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This article highlights three large uncertainties of the Micha Cardenas about the digital humanities: is queer new media rare or is analysis of it rare, if there is something "conservative, even sellable" that is present in the digital humanities, and can queer theory, new media, or the digital humanities "disturb hegemonic systems." Although the article does not answer any of these questions, it discusses the history of Queer Theory as "hip, trendy," and its potential reflection in the digital humanities. These questions also arise out of a concern that discussions in digital humanities, particularly CCS, "can run down a road that is very conservative."

This short article for the 2012 American Studies Association Annual Meeting represents a call for digital humanists to collaborate and propose ways in which American Studies and Digital Humanities can be transformed to be better address concerns such a marginalization. Provided proof that this is possible, the article highlights such "digital collectives and social movements" such as Crunk Feminist Collective, "shit [people] say" and artists offering a "productive [exploration] of digital productions and methods." The article also highlights in particular the #transformDH movement, and provides links to some of the articles and websites utilized by the group.

This event is promoting digital teaching to show how looking at an object or text digitally can produce different aspects that would not have been found otherwise. Undergrads typically are able to do some work digitally but lack how to interpret it. Through the collaboration with students they are able to build digital artifacts instead of using technology for media purposes only. This event will show students how to build and interpret digital humanities by showing different projects from scholars that are knowledgable in digital humanities

Dene Grigar developed a way to allow digital media scholars to combine their work from different areas of studies. She found that it helped scholars work together and easily understand other's work. This program gives hands on experience for students that teach them that creating a website is more in depth and can potentially impact the modern society. They also need to understand that each students background is combined and implemented with different teaching methods to create a digital media course.

This is a post on the website AIMS, the Armstrong Institute for Interactive Media Studies. The author of this posting is informing the website users of the symposium coming up hosted by the Miami University Libraries entitled "What is Digital Humanities?" Symposium, sponsored by the MU Humanities Center, on October 23rd from 3:00-6:30pm in King 320. The posting explains that "this symposium will be a chance for faculty, graduate students, and librarians to think about the implications, practices, and uses of Digital Humanities and digital collections."

A Chief Ranger of a historical site and a digital media specialist collaborate together to create a class that discusses mobile media design and digital storytelling. The students also visit a historical site weekly and discuss the history of the village during the Fur Trade Era. Special guests are also included in the teachings such as archaeologists, anthropologists, and historians that know more about the history during this era. The students final project is to create an app that shows some aspect of this village during this era. This will help the students learn how to design a digital media that can be accessed mobile.

Marche's article criticizes digital humanists for a perceived failure to adequately address the human and interpretive nature of literature by treating it as data. Two core issues identified by Marche is that literature, unlike statistics, is terminally incomplete - that parts frequently are missing or shifting - and that data mining efforts fail to account for context in literature. Marche argues that current data mining efforts are flawed because "algorithms are inherently fascistic" and that "meaning is mushy." Marche does not oppose digitization efforts and in fact welcomes the translation of texts into digital formats, rather Marche argues that literary meaning cannot be as readily quantified as numbers - that "insight remains handmade."

The core purpose of this article is the promotion of the digital humanities in academia by informing digital humanists how they might be able to better communicate the value of digital humanities. The four main points are: educate the general audience about the subject matter, the need for reviewers to understand the diverse nature of the field, documentating ones role in collaborative projects for the sake of promotion, and explaining the changing nature of peer review in the field. It also briefly addresses the need for institutions to accept new forms of media.

Left of Black, a video program from Duke University, reveals a conversation between Professor Mark Anthony Neal, Howard Rambsy II, and Jessica Marie Johnson--all of whom are scholars. The three have an educational discussion over digital humanities and its relation to those who study different cultures and ethnicity, specifically Black Studies. Over this thirty minute conversation Rambsy and Johnson talk about what they have been doing in digital humanities and what can be done to incorporate more Black Studies work. For instance, Rambsy has been creating archival work in Black Studies by posting historical issues of "Negro Digest." Johnson explains how media effects the finance black studies digital humanities receives and that there are a variety of ways to produce black history in powerful ways online. Rambsy believes one great way to spread black studies digital humanities is to introduce and push students into projects in related fields.

This site is designed to organize the writings and events that are done by Alan Liu. Alan Liu is an English Professor at the University of California is Santa Barbara. His new media projects have been centered around digital humanities and the progress that it is making in technology. Other projects have focused on the cultural implications of humanities computing and our society as an information technology society. Also, Alan Liu is the founder on the UC New Media Directory that handles text encoding and human computer technology.

With the advancement of Digital Humanities and the ability to digitize text, this article talks about Brewster Kahle, the creator of Internet Archive and the home to thousands of books, journals, media, etc. Claiming to be a digital librarian, Internet Archive is an online database, much like Wayback Machine, where users can access out-of-print and out-of-copyrighted works. Kahle believes it is important to digitize these texts because one day they may not be available to the public anymore.

This article contains information on Mark Anthony Neal's 3rd season of Left of Black, which premiered on September 17th, 2012. Within the article, the author discusses the importance of connection Black Studies with the Digital Humanities movement because the two cannot be separated from each other in this digital age. Much of the focus is on the use of twitter and Blackness within this social media site.

With the use of digitizing media, NASA and Internet Archive are teaming up to scan films and photographs into an online database where their information can be stored and accessed with easy use. Making this kind of information available online, NASA believes, is important to catagorizing information and storing it for effiecient use. Internet Archive will be using a new system where the media catagorized by historical significance.

The Initiative for Digital Humanities, Media, and Culture has received funding as part of the Academic Masters Program. There are three goals presented in the mission statement: 1) To global affect the digital world through multiple content areas 2) Having it easily accessible 3) To utilize TAMU's resources to the best of their capabilities.

This article discusses digital humanities through the works of Todd Carter and his Tagasauris data-curation platform. This program allows people to tag their pictures and other forms of media by the use of crowdsourcing and digital intelligence. He divides Tagasauris into three categories: Findability, Linkability, and Discoverability. With his creation, people such as Valerie Matteau have been able to digitize an art collection, which reveals eighty years of american history such as Correta Scott King's funeral.

In this short description, reCAPTCHA is described as a free service that aims to digitize media, such as books, radio shows, and newspapers. With the ability to determine if the user is actually human, the archive is attempting to archive basic human knowledge and make information more accessible.

A Canadian school principle created a website for other principles about why social media is important in the teaching of modern students. The principles write blogs that discuss different types of social medias and how they can be incorporated into practical ways in schools. They want to impact the student's learning with the parents help and this can be done through social medias.

I like the definition that Maxwell proposes here. I agree that this is a new "fresh" field and that it is gaining momentum. I think it is fascinating that the field is primarily present in Twitter and think that this social media site is something that can significantly aid digital humanists in their work. Sharing ideas and collaboration is clearly a new way of learning and in my opinion is the most effective way of learning. Creating easy access to information destroys any walls that may keep an individual from pursuing their research of a subject. When any information known is available online, nothing stands in the way of people constantly adding their ideas and input to that data. We all have a different approach to life and different thought processes, and therefore it is very important for us to share information widely and freely and to work in collaboration with one another.

Kirstyn Leuner reveals further information about a new Digital Humanities collaboration titled "The 18th-Century Common," the purpose of which is to "provide a medium for eighteenth-century scholars to communicate with an eager public non-academic readership." This projects website's main focus as of the opening is to provide scholarly essays on the arts and science in the 18th century, as well as a blog section for professors to share essays on these topics. The project's creators hope to gain contributions from scholars on the 18th century who would normally publish in journals, books, and other print media to add to their online database. This contributions are also open to students as well, and the author provides a link to gain more information on submitting work to the project.

Liberal arts education has a new cutting edge aspect that students from the Tri-College Digital Humanities initiative are exploring. Over a period of about four years they are using technology to adapt liberal arts to a networked world. New media components are being added to classrooms and students are forging ahead onto unchartered territory. Questions and research that has never been done before are being explored by these kids as they use their imaginations and curiosity to aid them in this unique journey.