to represent Egyptian citizens but also to provide legal assistance in Sharm el-Sheikh to anyone detained for protesting.“Not allowing ECRF to attend strips participants from our protection, meaning protection from a watchdog organisation that can actually support them,” he said. “No one else is doing this.”

Climate justice activists have said Egypt should not be allowed to host Cop27 while thousands of prisoners of conscience remain behind bars, particularly the British-Egyptian activist and blogger Alaa Abd El-Fattah, now more than four months into a hunger strike. Abd El-Fattah, imprisoned on terrorism charges for a social media post, told his family during a recent visit that he believed he would die in prison.

In the years after the Baath party came to power, writes Abdi, the budget for the Department of Antiquities increased by 80% and the number of excavations mushroomed, as did the renovation and reconstruction of historical sites

In Syria, too, Assad’s promotion of archaeology was, as the late journalist Patrick Seale described it, part of his exercise in nation building. Stéphane Valter, a French political scientist who specializes in Arab culture and civilization, studied Assad’s relationship to Syria’s archaeology in his 2002 book, “La construction nationale syrienne” (“The Syrian national construction”). He writes that because of the fragility of a social cohesion in Syria due to its varied ethnic and religious communities, it was important for Assad to establish a territorial and historical identity in which all minorities could find a legitimate place. The archaeological richness of Syria doubtless helped build a national identity based on a culture that was promoted as authentically Syrian.

Iraq was flooded with propaganda posters, murals and sculpted reliefs in the style of ancient artworks, all depicting Saddam superposed with Mesopotamian rulers or symbols

when Gadhafi saw that the museum staff had named some of the rooms “Greek” or “Roman,” his face fell, said Fakroun, “and he made us change the names to ‘Greek colonization’ or ‘Byzantine colonization.’ ”

“We couldn’t talk about our Amazigh heritage. Or objects that were Tuareg, we had to say they were Arab. We wanted to be scientific, but we couldn’t, because the only ethnicity that existed for him was Arab,”

Gadhafi’s view of Libya’s heritage was selective, but like the other dictators, it aligned with the message he wanted to transmit.“Libya links east to west, and north to south, and there are examples of all the cultures that were around us,” said Fakroun.But Gadhafi largely favored Islamic archaeology, in keeping with his Pan-Arab ideological preference at the time (vis-a-vis Pan-Africanism, which he embraced in later years), and after that, prehistory because it was far enough into the past to be relatively uncontested. In contrast, British archaeologist Graeme Barker, who spent many years in Libya, explained that “the country’s fabulous Greek and Roman archaeology represented to him simply the precursor of the hated Italian colonization of the 20th century.”

the Baath regime in Iraq sought to “connect modern-day Iraq with its glorious Mesopotamian past, leaving aside any possible Sunni-Shia division or ethnic divide. Instead, it stressed that Iraq was one nation unified in a shared Mesopotamian-inspired culture.”

Saddam rebuilt the site shoddily, most professionals agree, and built a palace for himself on top of it. He used new materials and inscribed his name on the bricks, as Nebuchadnezzar had done over 2,000 years before him. Moreover, said Almamori, “he dug three or four lakes, which damaged and removed part of the Persian cemetery near the northern lake. Many layers of different civilizations were removed. He constructed artificial mounds and built his palace on one of them. Archaeologists with high positions were afraid to say anything.”

“When Nebuchadnezzar II took over from his father, Nabopolassar, he ruled from the same palace which he rebuilt. The Baath party related to this — we have a long history, a strong civilization, that needs a strong army. Nationalists in other countries think the same way.”

the Umayyad period of history was useful to the party because of its multiethnic nature. The Umayyad Mosque in Damascus was one of the best symbols for the party, writes Valter, because of its specifically Syrian cultural traits — first an Aramean and then a Roman temple, then a church and finally a mosque. The mosque figured on Syria’s most valuable banknote at the time, behind an image of Assad. Banknotes included images of Aleppo’s Citadel, the Roman amphitheater of Bosra and Queen Zenobia of Palmyra, and clearly showed the regime’s wish to conflate ethnocultural Arab references with nationalist pride and a pinch of Islam

one of the most important ancient sites for Assad was Ugarit, near the Mediterranean city of Latakia. With five layers of cultures going back to the Neolithic period, not only is it famous for its clay tablets with an alphabet in cuneiform script, but Ugarit is also just north of Qardaha, where Assad was born and is buried.

Unlike in Saddam’s Iraq or Assad’s Syria, in Gadhafi’s Libya, the Department of Antiquities suffered from constant underfunding. “Our budget was next to nothing,” recalled Fakroun. “Once they forgot about the Department of Antiquities when they were drawing up the country’s budget. We had no salary for six months. We’re talking about a country with tons of money from petrol, and they gave us pennies. And we have five World Heritage sites.

outstanding archaeological sites in all three countries suffered looting, vandalism, neglect, or at the hands of the Islamic State or, in the case of Ancient Babylon, from U.S. and Polish troops building their military base on top of the ruins in 2003

Torture and degrading treatment continue to be systematically practiced against Egyptian citizens

The president and his party undertook a campaign to attack freedom of the press through statements aimed at reducing the relative freedom which is currently allowed and by submitting various complaints to the investigative authorities against journalists and other media professionals. [4] Moreover, representatives of the president’s party in the constituent assembly supported the inclusion within the new constitution of provisions which allow for such repressive practices against the media, including the detention of journalists.

protests have repeatedly been suppressed through excessive use of force

police and the security establishment continue to shirk their legal responsibility to protect political and social protests and have been complicit in crimes of rape and sexual assault against female protestors

a new draft law on civil society associations which would eliminate the already limited margin available for forming associations, especially human rights organizations

National Council for Human Rights (NCHR) lacks independence, as the majority of its members belong to the ruling coalition. Indeed, a number of its members are well-known for their hostility towards human rights, and some of them use sectarian political speech publicly, including language inciting to hatred and violence against both Muslim and non-Muslim religious minorities. Given the NCHR’s current composition and its practices to date, it is clear that the current purpose of the NCHR is to conceal or downplay human rights violations, rather than to expose and condemn them, as well as to enhance the image of the government before the international community. While the NCHR suffered perpetually from a lack of independence under the Mubarak regime, it has now completely lost all semblance of independence and has become an indirect platform for some of its members to publicly incite against human rights