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A Liverpool University study found reading poetry lights up both the left part of the brain concerned with language, as well as the right hemisphere, an area that relates to autobiographical memory and emotion. Reading triggers "reappraisal mechanisms" that cause people to reflect on their own experiences in light of what they read. The study might also suggest that word choice and sound are crucial elements in creating beneficial literary experiences: more "challenging" prose and poetry (striking wording/phrasing, complex syntax) sparks far more electrical activity in the brain than more pedestrian translations of those passages.

What can you recite by heart? Your times tables? German verb formations? The Lord's Prayer? Novelist Salman Rushdie thinks it should be poetry. Speaking at the Hay Festival, the writer described memorising poems as a "lost art" that "enriches your relationship with language". David Whitley, a lecturer at Cambridge University, Whitely, whose Poetry and Memory project surveyed almost 500 people, says: "Those who memorised poems had a more personal relationship [with the poem] - they loved it for the sound and meaning, but it also connected with their life currents - people they loved, or a time that was important to them. "For people who memorise a poem, it becomes a living thing that they connect with - more so than when it is on a page. Learning by heart is often positioned as the opposite of analysis. But for many people who know a number of poems, their understanding grows over time and changes." Psychotherapist Philippa Perry agrees. She points out that memorising anything, from poems to music, means you always have it with you. She thinks that memorising poems can also be good for the health of our brains. "The way we 'grow' our brains is that we make connections between our brain cells - neural pathways. The more you exercise that network, the more you strengthen it. If you learn things by heart, you get better at it."

Nineb Lamassu, a researcher at England's Cambridge University, travels among the Assyrian diaspora, recording the traditional epic poetry of the Assyrian ethnic minority and capturing at least the memory of an ancient people whose presence in their homeland is gradually fading.

From drone strikes to the songs of the ancient caravans, the folk poetry called landay reflects Afghan life. Landay are two-line, 22-syllable poems in the oral tradition. The form is thousands of years old, thought to come from the caravan trains that arrived in the region in approximately 2,500 BC. Contemporary Afghan women are composing landay as a form of rebellion. Reporter Eliza Griswold studied these contemporary poems and discovered a complex world of rage, empowerment, sorrow and sex.

Lingua Franca, a blog from The Chronicle of Higher Education, discusses various issues related to language and applied linguistics, including poetry, style, grammar, dialects, words.

scholarly

Teachers can use music to deepen the learning environment in a literacy classroom. Many commonalities exist between music and literacy, especially in the pre-K to second grade years, and therefore music education is a vital element in children's literary development. Here are some areas that reading and music both address: 1. Development of auditory processes 2. Visual decoding processes 3. Vocabulary growth occurs whenever students are exposed to new material, like a story or a song. Putting new information into a musical context can also help student memory. 4. Poetry: vocal music is essentially poetry set to a melody 5. Building confidence in performance, whether it's vocal or instrumental.

The Rap Genius website annotates rap lyrics: creators hope to provide a hip-hop Wikipedia. You can listen to songs, read lyrics, and click the lines that interest you for pop-up explanations. Like Wikipedia, you can also create and annotate entries.

Twitter - the social network where users write tweets of 140 characters is changing how poets and novelists write. They are being forced to strip down language to its bare minimum.

This Wall Street Journal interactive employs lyrics from the musical Hamilton as well as the song lyrics of the Fugees, Nas, Kendrick Lamar, Rakim, etc. to illustrate sound devices in context. Audio included.

A new study finds that software designed to automatically read and grade essays can do as good a job as humans - maybe even better. The robo-readers are efficient, as well, and can grade 16,000 essays in 20 seconds. The caveats, however: computers don't do as well on comprehension, ascertaining facts vs. fiction, and assessing certain genres, like poetry.

A mathematician friend shared this article with me. A reading protocol is a set of strategies that a reader must use in order to benefit fully from reading the text. Mathematics has a reading protocol all its own, and just as we learn to read literature, we should learn to read mathematics. Students need to learn how to read mathematics, in the same way they learn how to read a novel or a poem, listen to music, or view a painting.

Oral forms like ballads and epics exist in every culture, originating long before the advent of written language. In preliterate eras, tales had to be appealing to the ear and memorable to the mind or else they would simply disappear. After all, most messages we hear are forgotten, or if they're passed on, they're changed beyond recognition - as psychologists' investigations of how rumors evolve have shown. In his classic book Memory in Oral Traditions, cognitive scientist David Rubin notes, "Oral traditions depend on human memory for their preservation. If a tradition is to survive, it must be stored in one person's memory and be passed on to another person who is also capable of storing and retelling it. All this must occur over many generations… Oral traditions must, therefore, have developed forms of organization and strategies to decrease the changes that human memory imposes on the more casual transmission of verbal material." What are these strategies? Tales that last for many generations tend to describe concrete actions rather than abstract concepts. They use powerful visual images. They are sung or chanted. And they employ patterns of sound: alliteration, assonance, repetition and, most of all, rhyme. Such universal characteristics of oral narratives are, in effect, mnemonics - memory aids that people developed over time "to make use of the strengths and avoid the weaknesses of human memory," as Rubin puts it.

Information set to music, suggests research, is better retained, as it taps into time- honored strategies that help information stick. Tales that last for many generations tend to describe concrete actions rather than abstract concepts. They use powerful visual images. They are sung or chanted. And they employ patterns of sound: alliteration, assonance, repetition and, most of all, rhyme. A study by Rubin showed that when two words in a ballad are linked by rhyme, contemporary college students remember them better than non-rhyming words. Such universal characteristics of oral narratives are, in effect, mnemonics-memory aids that people developed over time "to make use of the strengths and avoid the weaknesses of human memory," as Rubin puts it. Songs and rhymes can be used to remember all kinds of information. A study just published in the journal Memory and Cognition finds that adults learned a new language more effectively when they sang it.

These writing experiments seem like ways to burrow through the language environment that is our niche...

This article is relevant to the Genie case, outlining the many ways isolation is physically bad for us. Chronically lonely people have higher blood pressure, are more vulnerable to infection, and are also more likely to develop Alzheimer's disease and dementia. Loneliness also interferes with a whole range of everyday functioning, such as sleep patterns, attention and logical and verbal reasoning. The mechanisms behind these effects are still unclear, though what is known is that social isolation unleashes an extreme immune response - a cascade of stress hormones and inflammation. This response might've been biologically advantageous for our early ancestors, when being isolated from the group carried big physical risks, but for modern humans, the outcome is mostly harmful. A 1957 McGill University study, recreated in 2008 by Professor Ian Robbins, head of trauma psychology at St George's Hospital, Tooting, found that after only a matter of hours, people deprived of perceptual stimulation and meaningful human contact, started to crave stimulation, talking, singing or reciting poetry to themselves to break the monotony. Later, many of them became anxious or highly emotional. Their mental performance suffered too, struggling with arithmetic and word association tests. In addition, subjects started hallucinating. The brain is used to processing large quantities of data, but in the absence of sensory input, Robbins states that "the various nerve systems feeding in to the brain's central processor are still firing off, but in a way that doesn't make sense. So after a while the brain starts to make sense of them, to make them into a pattern." It tries to construct a reality from the scant signals available to it, yet it ends up building a fantasy world.

Mali, teacher and slam poet, delivering a humorous take on "uptalk".