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"Facebook and Instagram users will start seeing labels on AI-generated images that appear on their social media feeds, part of a broader tech industry initiative to sort between what's real and not. Meta said Tuesday it's working with industry partners on technical standards that will make it easier to identify images and eventually video and audio generated by artificial intelligence tools."

"Robot dogs have unnerved and angered the public. So why is this artist teaching them to paint?"

"ow, legal redress is all very well, but it's usually beyond the resources of working artists. And lawsuits are almost always retrospective, after the damage has been done. It's sometimes better, as in rugby, to "get your retaliation in first". Which is why the most interesting news of the week was that a team of researchers at the University of Chicago have developed a tool to enable artists to fight back against permissionless appropriation of their work by corporations. Appropriately, it's called Nightshade and it "lets artists add invisible changes to the pixels in their art before they upload it online so that if it's scraped into an AI training set, it can cause the resulting model to break in chaotic and unpredictable ways" - dogs become cats, cars become cows, and who knows what else? (Boris Johnson becoming piglet, with added grease perhaps?) It's a new kind of magic. And the good news is that corporations might find it black. Or even deadly."

"OpenAI has "discussed and debated quite extensively" when to release a tool that can determine whether an image was made with DALL-E 3, OpenAI's generative AI art model, or not. But the startup isn't close to making a decision anytime soon. That's according to Sandhini Agarwal, an OpenAI researcher who focuses on safety and policy, who spoke with TechCrunch in a phone interview this week. She said that, while the classifier tool's accuracy is "really good" - at least by her estimation - it hasn't met OpenAI's threshold for quality."

"Their tools analyze content using sophisticated algorithms, picking up on subtle signals to distinguish the images made with computers from the ones produced by human photographers and artists. But some tech leaders and misinformation experts have expressed concern that advances in A.I. will always stay a step ahead of the tools. To assess the effectiveness of current A.I.-detection technology, The New York Times tested five new services using more than 100 synthetic images and real photos. The results show that the services are advancing rapidly, but at times fall short."

"Carolan, who is 18 and has just completed an art foundation course in Cardiff, decided architecture would be a safer path to follow. "It feels like it will be a more secure degree. Lots of psychology goes into architecture," he says. "You need to understand the core of what you're doing." He is doubtful that images made by artificial intelligence will replace the art exhibited in galleries, but he worries that commercial projects previously requiring a team of artists may in the future need only one to work with AI and neaten up the final product. "The options will probably get limited as time goes on. Personally, I'd find it a bit depressing if there wasn't a human element, but whether or not we'd notice I'm not sure. I always thought things like art would be one of the last things robots would be able to do.""

"Further, human intelligence is the lever that we have used for millennia to create the world we live in today: science, technology, math, physics, chemistry, medicine, energy, construction, transportation, communication, art, music, culture, philosophy, ethics, morality. Without the application of intelligence on all these domains, we would all still be living in mud huts, scratching out a meager existence of subsistence farming. Instead we have used our intelligence to raise our standard of living on the order of 10,000X over the last 4,000 years. What AI offers us is the opportunity to profoundly augment human intelligence to make all of these outcomes of intelligence - and many others, from the creation of new medicines to ways to solve climate change to technologies to reach the stars - much, much better from here."

"Needless to say, AI-generated accidents and AI-generated artworks are viewed differently under the law. As far as art goes, be it a video, an image, a script, a song, or any medium that the AI can work with, the (US) law is pretty straightforward - According to copyright law, only humans can be granted copyrights. If it's created by AI, nobody can claim ownership of it or copyright it."

"Musicians are therefore worried - about being made to perform material they otherwise wouldn't, or being usurped by a fantasy. "I can't help but think that I can be easily replaced," says Flora Rose, a singer-songwriter on TikTok. "I'm spending months crafting my debut EP, [and meanwhile] people can make tracks in one click." When it comes to the arts, AI tends to provoke horror or ridicule - as when an AI photograph won a major photography competition, or when ChatGPT declared young adult weepie The Fault in Our Stars "one of the best books of all time". In February, the lawyer behind a lawsuit on behalf of visual artists whose work was being used to generate AI art called any generative image "an infringing derivative work"."

"And he emphatically doesn't see the process of building an AI image as dehumanised, or even one in which the human is sidelined. "I don't see it as a threat to creativity. For me, it really is setting me free. All the boundaries I had in the past - material boundaries, budgets - no longer matter. And for the first time in history, the older generation has an advantage, because AI is a knowledge accelerator. Two thirds of the prompts are only good if you have knowledge and skills, when you know how photography works, when you know art history. This is something that a 20-year-old can't do.""

"n a statement on his website, Eldagsen, who studied photography and visual arts at the art Academy of Mainz, conceptual art and intermedia at the Academy of Fine arts in Prague, and fine art at the Sarojini Naidu School of arts and Communication in Hyderabad, said he "applied as a cheeky monkey" to find out if competitions would be prepared for AI images to enter. "They are not," he added. "We, the photo world, need an open discussion," said Eldagsen. "A discussion about what we want to consider photography and what not. Is the umbrella of photography large enough to invite AI images to enter - or would this be a mistake?"

"All of this probably means I should be worried about recent trends in artificial intelligence, which is encroaching on voice-over work in a manner similar to how it threatens the labour of visual artists and writers-both financially and ethically. The creep is only just beginning, with dubbing companies training software to replace human actors and tech companies introducing digital audiobook narration. But AI poses a threat to work opportunities across the board by giving producers the tools to recreate their favourite voices on demand, without the performer's knowledge or consent and without additional compensation. It's clear that AI will transform the arts sector, and the voice-over industry offers an early, unsettling model for what this future may look like."

"According to the website Lexica, which tracks over 10 million images and prompts generated by Stable Diffusion, Rutkowski's name has been used as a prompt around 93,000 times. Some of the world's most famous artists, such as Michelangelo, Pablo Picasso, and Leonardo da Vinci, brought up around 2,000 prompts each or less. Rutkowski's name also features as a prompt thousands of times in the Discord of another text-to-image generator, Midjourney. Rutkowski was initially surprised but thought it might be a good way to reach new audiences. Then he tried searching for his name to see if a piece he had worked on had been published. The online search brought back work that had his name attached to it but wasn't his. "It's been just a month. What about in a year? I probably won't be able to find my work out there because [the internet] will be flooded with AI art," Rutkowski says. "That's concerning.""

"To find out, we searched Hansard for parliamentary speeches made by Australian MPs in 2020 and asked ChatGPT to opine on the same subjects - ranging from the role the arts play in society to the government's obligation to provide good dental care."

"Will this AI take jobs from artists? Where does copyright law land? Can machines ever truly produce something original? Should I feel guilty for making a picture of Tony Soprano having a cappuccino with Shrek and sharing it with my group chat?"

"An art historian, a critic and a gallerist are tasked with guessing whether a piece is by an important artist or a clever bot. It turns out it's harder than it looks"

""Is it just me or are these AI selfie generator apps perpetuating misogyny?" tweeted Brandee Barker, a feminist and advocate who has worked in the tech industry. "Here are a few I got just based off of photos of my face." One of Barker's results showed her wearing supermodel-length hair extensions and a low-cut catsuit. Another featured her in a white bra with cleavage spilling out from the top."

"Prisma Labs has already gotten into trouble for accidentally generating nude and cartoonishly sexualised images - including those of children - despite a "no nudes" and "adults only" policy. Prisma Lab's CEO and co-founder Andrey Usoltsev told TechCrunch this behaviour only happened if the AI was intentionally provoked to create this type of content - which represents a breach of terms against its use. "If an individual is determined to engage in harmful behavior, any tool would have the potential to become a weapon," he said."

"The role of AI writing systems as drafting buddies is a big departure from how writers typically get help, yet so far it is their biggest selling point and use case. Most writing tools available today will do some drafting for you, either by continuing where you left off or responding to a more specific instruction. SudoWrite, a popular AI writing tool for novelists, does all of these, with options to "write" where you left off, "describe" a highlighted noun, or "brainstorm" ideas based on a situation you describe. Systems like Jasper.ai or Lex will complete your paragraph or draft copy based on instructions, and Laika is similar but more focused on fiction and drama. "

"Until recently, I was deeply sceptical of the idea of AI art. I saw it as hype and casuistry, and with some cause: widely publicised efforts such as Ai-Da the robot artist obviously exaggerate the independence of the machine and play on our fascination with sentient artificial beings. But now the dream is coming true, at least in art. And art is surely one of the most inimitable expressions of the human mind."