Group items tagged

Open Access repositories promote the widespread dissemination of scientific and scholarly production. Researchers and teachers publish free on line digital assets for claiming their activity and for sharing research results with other researchers. In particular universities, research centres, libraries and, for limited subsets of their collections, museums, administrative archives and other cultural institutions are promoting open access. In the future, a considerable section of scholarly, academic and cultural institutions memory will be formed by born-digital assets, stored in open access archives. Their digital collections will have an ever growing relevance in making up the scientific and information heritage of the next generations. In order to ensure that these objects will survive and continue to be cited, scholarly and academic communities should be committed to the long term preservation of their repositories.

The report was released as part of the Digital Preservation Coalition (DPC) Technology Watch series. Title Preserving eBooks (DPC Technology Watch Report 14-01; June 2014) Authors Sheila Morrissey Ithaka S+R Source Digital Preservation Coalition Abstract This report discusses current developments and issues with which public, national, and higher education libraries, publishers, aggregators, and preservation institutions must contend to ensure long-term access to eBook content.

"It is an irony of the digital age that at a time when we are used to having easy access to seemingly endless information and knowledge, so much of it is disappearing into a digital black hole. For 450 years the concept of legal deposit has helped to preserve the nation's intellectual record.| There is this aspect of disappearing data as well.

See my bookmark post 'Academic citation practices ...' for some geeky stuff on the reference / citation issues.

Jacynthe, you are welcome, and Phillip, many thanks!

In thinking about the Wayback Machine and archiving webpages, this new tool brings to light archival possibilities for social media.

Wow, great article! This really complements the ideas we have been talking about this week regarding digital preservation. I've been thinking a lot about the idea of preserving and accessing closed social networks of the past this week, and didn't even think to make the connection to this weeks' readings until now. I actually introduced my roommate to the Wayback Machine this week and together we were able to find her tacky old Lord of the Rings themed archived geocities website (and it was even worse that I could have imagined! hilarity ensued.) Of course, we were able to access something like geocities because it's a website that's open and available to the public. But what about a social network that requires a username and password? I recently tried to see if I could access my old myspace profile, and was shocked to find that myspace has transformed itself into a music-sharing site with none of the old social networking features it used to have. The information that used to be contained -- and the interactivity that went along with it -- are gone! Not to mention that, if it were searchable via a tool like the Wayback Machine, one would need to remember the *exact* URL to find it (for this sad, sad, reason, I have not been able to find my tacky old geocities website from way back when). This is a great idea and I look forward to seeing how the project evolves. Thanks for sharing!

A recently published report by the National Digital Stewardship Alliance shows the results of a 2013 survey of web archiving institutions in the US. "from October through November of 2013, a team of National Digital Stewardship Alliance members, led by the Content Working Group, conducted a survey of institutions in the United States that are actively involved in, or planning to start, programs to archive content from the web."

"This paper provides a brief overview of the ideas and principles underlying the connected learning movement, highlighting examples of how libraries are boosting 21st century learning and promoting community development by partnering with a range of organisations and individuals to incorporate connected opportunities into their programmes"

Thanks Kevin for sharing this.

El lado oscuro de las bibliotecas: "¿Quieren leer? Pues a pagar" Es un delirio: cuando tomemos prestado un libro de una biblioteca será preciso pagar un canon http://cultura.elpais.com/cultura/2014/08/27/babelia/1409137321_870906.html

One place the tradition of fans recording live shows and trading the bootleg tapes (ala the Grateful Dead) is being brought to the digital world is at archive.org's Live Music Archive Bands officially agree to allow the practice, and then archive.org stores and allows access to the files for eternity... Some info about those details: http://wiki.etree.org/index.php?page=TradeFriendly For example, here is my friends, a ROCKING bluegrass band from Duluth Minnesota: https://archive.org/details/TrampledbyTurtles The rights statement is actually an email: On February 7, 2007 Trampled by Turtles a GO! for archive.org: "Hello, This is Dave Simonett from Trampled by Turtles. I'm writing to give permission for our music to be posted at archive. Please let me know what you need from me. Thanks for the email. Dave Simonett trampled by turtles info@trampledbyturtles.com www.trampledbyturtles.com" "Welcome to Internet Archive's Live Music library. etree.org is a community committed to providing the highest quality live concerts in a lossless, downloadable format. The Internet Archive has teamed up with etree.org to preserve and archive as many live concerts as possible for current and future..."

Cool...

Awesome resource - thanks for sharing. I have often found the conflict between quality recordings and open access to be a challenge. It seems the music that is free isn't usually high-quality, whereas the higher quality isn't usually free. :)

This is the digital repository of the Instituto Nacional de Bellas Artes (Mexico). The objective of this project is to preserve and share artistic production in visual arts, dance, music and theatre.

Welcome to the Institutional Repository of the University of Pretoria, an open access electronic archive collecting, preserving and distributing digital materials created by members of the University of Pretoria.

Perhaps a bit narrow, but relevant to me. The article touches upon some aspects of privacy and openness bothering librarians. On the one hand people themselves are sharing lots of information about their reading lists, reading habits and favorites. On the other hand, libraries are trying to preserve patrons' privacy and protect their privacy from unwanted eyes.

I enjoyed this reading very much, thanks! Not to spoil the end, but it is a good comment that in order to protect the patrons' privacy, they must do their part too. If they use machines that requires to log in to Amazon, for example (I don't own a Kindle so I don't know it that is true), well, libraries cannot protect their privacy on what they are reading. Which reinforce the idea of the role that libraries should play in educating people about online privacy. the example of combining books that were borrowed by the same person that allows to identify the patron is very powerful and shows how something that looks innocent like a list of borrowed books can be harmful.

I think this article really demonstrates how the meaning of libraries is constantly in flux, and in recent decades has been evolving quicker than it has in perhaps the past couple of centuries. But the library has always been evolving, first mostly accessible to academics and eventually democratizing its mission by bringing literacy to the masses with public libraries. Now we are evolving to decide how open and social the patron habits should be. I think there is a way that libraries can adapt to this change and incorporate ways for patron data to inform the collection and recommendations, but also give patrons the option of being completely private, perhaps similar to an "incognito" browser window. Ultimately, the library should take privacy seriously and give patrons options that do not deceive. Thanks for sharing!

Libraries are the primary cultural and scientific institutions for providing information as a public good and preserving our cultural heritage. To fulfill their mission in the digital age, libraries need an updated system of copyright limitations and exceptions.