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Practice 3 Write about a moral value you have learnt  in the story. Support  your answer with evidence from  the novel

Practice 4 Based on one novel above, write about an episode that is memorable in the story. Provide evidence from the text to support your answer.

Practice 5   Based on the novel of your choice, discuss the problems faced by a character. How does he/she overcome the problems?

Practice 6   Compare two characters in the novel you have studied. How are they similar?

Practice 3 The value in life that I have learnt in the novel- Catch us if you can is “The Importance of Family”.  Sacrifices for family are honoured and explored, as are the family bonds that survive adversity. Family responsibility in the novel is best displayed by Rory’s constant care of his grandfather. Very early in age, Rory has realised that ‘there was only Granda and me’ to make up a family. Rory does not know any other family love. His father had left them when he was very young. Granda had taken care of him all his life and now, as Granda is getting old and forgetful, and is never quite well, it is his turn to look after him.

Practice 4 The incident which is memorable in – Catch us if you can is when Granda is sent to Rachnadar, Rory knows that he has to get him away from that place. Though torn with desperation at times ( Granda’s carelessness with the chip pan had landed him in hospital and Rory atCastle Street), Rory plans the Great Escape and gets him away from the hospital where they put old people in.

effect on politics was considerable and complex; while for much of the peak Romantic period it was associated with liberalism and radicalism, its long-term effect on the growth of nationalism was probably more significant

The movement validated intense emotion as an authentic source of aesthetic experience, placing new emphasis on such emotions as apprehension, horror and terror, and awe—especially that which is experienced in confronting the sublimity of untamed nature and its picturesque qualities: both new aesthetic categories

r, and the distant in modes more authentic than Rococo chinoiserie, harnessing the power of the imagination to envision and to escape

made spontaneity a desirable characteristic

argued for a "natural" epistemology of human activities, as conditioned by nature in the form of language and customary usag

Romanticism embraced the exotic, the unfamiliar, and the distant in modes more authentic than Rococo chinoiserie, harnessing the power of the imagination to envision and to escape

elevated folk art and ancient custom to a noble status

the events of and ideologies that led to the French Revolution planted the seeds from which both Romanticism and the Counter-Enlightenment sprouted

in the second half of the 19th century, "Realism" was offered as a polarized opposite to Romanticism

Romanticism assigned a high value to the achievements of 'heroic' individualists and artists, whose pioneering examples, it maintained, would raise the quality of society

In order to truly express these feelings, the content of the art must come from the imagination of the artist, with as little interference as possible from "artificial" rules dictating what a work should consist of

The importance the Romantics placed on untrammelled feeling is summed up in the remark of the German painter Caspar David Friedrich that "the artist's feeling is his law"

vouched for the individual imagination as a critical authority allowed of freedom from classical notions of form in art

the influence of models from other works would impede the creator's own imagination, so originality was absolutely essential

The concept of the genius, or artist who was able to produce his own original work through this process of "creation from nothingness", is key to Romanticism, and to be derivative was the worst sin

romantic originality.

a strong belief and interest in the importance of nature. However this is particularly in the effect of nature upon the artist when he is surrounded by it, preferably alone

In contrast to the usually very social art of the Enlightenment, Romantics were distrustful of the human world, and tended to believe that a close connection with nature was mentally and morally healthy

in literature, "much of romantic poetry invited the reader to identify the protagonists with the poets themselves"

by the middle of the 18th century "romantic" in English and romantique in French were both in common use as adjectives of praise for natural phenomena such as views and sunsets, in a sense close to modern English usage but without the implied sexual element

only from the 1820s that Romanticism certainly knew itself by its name, and in 1824 the Académie française took the wholly ineffective step of issuing a decree condemning it in literature

Romanticism is not easily defined, and the period typically called Romantic varies greatly between different countries and different artistic media or areas of thought

Margaret Drabble described it in literature as taking place "roughly between 1770 and 1848"

In other fields and other countries the period denominated as Romantic can be considerably different; musical Romanticism, for example, is generally regarded as only having ceased as a major artistic force as late as 1910, but in an extreme extension the Four Last Songs of Richard Strauss are described stylistically as "Late Romantic" and were composed in 1946–48.[23] However in most fields the Romantic Period is said to be over by about 1850, or earlie

early period of the Romantic Era was a time of war, with the French Revolution (1789–1799) followed by the Napoleonic Wars until 1815. These wars, along with the political and social turmoil that went along with them, served as the background for Romanticism

t was part of the Counter-Enlightenment, a reaction against the Age of Enlightenment, is generally accepted

ts relationship to the French Revolution which began in 1789 in the very early stages of the period, is clearly important, but highly variable depending on geography and individual reactions

ost Romantics can be said to be broadly progressive in their views, but a considerable number always had, or developed, a wide range of conservative views

In philosophy and the history of ideas, Romanticism was seen by Isaiah Berlin as disrupting for over a century the classic Western traditions of rationality and the very idea of moral absolutes and agreed values, leading "to something like the melting away of the very notion of objective truth",[27] and hence not only to nationalism, but also fascism and totalitarianism

The painter, the poet, the composer do not hold up a mirror to nature, however ideal, but invent; they do not imitate (the doctrine of mimesis), but create not merely the means but the goals that they pursue; these goals represent the self-expression of the artist's own unique, inner vision, to set aside which in response to the demands of some "external" voice — church, state, public opinion, family friends, arbiters of taste — is an act of betrayal of what alone justifies their existence for those who are in any sense creative

An earlier definition comes from Charles Baudelaire: "Romanticism is precisely situated neither in choice of subject nor exact truth, but in the way of feeling."

The end of the Romantic era is marked in some areas by a new style of Realism, which affected literature, especially the novel and drama, painting, and even music, through Verismo opera

movement was led by France, with Balzac and Flaubert in literature and Courbet in painting; Stendhal and Goya were important precursors of Realism in their respective media

In literature, Romanticism found recurrent themes in the evocation or criticism of the past, the cult of "sensibility" with its emphasis on women and children, the heroic isolation of the artist or narrator, and respect for a new, wilder, untrammeled and "pure" nature

Joseph maintained that invention and imagination were the chief qualities of a poet

1774 novel The Sorrows of Young Werther had young men throughout Europe emulating its protagonist, a young artist with a very sensitive and passionate temperament

Germany was a multitude of small separate states, and Goethe's works would have a seminal influence in developing a unifying sense of nationalism

Important motifs in German Romanticism are travelling, nature, and Germanic myths

The later German Romanticism of, for example, E. T. A. Hoffmann's Der Sandmann (The Sandman), 1817, and Joseph Freiherr von Eichendorff's Das Marmorbild (The Marble Statue), 1819, was darker in its motifs and has gothic elements

The significance to Romanticism of childhood innocence, the importance of imagination, and racial theories all combined to give an unprecedented importance to folk literature, non-classical mythology and children's literature, above all in Germany

The first collection of Grimms' Fairy Tales by the Brothers Grimm was published in 1812

Unlike the much later work of Hans Christian Andersen, who was publishing his invented tales in Danish from 1835, these German works were at least mainly based on collected folk tales, and the Grimms remained true to the style of the telling in their early editions, though later rewriting some parts

Moot C

Continual and Continuous

Envy and Jealousy

May and Might

Whether and If

Fewer and Less

Farther and Further

Since and Because

Disinterested and Uninterested

Anxious

Different Than and Different From

Bring and Take

Affect and Effect

Irony and Coincidence

Nauseous

Breaking Down Compound Words A compound word is a word made up of two other words. An effective method for understanding the meaning of a compound word is to break the compound word down into its components. Examples: drugstore (a store that sells drugs), lifeboat (a boat that preserves life)

Affixes: Roots, Prefixes, Suffixes Students can also learn the meanings of words by breaking them down into their roots and affixes. The root is the base word; the affix can be a prefix placed before the root or a suffix placed after the root. Some roots can appear alone, as well as with affixes; others appear only with affixes. Examples: port = to carry prefix ex = out, out of ex + port = export, to carry something out of an area im = in, into im + port = import, to carry something into an area suffix able = to be able transport + able = portable, able to be carried ex + port + able = something that can be carried out of an area Additional Sources: Wikipedia List of PrefixesMichigan Proficiency Exams-List of Prefixes Michigan Proficiency Exams-List of SuffixesList of Suffixes (UK) Wikipedia List of Latin words with English derivatives (Latin roots) Online Etymology Dictionary

Idioms and Phrasal Verbs Students need to master idioms and phrasal verbs if they are to feel at home in English. Idioms (idiomatic expressions) An idiom is a phrase or an expression with a special meaning that cannot be understood from the individual meanings of its words. For example, to fly off the handle means to lose one’s temper or to get angry. You can find more idioms at http://www.usingenglish.com/reference/idioms/ Phrasal verbs A phrasal verb usually consists of a verb and a preposition, that together have a special meaning. For example, put off means to postpone. Sometimes a phrasal verb may consist of three parts. E.g., put up with means to tolerate. Note: Some phrasal verbs can be also be considered idioms (like put up with) when the meaning of the individual words is different from the meaning of the sum of its parts. You can find more phrasal verbs at http://www.learn-english-today.com/phrasal-verbs/phrasal-verb-list.htm Terminology  the technical vocabulary of a particular area. Terminology or jargon are words used to identify the technical vocabulary of a particular area or subject. For example, stethoscope, and blood pressure cuff, are terms used in the field of medicine. Word Games and Crossword Puzzles In addition to teaching your students strategies for dealing with learning new vocabulary, provide your students with vocabulary games and puzzles so they can practice. There are several great vocabulary games and puzzles in the word games area. ESL Voices Word Games

You’re searching through your closet and find an old stuffed animal or doll from your childhood. It starts to bring back a warm memory of a specific night that’s near and dear to your heart. Suddenly, your stuffed companion begins to talk and says, “There’s something you need to know about that night.” Write this scene.

You’ve just been to the worst concert of your life. Afterward, you head to a bar with friends and start drowning your disgust. Moments later, the musician (or musicians) shows up. You decide to confront the musician about the lousy performance and ask for your money back. The musician suggests a different approach to repaying you. Write what happens.

One day, while reading your favorite book on the beach, you notice a boat slowly drifting to shore. It eventually lands near your spot. A person, draped in pirate clothes, yells to you from the boat, “I have a treasure map and I need help. Are you in?”

Walking home, you find a shoe on the side of the road. What kind of shoe is it? Who is its owner? What happened? Why is the shoe there? Where is the other shoe now? You can use all of these questions or just one to explore what happened.

On your way into work this morning, you look at the car on your left. Inside are two men dressed in dark suits, wearing sunglasses. They simultaneously look at you and meet your gaze. The one in the passenger seat rolls down his window and says something. Write what he says, and what happens next.

You get back to your studio to develop pictures from the hour you just spent in the park. All of the pictures turn out well, except for a select few. In six photographs, there is a man in the frame. Something seems slightly off, and rather strange about each picture. Who is he and what is weird about the photographs?

You are at a magic show with your family, and your eight year old son is called up on stage as a part of the disappearing act. The magician performs the first part of the act successfully, but is unable to make your son reappear

You’ve been finishing a brick wall for a room in your friend’s basement for a couple of hours. When you step back, you realize that you and your friend forgot to put in a door. He tells you not to worry about it, he planned it that way. How do you react?

4. Social bias 1.  TV reporter - -  the question is how can an old man and a boy disappear like this?       The answer had to be that people are helping them out. The public are very much      on their side. 2.  Ruby’s response: “People are taking sides about you, arguing about the rights and       wrongs of your case. That’s good. The more people who know your plight, the       better chance of you staying together.”

Chapter 4 Granda is very popular with Rory’s friends and meets Mrs. Foley for the first time. Granda accidentally sets fire to his and Mrs. Foley’s coats at the school’s Parents’ Night.

Chapter 5 Val Jessup, a social worker is assigned to take care of Granda and Rory. Darren’s mum and Mrs. Foley are both worried for Rory and are glad of the extra help they were going to receive. However, Granda has a little accident in the flat and is taken to the hospital.

Chapter 6 Granda has suffered from smoke inhalation and has to be hospitalised. Rory pleads to the Big Man to make Granda wake up. Val Jessup is nervous to let Rory live in the flat alone and drives him to the children’s home at Castle Street.

Chapter 7 Rory goes to the home because he has no choice and he thinks that it will be for only one night – till his granda is out of the hospital. Tess, a young inmate of the home, terrifies Rory with her bad behaviour.

This information could hint at what time of year it is (tulips are pretty scarce in September) and could also tell us something about the character who gives the flowers.

There are at least 12 synonyms for the verb to laugh, and each one evokes a specific image. A character could express amusement by cackling, chortling, chuckling, giggling, guffawing, snickering, sniggering, tittering, crowing, whooping, simpering, or smirking

Reading good dialogue makes readers feel like they're actually listening in on a real conversation. Because of this, it can be very disruptive if the author keeps butting in to tell readers that the speaker intoned or declared or asserted or retorted.

Third-person narration can be either limited (an objective narrator tells the story by focusing on a particular character's thoughts and interactions) or omniscient (the narrator sees and hears all)

many writers, in a misguided attempt to make their fiction writing descriptive, overuse these words.

Carrying a steaming and fragrant mug, she walked angrily and loudly into his office. Why write that, when you could have simply said: Carrying her peppermint tea, she stormed into his office. The second sentence actually gives us more information using fewer words.

In first-person narration, one character tells the story in his or her own voice (using "I")

No single point of view is better than another, but once you have made a choice, be consistent.

there are some great examples of novels that experiment with point of view by switching between narrators. But even in these stories, some kind of predictable pattern is imposed for clarity, such as a change in narrator from one chapter to the next, but not within a chapter.

Read your dialogue out loud. Does it sound like the way people actually talk

Are they talking about the weather? Because if they're talking about the weather, you'd better have a good reason for it.

the worst habit a fiction writer can develop is the habit of giving up too easily. Keep writing every day.

Stage four: understanding the language

Stage one: warmer

Stage two: before reading

Stage three: understanding the text, general comprehension

DIY literature lesson plan

Stage five: follow up activities

Using poems

Using extracts from stories or short stories

Using extracts from plays

Potential problems

Problem 2: How do I choose material?

Problem 3: Is the text too difficult?