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""The kernel, the soul - let us go further and say the substance, the bulk, the actual and valuable material of all human utterances - is plagiarism." The combinatorial nature of creativity is something I think about a great deal, so this 1903 letter Mark Twain wrote to his friend Helen Keller, found in Mark Twain's Letters, Vol. 2 of 2, makes me nod with the manic indefatigability of a dashboard bobble-head dog. In this excerpt, Twain addresses some plagiarism charges that had been made against Keller some 11 years prior, when her short story "The Frost King" was found to be strikingly similar to Margaret Canby's "Frost Fairies." Heller was acquitted after an investigation, but the incident stuck with Twain and prompted him to pen the following passionate words more than a decade later, which articulate just about everything I believe to be true of combinatorial creativity and the myth of originality: Oh, dear me, how unspeakably funny and owlishly idiotic and grotesque was that 'plagiarism' farce! As if there was much of anything in any human utterance, oral or written, except plagiarism! The kernel, the soul - let us go further and say the substance, the bulk, the actual and valuable material of all human utterances - is plagiarism. For substantially all ideas are second-hand, consciously and unconsciously drawn from a million outside sources, and daily use by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them anywhere except the little discoloration they get from his mental and moral calibre and his temperament, and which is revealed in characteristics of phrasing. When a great orator makes a great speech you are listening to ten centuries and ten thousand men - but we call it his speech, and really some exceedingly small portion of it is his. But not enough to signify. It is merely a Waterloo. It is Wellington's battle, in some de

"But a better understanding of Asian writing systems has not stopped Western experts from making grand claims about their virtues and limitations. The latest scholar to venture into such politically sensitive territory is William C. Hannas, a linguist who speaks 12 languages and works as a senior officer at the Foreign Broadcast Information Service, a federal agency in Washington. In a polemical new book, ''The Writing on the Wall: How Asian Orthography Curbs Creativity'' (University of Pennsylvania Press), Mr. Hannas blames the writing systems of China, Japan and Korea for what he says is East Asia's failure to make significant scientific and technological breakthroughs compared to Western nations. Mr. Hannas's logic goes like this: because East Asian writing systems lack the abstract features of alphabets, they hamper the kind of analytical and abstract thought necessary for scientific creativity. "

"Miller eloquently encapsulates the combinatorial nature of creativity and the constant borrowing and repurposing that takes place as we build upon what came before and recombine existing bits of knowledge and ideas to create what we call "our" ideas. And your way, is it really your way? […] What, moreover, can you call your own? The house you live in, the food you swallow, the clothes you wear - you neither built the house nor raised the food nor made the clothes. […] The same goes for your ideas. You moved into them ready-made."

"This animate was adapted from a talk given at the RSA by Sir Ken Robinson, world-renowned education and creativity expert and recipient of the RSA's Benjamin Franklin award."

"A new 24-page fashion spread in the September issue of Italian Vogue features model Kristen McMenamy wearing oil-soaked black feathered outfits, withering away on a beach. Famed photographer Steven Meisel shot the controversial Gulf disaster-inspired images of McMenamy caught in nets, spitting up oil, and flopping like a dying seal on rocks. But while the images are powerful and striking, we're left wondering whether they were done in good taste. What do you think about the Italian Vogue spread? Do you find these images exploitative, glamorizing, or thought-provoking?"

"One of our most innovative, popular thinkers takes on-in exhilarating style-one of our key questions: Where do good ideas come from? With Where Good Ideas Come From, Steven Johnson pairs the insight of his bestselling Everything Bad Is Good for You and the dazzling erudition of The Ghost Map and The Invention of Air to address an urgent and universal question: What sparks the flash of brilliance? How does groundbreaking innovation happen? Answering in his infectious, culturally omnivorous style, using his fluency in fields from neurobiology to popular culture, Johnson provides the complete, exciting, and encouraging story of how we generate the ideas that push our careers, our lives, our society, and our culture forward. Beginning with Charles Darwin's first encounter with the teeming ecosystem of the coral reef and drawing connections to the intellectual hyperproductivity of modern megacities and to the instant success of YouTube, Johnson shows us that the question we need to ask is, What kind of environment fosters the development of good ideas? His answers are never less than revelatory, convincing, and inspiring as Johnson identifies the seven key principles to the genesis of such ideas, and traces them across time and disciplines. Most exhilarating is Johnson's conclusion that with today's tools and environment, radical innovation is extraordinarily accessible to those who know how to cultivate it. Where Good Ideas Come From is essential reading for anyone who wants to know how to come up with tomorrow's great ideas."