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If you're looking for the species that most closely matches our linguistic prowess, surprisingly, you won't find it in the apes, the primates, or even in the mammals. You have to travel to a far more distant relative, all the way to a family of birds known as the songbirds. The vocal life of a songbird is similar to ours in many ways. They learn songs by imitating their elders. Like human speech, these songs are passed down from one generation to the next. Songbirds are also best equipped to learn songs in their youth, and they have to practice to develop their ability. They can improvise and string together riffs into new songs, and over generations these modified songs can turn into new dialects. And like us, they come hard-wired with 'speech-centers' in their brain that are dedicated to language processing. An experiment from 2009 by Fehér and colleagues took newly hatched songbirds of the zebra finch species and raised them in sound proof chambers. They did this during their critical period of language development. Surprisingly, this culturally isolated generation of birds began to develop their own songs. These songs were less musical than your typical songbird song - they had irregular rhythms, they would stutter their notes, and the notes would sound more noisy. But the researchers were curious where this would lead. They listened to the songs of the next few generations of pupils, the offspring of these children of silence. What they found was quite amazing. In just two generations, the songs started to change in unexpected ways - they were becoming more musical. In fact, they started to converge upon the song of the wild songbirds, even though none of these birds had ever heard the wild songs. The Feher study suggests, but does not prove, that songbirds must have an innate understanding of the structures of their language. In other words, they seem to have a built-in intuition about grammar. Over time, they may be using these intuitions to develo

"They found that in any given humpback population, all the males will sing the same mating song. But the tune's pattern and structure will occasionally change, and as more catchy versions emerge they spread across the ocean - for some reason almost always moving west to east - and supplant the older, now stale songs."

includes a section about song lyrics and a good introduction to the cognitive aspects of memory Excerpt: "The experimental data corroborate our intuition that the memory representation for lyrics seems to be tied into the memory representation for melody (Serafine, Crowder, and Repp 1984). Further evidence of this comes from a case report of a musician who suffered a stroke caused by blockage of the right cerebral artery. After the stroke, he was able to recognize songs played on the piano if they were associated with words (even though the words weren't being presented to him), but he was unable to recognize songs that were purely instrumentals (Steinke, Cuddy, and Jacobson 1995)."

Research about the association between music and speech. Tonal languages, such as Mandarin, support theories of language developing out of a "protolanguage" comprised of sounds that were more similar to tones than words.

wonderful radio interview with the woman who first discovered the songs of whales and is now researching how elephants communicate outside of human auditory range

"Now, after a computer analysis of three decades of hit songs, Dr. DeWall and other psychologists report finding what they were looking for: a statistically significant trend toward narcissism and hostility in popular music. As they hypothesized, the words "I" and "me" appear more frequently along with anger-related words, while there's been a corresponding decline in "we" and "us" and the expression of positive emotions."

Talks about how rhythmic characteristics of language and accents are reflected in the rhythms of songs.

In a 2011 published study (https://mp.ucpress.edu/content/29/1/51.full.pdf+html), Nicholas Temperley and David Temperley, 2 musicologists, did a musical corpus analysis showing that the Scotch snap, a sixteenth-note on the beat followed by a dotted eighth-note, is common in both Scottish and English songs, but virtually nonexistent in German and Italian songs, and explored possible linguistic correlates for this phenomenon. British English shows a much higher proportion of very short stressed syllables (less than 100 ms) than the other two languages. Four vowels account for a large proportion of very short stressed syllables in British English, and also constitute a large proportion of SS tokens in our English musical corpus. A Scotch snap, as Adam Neely notes in the above video, is the musical, rhythmical counterpart to a trochee in poetry. Say the phrase "Teenage Mutant Ninja Turtles" to hear a series of Scotch snaps.

"a new citizen science project for you to play with - matching up whalesong to try and analyze the watery leviathans' language... Each family of killer whales appears to have a distinct "dialect" that it uses to communicate, and closely related families appear to share calls ... Your task is to pick the one that's closest to the original call, with the help of visualizations of what the audio sounds like." The website is whale.fm.

Oral forms like ballads and epics exist in every culture, originating long before the advent of written language. In preliterate eras, tales had to be appealing to the ear and memorable to the mind or else they would simply disappear. After all, most messages we hear are forgotten, or if they're passed on, they're changed beyond recognition - as psychologists' investigations of how rumors evolve have shown. In his classic book Memory in Oral Traditions, cognitive scientist David Rubin notes, "Oral traditions depend on human memory for their preservation. If a tradition is to survive, it must be stored in one person's memory and be passed on to another person who is also capable of storing and retelling it. All this must occur over many generations… Oral traditions must, therefore, have developed forms of organization and strategies to decrease the changes that human memory imposes on the more casual transmission of verbal material." What are these strategies? Tales that last for many generations tend to describe concrete actions rather than abstract concepts. They use powerful visual images. They are sung or chanted. And they employ patterns of sound: alliteration, assonance, repetition and, most of all, rhyme. Such universal characteristics of oral narratives are, in effect, mnemonics - memory aids that people developed over time "to make use of the strengths and avoid the weaknesses of human memory," as Rubin puts it.

Information set to music, suggests research, is better retained, as it taps into time- honored strategies that help information stick. Tales that last for many generations tend to describe concrete actions rather than abstract concepts. They use powerful visual images. They are sung or chanted. And they employ patterns of sound: alliteration, assonance, repetition and, most of all, rhyme. A study by Rubin showed that when two words in a ballad are linked by rhyme, contemporary college students remember them better than non-rhyming words. Such universal characteristics of oral narratives are, in effect, mnemonics-memory aids that people developed over time "to make use of the strengths and avoid the weaknesses of human memory," as Rubin puts it. Songs and rhymes can be used to remember all kinds of information. A study just published in the journal Memory and Cognition finds that adults learned a new language more effectively when they sang it.

Wanda Wallace, in a study reported in the November 1994 _Journal of Experimental Psychology_, noted that the melody of a song, in some situations, can facilitate learning and recall. The experiments in this article demonstrate that text is better recalled when it is heard as a song rather than as speech, provided the music repeats so that it is easily learned. Furthermore, the experiments indicate that the melody contributes more than just rhythmic information. Music is a rich structure that chunks words and phrases, identifies line lengths, identifies stress patterns, and adds emphasis as well as focuses listeners on surface characteristics. The musical structure can assist in learning, in retrieving, and if necessary, in reconstructing a text.

"Music stimulates various parts of the brain, making it an effective therapeutic or mood-altering tool." I totally agree with that statement and it is also said that 80% of students do homework and study while listening to music. I find that slower pace songs don't distract people as much as fast paced and up-beat songs do.

Darwin's theory of language developing from love songs

"Birds learn to sing their songs and babies learn to make the sounds of their language in the same way.... Furthermore, both birds and humans go through a period [critical period] when learning is best accomplished... the brain architecture supporting babbling and birdsong is similar...the same mutated gene, FOXP2, is implicated in both [birdsong and speech]."

What a find! He talks about so many of the things we've touched on, and the fact that he titles his post "Birds R Us" is just too funny. :) I like that he provides the links to the original research, too.

This researcher has a summary of parallels between songbird songs and human language; also links to his many published papers.

Background: Memory is an essential part of our lifestyles that is vaguely understood. Memory is our brain's ability to encode, store, retain, organize, alter, and recover information and past experiences (Klatzky, 1975). It is often divided into three stages known as sensory memory, short-term memory, and long-term memory (Atkinson and Shiffrin, 1971).

NPR's Jasmine Garsd, cohost of Alt.Latino, NPR's weekly music podcast, speaks re: indigenous lyrics and music sung in indigenous languages, fused to Western idioms like hip-hop and electronica. The show itself, featuring artists who showcase their musical talents in indigenous languages from Mapuche to Tzotzil, Guarani and Quechua, can be found at this link: http://www.npr.org/blogs/altlatino/2015/03/05/390934624/hear-6-latin-american-artists-who-rock-in-indigenous-languages

A language teacher began research on pop music and learning after seeing how her students had a remarkable aptitude to memorize song lyrics. The study investigates the mnemonic values of songs and learning.

Music is such a powerful tool for children, whether it be singing, playing an instrument, or just grooving along to the beat. There are so many types of songs (repetition, recognition, action, imaginative, etc.) that it reaches out to all types of learners and helps develop their language abilities as well! This article explores how music can really help people with down syndrome!

This article talks about how famous rappers have huge vocabularies to create their music. Eminem has the top number of vocabulary words at a shocking 8,818 words. Having a big vocabulary like that provides him with the use of unique words in his songs and this is one of the reason why he came out with more songs than other rappers.