Skip to main content

Home/ Literacy with ICT/ Group items tagged gives

Rss Feed Group items tagged

Filter: All | Bookmarks | Topics Simple Middle
John Evans

Introduction to Scratch - Envato Tuts+ Code Tutorial - 5 views

code.tutsplus.com/...oduction-to-scratch--cms-23855

introduction scratch code tutorial coding makered

shared by John Evans on 22 Feb 16 - No Cached
  • John Evans on 22 Feb 16
     
    "In this series of tutorials I'll give you a detailed introduction to Scratch and how to use it. This first part will give an overview of how Scratch works and its main components and concepts. I'll cover: getting started projects assets: backdrops, sprites, costumes and sounds scripts where to get help First, here's how to get started with Scratch. "
Nigel Coutts

The Power of Teams - The Learner's Way - 0 views

thelearnersway.net/...the-power-of-teams

teams learning education teachers collaboration teaching

shared by Nigel Coutts on 20 Mar 16 - No Cached
  • Nigel Coutts on 20 Mar 16
     
    Sometimes it is worth stating the obvious, giving time and thought to what we easily take for granted. In doing so we name the things we value most and give them the value they deserve. The value of teams is one such ideal, we know that teams have value, we probably even know what it feels like to be a part of a great team but too often we take this feeling as understood and don't stop to consider what makes it worth chasing.
John Evans

The Essential Guide to the Use of Skype in Education - The Tech Edvocate - 3 views

www.thetechedvocate.org/-the-use-of-skype-in-education

essential guide skype education tech

shared by John Evans on 12 Jun 18 - No Cached
  • John Evans on 12 Jun 18
     
    "Many educators don't realize that Skype could be a valuable classroom asset that gives students lots of new opportunities to learn. When you hear about Skype, you most likely think of video calls that you might make in your spare time. However, there is an entire world of untapped resources available through Skype for your school. If you have been trying to incorporate new ideas into your classroom, signing up for a Microsoft Educator Community membership might be a smart move. You can give your students access to tons of resources and real-world experiences that will deepen their knowledge of the concepts you teach. Find out what sort of classroom activities you could plan in our essential guide to the use of Skype in your classroom."
John Evans

Best Coding Tools for High School Students | Common Sense Education - 2 views

www.commonsense.org/...tools-for-high-school-students

coding tools high school education students makered

shared by John Evans on 12 Sep 17 - No Cached
  • John Evans on 12 Sep 17
     
    "Coding is an invaluable literacy applicable to virtually any future career or field of study. These high school-level tools will help students build this essential 21st-century literacy by learning how code works and how to write code themselves. Once they're up to snuff, coding will give your students a new way to demonstrate knowledge and express themselves. And teachers, take note: There are tools here for those brand new to code as well as those looking for more of a challenge, so make sure to pick and choose to give every student a window into the world of programming."
John Evans

Celebrate International Creativity Month in Class | Education World - 2 views

www.educationworld.com/...nth-classroom-activities.shtml

international creativity month class education ideas

shared by John Evans on 14 Jan 19 - No Cached
  • John Evans on 14 Jan 19
     
    "Did you know that January is considered International Creativity Month? This month, remind your students about the importance of being creative. Give your students the ability to creatively express themselves by providing various options for a particular class assignment. For example, instead of assigning the same writing assignment to every student, offer five variations on the topic to give the students more flexibility to choose something they find worthwhile."
John Evans

Beginning the School Year: It's About the Learners Not the Content | User Generated Edu... - 1 views

usergeneratededucation.wordpress.com/...t-the-learners-not-the-content

beginning school year learners social

shared by John Evans on 10 Aug 17 - No Cached
  • John Evans on 10 Aug 17
     
    "Too many classes, all grade levels, begin the school year with getting down to academic business - starting to cover content, discussing expectations regarding academic requirements, giving tests, and other academic information provided by the teacher to the students in a mostly one-way communication.  The human or social element is often disregarded. I believe that all classes should begin with focusing on having the students make connections between themselves and the educator; and between one another.  I want students to learn about one another in a personal way.  I want to learn about my students so my instructional strategies can be more personalized and tailored to their needs and interests.  Beginning class with a focus on connections rather than content gives learners the following messages:"
John Evans

How to Run a Maker Madness Tourney at Your School by @AnnemarieCat - A.J. JULIANI - 0 views

ajjuliani.com/n-maker-madness-tourney-school

makered makerspaces STEM makerspace maker

shared by John Evans on 19 Jul 17 - No Cached
  • John Evans on 19 Jul 17
     
    "The Makerspace movement has been steadfastly gaining traction in education, and rightly so; what better way to incite creativity, encourage inventiveness, and just generally let kids have fun than by giving them Things and asking them to Make Something? One great way to introduce the concept of making to your school is through a Maker Madness Tournament.  This structured, guided, tiered competition gives faculty and students some great exposure to what it means to be a Maker while cashing in on the inherent joy that children find in some friendly competition!"
John Evans

Innovation Playlist - Ted Dintersmith - 0 views

teddintersmith.com/innovation-playlist

innovation playlist videos inspiration school TED

shared by John Evans on 17 Jun 19 - No Cached
  • John Evans on 17 Jun 19
     
    "Face it. Like all organizations, schools get locked into routine, impeding change. But all schools need to innovate to prepare kids for a dynamic and uncertain future. The question is, "How?" The Innovation Playlist can help your school make positive, informed change. It represents a teacher-led model, based on small steps leading to big change, that draws on best practices from outstanding educators and non-profits from across the country. The Innovation Playlist consists of albums (the big goals on the left) and tracks (the small steps on the right that help you reach each big goal). Each track can be done quickly - fifteen minutes to a day or two - with minimal downside and lots of upside. The playlist process can be led by a school's principal, by faculty at the school, grade or department level, or even by a family at home. The "Mobilize Your Community" album is the ideal place to start, letting you generate enthusiasm for innovation. Then, focus on a few tracks in coming months. Start with one (e.g., Curiosity Time), find a few eager volunteers to try it (many will!), and have them share their experience with the entire faculty. Over time, encourage the early adopters to go deeper, and others to give it a try. Innovation is contagious. This "small steps leading to big change" model means you don't risk the painfully-visible failure that inevitably comes from a sweeping top-down dictum. Each teacher can innovate as much, or as little, as fits their strengths and styles. Give permission to those itching to innovate, and let them run with it. And if a teacher isn't up for this kind of innovation, that's ok, too… It can be a good thing for students to experience a range of pedagogies."
John Evans

3 soft skills that yield hard results when you speak | SmartBrief - 2 views

www.smartbrief.com/...ld-hard-results-when-you-speak

soft skills practice speech presentation

shared by John Evans on 31 Jul 19 - No Cached
  • John Evans on 31 Jul 19
     
    "Although there are significant differences between giving a business presentation and performing as an actor, there is one huge similarity: rehearsal is the key to success. While this might seem obvious to you now, it's easy to put off rehearsal as more immediate concerns demand your attention. But you simply can't expect to give a powerhouse presentation when you haven't rehearsed sufficiently. So, let's consider smart lessons learned from an acting workshop and how to adapt these to create a concrete process for rehearsing your next presentation, sales pitch or speech."
John Evans

9 Ways to Inspire Student Inventors | Edutopia - 1 views

www.edutopia.org/...-student-inventors-vicki-davis

student inventors edutopia

shared by John Evans on 01 May 17 - No Cached
  • John Evans on 01 May 17
     
    "There's an old saying that the things that change your life are the books you read, the places you go, and the people you meet. But I'd like to add a fourth: the challenges you face (and how you face them) will always change your life. If we want our students to respond to challenges with creativity and inventiveness, we must create the conditions in which innovation is not only possible but encouraged. You don't help students learn to invent by giving worksheets or cookie-cutter assignments. In fact, these one-size-fits-all approaches may actually take up the time that could be used for such creativity. Get the best of Edutopia in your inbox each week. According to the Torrance Test-which measures CQ, or creativity quotient-the United States has been declining in creativity since 1990. There has to be a reason. Perhaps it is because we focus on students' weaknesses instead of their strengths. In many schools, we'll put a math genius who struggles with grammar into extra English classes. Should we not give this math genius access to college-level advanced math work, and figure out the basic English requirements he or she needs for a basic understanding of grammar? Why do we think that all students should be good at everything? We can either be average at everything or exceptional at something. With this in mind, here are some things we need to do to encourage student inventors as we nurture student passions, interests, and strengths."
John Evans

How to... use ChatGPT to boost your writing - 0 views

oneusefulthing.substack.com/...w-to-use-chatgpt-to-boost-your

ChatGPT AI education educators teachers

shared by John Evans on 12 Jan 23 - No Cached
  • John Evans on 12 Jan 23
     
    "I think most people who are using ChatGPT to help with writing are doing it wrong. I don't just mean because they using it to cheat on school assignments (don't do that) or because they don't check the facts that ChatGPT gives (they might be made up), but because they have the wrong mental model for how to work with the system. I have mentioned that ChatGPT isn't Google, and it isn't Alexa, but it also isn't a human that you are giving instructions to. It is a machine you are programming with words."
John Evans

The Backchannel: Giving Every Student a Voice in the Blended Mobile Classroom | Edutopia - 4 views

www.edutopia.org/...blended-classroom-beth-holland

backchannel giving student voice blended learning mobile classroom edutopia

shared by John Evans on 20 Jul 14 - No Cached
  • John Evans on 20 Jul 14
     
    "hat outlet."
John Evans

Marvel's giving you the key to over 13,000 comics for 99 cents - 0 views

www.engadget.com/...-unlimited-comics-for-99-cents

marvel comics online special comic-con

shared by John Evans on 23 Jul 14 - No Cached
  • John Evans on 23 Jul 14
     
    "To celebrate the start of Comic-Con tomorrow in San Diego, Marvel is kicking off a promotion that provides an all-you-can-have pass to its entire digital library for less than a dollar. There are a few caveats, as expected, but not enough to make the offer seem any less attractive. According to Wired, Marvel Unlimited, which is home to more than 13,000 comics, can be accessed over the next week with a simple payment of 99 cents. The deal will only give you an in to the service for one month, but the renowned publisher is hoping that's plenty of time to keep you locked in beyond said period."
John Evans

Giving students more music, theater, and dance boosts writing scores (and compassion), ... - 1 views

www.chalkbeat.org/...-compassion-and-writing-scores

arts drama theatre music writing compassion students

shared by John Evans on 06 Mar 19 - No Cached
  • John Evans on 06 Mar 19
     
    "When you're the big fish, it's not OK to pick on the little fish just because you can. That's an important lesson for everyone. But some Houston first-graders got a particularly vivid demonstration in the form of a musical puppet show, which featured fish puppets and an underlying message about why it's wrong to bully others. The show left an impression on the students at Codwell Elementary, according to their teacher Shelea Bennett. "You felt like you were in that story," she said. "By the end of the story they were able to answer why [bullying] wasn't good, and why you shouldn't act this way." The puppeteer's show was part of an effort to expand arts education in Houston elementary and middle schools. Now, a new study shows that the initiative helped students in a few ways: boosting students' compassion for their classmates, lowering discipline rates, and improving students' scores on writing tests. It's just the latest study to find that giving students more access to the arts offers measurable benefits. And adding time for dance, theater, or visual arts isn't at odds with traditional measures of academic success, according to the research - which amounts to one of the largest gold-standard studies on arts education ever conducted. "Arts learning experiences benefit students in terms of social, emotional, and academic outcomes," write researchers Dan Bowen of Texas A&M and Brian Kisida of the University of Missouri. The study, released Tuesday through the Houston Education Research Consortium, looked at elementary and middle schools - which predominantly served low-income students of color - that expressed interest in participating in Houston's Arts Access Initiative. There appeared to be significant need: nearly a third of elementary and middle schools in the district reported lacking a full-time arts teacher."
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 8 views

www.centerforsocialmedia.org/...e_for_media_literacy_education

Best Practice Fair Use literacy CC copyright guide guidelines

shared by Clint Hamada on 07 Apr 10 - Cached
  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
buyusaco2036

Buy Facebook 5 Star Reviews - 0 views

buyusaco.com/...buy-facebook-5-star-reviews

Buy Facebook 5 Star Reviews education technology learning

shared by buyusaco2036 on 21 Apr 25 - No Cached
  • buy5starshop588 on 21 Apr 25
     
    BuyUSACo is the top online retailer for buying Facebook 5 Star Reviews. We provide quality services at an unbeatable price that are sure to give your business a boost in reputation and visibility across platforms like social media. Our team of customer service professionals specialise in providing reviews from real customers, so you can be confident that you're getting reviews with genuine feedback about your products or services.
  • buy5starshop4165 on 27 Apr 25
     
    BuyUSACo is the top online retailer for buying Facebook 5 Star Reviews. We provide quality services at an unbeatable price that are sure to give your business a boost in reputation and visibility across platforms like social media. Our team of customer service professionals specialise in providing reviews from real customers, so you can be confident that you're getting reviews with genuine feedback about your products or services.
  • buyusaco2036 on 21 May 25
     
    BuyUSACo is the top online retailer for buying Facebook 5 Star Reviews. We provide quality services at an unbeatable price that are sure to give your business a boost in reputation
« First ‹ Previous 41 - 60 of 738 Next › Last »
Showing 20▼ items per page