Group items tagged

Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.

In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.

Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.

I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.

I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.

Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain

The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply

The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.

I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.

It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”

Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.

Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”

Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating

Bowles prompted me to think beyond the binary of “Western” versus “Arab.”

The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.

Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.

in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic

Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”

as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism

I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.

“Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”

He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”

In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.

I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.

In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)

Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.

The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.

In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.

Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.

Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco

both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.

both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.

The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”

The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West

his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union

for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.

That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.

As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco

today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.

“When his advisers show him the map, will he realise supporting Putin means supporting the Iranian agenda? And this is what Saudi Arabia is concerned about, to stop Iranian hegemony.”

Khashoggi is a well-established Saudi writer and journalist. He has extensive political and media experience and held the position of editor in chief of a number of Saudi newspapers, including the Arab Times and Al-Watan.

Khashoggi’s weekly column in Al Hayat newspaper was not published this week, although it has appeared every Saturday for almost five years. His last tweet appeared on 18 November.

Long committed to a free media, Mustafa Amin was imprisoned for six months in 1939 for an article in Akher sa‘a (Last Hour) magazine deemed critical of King Faruq. An advocate of democracy and Western liberalism, he was arrested in 1965, tried secretly in 1966, and convicted of being a spy for America and smuggling funds. Sentenced to a life sentence, he spent nine years in prison before being pardoned by Nasser’s successor, President Anwar Sadat. Ali Amin, accused by Heikal of working for British and Saudi intelligence, went into exile in 1965.

Room for expression existed mainly in the literary pages of al-Ahram, where writers under Heikal’s wings, like Naguib Mahfouz, could publish works of fiction that could be read as challenges to the status quo.[5] As far as the press was concerned, censorship was directed at politically oriented news and commentary rather than the literary sections

During the conflict, as the Egyptian army, under Field Marshal Abd al-Hakim Amer’s command, was hastily retreating from Sinai, broadcast outlets aired invented reports of fabulous victories against the Zionist foe. At no other moment did the state media prove so woefully deficient, contributing to a deep sense of public betrayal.

The speech was written for him by prominent journalist Mohamed Hassanein Heikal and tactfully framed a romp of Arab armies as a “setback,” displaying Heikal’s knack for being both a propagandist and political powerbroker.   It was a moment that brilliantly served to shore up Nasser’s support. Egyptians took to the streets demanding that their leader stay in power. “The People Say ‘No,’” declared Akhbar al-youm (News of the Day) in large red writing. In smaller black lettering the headline read, “The Leader Discloses the Whole Truth to the People.” It is difficult to say how populist and genuine the appeal was and how much of the public display of support for Nasser was behind-the-scenes political machinations of the regime and its media. While Nasser did stay in power, it was only later that Egyptians could comprehend the true extent of the defeat—especially in light of official propaganda—and the institutional failures that placed the whole of Sinai under Israeli control.

slogans shouted and scrawled on building walls that demanded: “Stop the Rule of the Intelligence,” “Down with the Police State,” and “Down with Heikal’s Lying Press.”

Student periodicals posted on the walls of the campuses emerged as the freest press in Egypt. Nasser for the first time became the object of direct criticism in the public space. A campaign against student unrest was waged in the state-owned media, which labeled the activists as provocateurs and counter-revolutionaries goaded by foreign elements

“A centralized editorial secretariat, called the Desk, was founded, as well as the Center for Strategic Studies and the Information Division. To his detractors, these innovations appeared to be spying sessions of an extensive empire dedicated to intelligence gathering

Nasser appointed Heikal to the post of minister of information and national guidance, a role he assumed for six months in 1970 until Nasser’s death. Yet the self-described journalist confided his frustration of being assigned a ministerial post, perhaps intended to distance him from the publishing empire he built, to a colleague, the leftist writer Lutfi al-Khouli, at his home. The encounter was surreptitiously recorded by the secret police, leading to the arrest and brief imprisonment of al-Khouli, and Heikal’s secretary and her husband, who were also present. “Now, Nasser’s regime had two aspects: it had great achievements to its credit but also it had a repressive side. I do not myself believe that the achievements . . . could have been carried out without some degree of enforcement,” Heikal wrote in The Road to Ramadan. “But after the 1967 defeat the positive achievements came to an end, because all resources were geared to the coming battle, while repression became more obvious. When Nasser died the executants of repression took it on themselves to be the ideologues of the new regime as well. They held almost all the key posts in the country. The people resented this and came to hate what they saw as their oppressors.”

after his increasing criticism of Sadat’s handling of the October 1973 War and appeals to the United States to address the impasse, Heikal was removed from al-Ahram in 1974. He remained a prolific author. In May 1978, Heikal was one of dozens of writers accused by the state prosecutor of defaming Egypt and weakening social peace and was subject to an interrogation that extended three months

Sadat attempted to bring the dissident cacophony into line through the mass arrest in September 1981 of more than 1,500 intellectuals, writers, journalists, and opposition elements of every stripe. Among those arrested were leading members of the Journalists’ Syndicate and prominent figures like the political writer Muhammad Hassanein Heikal and novelist Nawal El Saadawi. Sadat’s crackdown against his opponents culminated in his assassination by Islamic militants on October 6, 1981 during a military parade to commemorate the start of the 1973 War. Soon after Hosni Mubarak assumed power, Heikal was released from prison

When Dream aired the lecture Heikal gave at the American University in Cairo, direct pressure was placed on the owner’s business interests, and the veteran journalist found a new forum on pan-Arab satellite broadcasting. The influential writer has made opposition to Gamal Mubarak’s succession a staple of his newspaper columns.

With the rise of satellite television, Qatar’s Al Jazeera commanded audiences not only with news but with popular discussion programmed, like Ma‘ Heikal (With Heikal), a program by Heikal that began the year after the 2003 invasion of Iraq, and which was watched by the Arab public with eager interest. Seated behind a desk and looking into the camera, Heikal gave his narrative of historical events and commentary on Middle Eastern and world affairs, exposing the intrigues of regional and global powers from his perch, having privileged access to leaders, diplomats, and decision makers. He has been a critic of Saudi diplomacy, its ballooning regional influence given the power of petrodollars, and its confrontation with Iran. Saudi pundits have consistently taken potshots at Heikal.

A couple of months before Morsi’s ouster on July 3, 2013, Heikal was contacted by Morsi’s defense minister Abd al-Fattah al-Sisi for a meeting, which had led to speculation that the Heikal devised the behind-the-scenes scenarios for an elected president’s removal as the dominant political player, the Muslim Brotherhood, was sinking in popularity. After Morsi was expelled from office, Heikal suggested to the military leader that he seek a popular mandate to lead the country, mirroring Nasser-style populism. Attired in full military regalia, al-Sisi at a July 24, 2013 graduation ceremony of the naval and air defence academies, broadcast live, warned that national security was in peril and summoned nationwide rallies two days later. Heikal supported al-Sisi’s bid for the presidency viewing him as the candidate born of necessity.

In the years after the Baath party came to power, writes Abdi, the budget for the Department of Antiquities increased by 80% and the number of excavations mushroomed, as did the renovation and reconstruction of historical sites

In Syria, too, Assad’s promotion of archaeology was, as the late journalist Patrick Seale described it, part of his exercise in nation building. Stéphane Valter, a French political scientist who specializes in Arab culture and civilization, studied Assad’s relationship to Syria’s archaeology in his 2002 book, “La construction nationale syrienne” (“The Syrian national construction”). He writes that because of the fragility of a social cohesion in Syria due to its varied ethnic and religious communities, it was important for Assad to establish a territorial and historical identity in which all minorities could find a legitimate place. The archaeological richness of Syria doubtless helped build a national identity based on a culture that was promoted as authentically Syrian.

Iraq was flooded with propaganda posters, murals and sculpted reliefs in the style of ancient artworks, all depicting Saddam superposed with Mesopotamian rulers or symbols

when Gadhafi saw that the museum staff had named some of the rooms “Greek” or “Roman,” his face fell, said Fakroun, “and he made us change the names to ‘Greek colonization’ or ‘Byzantine colonization.’ ”

“We couldn’t talk about our Amazigh heritage. Or objects that were Tuareg, we had to say they were Arab. We wanted to be scientific, but we couldn’t, because the only ethnicity that existed for him was Arab,”

Gadhafi’s view of Libya’s heritage was selective, but like the other dictators, it aligned with the message he wanted to transmit.“Libya links east to west, and north to south, and there are examples of all the cultures that were around us,” said Fakroun.But Gadhafi largely favored Islamic archaeology, in keeping with his Pan-Arab ideological preference at the time (vis-a-vis Pan-Africanism, which he embraced in later years), and after that, prehistory because it was far enough into the past to be relatively uncontested. In contrast, British archaeologist Graeme Barker, who spent many years in Libya, explained that “the country’s fabulous Greek and Roman archaeology represented to him simply the precursor of the hated Italian colonization of the 20th century.”

the Baath regime in Iraq sought to “connect modern-day Iraq with its glorious Mesopotamian past, leaving aside any possible Sunni-Shia division or ethnic divide. Instead, it stressed that Iraq was one nation unified in a shared Mesopotamian-inspired culture.”

Saddam rebuilt the site shoddily, most professionals agree, and built a palace for himself on top of it. He used new materials and inscribed his name on the bricks, as Nebuchadnezzar had done over 2,000 years before him. Moreover, said Almamori, “he dug three or four lakes, which damaged and removed part of the Persian cemetery near the northern lake. Many layers of different civilizations were removed. He constructed artificial mounds and built his palace on one of them. Archaeologists with high positions were afraid to say anything.”

“When Nebuchadnezzar II took over from his father, Nabopolassar, he ruled from the same palace which he rebuilt. The Baath party related to this — we have a long history, a strong civilization, that needs a strong army. Nationalists in other countries think the same way.”

the Umayyad period of history was useful to the party because of its multiethnic nature. The Umayyad Mosque in Damascus was one of the best symbols for the party, writes Valter, because of its specifically Syrian cultural traits — first an Aramean and then a Roman temple, then a church and finally a mosque. The mosque figured on Syria’s most valuable banknote at the time, behind an image of Assad. Banknotes included images of Aleppo’s Citadel, the Roman amphitheater of Bosra and Queen Zenobia of Palmyra, and clearly showed the regime’s wish to conflate ethnocultural Arab references with nationalist pride and a pinch of Islam

one of the most important ancient sites for Assad was Ugarit, near the Mediterranean city of Latakia. With five layers of cultures going back to the Neolithic period, not only is it famous for its clay tablets with an alphabet in cuneiform script, but Ugarit is also just north of Qardaha, where Assad was born and is buried.

Unlike in Saddam’s Iraq or Assad’s Syria, in Gadhafi’s Libya, the Department of Antiquities suffered from constant underfunding. “Our budget was next to nothing,” recalled Fakroun. “Once they forgot about the Department of Antiquities when they were drawing up the country’s budget. We had no salary for six months. We’re talking about a country with tons of money from petrol, and they gave us pennies. And we have five World Heritage sites.

outstanding archaeological sites in all three countries suffered looting, vandalism, neglect, or at the hands of the Islamic State or, in the case of Ancient Babylon, from U.S. and Polish troops building their military base on top of the ruins in 2003

There are more than 6.5 million internet and social media users in Jordan, the majority of whom are youth, out of a population of roughly 11 million. Jordanians are avid social media users, and over the years have used Facebook, WhatsApp, and other platforms to share news not broadcast on state-controlled channels, jokes targeting the regime, and rumors about the myriad political and corruption scandals circulating across the country on a regular basis

Cybercrimes Law No. 27/2015 is a popular regime tool used to control expression online. Article 11 regulates expression on online platforms such as Facebook, Twitter, and blogs. In April 2019, parliament introduced amendments to the law to criminalize the act of spreading “rumors” and “hate speech,” extending to the use of private messaging apps such as WhatsApp. The latest amendments define hate speech as “every writing and every speech or action intended to provoke sectarian or racial sedition, advocate for violence, or foster conflict between followers of different religions and various components of the nation.” And under the cybercrime law, Jordanians will face a criminal penalty if they are convicted of “sending or resending or disseminating information through the Internet or website or any information system that includes defamation, slander or libel against any person.” Between 2019 and 2020, the cases brought under the cybercrime law exceeded two thousand, more than double the number from the year before. In 2022, there have been more arrests under charges of “spreading false news,” including the detentions of several high-profile journalists.

Even the Jordanian National Center for Human Rights, a semi-governmental organization, wrote in its own recent annual report that “the detention of individuals for what they express is continuing.” Alarmingly, a recent Citizen Lab and Front Line Defenders joint report confirmed that two operators, “likely agencies of the Jordanian government,” used the NSO Group’s Pegasus spyware to hack the phones of at least four Jordanians, including a human rights defender, a lawyer, and a journalist. 

Loosely formed groups of youth activists, often described with the term hirak (“movement”), organize in various neighborhoods and towns across Jordan around shared issues. In 2019, a workshop looking at youth activism across the Middle East and North Africa found that youth activism does not adhere to formalized structures of organizing, such as political parties, professional associations, and civil society organizations.

we have seen youth movements in the past decade break the generations-old divisions of urban versus rural and West Bank versus East Bank

organizing around their shared frustrations over unchecked levels of corruption, perpetual over-education combined with underemployment, and restrictions on what they can write on social media or when they can gather.

the attitudes of ruling elites and public officials toward youth are dismissive

the many initiatives launched over the years have not ever been driven by local youth demands, but rather have been top-down, buzzword-filled projects, centralized within the newly created Ministry of Youth, with little to no popular support or participation

What the opposition has learned in the last two years about communicating in ways that average people can understand will soon be apparent.

The responsible agency treats the National Archives like a state archive, not a national archive owned by and serving the public.

The situation at the National Archives is reflected in all public institutions. Their mandate is not to serve the public, but to subject them to constant surveillance.

the security mentality in countries that respect the public is countered by a mentality that pushes back in the opposite direction, that respects the right to privacy, academic research and free expression. This mentality circumscribes the security mentality with numerous legal and administrative regulations.

In Egypt the security mentality runs amok. Just mentioning national security is enough to shut down a conversation instead of initiating it. Voices defending academic freedom and the freedom of research are few and far between (though brave and strong) — most importantly the March 9 Movement (a working group on university independence), the Association of Freedom of Thought and Expression, and the Egyptian Initiative for Personal Rights.

Field research is infinitely more difficult. If a researcher wants to conduct a field study or distribute a questionnaire or opinion survey, she needs the approval of the Central Agency for Public Mobilization and Statistics (CAPMAS). Its very name shows the perceived intimacy of the association between knowledge and the war effort.

When I first saw Giulio Regeni’s photo on Facebook, when he was still missing, my heart skipped a beat. A foreign researcher who speaks Arabic fluently, living in Dokki and moving about the city at will, one who is working on the extremely sensitive topic of workers’ right to form independent unions, and one who is also a political activist who writes anti-regime articles for a communist paper under a pseudonym. If the security authorities knew of him, I thought, they would consider him a spy.But Giulio wasn’t a spy. He was a doctoral student. I never met or corresponded with him, but I know Giulio and know him well. He’s like the students I’ve taught for 20 years. Having now read and become familiar with his work, I can say that not only is he not a spy, he’s an exemplary student, one who loved Egypt and Egyptians and made efforts to help them.

we know that we’re living one of the worst moments of our modern history and that our rights, liberties and lives are under threat at all times by our own government.We know that our government, in the name of defending national security, has attacked universities and killed students demonstrating on campus. We know that our government, in the name of defending national security, has shut down the public sphere, appropriated political activity, and prevented people from expressing their opinion and peaceful demonstrating — unless the demonstration’s purpose is to give Abdel Fattah al-Sisi a mandate to do whatever he likes.

waging war on civil society organizations, accusing them of foreign collaboration, treason and getting rich off foreign funding. But it’s the government itself, specifically the army, that is the biggest beneficiary of foreign funding. No one dares make a peep about that.

arrested tens of thousands of members of Islamist groups and sentenced hundreds of them to death in trials lasting just a few minutes, trials that dealt a mortal blow to the integrity of the Egyptian judiciary and people’s faith in it

arrested hundreds of journalists, writers and political activists, and sentenced them to years in prison

we, the people, the true owners of this country, are insisting on knowing what happened to Guilio Regeni and are holding on to our right to be consulted about our own national security.

what do you do when you've tamed parliament so thoroughly that you can no longer use it to generate useful feedback about the needs and fears of the citizenry?

The fact that authoritarian regimes feel compelled to act like they're really listening to voters reflects the extent to which democratic norms have become part of the woodwork

The rapid spread of information is making it harder for governments to concentrate power, thus chipping away at the very essence of authoritarianism. A rumor of government misbehavior in one part of China can immediately trigger riots in another place thousands of miles away. "This is not something the Ming Dynasty had to worry about," Dobson observes. "So you can't tell me that the tasks these regimes have to worry about haven't become more complicated."

If the new Egyptian state is to become un-autocratic, it will have to relinquish the monopoly it has long held over all "culture". No longer can "Literature", "History" and "Art" be cast as matters of National Security. Attempts to interrogate their meaning outside the framework of nationalism can no longer be viewed as heretical. Independent intellectuals and their audiences will have to turn away from the state, not towards it. Egypt's cultural heritage can really be left to the Egyptians. And if this heritage is to take the place it rightfully should in Egypt's post-revolution landscape, it is imperative to encourage the efforts of "ordinary Egyptians", those who have all along looked to build strong independent institutions outside the clutches of the ministries of culture and education.

and identified the degree of “acceptable violence” that entails minimal costs in terms of international or domestic reaction.

The military’s decision as to whether to open fire or not depends in part on the size and conduct (whether peaceful of violent) of protesters, and on whether the unrest threatens the nation’s integrity. But it hinges primarily on calculations of the armed forces’ institutional interests which are largely determined by the military’s level of professionalism and political neutrality (high in Tunisia and Egypt) or, alternatively, its patrimonial links – by blood or marriage – to the ruling elite (extensive and intimate in Syria).

contingent events are also significant.

“There was something admirable about pro-democracy organizations like the National Endowment for Democracy and the National Democratic Institute working under difficult constraints, trying to push Arab regimes to open up, even if slightly,” writes Shadi Hamid, research director at the Brookings Doha Center.

In March, for example, two journalists were arrested on charges that they had been in contact with military officers who were plotting to overthrow the government. Soon afterward, several thousand people marched down Istanbul’s main street protesting the arrests. They held placards reading “Free Press, Free Society,” and “Turkey Rates 138 in Press Freedom”—a reference to a recent ranking by Reporters Without Borders.The next day, Erdogan delivered a speech in Istanbul. It was an ideal moment for him to reassure panicky citizens and foreigners worried about press freedom in Turkey. Instead he denounced defenders of the arrested journalists, accusing them of launching a “systematic defamation campaign against Turkey” shaped by “evil-minded intentions and prejudices.”This demagogic language disturbs many Turks, including some who admire what Erdogan has achieved. “I have never been as positive and enthusiastic as I am now,” one of the country’s visionary business leaders, the octogenarian Ishak Alaton, a lifelong human rights campaigner, told me in his office overlooking the Bosphorus. But he also lamented that Erdogan has begun to govern with “the sense that he’s invulnerable and omnipotent and all-powerful.”

None of the dozens of people I met during a recent visit suggested that Turkey is in danger of slipping toward Islamist rule. Turkish society has defenses that most Arab societies lack: generations of experience with secularism and democracy, a growing middle class, a booming export economy, a still-lively press, and a strong civil society based in universities, labor unions, business associations, and civic, human rights, and environmental groups. The emerging conflict in Turkey is not over religion, but styles of power.

Partly because the EU has slammed its door in Turkey’s face, Erdogan’s government has been looking elsewhere for friends. This has helped draw Turkey away from half a century of subservience to Western foreign policy. Its first act of defiance came in 2003, when parliament voted against allowing American troops to invade Iraq from Turkish soil. Since then, Turkey has broken ranks with the West on two important issues. It favors negotiation with Iran and stronger pressure on Israel to change its policies in Gaza and the West Bank.

Banu Eligur, who has taught courses on political Islam at Brandeis University and is the author of The Mobilization of Political Islam in Turkey, believes that Erdogan’s government has “mobilized against the secular-democratic state” by naming pious Muslims to be “high-ranking civil servants in public administration” and by bullying the press, the judiciary, and universities. In fact, much of what Erdogan is doing seems popular. A recent opinion survey taken by an outside group found 62 percent of Turks in favor of Erdogan’s foreign policies. In another, when people were asked to rate their level of religious belief on a scale of one to ten, 71 percent rated themselves at seven or higher. In Turkey, Islam, Nationalism, and Modernity, the historian Carter Vaughn Findley observes that Erdogan’s government has surpassed the old secular establishment “both in recognizing the value of a religiously neutral government as a guarantee of pluralism and in espousing the reforms required to advance Turkey’s EU candidacy”

. The plot to destabilize the country, and the cases connected to it, are popularly known as “Ergenekon,” a reference to a mythic Turkic homeland and the name that plotters allegedly gave to their subversive plan. Mike King Many Turks greeted the opening of this case with both astonishment and jubilation. Investigating the military and its corrupt allies in the judiciary and bureaucracy was widely seen as a major step toward consolidating democracy. As the case has dragged on, however, it has taken on a different tinge. The authenticity of some incriminating documents has been challenged. Prosecutors have cast their net so widely that people have begun to wonder whether the true purpose of the case is to punish conspirators or to intimidate critics of the government. Since the government has been slowly replacing prosecutors with people it favors, there is suspicion that politics is once again intruding into the judiciary.

“I can no more believe these two guys were part of Ergenekon than I can believe Obama is part of the Ku Klux Klan,” said Hakan Altinay, a former director of the Open Society Foundation in Turkey, which is supported by George Soros. “It’s an important episode for left-liberal opinion, which has up to now been part of this government’s core support. It’s a tipping point.”If intimidation is a goal of this case, it may be working. “I wonder, is my phone tapped?” a young journalist told me at the end of an interview in Istanbul. “Should I censor myself?”

In Streets of Memory, a recent study of cultural attitudes in an Istanbul neighborhood that was a jumble of nationalities, Amy Mills writes:The price of belonging, in Turkey, comes at a cost—the forgetting of particular histories at the expense of the frequent retelling of others and the silencing of particular memories that cannot entirely be repressed. She finds troubling evidence of “polarization in thinking about national identities and minority histories.” People shy away from recalling, for example, the infamous pogrom in 1955 when rioters backed by police attacked homes and businesses owned by Greeks, Armenians, and Jews. But she also notes “an increasing curiosity and desire among Turkish citizens to learn more about places and pasts in Turkey.”

Attacking the government on sensitive issues like Kurdish rights, criticizing its handling of the Ergenekon case, and ridiculing Erdogan personally are not the only ways Turkish journalists can endanger themselves these days. There is another subject some fear to probe too deeply: the power of Fethullah Gulen, a shadowy but immensely influential Turkish religious leader. From a secluded estate in Pennsylvania, where he moved to escape possible prosecution for alleged antisecular remarks in the 1990s, Gulen directs a worldwide movement that is one of the most remarkable forces in modern Isla

This movement may be, as its sympathizers insist, a benign force that stabilizes Turkish life. But some Turks mistrust it, and their suspicion deepened when it turned out that one of the journalists arrested in March, Ahmet Sik, was about to publish a book about its rising influence called The Imam’s Army. Police confiscated advance copies. The text, which among other things alleges that Gulen sympathizers dominate the Turkish police, quickly appeared on the Internet, setting off what one blogger called “a frenzy of downloads.”

The mayor, Yilmaz Buyukersen, a former university rector, told me that while some other Turkish cities are not as open to pastimes like late-night drinking, he has no doubt that Eskishehir represents Turkey’s future. Like many Turks who are not part of the ruling party or the Gulen movement, though, he worries about what is happening in Ankara.“Reading the newspapers depresses me,” he said. “Everything is about accusing, arguing, fighting.”There is pressure on the press, on labor unions, on professional organizations, on NGOs, on universities. The justice system responds to the ruling party. All of this creates fear in people’s minds. But I’m still optimistic. The new generation is aware of everything, open to the world, and totally in favor of freedom and democracy. Journalists and others are resisting the pressure they’re under. There is absolutely no going back.

Erdogan’s party won 326 seats in the 550-member parliament. This was far short of the 367 that would have allowed him to push through whatever constitution he wished, and also shy of the 330 that would have allowed him to call a referendum on a draft of his own. So his triumph at the polls was mixed and his authority is not absolute.

One of the stipulations of the act provide for 10 acting army officers being elected to parliament by an army council, after being nominated first by Museveni himself. Apart from the obvious problems with the army having a say in legislative affairs, its presence has also invited direct meddling in deliberations, including on occasion the storming of the parliament by security forces

role the military plays in Ugandan politics

Over the past three decades, the Ugandan president has managed to militarise the state by giving government and legislative positions to top military officers. In 2005 he introduced the Uganda Peoples' Defence Forces Act of 2005 giving vast powers to the army

The act has also enabled the army to try civilians in military courts. Bobi Wine himself appeared before a military court in  August after being charged with illegal possession of weapons

his son is a top-ranking general who was initially put in charge of the elite Presidential Guard Unit and then appointed Senior Presidential Advisor on Special Operations. There have been some speculations that by promoting him within the army ranks, Museveni is grooming his son to succeed him.

even if he succeeds, the generals will remain and they will likely do anything to keep the political and economic power they currently enjoy. They are likely to sabotage any effort to introduce major economic and political reforms that could take away their privileges

Museveni himself has been threatened by various powerful officers within the army. It is for this reason that he has conducted purges within its ranks, despite the risk of mutiny. So far, he has managed to silence his challengers

The events of 2011-2013 in Egypt are a good illustration of what happens when a civilian political force tries to challenge the power of a politicised military. In 2011, the Egyptian army stepped back and let the popular revolt topple President Hosni Mubarak, whose sons were perceived as a threat by the military's top brass. Then the army also let Mohamed Morsi take the presidency and form a government; it even let him rule for about a year. But Egypt's military leadership blocked all efforts of his political group, the Muslim Brotherhood, to dismantle its power and eventually brought him down with a coup.

While the parallel between the Egyptian and the Ugandan armies is not a full one - the former being much more powerful than the latter - it is not a stretch to say that discontent military officers could serve as spoilers to whoever comes to power after Museveni, be it Bobi Wine or someone else

expectations for any post-Museveni leadership will be astronomically high (the way they were in Egypt) and his successor will risk losing whatever political capital he or she has by trying to fix decades of purposeful weakening of civilian institutions

British diplomatic officials and the SIS passed on the message to Michaelson that she needed to meet Egypt’s visa issuance authority.Michaelson, who is also a German citizen, said she was advised by German diplomatic officials in Cairo that she should not attend the meeting under any circumstances. “They said, ‘We do not believe it’s safe for you to go to this meeting. You’re at high risk of arrest and you should get on a plane,’”

“The national security agency told British diplomats that there was a plane one evening and they ‘wanted me on it’,”

Press freedom in Egypt has severely deteriorated since the military took power in 2013 and the former commander-in-chief of the armed forces, Abdel Fatah al-Sisi, became president the following year.

A spokesperson for the Foreign Office said: “The UK supports media freedom around the world. We have urged Egypt to guarantee freedom of expression. UK ministers have raised this case with the Egyptian authorities.”

Egypt had 366 confirmed cases of the virus by Monday with 19 deaths, according to the country’s health ministry.

Michaelson’s departure leaves the north African country with no full-time British newspaper correspondents. Bel Trew, a correspondent for the Times, was threatened with a military trial and expelled from Egypt in March 2018.

Domestic media has gradually come to be dominated by the state, which exercises widespread censorship. The office of the country’s last major independent news outlet, Mada Masr, was raided late last year. Access to its website from inside Egypt has been blocked.

Turkey’s state-run Anadolu news agency said at least 21 “Iranian-backed terrorists” were also “neutralized” in Idlib, in a reference to Afghan, Pakistani and other Iranian-backed Shiite militias that have been fighting alongside Syrian President Bashar al-Assad’s forces in Idlib

As war raged on in Idlib, a humanitarian drama was unfolding at Turkey’s border with Greece. On Thursday, Turkey announced that its borders were open for millions of Syrian and other refugees in Turkey to leave. It justified the move on the grounds that it could no longer cope with the burden, with up to a million civilians fleeing regime violence in Idlib remaining massed along Syria's border with Turkey. Thousands of migrants have gathered near Greece's Kastanies border crossing, some getting there by taking free rides on buses organized by the Turkish government. Turkey’s state-owned Arabic-language broadcasting channel, TRT Arabi, provided maps for migrants showing various routes to reach the border.

Erdogan lashed out at the EU for failing to fulfill a 2016 deal under which Turkey undertook to care for nearly 4 million mostly Syrian refugees in exchange for 6 billion euros ($6.6 billion) in financial support

the effect of this new blackmail is a complete disaster. One because the Turkish leadership is officially misleading migrants, telling them that ‘borders are open.’ Two because this is now an additional state-organized humanitarian disaster. There is total bewilderment in Europe at what the Turkish leadership can do when finding itself in a total, self-inflicted dead end

“The term that best characterizes Turkey’s current foreign and security policy is kakistrocracy, that is, government by the least qualified,” he told Al-Monitor. “The only silver lining in the Idlib crisis is that now [the Turkish government] can blame Turkey’s looming economic crisis on exogenous factors, allowing Erdogan to deny that his son-in-law Berat Albayrak, who is in charge of the economy, is to blame for his incompetence and mismanagement.”

“Aleppo is ours and so is Hatay,” declared Ibrahim Karagul, a fellow Erdoganist scribe on his Twitter feed. He was responding to an article by Russia’s state-run Sputnik news agency, which opened to debate Turkey’s 1939 acquisition of Hatay — also known as Alexandretta — in a disputed referendum following the breakup of the Ottoman Empire by the allied powers. The article is believed to have spurred today’s detention of the editor-in-chief of the Turkish version of Sputnik. Mahir Boztepe was released following a phone call between Turkish Foreign Minister Mevlut Cavusoglu and his Russian counterpart Sergey Lavrov.

the consensus among military experts is that Feb. 27 airstrikes were likely carried out by Russian jets. “Russia flies at night, the regime can’t. The Turks were bombed at night,” said Aaron Stein, director of the Foreign Policy Research Institute’s Middle East Program. Both sides have chosen to blame the regime for the attack, presumably to avert a direct confrontation that neither side wants.

Did Putin underestimate Erdogan when the pugnacious Turkish leader set a Feb. 29 deadline for Syrian forces to move out of Idlib? Is he merely letting Erdogan save face? Or does Ankara have more agency in its relations with Moscow than it is credited for? It’s probably a bit of everything, said Kevork Oskanian, an honorary research fellow at Birmingham University who is writing a book titled “Russian Empire.” He told Al-Monitor, "Russia’s reluctance to intervene in the regime’s favor does appear to be designed to allow Erdogan to save face while also softening Assad up for compromise.”

things will never make sense

Detaching from the gaslighting does not mean total detachment. It means distinguishing between the world of the gaslighter and the real world.

often people are willing to give up their reality in favor of hanging on to a relationship rather than rupturing it

write down what actually happened

having to verify reality is in itself destabilizing