Skip to main content

Home/ Literacy with ICT/ Group items tagged coding-games

Rss Feed Group items tagged

Filter: All | Bookmarks | Topics Simple Middle
John Evans

It's All Story: Games, Coding and Student Writing | MiddleWeb - 0 views

www.middleweb.com/12269

story games coding student writing ELA

shared by John Evans on 24 Jan 14 - No Cached
  • John Evans on 24 Jan 14
     
    "During this year's Computer Science Education Week (specifically on Dec 11th), I saw the other side of "The Hour of Code" campaign. Many schools around the world are beginning to include computer science and programming instruction in their math and language arts classes. At my school, we also saw the inclusion of some great discussion about narrative and story in our computer science special event."
John Evans

Coding With Scratch | Summer with Pursuitery - 2 views

summer.pursuitery.com/scratch

coding scratch summer

shared by John Evans on 14 Jun 14 - No Cached
  • John Evans on 14 Jun 14
     
    "Coding with Scratch is a free, online class that will teach you how to program using Scratch, a graphical programming language and online community where you can create your own interactive stories, games, and animations - and share your creations with others around the world."
John Evans

Cargo-Bot, An Addictive iPad Game That Teaches Programming Concepts | Co.Design: busine... - 0 views

www.fastcodesign.com/...t-teaches-programming-concepts

programming gaming design iPad App

shared by John Evans on 26 May 12 - No Cached
  • John Evans on 26 May 12
     
    "The key to learning to code is learning to think like a computer--which is a hard thing to do. "It requires structured thinking, ability to abstract details away, and there's little margin for error--one little typo and your program might do something entirely different from what you wanted," says game developer Rui Viana. "
John Evans

Free Game Design Curriculum Invades Math Classes -- THE Journal - 1 views

thejournal.com/...ulum-invades-math-classes.aspx

game design curriculum

shared by John Evans on 05 May 14 - No Cached
  • John Evans on 05 May 14
     
    "A long-tested curriculum for middle schoolers that blends algebra and geometry concepts with the programming of games is getting a new boost. Bootstrap, which has been around for about six years, is teaming up with Code.org and the New York City Foundation for Computer Science Education (CSNYC) to help educators learn how to teach students algebraic and geometric concepts with computer programming. The middle school curriculum, developed by Bootstrap, is free and aligns with the Common Core math standards. The organization also offers paid professional development workshops at locations around the country."
John Evans

Breakout EDU - You Had Me At Breakout! - 0 views

www.fractuslearning.com/...breakout-edu-you-had-me

breakout education game puzzle team strategiy

shared by John Evans on 06 Nov 15 - No Cached
  • John Evans on 06 Nov 15
     
    "Back in March of this year at the Future Ready Schools Summit at Leyden High School, I attended one of the featured speaker sessions led by James Sanders. It was a great session with lots of takeaways about meaningful digital learning. My biggest takeaway though, was one of the last things he mentioned in the session. I looked back at my notes and this is the last thing I typed… "Breakout room idea". James shared with us this breakout room idea and gave us a little background about how this all came about. He went on to explain to us that there are these escape rooms around the world where you pay to get "locked in" a room with friends and try to escape by solving puzzles and unlocking codes. He was in Edmonton, Canada, with some high school students playing one of these escape games and he was amazed at how hard these students were working during this game. James wanted to turn this incredible learning experience of problem solving and fun and into something that can be used in the classroom. I left there super excited about this."
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 7 views

www.centerforsocialmedia.org/...e_for_media_literacy_education

Best Practice Fair Use literacy CC copyright guide guidelines

shared by Clint Hamada on 07 Apr 10 - Cached
  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
John Evans

Unity - Game engine, tools and multiplatform - 3 views

unity3d.com/unity

game engine unity development design platform coding

shared by John Evans on 13 Dec 16 - No Cached
  • John Evans on 13 Dec 16
     
    "You can create any 2D or 3D game with Unity. You can make it with ease, you can make it highly-optimized and beautiful, and you can deploy it with a click to more platforms than you have fingers and toes. What's more, you can use Unity's integrated services to speed up your development process, optimize your game, connect with an audience, and achieve success."
John Evans

Using MaKey MaKey and Scratch to Teach Properties of Materials | Tales from a 1:1 iPad ... - 0 views

theapptivelearninglab.com/...-teach-properties-of-materials

using scratch MaKeyMaKey teach properties materials ipad classroom

shared by John Evans on 06 Jul 15 - No Cached
  • John Evans on 06 Jul 15
     
    "School holidays are a great time to get stuck into techie projects! Today I had a play around with MaKey MaKey and Scratch to program two games with links to the science and technology curriculum.The intent is that students could code their own games, providing them an innovative, challenging and engaging way of demonstrating their knowledge of materials and properties."
John Evans

Here Is An Excellent Formative Assessment Tool to Use in Your Class ~ Educational Techn... - 0 views

www.educatorstechnology.com/...ment-tool-to-use-in-class.html

formative assessment tool Quizizz

shared by John Evans on 16 Dec 15 - No Cached
  • John Evans on 16 Dec 15
     
    "Quizizz is a great web tool we discovered through Learning in Hand. Quizizz allows you to create interactive quiz games to use in your instruction for a number of educational purposes including formative assessment. Quiz games you create have up to 4 answer options including a correct answer. You can also add images to the background of your questions and customize the settings of your questions the way you want. When your quizzes are ready you can share them with your students using a generated 5 digit code."
John Evans

Maker Education Camp: Circuit Crafts | User Generated Education - 1 views

usergeneratededucation.wordpress.com/...-education-camp-circuit-crafts

makered camp circuit crafts@JackieGerstein

shared by John Evans on 11 Jul 17 - No Cached
  • John Evans on 11 Jul 17
     
    "This is my third summer offering maker education summer camps as part of a bigger program at a local school.  During mornings (9 to 12 with a half hour recess), campers, grades Kindergarten through 6th grade, can choose from one of four enrichment classes: art, drama, games, foreign languages, computers, and in my case, maker camps. During the afternoons, all campers get together for typical camp activities - fun and games, field trips, water sports, silly competitions. Each camp lasts a week. This summer I am offering: Cardboard Creations, Circuit Crafts, Toy Making and Hacking, and Robotics and Coding. I often discuss the need to implement maker education programs with minimal cost materials and ones that offer the potential to tap into diverse learners and their diverse interests:"
John Evans

Moving at the Speed of Creativity | Why Your School Needs a Scratch Club [VIDEO] - 6 views

www.speedofcreativity.org/...ool-needs-a-scratch-club-video

scratch clubs coding technology MY

shared by John Evans on 02 Jun 13 - No Cached
  • John Evans on 02 Jun 13
     
    "This past year, fourth and fifth grade students at Independence Elementary School in Yukon, Oklahoma, have had the opportunity to participate in an after-school Scratch Club led by STEM teacher Chris Simon. Scratch is a free program from the MIT Media Lab, which permits learners of any age to create games, tell stories, make animations, and much more. In its new 2.0 version, Scratch is entirely web-based, so it can even run on a Chromebook! Yesterday was the final day of "Scratch Club" for students at Independence Elementary this year, and several students shared the reasons why they enjoy Scratch and have loved the Scratch Club. In this five minute video compilation of their ideas, pay attention to how several students mention the importance of "agency" and choice. Many report how they love the opportunity to be self-directed in their learning and to have opportunities to use their imaginations to create. Also notice the way one student references the "hard fun" of programming, which is something Gary Stager talks about often in the context of students learning to code. "
John Evans

Making Maths Meaningful with Scratch - 4 views

www.fractuslearning.com/...maths-with-scratch

making maths meaningful coding scratch prgramming

shared by John Evans on 21 May 14 - No Cached
  • John Evans on 21 May 14
     
    "We know that students learn best when content is meaningful and has a direct connection and application to their lives. However, while some maths concepts, such as telling the time or using money, can have immediate relevance, others seem to have very little application to children's daily lives. How often will 11 year old children really need to measure the size of angles, or work with cartesian graphs? I've found that teaching children to code may be part of the answer. This year, I've been teaching students in Years 2-6 to create simple arcade games using Scratch. In order for my students to be successful, they've been required to apply some core mathematical ideas that I've struggled to find a relevant use for in the past."
« First ‹ Previous 61 - 80 of 113 Next › Last »
Showing 20▼ items per page