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In all, the morals squad arrested 22 women on February 25, all for the crime of suspicion of STIs. But because Margaret Hennessey alone of these women gave a statement to the newspapers, it is her story that exemplifies the rest.The STI examinations showed that neither Hennessey nor Bradich had an STI, and officers released them at about 8:00 pm, with orders to appear for court the next morning. At 9:30 a.m., Hennessey stormed into court—ready, she declared to the Sacramento Bee, to “defend myself,” but “I would have no chance.” She was informed the charges had been dismissed. Nonetheless, the arrest left a mark. “I dare not venture on the streets,” she told the Bee later that day, “for fear I will be arrested again.”

Nearly every person examined and locked up under these laws was a woman. And the vague standard of “reasonable suspicion” enabled officials to pretty much detain any woman they wanted. Records exist in archives that document women being detained and examined for sitting at a restaurant alone; for changing jobs; for being with a man; for walking down a street in a way a male official found suspicious; and, often, for no reason at all.

Many women were also detained if they refused to have sex with police or health officers, contemporaneous exposés reveal. In the late 1940s, San Francisco police officers sometimes threatened to have women “vagged”—vaginally examined—if they didn’t accede to sexual demands. Women of color and immigrant women, in particular, were targeted—and subjected to a higher degree of abuse once they were locked up.

the American Plan laws—the ones passed in the late 1910s, enabling officials to examine people merely “reasonably suspected” of having STIs—are still on the books, in some form, in every state in the nation. Some of these laws have been altered or amended, and some have been absorbed into broader public-health statutes, but each state still has the power to examine “reasonably suspected” people and isolate the infected ones, if health officials deem such isolation necessary.

Decades ago, Iranian law required women to take off headscarves in line with modernization plans, with police sometimes forcing women to do so. But hijab wearing became compulsory in 1979 when the country became a theocracy.

Shajarizadeh and others monitoring the ongoing outcry have noticed that some people involved in the protests are confronted by police days after an alleged incident—including women cited for not wearing a hijab. “Many people haven't been arrested in the streets,” she says. “They were arrested at their homes one or two days later.”

Some face recognition in use in Iran today comes from Chinese camera and artificial intelligence company Tiandy. Its dealings in Iran were featured in a December 2021 report from IPVM, a company that tracks the surveillance and security industry.

US Department of Commerce placed sanctions on Tiandy, citing its role in the repression of Uyghur Muslims in China and the provision of technology originating in the US to Iran’s Revolutionary Guard. The company previously used components from Intel, but the US chipmaker told NBC last month that it had ceased working with the Chinese company.

When Steven Feldstein, a former US State Department surveillance expert, surveyed 179 countries between 2012 and 2020, he found that 77 now use some form of AI-driven surveillance. Face recognition is used in 61 countries, more than any other form of digital surveillance technology, he says.

the justice system continues to be slow to understand the link between online harassment and real-life violence

In order to increase public safety this decade, it is imperative that police — and everyone else — become more familiar with the kinds of communities that engender toxic, militant systems of harassment, and the online and offline spaces where these communities exist. Increasingly, that means understanding social media’s dark corners, and the types of extremism they can foster.

Businesses have to learn when online outrage is manufactured

There’s a difference between organic outrage that arises because an employee actually does something outrageous, and invented outrage that’s an excuse to harass someone whom a group has already decided to target for unrelated reasons — for instance, because an employee is a feminist. A responsible business would ideally figure out which type of outrage is occurring before it punished a client or employee who was just doing their job.

Social media platforms didn’t learn how to shut down disingenuous conversations over ethics and free speech before they started to tear their cultures apart

Dedication to free speech over the appearance of bias is especially important within tech culture, where a commitment to protecting free speech is both a banner and an excuse for large corporations to justify their approach to content moderation — or lack thereof.

Reddit’s free-speech-friendly moderation stance resulted in the platform tacitly supporting pro-Gamergate subforums like r/KotakuInAction, which became a major contributor to Reddit’s growing alt-right community. Twitter rolled out a litany of moderation tools in the wake of Gamergate, intended to allow harassment targets to perpetually block, mute, and police their own harassers — without actually effectively making the site unwelcome for the harassers themselves. And YouTube and Facebook, with their algorithmic amplification of hateful and extreme content, made no effort to recognize the violence and misogyny behind pro-Gamergate content, or police them accordingly.

All of these platforms are wrestling with problems that seem to have grown beyond their control; it’s arguable that if they had reacted more swiftly to slow the growth of the internet’s most toxic and misogynistic communities back when those communities, particularly Gamergate, were still nascent, they could have prevented headaches in the long run — and set an early standard for how to deal with ever-broadening issues of extremist content online.

Violence against women is a predictor of other kinds of violence. We need to acknowledge it.

Somehow, the idea that all of that sexism and anti-feminist anger could be recruited, harnessed, and channeled into a broader white supremacist movement failed to generate any real alarm, even well into 2016

many of the perpetrators of real-world violence are radicalized online first

It remains difficult for many to accept the throughline from online abuse to real-world violence against women, much less the fact that violence against women, online and off, is a predictor of other kinds of real-world violence

Politicians and the media must take online “ironic” racism and misogyny seriously

Gamergate masked its misogyny in a coating of shrill yelling that had most journalists in 2014 writing off the whole incident as “satirical” and immature “trolling,” and very few correctly predicting that Gamergate’s trolling was the future of politics

Gamergate was all about disguising a sincere wish for violence and upheaval by dressing it up in hyperbole and irony in order to confuse outsiders and make it all seem less serious.

Gamergate simultaneously masqueraded as legitimate concern about ethics that demanded audiences take it seriously, and as total trolling that demanded audiences dismiss it entirely. Both these claims served to obfuscate its real aim — misogyny, and, increasingly, racist white supremacy

The public’s failure to understand and accept that the alt-right’s misogyny, racism, and violent rhetoric is serious goes hand in hand with its failure to understand and accept that such rhetoric is identical to that of President Trump

deploying offensive behavior behind a guise of mock outrage, irony, trolling, and outright misrepresentation, in order to mask the sincere extremism behind the message.

many members of the media, politicians, and members of the public still struggle to accept that Trump’s rhetoric is having violent consequences, despite all evidence to the contrary.

The movement’s insistence that it was about one thing (ethics in journalism) when it was about something else (harassing women) provided a case study for how extremists would proceed to drive ideological fissures through the foundations of democracy: by building a toxic campaign of hate beneath a veneer of denial.

"The use of facial recognition in schools creates an unprecedented level of surveillance and scrutiny," says John Cusick, a fellow at the Legal Defense Fund. "It can exacerbate racial disparities in terms of how schools are enforcing disciplinary codes and monitoring their students."

The school would ask adults, not kids, to register their faces with the SAFR system. After they registered, they’d be able to enter the school by smiling at a camera at the front gate. (Smiling tells the software that it’s looking at a live person and not, for instance, a photograph). If the system recognizes the person, the gates automatically unlock

The software can predict a person's age and gender, enabling schools to turn off access for people below a certain age. But Glaser notes that if other schools want to register students going forward, they can

There are no guidelines about how long the facial data gets stored, how it’s used, or whether people need to opt in to be tracked.

Schools could, for instance, use facial recognition technology to monitor who's associating with whom and discipline students differently as a result. "It could criminalize friendships," says Cusick of the Legal Defense Fund.

SAFR boasts a 99.8 percent overall accuracy rating, based on a test, created by the University of Massachusetts, that vets facial recognition systems. But Glaser says the company hasn’t tested whether the tool is as good at recognizing black and brown faces as it is at recognizing white ones. RealNetworks deliberately opted not to have the software proactively predict ethnicity, the way it predicts age and gender, for fear of it being used for racial profiling. Still, testing the tool's accuracy among different demographics is key. Research has shown that many top facial recognition tools are particularly bad at recognizing black women

"It's tempting to say there's a technological solution, that we're going to find the dangerous people, and we're going to stop them," she says. "But I do think a large part of that is grasping at straws."

I recognize this scene from a lifetime spent among men who are angry and women who know precisely how to handle that anger. The men get to feel things, sometimes clumsily, sometimes eloquently. But the women are so often defined not by who they are but by what they have been asked to handle

And for the record, I've never understood why a writer who recognizes technology is labeled a "sci-fi writer", as if being a "sci-fi writer" were equal to being some sort of substandard, second-rate hack. The great Kurt Vonnegut managed to get stuck in that drawer after he recognized technolgy in his 1st novel "Player Piano". No matter that he turned out to be (imo) one of the greatest authors of the 20th century, perio

it's chilling how prescient he was about modern media culture in Fahrenheit 451. It's not a Luddite screed against TV. It's a speculative piece on what happens when we become divorced from the past and more attuned to images on the screen than we are to each other.

ite author of mine since I was in elementary school way back when mammoths roamed the earth. To me, he was an ardent enthusiast of technology, but also recognized its potential for seperating us from one another while at the same time seemingly making us more "connected" in a superficial and transitory way

Bradbury is undeniably skeptical of technology and the risks it brings, particularly the risk that what we'd now call "virtualization" will replace actual emotional, intellectual or physical experience. On the other hand, however, I don't think there's anybody who rhapsodizes about the imaginative possibilities of rocketships and robots the way Bradbury does, and he's built entire setpieces around the idea of technological wonders creating new experiences.    I'm not saying he doesn't have a Luddite streak, more that he has feet in both camps and is harder to pin down than a single label allows. And I'll also add that in his public pronouncements of late, the Luddite streak has come out more strongly--but I tend to put much of that down to the curmudgeonliness of a ninety-year-old man.

I don't think he is a luddite so much as he is the little voice that whispers "be careful what you wish for." We have been sold the beautiful myth that technology will buy us free time, but we are busier than ever. TV was supposed to enlighten the masses, instead we have "reality TV" and a news network that does not let facts get in the way of its ideological agenda. We romanticize childhood, ignoring children's aggressive impulses, then feed them on a steady diet of violent video games.  

"Within the cinema industry this tool will feed powerful marketing data that will inform film directors, cinema advertisers and cinemas with useful data about what audiences enjoy and what adverts capture the most attention. By measuring emotion and movement film companies and cinema advertising agencies can learn so much from their audiences that will help to inform creativity and strategy.” 

hey plan to fine-tune it to monitor our reactions to window displays and probably anywhere else the data can be used for surveillance and marketing.

Muslim women have got the right idea. Soon well all be wearing privacy tents.

In George Orwell's novel 1984, each home has a mandatory "telescreen," a large flat panel, something like a TV, but with the ability for the authorities to observer viewers in order to ensure they are watching all the required propaganda broadcasts and reacting with appropriate emotions. Problem viewers would be brought to the attention of the Thought Police. The telescreen, of course, could not be turned off. It is reassuring to know that our technology has finally caught up with Oceania's.

One two-letter word cannot possibly hold all of the varied experiences of data, specifically those of the people are at the most immediate risk: visible minorities, LGBTQ+ people, indigenous communities, the elderly, the disabled, displaced migrants, the incarcerated

At least twenty-six states allow the FBI to perform facial recognition searches against their databases of images from drivers licenses and state IDs, despite the fact that the FBI’s own reports have indicated that facial recognition is less accurate for black people. Black people, already at a higher risk of arrest and incarceration than other Americans, feel these data systems in a much different way than I do

last week, the Department of Justice passed a brief to the Supreme Court arguing that sex discrimination protections do not extend to transgender people. If this ruling were to be supported, it would immediately put trans women and men at more risk than others from the surveillant data technologies that are becoming more and more common in the workplace. Trans people will be put in distinct danger — a reality that is lost when they are folded neatly into a communal we

I looked at the list of speakers for the conference in Brussels to get an idea of the particular we of Cook’s audience, which included Mark Zuckerberg, Google’s CEO Sundar Pichai and the King of Spain. Of the presenters, 57% were men and 83% where white. Only 4 of the 132 people on stage were black.

another we that Tim Cook necessarily speaks on the behalf of: privileged men in tech. This we includes Mark and Sundar; it includes 60% of Silicon Valley and 91% of its equity. It is this we who have reaped the most benefit from Big Data and carried the least risk, all while occupying the most time on stage

Here’s a more urgent question for us, one that doesn’t ask what we want but instead what they need:How can this new data world be made safer for the people who are facing real risks, right now?

“The act of listening has greater ethical potential than speaking” — Julietta Singh

Companies accumulate wealth by taking it from people with less power through various means of subterfuge (that we call it marketing is, in and of itself, marketing), which, even on a small scale, is an activity necessarily uninterested in equality. If capitalism could deliver economic parity — if parity was even part of the ideology’s intent, which it’s not — then Latinx women wouldn’t still make 54 cents on a white man’s dollar several hundred years into the American capitalist experiment.

Capitalism is an apparatus that convinced a whole culture that then-worthless clear rocks were the only real way to tell a woman you wanted to marry her, so convincing us that buying a T-shirt from a creep (or from union busters, or polluters, or whoever) is the same as being politically active is comparatively light work

Even though there’s no ethical consumption under capitalism, that doesn’t mean all consumer choices are the same. Companies can’t be feminist, but their leaders can make choices that operate on feminist values, like supporting the unionization of their workforces and providing fair wages and comprehensive health care and family leave to all workers. When possible, taking your business to those companies is an ethically superior choice. Capitalism is a global economic order that’s impossible to opt out of on an individual consumer level, but it’s possible to make some of the individual choices therein with integrity, even if you understand that doing so doesn’t move the dial as political action.

the only clear-eyed way to regard a corporation is, at best, as an adversary

Henry James did the limited third person really well, showing us the way to do it. He milked that cow successfully. And it’s a great cow, it still gives lots of milk. But if you read only contemporary stuff, always third-person limited, you don’t realize that point of view in a story is very important and can be very movable. It’s here where I suggest that people read books like Woolf’s To the Lighthouse to see what she does by moving from mind to mind. Or Tolstoy’s War and Peace for goodness’ sake. Wow. The way he slides from one point of view to another without you knowing that you’ve changed point of view—he does it so gracefully. You know where you are, whose eyes you are seeing through, but you don’t have the sense of being jerked from place to place. That’s mastery of a craft.

Any of us who grew up reading eighteenth- or nineteenth-century fiction are perfectly at home with what is called “omniscience.” I myself call it “authorial” point of view because the term “omnisicence,” the idea of an author being omniscient, is so often used in a judgmental way, as if it were a bad thing. But the author, after all, is the author of all these characters, the maker, the inventor of them. In fact all the characters are the author if you come right down to the honest truth of it. So the author has the perfect right to know what they’re thinking. If the author doesn’t tell you what they are thinking … why? This is worth thinking about. Often it’s simply to spin out suspense by not telling you what the author knows. Well, that’s legitimate. This is art. But I’m trying to get people to think about their choices here, because there are so many beautiful choices that are going unused. In a way, first person and limited third are the easiest ones, the least interesting. 

to preach that story is conflict, always to ask, “Where’s the conflict in your story?”—this needs some thinking about. If you say that story is about conflict, that plot must be based on conflict, you’re limiting your view of the world severely. And in a sense making a political statement: that life is conflict, so in stories conflict is all that really matters. This is simply untrue. To see life as a battle is a narrow, social-Darwinist view, and a very masculine one. Conflict, of course, is part of life, I’m not saying you should try to keep it out of your stories, just that it’s not their only lifeblood. Stories are about a lot of different things

The first decade of her career, beginning in the sixties, included some of her most well-known works of fiction: A Wizard of Earthsea, The Left Hand of Darkness, The Dispossessed, and The Lathe of Heaven. Each of these works imagined not just worlds, but homes, homes that became real for her readers, homes where protagonists were women, people of color, gender fluid, anticapitalist—imaginary homes that did not simply spin out our worst dystopic fears for the future like so many of the apocalyptic novels of today, but also modeled other ways of being, other ways to create home.

“Children know perfectly well that unicorns aren’t real,” Le Guin once said. “But they also know that books about unicorns, if they are good books, are true books.”

“Fake rules” and “alternative facts” are used in our time not to increase moral understanding and social possibility but to increase power for those who already have it. A war on language has unhinged words from their meaning, language from its capacity as truth-teller. But perhaps, counterintuitively, it is in the realm of the imagination, the fictive, where we can best re-ground ourselves in the real and the true.

you can’t find your own voice if you aren’t listening for it. The sound of your writing is an essential part of what it’s doing. Our teaching of writing tends to ignore it, except maybe in poetry. And so we get prose that goes clunk, clunk, clunk. And we don’t know what’s wrong with it

You emphasize the importance of understanding grammar and grammar terminology but also the importance of interrogating its rules. You point out that it is a strange phenomenon that grammar is the tool of our trade and yet so many writers steer away from an engagement with it. In my generation and for a while after—I was born in 1929—we were taught grammar right from the start. It was quietly drilled into us. We knew the names of the parts of speech, we had a working acquaintance with how English works, which they don’t get in most schools anymore. There is so much less reading in schools, and very little teaching of grammar. For a writer this is kind of like being thrown into a carpenter’s shop without ever having learned the names of the tools or handled them consciously. What do you do with a Phillips screwdriver? What is a Phillips screwdriver? We’re not equipping people to write; we’re just saying, “You too can write!” or “Anybody can write, just sit down and do it!” But to make anything, you’ve got to have the tools to make it.

In your book on writing, Steering the Craft, you say that morality and language are linked, but that morality and correctness are not the same thing. Yet we often confuse them in the realm of grammar. The “grammar bullies”—you read them in places like the New York Times—and they tell you what is correct: You must never use “hopefully.” “Hopefully, we will be going there on Tuesday.” That is incorrect and wrong and you are basically an ignorant pig if you say it. This is judgmentalism. The game that is being played there is a game of social class. It has nothing to do with the morality of writing and speaking and thinking clearly, which Orwell, for instance, talked about so well. It’s just affirming that I am from a higher class than you are. The trouble is that people who aren’t taught grammar very well in school fall for these statements from these pundits, delivered with vast authority from above. I’m fighting that. A very interesting case in point is using “they” as a singular. This offends the grammar bullies endlessly; it is wrong, wrong, wrong! Well, it was right until the eighteenth century, when they invented the rule that “he” includes “she.” It didn’t exist in English before then; Shakespeare used “they” instead of “he or she”—we all do, we always have done, in speaking, in colloquial English. It took the women’s movement to bring it back to English literature. And it is important. Because it’s a crossroads between correctness bullying and the moral use of language. If “he” includes “she” but “she” doesn’t include “he,” a big statement is being made, with huge social and moral implications. But we don’t have to use “he” that way—we’ve got “they.” Why not use it?

The video ends by displaying a future vision of Russian expansion that includes most of Europe (notably not Turkey), the Middle East and Asia

According to Nox Influencer, Bright Side alone is earning between $314,010 and 971,950 monthly, and 5-Minute Crafts is earning between $576,640 and $1,780,000 monthly through YouTube partner earning estimates. As a privately held company, TheSoul Publishing doesn’t have to disclose its earnings. But all the Cypriot-managed company has to do to earn money from YouTube is meet viewing thresholds and have an AdSense account. AdSense, a Google product, just requires that a company have a bank account, an email address and a phone number. To monetize to this magnitude of revenue, YouTube may have also collected tax information, if TheSoul Publishing organization is conducting what it defines as “U.S. activities.” It’s also possible that YouTube verified a physical address by sending a pin mailer.

According to publicly available information from the YouTube channels themselves—information provided to YouTube by the people who set up and operate the channels at TheSoul Publishing—as of August 2019, 21 of the 35 channels connected to TheSoul Publishing claim to be based in the U.S. Ten of the channels had no country listed. Zodiac Maniac was registered in the U.K, though TheSoul Publishing emphasizes that all of its operations are run out of Cyprus.

 Now I’ve Seen Everything was the only channel registered in the Russian Federation. That channel has more than 400 million views, which, according to the analytics tool Nox Influencer, come from a range of countries, including Russia and Eastern European and Central Asian countries—despite being an English-language channel

In another video on Smart Banana, which has more than 1 million views, the titular banana speculates on “12 Countries That May Not Survive the Next 20 Years”—including the United States, which the video argues may collapse because of political infighting and diverse political viewpoints

Facebook pages are not a direct way to increase profit unless a company is actively marketing merchandise or sales, which TheSoul Publishing does not appear to do. The pages coordinate posting, so one post will often appear on a number of different pages. To a digital advertiser, this makes perfect sense as a way to increase relevance and visibility, but it’s far from obvious what TheSoul Publishing might be advertising. Likewise, there’s no obvious financial benefit to posting original videos within Facebook. The company did not meaningfully clarify its Facebook strategy in response to questions on the subject.

Facebook forbids what it describes as “coordinated inauthentic behavior,” as its head of cybersecurity describes in this video. While TheSoul’s Publishing’s behavior is clearly coordinated, it is unclear that any of its behavior is inauthentic based on information I have reviewed.

One thing that TheSoul is definitely doing on Facebook, however, is buying ads—and, at least sometimes, it’s doing so in rubles on issues of national importance, targeting audiences in the United States. The page Bright Side has 44 million followers and currently lists no account administrators located in the United States, but as of Aug. 8, 2019, it had them in Cyprus, Russia, the United Kingdom, El Salvador, India, Ukraine and in locations “Not Available.” It used Facebook to post six political advertisements paid for in the Russian currency.

the point here is not that the ad buy is significant in and of itself. The point, rather, is that the company has developed a massive social media following and has a history of at least experimenting with distributing both pro-Russian and paid political content to that following

TheSoul’s political ads included the one below. The advertisement pushes viewers to an article about how “wonderful [it is] that Donald Trump earns less in a year than you do in a month.” The advertisement reached men, women, and people of unknown genders over the ages of 18, and began running on May 15, 2018. TheSoul Publishing spent less than a dollar on this advertisement, raising the question: why bother advertising at all?

The funny thing about history is that you always look back from the luxury of time and you can see these massive events taking place, you can understand the dynamics. We don't have that perspective when we are in it, so my idea of studying history was to remap the past onto the present, so that we might gain insight into what’s happening now.

This weird concept that we have developed, essential, non-essential work, this arbitrary division of what will matter and what will not matter. It wasn't until I was swept up in the uprising and really asking myself what's happening—there was this amazing video of this silent moment of people with their fists up, thousands of people on their knees, and it was just incredibly moving—I had this realization that this was the essential work, the work that we need to be doing.

I think we all lack a historical distance right now to make sense of this moment. But art can provide us with an abstracted or a historical lens, that gives us distance or a sense of a time bigger than the moment we're in.

When you were describing this 1990s utopian idea of the internet as public space, I was struck by the contrast with how things turned out. In both our physical and digital reality, we have lost the commons. Is Instagram a public space?

there's something virus-like about social media anyway, in the way that it operates, in the way that it taps into our physiology on a chemical level in our brain. It’s designed to function that way. And combining that kind of functionality with our addiction to or the dominance of visual culture, it's just sort of like a deadly combination. We get addicted and we just consume incredible amounts of visual information every day.

It really is true that very rarely you will see a photograph of a dead body in the printed newspaper. It reminds me, for example, of the absence of the flag-draped coffins that come when soldiers return from war. Because we're taught to think about COVID-19 as a kind of war, maybe it makes sense to really think about that.

If you don't see the picture of the dead body, there's no dead body. It's the reason why if I teach a foundation class, I always show the students this famous Stan Brakhage film, The Act of Seeing with One's Own Eyes (1971). It’s a half hour silent film of multiple autopsies. We have this extended conversation about just how completely absent images of our bodies like that are from our cultural experience.

those are the images that people wanted to see. They were widely distributed; you could buy postcards of lynched men and women because people wanted to celebrate that. There is a completely different attitude at work. One could say they're doing the work of the same ideology, but in opposite directions. It would be hard to talk about a history of photography in this country and not talk about lynching photographs.

Because the term “AI” is ambiguous, it makes having clear discussions more difficult. In one sense, it is the name of a subfield of computer science. In another, it can refer to the computing techniques developed in that subfield, most of which are now focused on pattern matching based on large data sets and the generation of new media based on those patterns. Finally, in marketing copy and start-up pitch decks, the term “AI” serves as magic fairy dust that will supercharge your business.

output can seem so plausible that without a clear indication of its synthetic origins, it becomes a noxious and insidious pollutant of our information ecosystem

Not only do we risk mistaking synthetic text for reliable information, but also that noninformation reflects and amplifies the biases encoded in its training data—in this case, every kind of bigotry exhibited on the Internet. Moreover the synthetic text sounds authoritative despite its lack of citations back to real sources. The longer this synthetic text spill continues, the worse off we are, because it gets harder to find trustworthy sources and harder to trust them when we do.

the people selling this technology propose that text synthesis machines could fix various holes in our social fabric: the lack of teachers in K–12 education, the inaccessibility of health care for low-income people and the dearth of legal aid for people who cannot afford lawyers, just to name a few

the systems rely on enormous amounts of training data that are stolen without compensation from the artists and authors who created it in the first place

the task of labeling data to create “guardrails” that are intended to prevent an AI system’s most toxic output from seeping out is repetitive and often traumatic labor carried out by gig workers and contractors, people locked in a global race to the bottom for pay and working conditions.

employers are looking to cut costs by leveraging automation, laying off people from previously stable jobs and then hiring them back as lower-paid workers to correct the output of the automated systems. This can be seen most clearly in the current actors’ and writers’ strikes in Hollywood, where grotesquely overpaid moguls scheme to buy eternal rights to use AI replacements of actors for the price of a day’s work and, on a gig basis, hire writers piecemeal to revise the incoherent scripts churned out by AI.

too many AI publications come from corporate labs or from academic groups that receive disproportionate industry funding. Much is junk science—it is nonreproducible, hides behind trade secrecy, is full of hype and uses evaluation methods that lack construct validity

We urge policymakers to instead draw on solid scholarship that investigates the harms and risks of AI—and the harms caused by delegating authority to automated systems, which include the unregulated accumulation of data and computing power, climate costs of model training and inference, damage to the welfare state and the disempowerment of the poor, as well as the intensification of policing against Black and Indigenous families. Solid research in this domain—including social science and theory building—and solid policy based on that research will keep the focus on the people hurt by this technology.