Skip to main content

Home/ Literacy with ICT/ Group items tagged publication

Rss Feed Group items tagged

David McGavock

A social-media guide for public broadcasters targets the skeptical and the am... - 0 views

  • common resource for social-media best practices.
  • no common resource for social-media best practices.
  • The Corporation for Public Broadcasting wants to fill that gap with a newly released social media handbook for stations,
  • ...4 more annotations...
  • CPB commissioned the marketing firm iStrategy Labs to write a guide that targets a broad audience: not just the stations who need guidance, but the stations who still need convincing of social media’s value.
  • “There remains some hesitancy in public media toward embracing social media,”
  • includes fill-in-the-blank templates for creating social media campaigns, with sections for goals, staffing, tactics, and measurement.
  • suggestions for a station’s “voice” on social media
  •  
    A social-media guide for public broadcasters targets the skeptical and the ambitious Until now, hundreds of independent NPR and PBS affiliates have had no common resource for best practices in social media. By Andrew Phelps Even though NPR and PBS have social media policies (while other news organizations choose not to and still others debate their value), hundreds of independent public broadcasters have shared no common resource for social-media best practices. The Corporation for Public Broadcasting wants to fill that gap with a newly released social media handbook for stations, which is hosted at the National Center for Media Engagement website. CPB commissioned the marketing firm iStrategy Labs to write a guide that targets a broad audience: not just the stations who need guidance, but the stations who still need convincing of social media's value."
John Evans

Logo Foundation Publications | Logo Update - 0 views

  •  
    "In September, 1982, Tom Lough started The National Logo Exchange with Steve Tipps and Glen Bull as a monthly newsletter for Logo teachers and parents. In January, 1986 The International Logo Exchange was launched with Dennis Harper as the editor-in-chief. In September, 1986 these two publications were combined and renamed Logo Exchange . The International Council for Computers in Education (ICCE) acquired the publication in 1987, designating it as the official journal of the ICCE Special Interest Group for Logo-Using Educators (SIG-Logo). In 1989 ICCE was renamed the International Society for Technology in Education (ISTE). Logo Exchange continued as the ISTE journal for SIG-Logo until the fall of 1999, when the SIG was dissolved. The collected issues of Logo Exchange provide a window on Logo developments and Logo teaching over a span of 17 years. We are making these historic documents available here on the Logo Foundation Web site. All 18 volumes of The National Logo Exchange are posted here along with the four issues of The International Logo Exchange. We also include Last Logo Exchange, a collection of essays written by the former editors of Logo Exchange 15 years after it ceased publication. Click on an issue below to see a PDF scan of the original publication. These documents may be downloaded, reproduced, and copied for personal and educational uses provided that you do not charge for copies, and that you include the original copyright notices on them."
John Evans

The Ultimate Cheat Sheet To Becoming A Great Public Speaker - 1 views

  •  
    "Whenever you get called to speak in public, do your palms sweat? Does your tongue get tied up - it's embarrassing, isn't it? Feel nervous? Not many people are natural public speakers - in order to impress your audience, you need practice and the right guidance. If you're responsible for appearing in front of a large audience to deliver speeches or talks, then work your way through this cheat sheet. It's a collaborative effort between London Speaker Bureau and datadial, and will certainly help you overcome your fear of public speaking."
John Evans

About | The Public Domain Review - 1 views

  •  
    "Founded in 2011, The Public Domain Review is an online journal and not-for-profit project dedicated to promoting and celebrating the public domain in all its richness and variety. All works eventually fall out of copyright - from classics works of art to absentminded doodles - and in doing so they enter the public domain, a vast commons of material that everyone is free to enjoy, share and build upon without restriction. Our aim is to help our readers explore this rich terrain - like a small exhibition gallery at the entrance to an immense network of archives and storage rooms that lie beyond. With a focus on the surprising, the strange, and the beautiful, we hope to provide an ever-growing cabinet of curiosities for the digital age, a kind of hyperlinked Wunderkammer - an archive of materials which truly celebrates the breadth and variety of our shared cultural commons and the minds that have made it. "
Jeff Yasinchuk

Young Canadians in a Wired World, Phase III: Trends and Recommendations | MediaSmarts - 0 views

  •  
    "Please include attribution to http://mediasmarts.ca/ycww with this graphic.

    "
John Evans

Free Technology for Teachers: These Google Docs Add-ons Make It Easy to Find Public Dom... - 1 views

  •  
    "Whenever I talk about copyright I always encourage teachers and students to use their own images when they need to include visuals in a paper or presentation. If you don't own an appropriate picture then look for images that are in the public domain. While Google Docs does have a built-in image search tool, Google Images is far from the best place to find images that are in the public domain. Pixabay and Unsplash are better places to find public domain images. If you need to use images in a Google Document, both of those sources are accessible through Google Docs Add-ons."
John Evans

Web Literacy 2.0 - 4 views

  •  
    "This paper captures the evolution of the Mozilla Web Literacy Map to reach and meet the growing number of diverse audiences using the web. The paper represents the thinking, research findings, and next iteration of the Web Literacy Map that embraces 21st Century Skills (21C Skills) as key to leadership development. As technology becomes more ubiquitous, and more people come online, Mozilla continues to refine its strategies to support and champion the web as an open and public resource. To help people become good citizens of the web, Mozilla focuses on the following goals: 1) develop more educators, advocates, and community leaders who can leverage and advance the web as an open and public resource, and 2) impact policies and practices to ensure the web remains a healthy open and public resource for all. In order to accomplish this, we need to provide people with open access to the skills and know-how needed to use the web to improve their lives, careers, and organizations. Knowing how to read, write, and participate in the digital world has become the 4th basic foundational skill next to the three Rs-reading, writing, and arithmetic-in a rapidly evolving, networked world. Having these skills on the web expands access and opportunity for more people to learn anytime, anywhere, at any pace. Combined with 21C leadership Skills (i.e. critical thinking, collaboration, problem solving, creativity, communication), these digital-age skills help us live and work in today's world. Whether you're a first time smartphone user, an educator, an experienced programmer, or an internet activist, the degree to which you can read, write, and participate on the web while producing, synthesizing, evaluating, and communicating information shapes what you can imagine-and what you can do. follows:"
John Evans

Assessing the Potential of the Nation's Largest 1:1 iPad Program - iPads in Education - 2 views

  •  
    "The Los Angeles Unified School District, the second largest public school district in the USA, has approved a plan that will provide every K-12 student and teacher in Los Angeles with an iPad by Fall 2014. With over 650,000 students and almost 26,000 teachers, this initiative represents a huge and risky $500 million investment. With all that technology flooding into the public school system, to what degree will LAUSD's ambitious new plan change the quality of education offered to public school students in the city of Los Angeles?"
John Evans

Collaborative Digital Collections from ReadWriteWeb - 0 views

  • These images won't show up in search engines' image searches or on Flickr (save one exception), but instead can only be accessed via the links below. The images are a part of online collections created by institutions in the U.S. Some of the images may be a part of the public domain, but many will require permission or accreditation in order to use. So, no, these aren't necessarily images you can use in your next blog post, but that doesn't mean they're not useful. Instead, if given permission, these images could be used in the classroom, in private study, or even included in a media project or publication.
  •  
    These images won't show up in search engines' image searches or on Flickr (save one exception), but instead can only be accessed via the links below. The images are a part of online collections created by institutions in the U.S. Some of the images may be a part of the public domain, but many will require permission or accreditation in order to use. So, no, these aren't necessarily images you can use in your next blog post, but that doesn't mean they're not useful. Instead, if given permission, these images could be used in the classroom, in private study, or even included in a media project or publication.
John Evans

Apps in Education: Elementray iPad: E-mag - 2 views

  •  
    "Laura Wright was been kind enough to publish her issuu e-book on the iPads in the Classroom PLN. Have a look at the PLN site for discussion and iPad resources. Check out her publication on using iPads in the Elementary Classroom on the links below. This is a cool publication. Make sure you check out here other issuu publications. "
John Evans

Thousands of Free Media Files in the Public Domain Project - 1 views

  •  
    "It doesn't take a lot of digging to find free media online, but more often than not, although these assets may be free to view and often download, copyright and licensing rules can put some pretty heavy restrictions on using them. This is where sites like the Public Domain Project can be of huge value, providing easy and searchable access to media files that are completely free of all known copyright restrictions. And that's about as free as free gets on the modern web."
John Evans

Five Common Myths about the Brain - Scientific American - 3 views

  •  
    "ome widely held ideas about the way children learn can lead educators and parents to adopt faulty teaching principles Jan 1, 2015 Credit: Kiyoshi Takahase segundo MYTH HUMANS USE ONLY 10 PERCENT OF THEIR BRAIN FACT The 10 percent myth (sometimes elevated to 20) is mere urban legend, one perpetrated by the plot of the 2011 movie Limitless, which pivoted around a wonder drug that endowed the protagonist with prodigious memory and analytical powers. In the classroom, teachers may entreat students to try harder, but doing so will not light up "unused" neural circuits; academic achievement does not improve by simply turning up a neural volume switch. MYTH "LEFT BRAIN" and "RIGHT BRAIN" PEOPLE DIFFER FACT The contention that we have a rational left brain and an intuitive, artistic right side is fable: humans use both hemispheres of the brain for all cognitive functions. The left brain/right brain notion originated from the realization that many (though not all) people process language more in the left hemisphere and spatial abilities and emotional expression more in the right. Psychologists have used the idea to explain distinctions between different personality types. In education, programs emerged that advocated less reliance on rational "left brain" activities. Brain-imaging studies show no evidence of the right hemisphere as a locus of creativity. And the brain recruits both left and right sides for both reading and math. MYTH YOU MUST SPEAK ONE LANGUAGE BEFORE LEARNING ANOTHER FACT Children who learn English at the same time as they learn French do not confuse one language with the other and so develop more slowly. This idea of interfering languages suggests that different areas of the brain compete for resources. In reality, young children who learn two languages, even at the same time, gain better generalized knowledge of language structure as a whole. MYTH BRAINS OF MALES AND FEMALES DIFFER IN WAYS THAT DICTATE LEARNING ABILITIES FACT Diffe
alxa robert

Ghana to begin pilot e-procurement system implementations | eGov Magazine - 0 views

  •  
    Dr Kwabena Duffuor, Minister of Finance and Economic Planning, has asked the Public Procurement Authority (PPA) to design and pursue innovative strategies that would aid the state to derive value for money in its procurement processes. He said to achieve significant headway by way of socio-economic development, conscious efforts must be made to improve public procurement.Dr Duffuor made the call in an address read for him at the fifth public forum, organized by the PPA in Kumasi, on Thursday.
  •  
    Dr Kwabena Duffuor, Minister of Finance and Economic Planning, has asked the Public Procurement Authority (PPA) to design and pursue innovative strategies that would aid the state to derive value for money in its procurement processes. He said to achieve significant headway by way of socio-economic development, conscious efforts must be made to improve public procurement.Dr Duffuor made the call in an address read for him at the fifth public forum, organized by the PPA in Kumasi, on Thursday.
John Evans

Free Technology for Teachers: How to Find Public Domain and Creative Commons Images - 0 views

  •  
    "In last week's survey of Free Technology for Teachers readers Flickr The Commons, Photos for Class, and Pixabay were chosen as the best places to find public domain and Creative Commons images. All three can be used to find images that can be re-used in a variety of presentation formats. The videos embedded below provide an overview of how to use each image source."
John Evans

To rebuild trust in the media, we must empower its consumers  | World Economi... - 0 views

  •  
    "Trust is like the air we breathe; it is essential to our wellbeing and survival, but we barely notice or think about it until it's in short supply. In many different parts of the world, trust in public and public-serving institutions - especially the news media - has declined alarmingly over at least the last decade. Its absence is creating enormous disruption around the world, threatening politics, public health, social relations and many of the other foundations of well-functioning societies. One of the contributors to this state of affairs is the internet. It promised access to a vast ocean of data, news and information, to liberate us from the media's traditional gatekeepers and to make us smarter, more engaged citizens. The internet revolution delivered on some of that promise. But it also unleashed a flood of disinformation and, well, junk. And with weakened gatekeepers, it eventually made it harder than ever to know what and whom to trust."
Phil Taylor

Online Privacy, Online Publicity: Youth do more to protect their reputation than their ... - 3 views

  •  
    "Online Privacy, Online Publicity: Youth do more to protect their reputation than their information"
John Evans

Free Technology for Teachers: 5 Good Places for Students to Find Public Domain Images - 7 views

  •  
    "On a fairly regular basis I'm asked for suggestions on places to find public domain images. I have a handful of go-to sites that I usually recommend."
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 7 views

  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
John Evans

Public Domain & Creative Commons Content - Finding Public Domain & Creative Commons Ima... - 3 views

  •  
    "This guide will help you find and correctly attribute public domain and Creative Commons images for your project or presentation."
John Evans

Partnering with the Denton Public Library - Soldering Workshop | Create, Collaborate, I... - 0 views

  •  
    "At the Denton mini-maker faire, I noticed Trey of Denton Public Library was teaching young children to solder! I was so excited about this empowering activity, I asked if he'd collaborate with me and come teach my high school students to solder during one of our makerspace lunch events. So for two days last week, Trey brought 10 soldering stations, some Makey badges, and a whole lot of knowledge.  I loved how Trey told the students, "It's tool, don't be afraid of it, just respect it.""
1 - 20 of 559 Next › Last »
Showing 20 items per page