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Diane Gusa

Teaching Creativity - 0 views

  • Most five year olds are totally confident that they can draw, sing, and dance.  Tragically, within three or four years this child, if she is typical, will experience a crisis of confidence
  • She will no longer feel competent or creative. 
  • When allowed to do what we want to do, we are most likely to revert to whatever we previously found enjoyable and/or successful.
    • Diane Gusa
       
      I have experienced this with my students, but now I also understand that they need more confidence to be risk-takers
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  •   In order to force a new idea to the surface, an artist might reverse the order of work, change the medium, change the scale, forbid a certain common component in the work, and so on.  These are limitations to jog or jump start the creative impulse.
  • In creative teaching, assignment limitations provide a way to change the student's habits of work
  • people have developed problem solving habits that lack confidence in their own ability to bring any life experience or judgement to the situation.
  • a society that values conformity above indiviual creativity and choice making probably should teach drawing as a series of prescribed symbols rather than teaching actual observation, thinking, feeling, and interpretation skills.
  • Teach creativity by giving TIME FOR THE CREATIVE PROCESS Assign HOMEWORK OF THE MIND
  • When we show an end product in order to help explain something, we risk that students will not be challenged to think creatively
  • To teach process, we avoid posting charts that gives answer unless the students themselves have invented the charts.
  •   The scientific method says that questions must be answered experimentally and the results are repeatable.
  • the scientific method takes more time in the short run, but if a student learns that they can design experiments to solve their own problems, they have learned not only the scientific method, they have learned one of the important components of artistic thinking and artistic behavior. Ultimately, time is saved because students have learned to figure out how to answer their own questions. They are empowered.
  • True creativity happens when intuitive imagination brings forth the previously unknown and unimagined
  • The creative process includes preparation, incubation, insight, elaboration, and evaluation.
kevin volo

elearn Magazine: Instructional Design for Flow in Online Teaching - 0 views

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    This tutorial explains how the process of designing instruction can be a creative and enjoyable artistic experience for the online teacher and for the instructional designer.
Jane DeMeis

CDS - 0 views

shared by Jane DeMeis on 28 May 09 - Cached
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    this is the corporate web site for where I work. Alex is an artist and I have piece of his pottery in my garden. He is an absolute hoot and has a fabulous sense of humor, which he demonstrates non-verbally. I work with him in the group: Handicapables. Kevin is a soft spoken gentleman who I enjoyed working with as his employment counselor. Duffy is a trickster and works very hard also. these are just some of the wonderful people we serve.
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    hi jane, very nice job here in diigo so far. can't remember if i already commented on your bookmarks. But they look great. The only thing missing are the tags. Need them to categorize and organize the things you bookmark. You can add them to these reaources by editing your bookmark. Often diigo will give you some prompts or ideas on what/how to tag the resource. : ) me
Catherine Strattner

Schoolwide Enrichment Model - 0 views

  • The Enrichment Triad Model was designed to encourage creative productivity on the part of young people by exposing them to various topics, areas of interest, and fields of study, and to further train them to apply advanced content, process-training skills, and methodology training to self-selected areas of interest. Accordingly, three types of enrichment are included in the Triad Model (see Fig. 2). Type I enrichment is designed to expose students to a wide variety of disciplines, topics, occupations, hobbies, persons, places, and events that would not ordinarily be covered in the regular curriculum. In schools - that use this model, an enrichment team consisting of parents, teachers, and students often organizes and plans Type I experiences by contacting speakers, arranging minicourses, demonstrations, or performances, or by ordering and distributing films, slides, videotapes, or other print or non-print media. Figure 2. The enrichment triad model. [Click on the figure to see it as a PDF file.] Type II enrichment consists of materials and methods designed to promote the development of thinking and feeling processes. Some Type II training is general, and is usually carried out both in classrooms and in enrichment programs. Training activities include the development of. (1) creative thinking and problem solving, critical thinking, and affective processes; (2) a wide variety of specific learning how-to-learn skills; (3) skills in the appropriate use of advanced-level reference materials; and (4) written, oral, and visual communication skills. Other Type II enrichment is specific, as it cannot be planned in advance and usually involves advanced methodological instruction in an interest area selected by the student. For example, students who become interested in botany after a Type I experience might pursue additional training in this area by doing advanced reading in botany; compiling, planning and carrying out plant experiments; and seeking more advanced methods training if they want to go further. Type III enrichment involves students who become interested in pursuing a self-selected area and are willing to commit the time necessary for advanced content acquisition and process training in which they assume the role of a first-hand inquirer. The goals of Type III enrichment include: providing opportunities for applying interests, knowledge, creative ideas and task commitment to a self-selected problem or area of study, acquiring advanced level understanding of the knowledge (content) and methodology (process) that are used within particular disciplines, artistic areas of expression and interdisciplinary studies, developing authentic products that are primarily directed toward bringing about a desired impact upon a specified audience, developing self-directed learning skills in the areas of planning, organization, resource utilization, time management, decision making and self-evaluation, developing task commitment, self-confidence, and feelings of creative accomplishment.
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    This is an executive summary of Joseph Renzulli's Schoolwide Enrichment Model.
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    If you are interested in gifted and talented education and/or teaching higher order thinking skills, this is a great model to explore.
Gary Bedenharn

101 Ways to Use Tagxedo - 7 views

  • Compare Similar Documents
    • Lisa Martin
       
      I love that you can put any text in to do visual comparisons like this!
    • Gary Bedenharn
       
      I'll have let the students do this to emphasize the key terms that are important to them in the unit.
  • Make a Movie Review
    • Lisa Martin
       
      Or a book review :-)
  • Turn a Logo into a Tagxedo
    • Lisa Martin
       
      I havent look into this, but I'm wondering if you can upload a logo to use for the shape? Looks that way with all of these images!
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  • Review What You've Been Tweeting
    • Lisa Martin
       
      I wonder if you could use this ability to make something like this from your blogs or posts?
  • Not all photos workNeed high contrastAdjust threshold and blurUse Capture/Undo/RedoPrefer "Light" themesPhotos can be color or B&W
    • Lisa Martin
       
      This answers my question about uploading pics!
  • Critique Your Resume
    • Lisa Martin
       
      Love this idea for critquing any of your work
  • Break the Ice
    • Lisa Martin
       
      I love the idea of this as an ice breaker. Letting students choose their own shape would allow for even more expression.
  • Improve Students' Writing Skill
  • Learn More about Yourself
    • Lisa Martin
       
      Like this idea for the girls to make for someone else to build THEIR self-esteem
  • Capture the Collective Wisdom
    • Lisa Martin
       
      This could be used as an icebreaker activity as well. Maybe combine ideas of all students on what they're nervous about with the course or what they're looking forward to or want to learn.
    • Lisa Martin
       
      These ideas can be used in ANY course, on OR offline. Some great activities in here for icebreakers and a variety of other things!
    • Irene Watts-Politza
       
      This is a marvelous visual arts tool that can provide self-assessment opportunities as well as artistic expression of language concepts. This is great find, Lisa!
    • Gary Bedenharn
       
      This a great visual tool for any subject.  I love it!
    • Lauren D
       
      I've been trying to use tagexdo for a while, but love these slides, never knew you could use your own logos :)
    • Lauren D
       
      I think I am going to add this to my introduction module to show students all the encompasses geography!
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    This looks like fun! I'll have to think about how I might be able to use it.
Heather Kurto

http://www.realtechsupport.org/UB/MRIII/papers/CollectiveIntelligence/Levy_CollectiveIn... - 0 views

    • Heather Kurto
       
      Internet is a truly Surrealist mode of communication from which 'nothing is excluded,'  neither good nor evil, nor their many forms, nor the debate which would vainly attempt to  separate them. The Internet represents the unmediated presence of humanity to itself since  every possible culture, discipline and passion is therein woven together. The fact that  everything is possible on the Internet reveals mankind's true essence, the aspiration towards  freedom. 
    • Heather Kurto
       
      Such power, freedom and responsibility can only oblige us to be audacious in creating  new paths to the future. In one sense, nothing will ever change. As always, we will be bom,  suffer, love, weave beautiful and meaningful patterns together, and then we will grow old  and die. 
    • Heather Kurto
       
      We must move in the direction of a more  powerful and deliberately assumed freedom and collective intelligence. 
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    • Heather Kurto
       
      There is the dimension of power-sharing along the lines of Cyber-democracy. There is the  dimension of productivity and prosperity along the lines of Information Capitalism. Then  there is the dimension of spiritual and artistic grace in which the multiplicity of virtual  worlds and games contributes to the comprehension of the sacred world. 
    • Heather Kurto
       
      Cyberspace is in the process of becoming the ecosystem for the world of ideas,  it is a bustling no?sphere which is transforming rapidly and which is beginning to take  control of the biosphere, directing its evolution towards its own ends. Life in its entirety is  rising up towards the virtual, towards infinity, through the door opened by human language. 
Anne de la Chapelle

Joel Shapiro Online - 0 views

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    Joel Shapiro [American Sculptor, born in 1941] Guide to pictures of works by Joel Shapiro in art museum sites and image archives worldwide.
Diane Gusa

BrainBerg Child Development Center: Multiple Intelligence - Where Kids are understood b... - 0 views

  •  Our schools and culture focus most of their attention on linguistic and logical-mathematical intelligence.
  • equal attention on individuals who show gifts in the other intelligences: the artists, architects, musicians, naturalists, designers, dancers, therapists, entrepreneurs, and others who enrich the world in which we live
  • many children who have these gifts don’t receive much reinforcement for them in school.
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  • learning disabled,"
  • linguistic or logical-mathematical classroom.
  • lessons in a wide variety of ways
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