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"Here is a list of my favorite fifty books on creativity. Some of these are more on the pop culture side while others are more academic. Some are books I agree with while others are books that I don't necessarily agree with but still provoked a lot of thought. I hope you find this list helpful."

"When my grandpa died, my grandma told me that she missed the small stuff. She had plenty of photo albums packed full of memories, but what she missed the most was waking up next to him in the morning. I remember visiting her on a hard afternoon. She had accidentally poured two cups of coffee and brought them into the family room and placed one next to his empty chair. She spent the next hour crying. This moment had me rethinking what it means to live an epic life - which is ultimately why I created the following video:"

"It has me thinking about my own experience with creative work. When I first got into drawing, I copied the styles of other artists. When I first got into poetry, I copied the style of my favorite poet. When I first wrote a novel, it was essentially fan fiction -- albeit at a time when no one knew that term. I have noticed similar trends among students. They often go through a phase of copying and mash-ups that occur before creating something truly original. I see this trend in art class, wood shop, in writer's workshops, and in STEM labs. So, this has me thinking about stages that I notice as students move from consumers of media to creators of media. I admit that this is not very scientific. There might be a better model out there that explains this phenomenon. However, here are seven stages I see students go through as they shift from consuming to creating: "

"Here's a sketchy video I created for my technology pedagogy course. I have mixed feelings about SAMR, because it often implies that "lower levels" are not as good when often substitution works well. Royan Lee picked this apart well. I also think there are times when the best option involves avoiding technology. For example, there are times when sketching something by hand teaches observational skills better than using a camera. However, I still see a real benefit in the SAMR model, in terms of thinking about the transformative power of technology."

"But when you're new at something, it's slow. It's painful, even. You suck at it. And when you realize you suck at it, you feel defeated. You second-guess every move. You are thinking so intentionally about every step that you sometimes feel like you are going nowhere. Over time, though, it becomes the backdrop. You've moved past the mechanics and you know what you're doing. It's a bit like driving a car. Remember when you sucked at driving? Remember when your heart would race if you went on the freeway? Remember when you had to tell yourself to turn on the turn signal? Well, that's what it's like when you are new at a creative process. You're suddenly the pimple-faced new driver trying to avoid an accident. I mention this, because I notice students who have never hit a place of creative fluency. They have no creative endurance. They give up quickly. They get frustrated too easily. They need too many instructions. But, honestly, it's because creativity has always been icing on the cake (which, honestly, is precisely what makes carrot cake a cake and not a loaf of zucchini bread). It's always been a "when we get to it" activity. It's been the culminating project. Then suddenly you have students who struggle to get anything done. However, it's not laziness. It's actually the byproduct of rarely getting the chance to make anything. "

"When you the word "creative," you might think of a painter or a playwright or an author or a photographer or a filmmaker or a chef. In other words, you might think of people who make things. I think it's what we mean when we use a label like "creative type." But there is no such thing as a creative type. We are all creative. Every one of us. We just need a bigger definition of creativity. "

"Over the last year and a half, I been intentionally responding to every complaint I make about education with the following questions: What have I made that helps solve this problem?  If not . . .  Who do I know that is solving this problem? How can I promote that solution?  I don't always have the answers and I don't have the time or the knowledge or the capacity to create solutions. But even that, in itself, is a step in the right direction. Sometimes admitting that you don't know the answer is a part of the solution."