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izz aty

Rafeef Ziadeh - We Teach Life, Sir! - YouTube - 0 views

www.youtube.com/watch

causes palestine israel children people media tv mass media poetry poem literature life teach education language english rafeef ziadeh patience bombs weapon

shared by izz aty on 11 Mar 12 - No Cached
  • izz aty on 11 Mar 12
     
    Today, my body was a TV'd massacre. Today, my body was a TV'd massacre that had to fit into sound-bites and word limits. Today, my body was a TV'd massacre that had to fit into sound-bites and word limits filled enough with statistics to counter measured response. And I perfected my English and I learned my UN resolutions. But still, he asked me, Ms. Ziadah, don't you think that everything would be resolved if you would just stop teaching so much hatred to your children? Pause. I look inside of me for strength to be patient but patience is not at the tip of my tongue as the bombs drop over Gaza. Patience has just escaped me. Pause. Smile. We teach life, sir. Rafeef, remember to smile. Pause. We teach life, sir. We Palestinians teach life after they have occupied the last sky. We teach life after they have built their settlements and apartheid walls, after the last skies. We teach life, sir. But today, my body was a TV'd massacre made to fit into sound-bites and word limits. And just give us a story, a human story. You see, this is not political. We just want to tell people about you and your people so give us a human story. Don't mention that word "apartheid" and "occupation". This is not political. You have to help me as a journalist to help you tell your story which is not a political story. Today, my body was a TV'd massacre. How about you give us a story of a woman in Gaza who needs medication? How about you? Do you have enough bone-broken limbs to cover the sun? Hand me over your dead and give me the list of their names in one thousand two hundred word limits. Today, my body was a TV'd massacre that had to fit into sound-bites and word limits and move those that are desensitized to terrorist blood. But they felt sorry. They felt sorry for the cattle over Gaza. So, I give them UN resolutions and statistics and we condemn and we deplore and we reject. And these are not two equal sides: occupier and occupied. And a hundred dead, two hundred dead, and a thousand de
izz aty

Daniel Kahneman: The riddle of experience vs. memory | Talk Video | TED.com - 0 views

www.ted.com/...transcript

memory brain pain health suffering tedtalk experience remember psychology social science

shared by izz aty on 07 Jun 14 - No Cached
  • cognitive traps. This applies to laypeople thinking about their own happiness, and it applies to scholars thinking about happiness, because it turns out we're just as messed up as anybody else is
  • cognitive traps. This applies to laypeople thinking about their own happiness, and it applies to scholars thinking about happiness, because it turns out we're just as messed up as anybody else is.
  • There is an experiencing self, who lives in the present and knows the present, is capable of re-living the past, but basically it has only the present.
  • ...33 more annotations...
  • The second trap is a confusion between experience and memory; basically, it's between being happy in your life, and being happy about your life or happy with your life. And those are two very different concepts, and they're both lumped in the notion of happiness.
  • he third is the focusing illusion, and it's the unfortunate fact that we can't think about any circumstance that affects well-being without distorting its importance. I mean, this is a real cognitive trap. There's just no way of getting it right.
  • They counted for nothing because he was left with a memory; the memory was ruined, and the memory was all that he had gotten to keep.
  • What this is telling us, really, is that we might be thinking of ourselves and of other people in terms of two selves.
  • The first of these traps is a reluctance to admit complexity. It turns out that the word "happiness" is just not a useful word anymore, because we apply it to too many different things
  • then there is a remembering self, and the remembering self is the one that keeps score, and maintains the story of our life, and it's the one that the doctor approaches in asking the question, "How have you been feeling lately?" or "How was your trip to Albania?" or something like that.
  • What defines a story? And that is true of the stories that memory delivers for us, and it's also true of the stories that we make up. What defines a story are changes, significant moments and endings. Endings are very, very important and, in this case, the ending dominated.
  • the remembering self is a storyteller.
  • "How much did these patients think they suffered?" And here is a surprise. The surprise is that Patient A had a much worse memory of the colonoscopy than Patient B.
  • The stories of the colonoscopies were different, and because a very critical part of the story is how it ends. And neither of these stories is very inspiring or great -- but one of them is this distinct ... (Laughter) but one of them is distinctly worse than the other.
  • And the one that is worse is the one where pain was at its peak at the very end; it's a bad story. How do we know that? Because we asked these people after their colonoscopy, and much later, too, "How bad was the whole thing, in total?" And it was much worse for A than for B, in memory.
  • Those are two very different entities, the experiencing self and the remembering self, and getting confused between them is part of the mess about the notion of happiness.
  • From the point of view of the experiencing self, if you have a vacation, and the second week is just as good as the first, then the two-week vacation is twice as good as the one-week vacation. That's not the way it works at all for the remembering self. For the remembering self, a two-week vacation is barely better than the one-week vacation because there are no new memories added. You have not changed the story. And in this way, time is actually the critical variable that distinguishes a remembering self from an experiencing self; time has very little impact on the story.
  • We actually don't choose between experiences, we choose between memories of experiences.
  • when we think about the future, we don't think of our future normally as experiences. We think of our future as anticipated memories.
  • basically you can look at this, you know, as a tyranny of the remembering self, and you can think of the remembering self sort of dragging the experiencing self through experiences that the experiencing self doesn't need.
  • we go on vacations, to a very large extent, in the service of our remembering self
  • Why do we put so much weight on memory relative to the weight that we put on experiences?
  • there is a conflict between your two selves, and you need to think about how to adjudicate that conflict, and it's actually not at all obvious, because if you think in terms of time, then you get one answer, and if you think in terms of memories, you might get another answer. Why do we pick the vacations we do is a problem that confronts us with a choice between the two selves.
  • The distinction between the happiness of the experiencing self and the satisfaction of the remembering self has been recognized in recent years, and there are now efforts to measure the two separately.
  • now we are capable of getting a pretty good idea of the happiness of the experiencing self over time. If you ask for the happiness of the remembering self, it's a completely different thing. This is not about how happily a person lives. It is about how satisfied or pleased the person is when that person thinks about her life. Very different notion. Anyone who doesn't distinguish those notions is going to mess up the study of happiness, and I belong to a crowd of students of well-being, who've been messing up the study of happiness for a long time in precisely this way.
  • You can know how satisfied somebody is with their life, and that really doesn't teach you much about how happily they're living their life, and vice versa.
  • What that means is if you met somebody, and you were told, "Oh his father is six feet tall," how much would you know about his height? Well, you would know something about his height, but there's a lot of uncertainty. You have that much uncertainty. If I tell you that somebody ranked their life eight on a scale of ten, you have a lot of uncertainty about how happy they are with their experiencing self. So the correlation is low.
  • if you want to maximize the happiness of the two selves, you are going to end up doing very different things.
  • it turns out that climate is not very important to the experiencing self and it's not even very important to the reflective self that decides how happy people are
  • their experiencing self is not going to get happier. We know that. But one thing will happen: They will think they are happier, because, when they think about it, they'll be reminded of how horrible the weather was in Ohio, and they will feel they made the right decision.
  • When we looked at how feelings, vary with income. And it turns out that, below an income of 60,000 dollars a year, for Americans
  • 60,000 dollars a year, people are unhappy, and they get progressively unhappier the poorer they get. Above that, we get an absolutely flat line. I mean I've rarely seen lines so flat
  • money does not buy you experiential happiness, but lack of money certainly buys you misery, and we can measure that misery very, very clearly.
  • n terms of the other self, the remembering self, you get a different story. The more money you earn, the more satisfied you are. That does not hold for emotions.
  • people are going to debate whether they want to study experience happiness, or whether they want to study life evaluation, so we need to have that debate fairly soon.
  • How to enhance happiness goes very different ways depending on how you think, and whether you think of the remembering self or you think of the experiencing self.
  • CA: Well, it seems to me that this issue will -- or at least should be -- the most interesting policy discussion to track over the next few years. Thank you so much for inventing behavioral economics.
izz aty

Chimamanda Adichie: The danger of a single story | Video on TED.com - 0 views

www.ted.com/..._danger_of_a_single_story.html

education literacy reading books literature writer stories storytelling writing perspective culture nigeria western society people community novel critical thinking children childhood psychology sociology race stereotypes english learning teaching referen

shared by izz aty on 18 Feb 12 - Cached
  • izz aty on 18 Feb 12
     
    Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice -- and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding. Inspired by Nigerian history and tragedies all but forgotten by recent generations of westerners, Chimamanda Ngozi Adichie's novels and stories are jewels in the crown of diasporan literature.
izz aty

They Already Read It, But Did They Get It? 10 Ways to Check Reading Comprehension - 0 views

busyteacher.org/eck-reading-comprehension.html

comprehension reading understanding english esol esl language learning educatio teaching learning assessment

shared by izz aty on 22 Jul 12 - No Cached
  • sequencing activity. Write the major points of the story on note cards, put those cards into a grab bag, and shake it up. Each member of a small group should then pull one of the cards from the bag and place in its correct place in a sequence. Once group members have put all the cards in their correct place in the timeline, ask the rest of the class to check if the sequencing is correct. If it is, the group should then retell the story using the cards.
  • give each person a blank comic page in which to retell the story. (You can find dozens of empty templates online.) Your students should then retell the major events in the story by filling in the empty blocks with pictures and dialogue (when appropriate
  • When your students find a character they love in something you have read, ask them to write about the further adventures of that character. This will not only help them understand what they read, it will give them practice using vocabulary specific to that character found in the piece your class read. You can compile all these short fan fiction pieces into a book for the rest of the class to read at their leisure during independent reading time.
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  • create your own big book for a story you have just read. Prepare 5-8 pieces of poster board for the book and write a description at the bottom of each page retelling each piece of the story. Working in groups, have your students illustrate what is described at the bottom of the page. Once all the pictures are complete, let your students decide what order they should appear in the book. Then secure the pages, read the book back to your class and make it available to your students during independent reading time
  • share his or her favorite moment from the reading selection, and have him write it on a notecard or write it on one yourself. Ask another student and then another to do the same. When you have about a dozen cards completed, ask your students to organize them in any way that is logical. There may be several organizations which are possible
  • create a map of the setting for the story or book. They can either draw the setting or create a three dimensional model of it using cardboard cutouts. Have your students include any characters in the map as well.
  • two notecards and have him write true on one and false on the other. Then, read aloud a statement about the selection your class read. Make sure some of your statements are true and others are false. Each person should hold up his vote and his card after you read each statement. Have students check each other to make sure all agree. For the false statements, ask your students what they would need to do to make them true.
  • act out in class with this post reading activity. Ask individuals or groups of students to pose as the characters in the story in a particular scene. Then, take a photo of your students. After printing the pictures out, bring them to class the next day and ask your students to explain what it happening in the book at the moment they are acting out!
  • ask pairs of students to write a description of each of the characters in detail. Then, have the pair decide which of their classmates is most like the characters in the story. If you like, you may want to have the students then reenact parts of the story.
  • izz aty on 22 Jul 12
     
    The process of reading, being able to connect semantic input with the letters on the page, does not mean much if language learners cannot understand what they have read. The following exercises, modified from Sherrill Flora's Everyone Reads! will give you and your students some fun ways to make sure the meaning came through the words on the page.
izz aty

Stories | Booktrust - 0 views

www.booktrust.org.uk/...stories

short story story reading literature

shared by izz aty on 27 May 14 - No Cached
  • Short stories for you to download for free. (To download these stories, click on the title and save to your desktop/device).
izz aty

20 Terrifying Two-Sentence Horror Stories - Mandatory - 0 views

www.mandatory.com/...ng-two-sentence-horror-stories

horror story writing creative writing scary fiction reddit

shared by izz aty on 04 Mar 14 - No Cached
  • Therealhatman I woke up to hear knocking on glass. At first, I thought it was the window until I heard it come from the mirror again.
  • Jmperson The last thing I saw was my alarm clock flashing 12:07 before she pushed her long rotting nails through my chest, her other hand muffling my screams. I sat bolt upright, relieved it was only a dream, but as I saw my alarm clock read 12:06, I heard my closet door creak open.
  • Miami_Metro Growing up with cats and dogs, I got used to the sounds of scratching at my door while I slept. Now that I live alone, it is much more unsettling.
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  • Calamitosity She asked why I was breathing so heavily. I wasn't.
  • JustAnotherMuffledVo I begin tucking him into bed and he tells me, "Daddy, check for monsters under my bed." I look underneath for his amusement and see him, another him, under the bed, staring back at me quivering and whispering, "Daddy, there's somebody on my bed."
  • Doctordevice I awoke to the sound of the baby monitor crackling with a voice comforting my firstborn child. As I adjusted to a new position, my arm brushed against my wife, sleeping next to me.
  • Wartortlesthebestest There's nothing like the laughter of a baby. Unless it's 1 a.m. and you're home alone.
  • The_D_String My wife woke me up last night to tell me there was an intruder in our house. She was murdered by an intruder 2 years ago.
  • madamimadamimadam You get home, tired after a long day's work and ready for a relaxing night alone. You reach for the light switch, but another hand is already there.
  • Skuppy My daughter won't stop crying and screaming in the middle of the night. I visit her grave and ask her to stop, but it doesn't help.
  • Guztaluz There was a picture in my phone of me sleeping. I live alone.
  • If you're looking for a horrifying story that will keep you up tonight, don't waste all that time watching a horror movie. Reddit has provided us with pages of terrifying horror stories wrapped up in two sentences or less. Here are twenty of our favorite stories guaranteed to make you keep your lights on tonight.
izz aty

Kurt Vonnegut: 8 Basics of Creative Writing - 0 views

www.writingclasses.com/...538

writing style literacy writing learning reference language learning teaching resources

shared by izz aty on 06 Aug 11 - Cached
  • izz aty on 06 Aug 11
     
    Eight rules for writing short fiction: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.2. Give the reader at least one character he or she can root for.3. Every character should want something, even if it is only a glass of water.4. Every sentence must do one of two things - reveal character or advance the action.5. Start as close to the end as possible.6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them - in order that the reader may see what they are made of.7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that. - Vonnegut, Kurt Vonnegut, Bagombo Snuff Box: Uncollected Short Fiction (New York: G.P. Putnam's Sons 1999), 9-10.
izz aty

P: Planning Out a Pleasing Plot. Starting Your Students on Story [Teacher Tips from A t... - 0 views

busyteacher.org/a-pleasing-esl-story-plot.html

fiction writing esol teaching learning language learning education references esl english

shared by izz aty on 22 Jul 12 - No Cached
  • izz aty on 22 Jul 12
     
    For anyone who is writing, coming up with an effective and well-written piece takes time and effort and some planning at the start of the process. Nonnative speakers will be even more intimidated by jumping into the cold water of story writing without a little preparation ahead of time. Use the following steps with your students to help them establish the foundation of their plot before they set to the task of writing a fictional narrative.
izz aty

10 Simple Ways to Improve Your English | Malaysia Students - 0 views

www.malaysia-students.com/...s-to-improve-your-english.html

malaysia language learning language esol esl education learning english independent learning reference

shared by izz aty on 09 Jun 12 - Cached
  • Watch English movies with subtitles
  • Listen to English songs
  • Start a blog in English
  • ...6 more annotations...
  • Write in your diary/journal in English
  • Be best friends with a good English dictionary
  • Speak the language whenever you can
  • Learn a new word a day
  • learn new phrases, idioms or proverbs a day.
  • Learn at your own pace
  • izz aty on 09 Jun 12
     
    I've just thought up of some simple ways for anyone who is interested in improving their English. I myself am trying to improve in this language each day. There's always so much to learn and it can be really fun! You just need to have the passion and enthusiasm to better yourself. This is what most people would advise: read. Read anything and everything in English. You can read story books, newspapers, magazines, blogs, comics, English textbooks, instructions and ingredients on food packages, advertisements, etc. For story books, don't force yourself to read something too difficult or something you know you won't enjoy. Make reading fun! Read books that you ENJOY reading. I hate to read books that bore me too.
izz aty

FORM 5 NOVEL PRACTICE QUESTIONS « leelachakrabarty - 0 views

leelachakrabarty.wordpress.com/...orm-5-novel-practice-questions

catch us if you can catherine macphail literature form 5 spm novel literature component exam practice

shared by izz aty on 22 Jun 12 - No Cached
  • The following are the novels studied in the literature component in English Language The Curse by Lee Su Ann Step by Wicked Step by Ann Fine. Catch Us If You Can by Catherine McPhail Based on one novel above, write about the following.   Provide evidence from the text to support your answer. Your response should be: Not less than 50 words In continuous writing (not in note form)   Practice 1 Based on one novel above, discuss one of the themes in the story. Provide evidence from the text to support your answer
  • Practice 1 Based on one novel above, discuss one of the themes in the story. Provide evidence from the text to support your answer
  • Practice 2 Write about a character that you find most interesting. Support your answer with evidence from the novel.
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  • Practice 3 Write about a moral value you have learnt  in the story. Support  your answer with evidence from  the novel
  • Practice 4 Based on one novel above, write about an episode that is memorable in the story. Provide evidence from the text to support your answer.
  • Practice 5   Based on the novel of your choice, discuss the problems faced by a character. How does he/she overcome the problems?
  • Practice 6   Compare two characters in the novel you have studied. How are they similar?
  • Practice 3 The value in life that I have learnt in the novel- Catch us if you can is “The Importance of Family”.  Sacrifices for family are honoured and explored, as are the family bonds that survive adversity. Family responsibility in the novel is best displayed by Rory’s constant care of his grandfather. Very early in age, Rory has realised that ‘there was only Granda and me’ to make up a family. Rory does not know any other family love. His father had left them when he was very young. Granda had taken care of him all his life and now, as Granda is getting old and forgetful, and is never quite well, it is his turn to look after him.
  • Practice 4 The incident which is memorable in – Catch us if you can is when Granda is sent to Rachnadar, Rory knows that he has to get him away from that place. Though torn with desperation at times ( Granda’s carelessness with the chip pan had landed him in hospital and Rory atCastle Street), Rory plans the Great Escape and gets him away from the hospital where they put old people in.
  • izz aty on 22 Jun 12
     
    The following are the novels studied in the literature component in English Language:  1. The Curse by Lee Su Ann 2. Step by Wicked Step by Ann Fine. 3. Catch Us If You Can by Catherine McPhail Based on one novel above, write about the following. Provide evidence from the text to support your answer. Your response should be: - Not less than 50 words - In continuous writing (not in note form)
izz aty

25 Documentaries That Will Make You Cry Uncontrollably - 0 views

www.buzzfeed.com/...ll-make-you-cry-uncontrollably

entertainment documentary life sad world society people culture lifestyle social phenomenon social issues

shared by izz aty on 28 Feb 14 - No Cached
    • izz aty
      izz aty on 28 Feb 14
       
      No list of tear-inducing documentaries is complete without "Sex In A Cold Climate." It follows survivors of Ireland's Magdalene Asylums, and the abuse they endured there, working long hours for no pay, forcibly separated from their children, some being beaten and molested by nuns and priests. The idea that such places existed in our lifetime (the last asylum closed in 1996) is mind boggling, and these women still have not seen justice.
    • izz aty
      izz aty on 28 Feb 14
       
      I really suggest "Under Our Skin." It's a documentary that shows the struggle of Chronic Lyme disease patients and how so many people are going untreated. As a Chronic Lyme disease patient myself, I must say that everything being documented in this film is completely accurate. I would't say this unless I was absolutely confident. I know many documentaries tend to be biased, but this one says it like it is. I promise you won't be disappointed.
    • izz aty
      izz aty on 28 Feb 14
       
      I Cried so hard watching Bridegroom Movie
  • ...13 more annotations...
    • izz aty
      izz aty on 28 Feb 14
       
      "The Suicide Tourist" I cried ridiculously over. I thought it was a very brave, balanced, and interesting look at the choice to die, but I'd never actually watched a real person die that close up before and found it very difficult to see having followed this man's story throughout the film.
    • izz aty
      izz aty on 28 Feb 14
       
      I also HIGHLY recommend Whore's Glory. Incredibly well made, but progressively more heartbreaking with each section of the film.
    • izz aty
      izz aty on 28 Feb 14
       
      "Dream of a life", a movie about Joyce Carol Vincent, a Londoner. Better if you don't know the details until watching. Will stay with you for long after the film ends but is a very moving story and in David Sedaris' words, "was the best argument for the buddy system I had ever seen" (Although he was writing about someone else).
    • izz aty
      izz aty on 28 Feb 14
       
      The Brandon Teena Story, enough said.
    • izz aty
      izz aty on 28 Feb 14
       
      I was really hoping to see At The Death House Door listed here, which is available on Netflix and for free on Vimeo. It follows a Texas death house chaplain who worked over 15 years ministering to men on death row, including some he believed to be innocent. Never wanting to burden his family with what he saw, he spoke his feelings into a tape recorder after every execution. He began his job as the kind of person many Americans are, that is, pro-death penalty. See for yourself if that changes.
    • izz aty
      izz aty on 28 Feb 14
       
      No list is complete of tear jerking documentaries without "The Boy Whose Skin Fell Off" Before he died he narrated his own story. Heartbreaking and wonderful. https://www.youtube.com/watch?v=Dmahlc6n9_A
    • izz aty
      izz aty on 28 Feb 14
       
      Bully should be added to this list!
    • izz aty
      izz aty on 28 Feb 14
       
      I've seen #6 and #12. "My Flesh and Blood" was really good, but it was more disturbing than sad. I cried my goddamned eyes out of my skull during "Bulgaria's Abandoned Children." I had to watch a follow-up just to get through life.  Also, docus don't have to be sad or jarring. There is one called "Praying With Lior" about a Jewish boy with down syndrome that made me cry happy tears.
    • izz aty
      izz aty on 28 Feb 14
       
      You forgot Children of Beslan, about the Beslan school hostage crisis. If you do not weep when a little boy survivor talks about how he was waiting for Harry Potter to come save him... uuugh I can't even type that without tears.
    • izz aty
      izz aty on 28 Feb 14
       
      Highly reccomend watching Project Nim about an experiment raising a chimp like a human child. Also http://www.animalsaustralia.org/features/why-we-think-the-way-we-do-about-animals.php excellent talk about how we perceive different species.
    • izz aty
      izz aty on 28 Feb 14
       
      I started watch the Dying Rooms, it's about 'hospitals' in China where you can drop off ur babies (a, List all girls) and then they're left in rooms to die. I couldn't finish it because it was secretly filmed so you can actually see the starving babies, it's awful
    • izz aty
      izz aty on 28 Feb 14
       
      Life According to Sam, Love Marilyn, Valentine Road come highly recommended. Two will make you sad, one is bittersweet but uplifting!
    • izz aty
      izz aty on 28 Feb 14
       
      I recently watched "The Whale" which was simultaneously sad and uplifting. The fact that this whale was seeking the company of humans in very charming ways was such a beautiful example of interspecies connection, it was impossible not to be moved by this. However, what to do about this, given that the whale was approaching dangerous boats and potentially dangerous people, is a real puzzle. Should the whale be indulged the only interaction available to him in his lonely existence, or should we turn our backs on his loneliness to support his physical survival? There is no easy answer, but it does give viewers something to consider in how we regard our animal friends and their needs.
izz aty

Six Word Stories - Teaching Village - 0 views

www.teachingvillage.org/...six-word-stories

teaching language learning language english fun ideas lesson lesson plan education

shared by izz aty on 31 May 11 - No Cached
  • The process is simple: Students choose a picture and tell a story in six words. I had so much fun doing the activity myself I decided to use it with both my young learners and my more mature learners. It worked beautifully! Six words doesn’t intimidate anyone, so even my weakest writers enjoyed thinking of their stories. Six words also creates an effective framework for activating some micro-grammar awareness—especially word order in sentences, and the need for pesky little words in English (like BE verbs and articles).
izz aty

Lesson Plans: Using pictures - 0 views

teachers.net/...1479.html

pictures images ideas lessons activities writing grammar vocab education learning resources teaching reference language learning language english

shared by izz aty on 15 Aug 11 - Cached
  • save every picture from every magazine, calendar, and newspaper. I have my student aide cut them out and then I laminate them. I sort them into big manila envelopes into 1. people 2. animals 3.landscape scenes 4. single objects 5. situational scenes in whichpeople may be talking or laughing or crying..... (can't think of the others). Then I use them for EVERYTHING.
  • Materials Required: pictures cut from calendars, magazines, newspapers
  • izz aty on 15 Aug 11
     
    1. Kids get into groups and are given a stack of pictures into which I have put pictures from each of the above category. I usually put around 15-20 in each stack. When we do nouns.... I will place big signs on the board with "common" "proper" "abstract" "concrete" "plural" and any others we are studying. Their group has to go through their stack and find one to correspond with each topic AND they have to have a justification for each. 2. When I do prepositions, I give each student a situation picture and have them list as many preps. as they can find in each picture. I give a prize for the most found. 3. When we study characterization, I give each student one picture from the "people" envelope and have them write a brief character sketch based on what they perceive. 4. When I do verbs, I will give each row ONE picture. I tell the students in the first seat of each row to take out one piece of paper. When I say "GO", the first person looks at his picture and comes up with one action verb. Then very quickly writes it down and passes it back. The next person has to write down another action verb and pass it back to the next. It just keeps going. The person in the back runs the picture up to the front person. I usually start another picture back as soon as the first person passes it to the next. In about 4-5 minutes, I stop and the row with the most and the most accurate verb list gets a prize or pig points. 5. When we do short stories, I give each person an envelope in which I have put 2-3 people (characters), 1 place picture (setting) and 1 picture from the situational. After we have discussed the "elements",they begin to write their own short story based on what they have in front of them. 6. When I teach a vocabulary word that is a little more difficult, I always go to my stack to find one that illustrates it. For example, I found a perfect picture of a clear blue lake with not one ripple to show them "placid". They never forgot that word. 7.
izz aty

To sir, with love - 0 views

thestar.com.my/...story.asp

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shared by izz aty on 24 Jan 13 - No Cached
  • izz aty on 24 Jan 13
     
    "A new fortnightly segment where we look at 10 films set against an educational backdrop and explore what they can teach us and what we can learn from them. Every week, StarEducate brings you the nation's leading education news, stories and issues. But education does not start or stop with the schoolground or the campus. Teaching and learning can take place anywhere, including via the chosen medium for this segment: film. When we explore what a film can teach us or what we can learn from it, we usually look at its themes or overarching messages. A film usually has more than one theme to explore or analyse, but for the purposes of generating first-step analysis and discussion for this series, Reel Education will look at the main theme."
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Etymology - English Word Histories - Stories of Words - Definition of Etymology - 0 views

grammar.about.com/...Etymologywords.htm

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shared by izz aty on 21 Feb 12 - Cached
  • A definition tells us what a word means and how it's used in our own time. An etymology tells us where a word came from (often, but not always, from another language) and what it used to mean.
  • The word etymology is derived from the Greek word etymon, which means "the true sense of a word." But in fact the original meaning of a word is often different from its contemporary definition. The meanings of many words have changed over time, and older senses of a word may grow uncommon or disappear entirely from everyday use. Disaster, for instance, no longer means the "evil influence of a star or planet," just as consider no longer means "to observe the stars."
  • New words have entered (and continue to enter) the English language in many different ways. Here are some of the most common ways.
  • ...9 more annotations...
  • Borrowing The majority of the words used in modern English have been borrowed from other languages. Although most of our vocabulary comes from Latin and Greek (often by way of other European languages), English has borrowed words from more than 300 different languages around the world.
  • Clipping or Shortening Some new words are simply shortened forms of existing words
  • Neologisms or Creative Coinages Now and then, new products or processes inspire the creation of entirely new words.
  • Blends A blend (also called a portmanteau word) is a word formed by merging the sounds and meanings of two or more other words.
  • Conversion or Functional Shift New words are often formed by changing an existing word from one part of speech to another
  • Transfer of Proper Nouns Sometimes the names of people, places, and things become generalized vocabulary words.
  • Compounding A new word may also be created by combining two or more existing words
  • Imitation of Sounds Words are also created by onomatopoeia, naming things by imitating the sounds that are associated with them
  • If a word's etymology is not the same as its definition, why should we care at all about word histories? Well, for one thing, understanding how words have developed can teach us a great deal about our cultural history. In addition, studying the histories of familiar words can help us to deduce the meanings of unfamiliar words, thereby enriching our vocabularies. Finally, word stories are often both entertaining and thought provoking.
  • izz aty on 21 Feb 12
     
    The etymology of a word refers to its origin and historical development: that is, its earliest known use, its transmission from one language to another, and its changes in form and meaning. Etymology is also the term for the branch of linguistics that studies word histories.
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Five Habits to Avoid in Fiction Writing | Scribendi.com - 0 views

www.scribendi.com/...oid_in_fiction_writing.en.html

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shared by izz aty on 05 Jun 15 - No Cached
  • By avoiding these habits, your fiction writing will be greatly improved.
  • 1. Generic verbs and nouns
  • People, places, and things (i.e., nouns) have names, and it's your job to know what they are. Precise nouns work wonders in fiction writing because nouns have connotations or meanings that go beyond their dictionary definitions.
  • ...21 more annotations...
  • This information could hint at what time of year it is (tulips are pretty scarce in September) and could also tell us something about the character who gives the flowers.
  • There are at least 12 synonyms for the verb to laugh, and each one evokes a specific image. A character could express amusement by cackling, chortling, chuckling, giggling, guffawing, snickering, sniggering, tittering, crowing, whooping, simpering, or smirking
  • Precise verbs contribute greatly to characterization.
  • 2. The exception: He said, she said
  • Reading good dialogue makes readers feel like they're actually listening in on a real conversation. Because of this, it can be very disruptive if the author keeps butting in to tell readers that the speaker intoned or declared or asserted or retorted.
  • It may  seem like using "said" repeatedly in dialogue tags is repetitive, but in fact the little word is so inconspicuous, it just fades into the background—which is exactly what we want when we're trying to listen in on a good conversation. The rare deviation is fine (asked, in particular, seems to be okay once in a while), but if you find yourself using a colorful synonym for every dialogue tag in your manuscript or screenplay, you may be doing more harm than good.
  • Third-person narration can be either limited (an objective narrator tells the story by focusing on a particular character's thoughts and interactions) or omniscient (the narrator sees and hears all)
  • many writers, in a misguided attempt to make their fiction writing descriptive, overuse these words.
  • Carrying a steaming and fragrant mug, she walked angrily and loudly into his office. Why write that, when you could have simply said: Carrying her peppermint tea, she stormed into his office. The second sentence actually gives us more information using fewer words.
  • 3. Adjective/Adverb-a-rhea
  • ...and adverbs that introduce redundancy...
  • ...or contradict the meaning of the verb or adjective they modify.
  • 4. Inconsistent point of view
  • In first-person narration, one character tells the story in his or her own voice (using "I")
  • be especially wary of adjectives that don’t actually convey much
  • No single point of view is better than another, but once you have made a choice, be consistent.
  • there are some great examples of novels that experiment with point of view by switching between narrators. But even in these stories, some kind of predictable pattern is imposed for clarity, such as a change in narrator from one chapter to the next, but not within a chapter.
  • 5. Unnaturally expositional, stilted, or irrelevant dialogue
  • Read your dialogue out loud. Does it sound like the way people actually talk
  • Are they talking about the weather? Because if they're talking about the weather, you'd better have a good reason for it.
  • the worst habit a fiction writer can develop is the habit of giving up too easily. Keep writing every day.
izz aty

DailyShots - The Daily Short Texts/Stories Project - 0 views

dailyshortstories.tumblr.com

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shared by izz aty on 08 Dec 10 - No Cached
  • izz aty on 08 Dec 10
     
    One of the major keys to success in language acquisition is making reading a habit. Extensive [Sustained] Silent Reading (ESSR) is thus useful as it allows readers to improve their language skills in various aspects (grammar, vocab, spelling etc) and levels without the stress of classroom learning and a teacher's supervision. I aim to read (at least) one English text (eg. short story, article, poetry) a day - although this may be slightly stretched from time to time, depending on academic/personal commitments.
izz aty

Elizabeth Haynes: LARP (Live-Action Roleplay) - 0 views

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shared by izz aty on 26 Oct 11 - No Cached
  • izz aty on 26 Oct 11
     
    Last night I was out to prove that an innocent man had been framed for murder, and the most powerful judge in town was a corrupt jerk with no concern for justice. With the help of said innocent man (freed from imprisonment early due to release papers which I may have forged...slightly) and the proprieter of a sweet shop who also peddled opium, I gathered evidence of this heinous fraud and presented it to a rather harassed policewoman, and together we confronted the judge at his own daughter's debutante ball and had him hauled away. Of course, his daughter soon learned that she might not be his daughter after all, because the mother she never knew was the wife of the wrongfully imprisoned man, stolen from him then cast aside! In the end, justice was done... and my career prospects in the legal profession were looking rather rosier. LARPing - a highly underrated experience! LARP = Live Action Role-Play, you get given a character in a story and turn up on the night in costume and ready to be that character. You have goals for the night and a few people your character should know, everyone else has goals too, and everyone tries to get what their character wants as secrets are uncovered - 40 people or so in the ones I've been in. This one was based on Sweeny Todd and similar Victorian gothic stuff.
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