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"One of our most innovative, popular thinkers takes on-in exhilarating style-one of our key questions: Where do good ideas come from? With Where Good Ideas Come From, Steven Johnson pairs the insight of his bestselling Everything Bad Is Good for You and the dazzling erudition of The Ghost Map and The Invention of Air to address an urgent and universal question: What sparks the flash of brilliance? How does groundbreaking innovation happen? Answering in his infectious, culturally omnivorous style, using his fluency in fields from neurobiology to popular culture, Johnson provides the complete, exciting, and encouraging story of how we generate the ideas that push our careers, our lives, our society, and our culture forward. Beginning with Charles Darwin's first encounter with the teeming ecosystem of the coral reef and drawing connections to the intellectual hyperproductivity of modern megacities and to the instant success of YouTube, Johnson shows us that the question we need to ask is, What kind of environment fosters the development of good ideas? His answers are never less than revelatory, convincing, and inspiring as Johnson identifies the seven key principles to the genesis of such ideas, and traces them across time and disciplines. Most exhilarating is Johnson's conclusion that with today's tools and environment, radical innovation is extraordinarily accessible to those who know how to cultivate it. Where Good Ideas Come From is essential reading for anyone who wants to know how to come up with tomorrow's great ideas."

"What is mathematics? It's neither physical nor mental, it's social. It's part of culture, it's part of history. It's like law, like religion, like money, like all those other things which are very real, but only as part of collective human consciousness. That's what math is. For mathematician Reuben Hersh, mathematics has existence or reality only as part of human culture. Despite its seeming timelessness and infallibility, it is a social-cultural- historic phenomenon. He takes the long view. He thinks a lot about the ancient problems. What are numbers? What are triangles, squares and circles? What are infinite sets? What is the fourth dimension? What is the meaning and nature of mathematics? In so doing he explains and criticizes current and past theories of the nature of mathematics. His main purpose is to confront philosophical problems: In what sense do mathematical objects exist? How can we have knowledge of them? Why do mathematicians think mathematical entities exist forever, independent of human action and knowledge? "

"Is language first and foremost an artifact of culture? Or is it largely determined by human biology? This issue has been argued back and forth for a couple of centuries with no clear resolution in sight. Guy Deutscher's 2005 book "The Unfolding of Language" placed him firmly in the pro-culture camp. Now, in his new book, "Through the Language Glass," he examines some idiosyncratic aspects of particular languages that, in his opinion, cast further doubt on biologically based theories of language. "

"THE morning of "The Rite of Spring" premiere, on May 29, 1913, at the Théâtre des Champs-Élysées in Paris, Le Figaro predicted that ballet would deliver "a new thrill which will surely raise passionate discussion" and "leave all true artists with an unforgettable impression." That turned out to be one of the greatest understatements of the new artistic century. The passionate discussion began during the first few bars of the music, as derisive laughter rose from the seats, and soon grew into an uproar that sent Stravinsky fleeing the hall in disgust. Related Shocker Cools Into a 'Rite' of Passage (September 16, 2012) ArtsBeat Breaking news about the arts, coverage of live events, critical reviews, multimedia and more. Go to Arts Beat » Arts & Entertainment Guide A sortable calendar of noteworthy cultural events in the New York region, selected by Times critics. Go to Event Listings » O.O.P.S. Readers' Comments Share your thoughts. Post a Comment » Read All Comments (25) » He and his collaborators didn't intend to start a riot. But together with the brouhaha over the Armory Show a few months earlier in New York (where outrages like Duchamp's "Nude Descending a Staircase" prompted Theodore Roosevelt to declare, "That's not art"), the premiere helped write a modern cultural script. Artists have been trying to provoke audiences ever since, elevating shock to an artistic value, a sign that they are fighting the good fight against oppressive tradition and bourgeois morality. "

"The behavioral revolution in economics and psychology has successfully identified and named close to three dozen biases (my favorite behavioral folk song defines them in verse). I had thought that these biases transcended issues of culture. Indeed, both neoclassical and behavioral economists were united in a belief that cultural variables were of secondary importance when it came to the deep drivers of behavior. But a series of experiments now has me thinking that the underlying heuristics are less universal."

"The only constant is change. It's the most basic fact of human existence. Nothing lasts, nothing stays the same. We feel it with each breath. From birth to the unknown moment of our passing, we ride a river of change. And yet, in spite of all evidence to the contrary, we exhaust ourselves in an endless search for solidity. We hunger for something that lasts, some idea or principle that rises above time and change. We hunger for certainty. That is a big problem. It might even be THE problem. Religions are often built around this heartache for certainty. In the face of sickness, loss and grief, a thousand dogmas with a thousand names have risen. Many profess that if only the faithful hold fast to the "rules," the "precepts" or the "doctrine" then certainty can be obtained. Fate and future can be fixed through promises of freedom from immediate suffering, divine favor or everlasting salvation. Scriptures are transformed into unwavering blueprints for an unchanging order. These documents must live beyond question lest the certainty they provide crumble. When human spiritual endeavor devolves into these white-knuckle forms of clinging they become monuments to the fear of change and uncertainty. It would be symmetrical if I could point to science as the pure antidote to the rigid rejection of uncertainty. Science, in the purest forms of its expression as a practice, holds to no doctrine other than that the world might be known. In the ceaseless pursuit of its own questioning path, science asks us to allow for ceaseless change in our ideas, beliefs and opinions. It's this aspect of science that I value more than any other. But science does not exist alone as practice. It's also a constellation of ideas that exist within culture and those ideas can gain value, in and of themselves, without connection to actual practice. In this way science becomes something more and less. For some people the idea of Science offers a trumped up certainty that yields its own false de

"Guy Deutscher is that rare beast, an academic who talks good sense about linguistics, his chosen field. In his new book, Through the Language Glass (Heinemann), he fearlessly contradicts the fashionable consensus, espoused by the likes of Steven Pinker, that language is wholly a product of nature, that it does not take colour and value from culture and society. Deutscher argues, in a playful and provocative way, that our mother tongue does indeed affect how we think and, just as important, how we perceive the world. An honorary research fellow at the University of Manchester, the 40-year-old linguist draws on a range of sources in the book to show language reflecting the society in which it is spoken. In the process, he explains why Russian water (a "she") becomes a "he" once you have dipped a teabag into her, and why, in German, a young lady has no sex, though a turnip has."

""The kernel, the soul - let us go further and say the substance, the bulk, the actual and valuable material of all human utterances - is plagiarism." The combinatorial nature of creativity is something I think about a great deal, so this 1903 letter Mark Twain wrote to his friend Helen Keller, found in Mark Twain's Letters, Vol. 2 of 2, makes me nod with the manic indefatigability of a dashboard bobble-head dog. In this excerpt, Twain addresses some plagiarism charges that had been made against Keller some 11 years prior, when her short story "The Frost King" was found to be strikingly similar to Margaret Canby's "Frost Fairies." Heller was acquitted after an investigation, but the incident stuck with Twain and prompted him to pen the following passionate words more than a decade later, which articulate just about everything I believe to be true of combinatorial creativity and the myth of originality: Oh, dear me, how unspeakably funny and owlishly idiotic and grotesque was that 'plagiarism' farce! As if there was much of anything in any human utterance, oral or written, except plagiarism! The kernel, the soul - let us go further and say the substance, the bulk, the actual and valuable material of all human utterances - is plagiarism. For substantially all ideas are second-hand, consciously and unconsciously drawn from a million outside sources, and daily use by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them anywhere except the little discoloration they get from his mental and moral calibre and his temperament, and which is revealed in characteristics of phrasing. When a great orator makes a great speech you are listening to ten centuries and ten thousand men - but we call it his speech, and really some exceedingly small portion of it is his. But not enough to signify. It is merely a Waterloo. It is Wellington's battle, in some de

Samuel Beckett, born in a suburb of Dublin in 1906, was a native English speaker. However, in 1946 Beckett decided that he would begin writing exclusively in French. After composing the first draft in his second language, he would then translate these words back into English. This difficult constraint - forcing himself to consciously unpack his own sentences - led to a burst of genius, as many of Beckett's most famous works (Malloy, Malone Dies, Waiting for Godot, etc.) were written during this period. When asked why he wrote first in French, Beckett said it made it easier for him to "write without style." Beckett would later expand on these comments, noting that his use of French prevented him from slipping into his usual writerly habits, those crutches of style that snuck into his English prose. Instead of relying on the first word that leapt into consciousness - that most automatic of associations - he was forced by his second language to reflect on what he actually wanted to express. His diction became more intentional. There's now some neat experimental proof of this Beckettian strategy. In a recent paper published in Psychological Science, a team of psychologists led by Boaz Keysar at the University of Chicago found that forcing people to rely on a second language systematically reduced human biases, allowing the subjects to escape from the usual blind spots of cognition. In a sense, they were better able to think without style. The paper is a tour de force of cross-cultural comparison, as the scientists conducted six experiments on three continents (n > 600) in five different languages: English, Korean, French, Spanish and Japanese. Although all subjects were proficient in their second language, they were not "balanced bilingual." The experiments themselves relied on classic paradigms borrowed from prospect theory, in which people are asked to make decisions under varying conditions of uncertainty and risk. For instance, native English

"Melvyn Bragg and guests discuss the importance of geography and ecology in determining world history since civilisation began. The 18th century historian Thomas Carlyle said that world history was the history of what great men have accomplished, but this understanding of history is being increasingly called into question. Professor Jared Diamond's book Guns, Germs and Steel, which won the 1998 Rhone Poulenc Prize for Science and the Pulitzer Prize for non-fiction, is a re-evaluation of the last 13,000 years of the history of mankind - particularly in the light of geography and ecology. But what are the implications of looking at world history as being determined by geography and ecology? Is environment really the determining factor in history? And if so, what role does cultural heritage play in shaping different histories? With Professor Jared Diamond, ecologist and physiologist at the Los Angeles Medical School, University of California, and author of Guns, Germs and Steel; Richard Evans, Professor of Modern History, Cambridge University."

"One of our true superstars of nonfiction." That's how David Foster Wallace described Lewis Hyde. In this hour of To the Best of Our Knowledge, Lewis Hyde talks about his book, "Trickster Makes This World: Mischief, Myth, and Art." This classic text introduces us to the playful and disruptive side of imagination embodied in trickster mythology. Lewis Hyde is the author of the acclaimed "Trickster Makes This World: Mischief, Myth and Art." He talks with Steve Paulson about the meaning of the word "trickster." His book explores the cultural history of such infamous Trickster figures as Loki and Monkey."

"You probably think of Marcel Proust as the author of the massive seven-part autobiographical novel, "In Search of Lost Time." But did you know that Proust can also be considered a scientist? That's the argument that Jonah Lehrer makes in his book, "Proust Was A Neuroscientist." Next time on To the Best of Our Knowledge, Lehrer explains how Proust made discoveries about the human brain long before science did, as we explore the cultures of arts and science. Also... Richard Holmes on the discovery of the beauty and terror of science during the Romantic era."

"In the seven decades since his mysterious death, bluesman Robert Johnson's legend has grown-the tragically short life, the "crossroads" tale of supernatural talent, the genuine gift that inspired Dylan, Clapton, and other greats-but his image remains elusive: only two photos of Johnson have ever been seen by the public. In 2005, on eBay, guitar maven Zeke Schein thought he'd found a third. Schein's quest to authenticate the picture only led to more questions, both about Johnson himself and about who controls his valuable legacy. "

"In the beauty and geometric complexity of tile mosaics on walls of medieval Islamic buildings, scientists have recognized patterns suggesting that the designers had made a conceptual breakthrough in mathematics beginning as early as the 13th century. A new study shows that the Islamic pattern-making process, far more intricate than the laying of one's bathroom floor, appears to have involved an advanced math of quasi crystals, which was not understood by modern scientists until three decades ago. The findings, reported in the current issue of the journal Science, are a reminder of the sophistication of art, architecture and science long ago in the Islamic culture. They also challenge the assumption that the designers somehow created these elaborate patterns with only a ruler and a compass. Instead, experts say, they may have had other tools and concepts."

"Female physicists, astronomers and mathematicians are up against more than 2,000 years of convention that has long portrayed these fields as inherently male. Though women are no longer barred from university laboratories and scientific societies, the idea that they are innately less suited to mathematical science is deeply ingrained in our cultural genes. The problem goes back to the ancient Greeks, particularly to Pythagoras, the philosophical giant who dreamed the dream that became modern physics. Pythagoras almost certainly learned his famous theorem about right-angled triangles from the Babylonians, but we owe to him a far greater idea: "All is number," he declared, becoming the first person to say that the physical world could be described by the language of mathematics. Pythagoras also gave us the idea of the "music of the spheres," a set of mathematical relationships that would describe the structure of the universe itself. His vision would eventually give rise to the scientific revolution led by Copernicus, Kepler, Galileo and Newton. The search for a theory of everything today is the latest version of the ancient Pythagorean quest for divine "cosmic harmonies.""

"For many years, scientists have thought that the first Americans came here from Asia 13,000 years ago, during the last ice age, probably by way of the Bering Strait. They were known as the Clovis people, after the town in New Mexico where their finely wrought spear points were first discovered in 1929. But in more recent years, archaeologists have found more and more traces of even earlier people with a less refined technology inhabiting North America and spreading as far south as Chile. And now clinching evidence in the mystery of the early peopling of America - Clovis or pre-Clovis? - for nearly all scientists appears to have turned up at a creek valley in the hill country of what is today Central Texas, 40 miles northwest of Austin. The new findings establish that the last major human migration, into the Americas, began earlier than once thought. And the discovery could change thinking about how people got here (by coastal migrations along shores and in boats) and how they adapted to the new environment in part by making improvements in toolmaking that led eventually to the technology associated with the Clovis culture. "

"I've come to believe that these failures spring from a single failure: reliance on an overly simplistic view of human nature. We have a prevailing view in our society - not only in the policy world, but in many spheres - that we are divided creatures. Reason, which is trustworthy, is separate from the emotions, which are suspect. Society progresses to the extent that reason can suppress the passions. This has created a distortion in our culture. We emphasize things that are rational and conscious and are inarticulate about the processes down below. We are really good at talking about material things but bad at talking about emotion. When we raise our kids, we focus on the traits measured by grades and SAT scores. But when it comes to the most important things like character and how to build relationships, we often have nothing to say. Many of our public policies are proposed by experts who are comfortable only with correlations that can be measured, appropriated and quantified, and ignore everything else. Yet while we are trapped within this amputated view of human nature, a richer and deeper view is coming back into view. It is being brought to us by researchers across an array of diverse fields: neuroscience, psychology, sociology, behavioral economics and so on. "

Humans have often asserted a fundamental difference between themselves and other animals. One of these assertions which has had many proponents into the twentieth century is that humans differ from animals in their use of language. In the past thirty years this assertion has been the subject of much debate as scientists have researched language use by apes. (I use the term "ape" to refer to "great ape" in this essay, as many of my sources do. There have apparently been no language experiments with gibbons or siamangs.) Extraordinary claims have been made by some researchers about the linguistic capabilities of their subjects, mostly chimpanzees. These claims have been refuted and counter-refuted many times, and the literature on the subject is extensive. In this essay I will examine the question of how much, if at all, primates are able to communicate using language. I will then examine the ethical issues surrounding the teaching of language to apes. What is language? First, what is language, and how does it differ from other forms of communication? There does not exist a universally accepted definition of language, or criteria for its use; this is one of the reasons for the disagreement among scientists about whether apes can use language. Language consists of various aspects which people believe are more or less important, for example, grammar, symbol usage, the ability to represent real-world situations, and the ability to articulate something new (Wallman 1992: 6). Duane Rumbaugh describes language as "an infinitely open system of communication" (Rumbaugh 1977b: xx). Some people say that anything an ape can do is not language; of course, if these are the same people who say that language defines us as humans, and an ape can learn sign language, then they are saying that deaf people who use sign language are not human (Patterson & Linden 1981: 119-120). One famous view of language is Charles Hockett's seven key properties: duality, productivity, arbitrariness,