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izz aty

PIZZAZ, Creative Writing & Storytelling, Opp-Beckman - 0 views

darkwing.uoregon.edu/...pizzaz.html

english writing esl poetry stories game activities language learning language education resources reference

shared by izz aty on 10 Aug 11 - Cached
  • izz aty on 10 Aug 11
     
    Simple creative writing and oral storytelling activities with printable handouts.
izz aty

Teacher Lesson Plan | Owly Shadow Puppets - 0 views

owlyshadowpuppets.com/teacher-lesson-plan

learning creativity instructions language language learning references ideas lesson plans resources shadow shadow puppet puppet story storytelling interesting crafts speaking listening esol english

shared by izz aty on 18 Oct 12 - No Cached
  • izz aty on 18 Oct 12
     
    Recommended for students grade 3-6. To use the shadow puppets with a writing or performing activity please see the suggestions at the end of this lesson plan. Read all directions carefully and adjust the lesson to suit your students
izz aty

How to Build a Simple Shadow Puppet Theater - 0 views

innerchildfun.com/...e-shadow-puppet-theater-2.html

puppet shadow crafts interesting learning storytelling storyspeaking listening english language language learning ideas references

shared by izz aty on 18 Oct 12 - No Cached
  • I completely underestimated how much the girls would enjoy playing with shadow puppets. Whenever something so simple makes them so happy, I can’t help but smile!! And this was SUPER simple. Added bonus — the perfect entertainment for whenever a power outage occurs. Our little shadow puppet theater was made from an empty cardboard box with the bottom cut out, and replaced with two sheets of white tissue paper held in place with packaging tape. As for the shadow puppets — you didn’t think I sat there and cut them all out by hand did you?? I am far too lazy for that! Instead, we attached some fairy tale foam stickers to toothpicks with a bit of tape. Of course, just about any kind of foam sticker would work well for this, and they are available in so many different themes: Under The Sea, Dinosaurs, and Fairies to name a few. Very very easy, and the girls LOVED their shadow puppets! They could not wait to put on a show!! A bit of styrofoam (recycled from some left over packaging) inside the box made it easy for them to position their puppets. Dim the lights, turn on a flashlight (my girls adore this Melissa and Doug Mollie Ladybug Kids’ Flashlight), and enjoy the show for hours of creative playtime fun! Have fun!!
izz aty

Chimamanda Adichie: The danger of a single story | Video on TED.com - 0 views

www.ted.com/..._danger_of_a_single_story.html

education literacy reading books literature writer stories storytelling writing perspective culture nigeria western society people community novel critical thinking children childhood psychology sociology race stereotypes english learning teaching referen

shared by izz aty on 18 Feb 12 - Cached
  • izz aty on 18 Feb 12
     
    Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice -- and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding. Inspired by Nigerian history and tragedies all but forgotten by recent generations of westerners, Chimamanda Ngozi Adichie's novels and stories are jewels in the crown of diasporan literature.
izz aty

Daniel Kahneman: The riddle of experience vs. memory | Talk Video | TED.com - 0 views

www.ted.com/...transcript

memory brain pain health suffering tedtalk experience remember psychology social science

shared by izz aty on 07 Jun 14 - No Cached
  • cognitive traps. This applies to laypeople thinking about their own happiness, and it applies to scholars thinking about happiness, because it turns out we're just as messed up as anybody else is
  • cognitive traps. This applies to laypeople thinking about their own happiness, and it applies to scholars thinking about happiness, because it turns out we're just as messed up as anybody else is.
  • The first of these traps is a reluctance to admit complexity. It turns out that the word "happiness" is just not a useful word anymore, because we apply it to too many different things
  • ...33 more annotations...
  • The second trap is a confusion between experience and memory; basically, it's between being happy in your life, and being happy about your life or happy with your life. And those are two very different concepts, and they're both lumped in the notion of happiness.
  • he third is the focusing illusion, and it's the unfortunate fact that we can't think about any circumstance that affects well-being without distorting its importance. I mean, this is a real cognitive trap. There's just no way of getting it right.
  • They counted for nothing because he was left with a memory; the memory was ruined, and the memory was all that he had gotten to keep.
  • What this is telling us, really, is that we might be thinking of ourselves and of other people in terms of two selves.
  • There is an experiencing self, who lives in the present and knows the present, is capable of re-living the past, but basically it has only the present.
  • then there is a remembering self, and the remembering self is the one that keeps score, and maintains the story of our life, and it's the one that the doctor approaches in asking the question, "How have you been feeling lately?" or "How was your trip to Albania?" or something like that.
  • Those are two very different entities, the experiencing self and the remembering self, and getting confused between them is part of the mess about the notion of happiness.
  • the remembering self is a storyteller.
  • "How much did these patients think they suffered?" And here is a surprise. The surprise is that Patient A had a much worse memory of the colonoscopy than Patient B.
  • The stories of the colonoscopies were different, and because a very critical part of the story is how it ends. And neither of these stories is very inspiring or great -- but one of them is this distinct ... (Laughter) but one of them is distinctly worse than the other.
  • And the one that is worse is the one where pain was at its peak at the very end; it's a bad story. How do we know that? Because we asked these people after their colonoscopy, and much later, too, "How bad was the whole thing, in total?" And it was much worse for A than for B, in memory.
  • What defines a story? And that is true of the stories that memory delivers for us, and it's also true of the stories that we make up. What defines a story are changes, significant moments and endings. Endings are very, very important and, in this case, the ending dominated.
  • From the point of view of the experiencing self, if you have a vacation, and the second week is just as good as the first, then the two-week vacation is twice as good as the one-week vacation. That's not the way it works at all for the remembering self. For the remembering self, a two-week vacation is barely better than the one-week vacation because there are no new memories added. You have not changed the story. And in this way, time is actually the critical variable that distinguishes a remembering self from an experiencing self; time has very little impact on the story.
  • We actually don't choose between experiences, we choose between memories of experiences.
  • when we think about the future, we don't think of our future normally as experiences. We think of our future as anticipated memories.
  • basically you can look at this, you know, as a tyranny of the remembering self, and you can think of the remembering self sort of dragging the experiencing self through experiences that the experiencing self doesn't need.
  • we go on vacations, to a very large extent, in the service of our remembering self
  • Why do we put so much weight on memory relative to the weight that we put on experiences?
  • there is a conflict between your two selves, and you need to think about how to adjudicate that conflict, and it's actually not at all obvious, because if you think in terms of time, then you get one answer, and if you think in terms of memories, you might get another answer. Why do we pick the vacations we do is a problem that confronts us with a choice between the two selves.
  • The distinction between the happiness of the experiencing self and the satisfaction of the remembering self has been recognized in recent years, and there are now efforts to measure the two separately.
  • now we are capable of getting a pretty good idea of the happiness of the experiencing self over time. If you ask for the happiness of the remembering self, it's a completely different thing. This is not about how happily a person lives. It is about how satisfied or pleased the person is when that person thinks about her life. Very different notion. Anyone who doesn't distinguish those notions is going to mess up the study of happiness, and I belong to a crowd of students of well-being, who've been messing up the study of happiness for a long time in precisely this way.
  • You can know how satisfied somebody is with their life, and that really doesn't teach you much about how happily they're living their life, and vice versa.
  • What that means is if you met somebody, and you were told, "Oh his father is six feet tall," how much would you know about his height? Well, you would know something about his height, but there's a lot of uncertainty. You have that much uncertainty. If I tell you that somebody ranked their life eight on a scale of ten, you have a lot of uncertainty about how happy they are with their experiencing self. So the correlation is low.
  • if you want to maximize the happiness of the two selves, you are going to end up doing very different things.
  • it turns out that climate is not very important to the experiencing self and it's not even very important to the reflective self that decides how happy people are
  • their experiencing self is not going to get happier. We know that. But one thing will happen: They will think they are happier, because, when they think about it, they'll be reminded of how horrible the weather was in Ohio, and they will feel they made the right decision.
  • When we looked at how feelings, vary with income. And it turns out that, below an income of 60,000 dollars a year, for Americans
  • 60,000 dollars a year, people are unhappy, and they get progressively unhappier the poorer they get. Above that, we get an absolutely flat line. I mean I've rarely seen lines so flat
  • money does not buy you experiential happiness, but lack of money certainly buys you misery, and we can measure that misery very, very clearly.
  • n terms of the other self, the remembering self, you get a different story. The more money you earn, the more satisfied you are. That does not hold for emotions.
  • people are going to debate whether they want to study experience happiness, or whether they want to study life evaluation, so we need to have that debate fairly soon.
  • How to enhance happiness goes very different ways depending on how you think, and whether you think of the remembering self or you think of the experiencing self.
  • CA: Well, it seems to me that this issue will -- or at least should be -- the most interesting policy discussion to track over the next few years. Thank you so much for inventing behavioral economics.
izz aty

Digital Tools - 0 views

its.leesummit.k12.mo.us/digitaltools.htm

web2.0 tools digital resources education technology collaboration

shared by izz aty on 31 May 11 - No Cached
izz aty

PIZZAZ, Creative Writing & Storytelling, Opp-Beckman - 0 views

darkwing.uoregon.edu/...headlines.html

poem newspaper resources lesson plan ideas english esl language learning

shared by izz aty on 10 Aug 11 - No Cached
  • izz aty on 10 Aug 11
     
    Use popular media such as newspapers and magazines to create these interesting poems.
izz aty

ESL Lesson Plan: Twenty Questions - 1 views

www.esl-lesson-plan.com/...twenty_questions.php

writing writing prompts questions english language language learning esl storytelling lesson filler activity activities story

shared by izz aty on 20 Aug 11 - No Cached
  • 1. What is your most obsessive thought? 2. Where is your favorite place in the world, and why? 3. What's the one thing your parents don't understand about you? 4. What have you learned that nobody taught you? 5. What is your earliest, most vivid memory? 6. If you have experienced a moment of sudden faith or loss of faith, what prompted it? 7. If you could take back one thing you have done, what would it be? 8. What is your greatest talent or accomplishment? 9. What is the most joyful moment you have experienced? 10. What is the most painful moment you have experienced? 11. What question would you ask God? 12. Which super power would you choose – and what would you do with it? 13. If you could make one rule about life, what would it be? 14. How would you define time? 15. What is it about some people that makes you immediately like - or dislike - them? 16. If you could be an animal, what animal would you be? 17. If you could have a conversation with a historical figure, who would it be? 18. If you could go back in time, where would you go? What would you do? 19. What do you know, that no one else knows? 20. If you had an extra hour in each day, what would you do with it?
  • my intention in teaching English is far more than mastery of grammar and vocabulary. I want my students to be equipped to comprehend and make sense of the world around them. Part of comprehending is to understand, but another important part is to make something known and part of one's self.
  • To inspire discussions or writing for English learning students, I have found open-ended questions to be a good place to start. I have found that a little introductory discussion can help a student with a context and a framework to continue developing... ...his or her own thoughts.
  • ...2 more annotations...
  • How do we make basic decisions about our lives – like where we live, go to school, travel, vote or work? Are those our decisions? Or do we follow the tracks of others?
  • It is good to remember that we are all always learning. And it is always more fun to learn together. We can learn as much from the past as from the present. And we can learn as much from using and stretching our imaginations as from studying our textbooks.
  • izz aty on 20 Aug 11
     
    1. What is your most obsessive thought? 2. Where is your favorite place in the world, and why? 3. What's the one thing your parents don't understand about you? 4. What have you learned that nobody taught you? 5. What is your earliest, most vivid memory? 6. If you have experienced a moment of sudden faith or loss of faith, what prompted it? 7. If you could take back one thing you have done, what would it be? 8. What is your greatest talent or accomplishment? 9. What is the most joyful moment you have experienced? 10. What is the most painful moment you have experienced? 11. What question would you ask God? 12. Which super power would you choose - and what would you do with it? 13. If you could make one rule about life, what would it be? 14. How would you define time? 15. What is it about some people that makes you immediately like - or dislike - them? 16. If you could be an animal, what animal would you be? 17. If you could have a conversation with a historical figure, who would it be? 18. If you could go back in time, where would you go? What would you do? 19. What do you know, that no one else knows? 20. If you had an extra hour in each day, what would you do with it?
izz aty

ESL Lesson Plan: Curing Writer's Block - 0 views

www.esl-lesson-plan.com/...writers_block.php

writing writing style writing prompts english language learning language reference education learning resources storytelling

shared by izz aty on 20 Aug 11 - No Cached
  • izz aty on 20 Aug 11
     
    If you have problems getting writing, or if you want some great starting points for your students or writing partners, I have a wonderful resource for you
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