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Louise Phinney

Free Technology for Teachers: Create a Text Message Exchange Between Fictional Characters - 0 views

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    Good for any class doing a character study The ever clever Russel Tarr has developed a new neat tool for creating fictional text message exchanges between fictional and or historical characters. The Classtools SMS Generator is free to use and does not require students to log-in. To use the SMS Generator just click the left speech bubble icon and enter a message. Then to create a reply just click the right speech bubble icon and enter a new message. You can make the exchange as long as you like.
Jeffrey Plaman

Home : Inform - 0 views

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    "Inform is a design system for interactive fiction based on natural language. It is a radical reinvention of the way interactive fiction is designed, guided by contemporary work in semantics and by the practical experience of some of the world's best-known writers of IF."
Katie Day

The Stella Prize - 0 views

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    "The Stella Prize is a new major literary award for Australian women's writing. The Stella Prize celebrates Australian women's contribution to literature. Named after one of Australia's most important female authors, Stella Maria 'Miles' Franklin (1879-1954), the prize rewards one writer with a significant monetary prize of $50,000. The Stella Prize will also raise the profile of women's writing through the Stella Prize longlists and shortlists, encourage a future generation of women writers, and bring readers to the work of Australian women. The Stella Prize will be awarded for the first time in 2013, and both fiction and non-fiction books are eligible."
Katie Day

100 New York Schools Try 'Common Core' Approach - NYTimes.com - 0 views

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    Excerpt re literacy:  "While English classes will still include healthy amounts of fiction, the standards say that students should be reading more nonfiction texts as they get older, to prepare them for the kinds of material they will read in college and careers. In the fourth grade, students should be reading about the same amount from "literary" and "informational" texts, according to the standards; in the eighth grade, 45 percent should be literary and 55 percent informational, and by 12th grade, the split should be 30/70."
Keri-Lee Beasley

Historical Fiction Written by Students and Published on iBooks - 1 views

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    Collaborative writing effort by students. 3D images added using bookry
Katie Day

John Green Tackles Copyright Via YouTube - The Digital Shift - 1 views

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    the very popular author of "The Fault in Our Stars" discusses the issues of copyright inherent in fan fiction, etc. - using the example of a Filipino teenager and a Norwegian teenager creating a poster about his book -- a 3 min clip that could be could to show students re creative remix
Katie Day

No Difference Between Kids' Comprehension of Ebooks, Print Books, Study Says - 1 views

  • The greatest limitation of the study is that students read narrative rather than informational texts, and "research has found that most ereaders are used for reading for pleasure, and most users are satisfied with their devices for this purpose." When it comes to studying, traditional print books are preferred to ebooks.
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    ""Student Comprehension of Books in Kindle and Traditional Formats" by Michael Milone, a research psychologist and educational writer at Renaissance Learning, asked students in two fourth-grade classes located in the Upper Midwest to read up to six books from a selected list of a dozen popular fiction titles"
Katie Day

My vision for history in schools | Simon Schama | Education | The Guardian - 0 views

  • once he realised – or was made to realise – how much more work it would take both for his pupils and himself to satisfy the time-lords of assessment, "I collapsed back on Hitler and the Henries."
  • My own anecdotal evidence suggests that right across the secondary school system our children are being short-changed of the patrimony of their story, which is to say the lineaments of the whole story, for there can be no true history that refuses to span the arc, no coherence without chronology.
  • A pedagogy that denies that completeness to children fatally misunderstands the psychology of their receptiveness, patronises their capacity for wanting the epic of long time; the hunger for plenitude. Everything we know about their reading habits – from Harry Potter to The Amber Spyglass and Lord of the Rings suggests exactly the opposite. But they are fiction, you howl? Well, make history – so often more astounding than fiction – just as gripping; reinvent the art and science of storytelling in the classroom and you will hook your students just as tightly. It is, after all, the glory of our historical tradition – again, a legacy from antiquity – that storytelling is not the alternative to debate but its necessary condition.
Katie Day

What Should Children Read? - NYTimes.com - 1 views

  • There are anthologies of great literature and primary documents, but why not “30 for Under 20: Great Nonfiction Narratives?” Until such editions appear, teachers can find complex, literary works in collections like “The Best American Science and Nature Writing,” on many newspaper Web sites, which have begun providing online lesson plans using articles for younger readers, and on ProPublica.org. Last year, The Atlantic compiled examples of the year’s best journalism, and The Daily Beast has its feature “Longreads.” Longform.org not only has “best of” contemporary selections but also historical examples dating back decades.
  • Adult titles, like “The Omnivore’s Dilemma,” already have young readers editions, and many adult general-interest works, such as Timothy Ferris’s “The Whole Shebang,” about the workings of the universe, are appropriate for advanced high-school students.
  • In addition to a biology textbook, for example, why can’t more high school students read “The Immortal Life of Henrietta Lacks”?
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  • What Tom Wolfe once said about New Journalism could be applied to most student writing. It benefits from intense reporting, immersion in a subject, imaginative scene setting, dialogue and telling details. These are the very skills most English teachers want students to develop.
  • In my experience, students need more exposure to nonfiction, less to help with reading skills, but as a model for their own essays and expository writing,
  • Common Core dictates that by fourth grade, public school students devote half of their reading time in class to historical documents, scientific tracts, maps and other “informational texts” — like recipes and train schedules. Per the guidelines, 70 percent of the 12th grade curriculum will consist of nonfiction titles. Alarmed English teachers worry we’re about to toss Shakespeare so students can study, in the words of one former educator, “memos, technical manuals and menus.”
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    "A striking assumption animates arguments on both sides, namely that nonfiction is seldom literary and certainly not literature. Even Mr. Coleman erects his case on largely dispiriting, utilitarian grounds: nonfiction may help you win the corner office but won't necessarily nourish the soul. As an English teacher and writer who traffics in factual prose, I'm with Mr. Coleman. In my experience, students need more exposure to nonfiction, less to help with reading skills, but as a model for their own essays and expository writing, what Mr. Gladwell sought by ingesting "Talk of the Town" stories. I love fiction and poetry as much as the next former English major and often despair over the quality of what passes for "informational texts," few of which amount to narrative much less literary narrative. What schools really need isn't more nonfiction but better nonfiction, especially that which provides good models for student writing. Most students could use greater familiarity with what newspaper, magazine and book editors call "narrative nonfiction": writing that tells a factual story, sometimes even a personal one, but also makes an argument and conveys information in vivid, effective ways."
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    "What schools really need isn't more nonfiction but better nonfiction, especially that which provides good models for student writing. "  Totally supports my belief that nonfiction longreads are out there on the internet and are not being taken advantage of by teachers -- enough.
Katie Day

Three Percent: 2013 Best Translated Book Award Fiction Longlist - 0 views

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    a resource for international literature at the Univ of Rochester
Katie Day

Interactive Fiction Game Design | CrookedLetter.org - 0 views

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    "what can an English class do to leverage the potential of game-based learning?"
Katie Day

I.N.K. - interesting non-fiction for kids - 0 views

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    a joint blog by a group of nonfiction writers for kids
Sean McHugh

How Stephen King Teaches Writing - The Atlantic - 0 views

  • One either absorbs the grammatical principles of one’s native language in conversation and in reading or one does not
  • Reading is the key, though. A kid who grows up hearing “It don’t matter to me” can only learn doesn’t if he/she reads it over and over again
  • You need to take out the stuff that’s just sitting there and doing nothing
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  • Ask yourself what they need to get on in life, the bare minimum (like filling in a job application), and concentrate on that.
    • Sean McHugh
       
      Surely this is true of reading as well? Maybe some students need to just focus on being 'functional' readers, like reading the instructions on a job application.
  • telling the truth is the most important thing, much more important than the grammar
  • I would often ask them to describe operations that they take for granted. Ask a girl to write a paragraph on how she braids her sister’s hair. Ask a boy to explain a sports rule. These are just basic starting points, where students learn to write on paper what they might tell a friend. It keeps it concrete. If you ask a kid to write on “My Favorite Movie,” you’re opening the door to subjectivity, and hence to a flood of clichés
  • See, then say
  • A good reader digging into a good book is wonderful. Musical
  • Reading good fiction is like making the jump from masturbation to sex
  • Good teachers can be trained, if they really want to learn (some are pretty lazy). Great teachers, like Socrates, are born
  • What about teaching? Craft, or art?King: It’s both. The best teachers are artists
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