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Forget the Record Deal, What about the Publishing Deal. While labels are understandably trying to mitigate their risk, by targeting artists who are already as "developed" as possible, it seems that publishers have taken on greater roles as nurturers of talent. Taylor Swift go her start by honing her songwriting abilities under the guidance of Arthur Buenahora at Songy/ATV Music publishing. Keri Hilson speaks about having first developed as a songwriter with Universal Music Publishing, and how that experience helped her launch her solo career with Interscope Records. HERE is a full interview with Eric Beale, who began his tenure in the industry as a songwriter, writing songs for the Jacksons and Diana Ross. Hopefully this interview gives you some further insight into the world of publishing and some hints on how you can either get into the publishing business as a working artist or as a career, helping other artists hone their skills!

Wow. Someone just hit it the nail on the head with this one. George Howard, thinks business development is the key to success in the music biz right now, and i agree with em.

There's an App for everything these days and soon there's going to be hardware for every app, are you intrigued yet. Ion has just released this beatiful 25-key MIDI keyboard, that is confirmed to be open to application developers. Would you be interested in hooking your iPhone up to a midi keyboard or will nothing replace the satisfaction of plugging your keyboard into a mac and using your favorite software studio.

It's Time to Call Your Manager Out. What exactly is the role of your music manager? The reason we're asking is because unfortunately for the music manager there has been a role change that has slowly been taking place over the past couple of years. No longer should your manager be concerning themselves with getting you signed, rather they should convern themselves with developing and unlocking true value for their bands. READ HOW http://songplacements.blogspot.com/search?q=manager+

If the name Ian Rogers doesn't ring a bell it will soon. Ina Rogers is the CEO of Topsin media, a music client that analysis how your brand is doing online. The data that his company collects suggests that the campaigns that take the shape of a snowball have a much better chance of showing a return on investment. Which as someone cadidly pointed out in the comments is the traditional definition of artist development. Ians 3 points that success seeking musicians should follow are 1. Goal: Have more fans tomorrow that you had yesterday 2. Grow fan connections as well as dollars. Everyday should mean more email addresses, twitter followers, Facebook fans, and MySpace friends and of course dollars. 3. Action: Do something small weekly, something big monthly

Malcolm Gladwell ,author of the book Outliers, is pretty adamant about his 10,000 hour rule. The rule states that in order to master any craft 10,000 + hours of practice must be accumulated. And getting in that many hours of practice can take 10 years or more. Basically, you gotta put in your work. The music promotion blog has a piece on Steve Martin that really attests to the decade journey that one must take to reach celebrity over night. By the time Steve was propelled into great public awareness he was a well oiled machine, ready to deliver the goods. Television (tell a lie to your vision, particularly shows like american idol and other media sources are very good at trivializing the years of work that some of our greatest icons put in to achieve icon status. Record Labels have even been fooled forgoing development for the young inexperienced (We've seen how well that works). Thats actually the equivalent of getting hired for an entry position and then getting promoted to CEO of the company a few weeks later, needless to say, that company's going to fail. I guess the point of this is if you want to increase your chances of success, not being signed but actually be icon status (being remembered for the many things you've done, not just the first thing), then you have to sleep in that car, perform in front of an audience of empty chairs, bounce from label to label because when god finally taps you on the shoulder and says its go time your going to outshine all of the others not even half way through their 10,000 hour mark. Put in the time and you will be rewarded.

I've been hearing some chatter recently about underground music going the way of the "black guy mohawk"-out the door. one definition of Underground music is music that refers to a variety of post-1960s rock, pop, or dance subgenres that developed a cult following despite their lack of mainstream. Even though music can't hide from the internet I still believe that because of the pressures put on todays bloggers and DJs to "play for pay" or "go where the money is" that underground music can still live and thrive and evolve on the internet. Hopefully we can help increase the underground network by strengthening long distance ties between musicians and their fans. Everyone is now the underground musician. Music will go back to its purest form where the main inspiration for doing it is the love and the respect.

Fact #1 - Youtube is the 2nd largest search engine next to Google. Fact #2 - Many people search for music on Youtube and other online video websites. Now that you know these two facts. The renegade producer suggests there is no better reason for you to develop a business strategy which includes online music video distribution. Now what type of videos are we talking about here, not everyone has the money to shoot a MTV style music video let alone a couple. Well the renegadeproducer suggests uploading not just clips of your band but clips of your brand. You can create clips from the audio, backstage, with members of your tribe at shows or even while having breakfast. Having content that can visually engage your fans while your not on the stage can help strengthen the overall brand. Time is obviously a factor, so for this you should check out TubeMogul that group distributes your videos to many video sharing sites at once, but first you gotta create the content.

Since the go-to spot for every up and coming musician is the Myspace, i thought that grant you fly on the wall access @ the myspace HQ for one day. Techcrunch has the dirt on the internal crumblings Myspace.com from the perspective of 3 anonymous employees. What each employee reveals is a bit shocking, but after about a minute of mentally pretending to sift through many of pages on myspace music seem to make %100 percent sense. Internally, Myspace sucks, and it's ever-so apparent on the outside. The accounts state that there's lots of yelling and confusion going on behind the scenes and one employee even compared it to a poorly run enterprise development shop than an Internet company. I think the only thing holding Myspace together right now is the independent musicians back (they should pay us) and we can only take so much weight, before it's time for a lighter load. Facebook Fan Pages anyone?

2 qualities of a great songwriter are 1. Patience 2. Being among the willing

We don't just build a boat, we make it sail too. Our team of expert developers is adept in both front-end and back-end programming and are delivering innovative web solutions everyday.

We don't just build a boat, we make it sail too. Our team of expert developers is adept in both front-end and back-end programming and are delivering innovative web solutions everyday.

Are indie bands getting screwed on iTunes, or Saved.

Loiterers Should Be Arrested. The CMJ Music Marathon ended last week but the lessons learned have just begun. Kevin English, blogger at eleetmusic.com took some time to talk about the lessons that he took away with him from the many panelists. His conclusion; there is no concrete answer to surviving in todays music industry. Old school pundits stressed the importance of networking and buzz generation by any means possible while New Media progressives represented new media applications, widgets and digital services that promised to strengthen direct to fan relationships. It wasn't until the Sudanese rapper Emmanual Jai took to the stage that he realized industry survival was about constantly adapting, bending the industry to specifically cater to your needs. Figure out what your number one need is right now as an indie artist and exploit that need. Kevin's short but enlightening read this morning brings me to the idea of a (wait for it, wait for it) digital manager. Not loading up all of your tracks on myspace, but actually hiring a manager to surf the web all day and submit your music to opportunities world wide. Has anyone tried something like this yet? let me know how it works, and what you have been doing to try to adapt.