Group items tagged

In October and November 2014, H-Soz-Kult publishes a series of essays on "The Status Quo of Digital Humanities in Europe". TABLE OF CONTENTS: Editorial: The Status Quo of Digital Humanities in Europe by Torsten Kahlert and Claudia Prinz, Humboldt-University of Berlin The Status Quo of Digital Humanities in Sweden: Past, Present and Future of Digital History by Thomas Nygren, HUMlab, Umeå University, Department of Education, Uppsala University and Department of History, Stanford University; Anna Foka, HUMlab, Umeå University; Philip I. Buckland, Department of Historical, Philosophical & Religious Studies, Umeå University From "Humanities and Computing" to "Digital Humanities": Digital Humanities in Portugal with a focus on Historical Research by Daniel Alves, Instituto de História Contemporânea, Universidade NOVA de Lisboa Digital Humanities in the Netherlands by Joris van Zundert, Huygens Institute for the History of the Netherlands, Royal Netherlands Academy of Art; Karina van Dalen-Oskam, Huygens Institute for the History of the Netherlands, Royal Netherlands Academy of Art and Sciences / University of Amsterdam The Status Quo of Digital Humanities in Greece by Helen Gardikas-Katsiadakis, Modern Greek History Research Centre, Academy of Athens The Past and Present of Digital Humanities: A View from Russia by Irina Garskova, Moscow Lomonosov State University Vernetzter Geist? Stand und Tendenzen der Digital Humanities in der Schweiz by Eliane Kurmann / Enrico Natale, infoclio.ch A historical perspective on the digital humanities in Spain by Paul Spence, Department of Digital Humanities, King's College London; Elena Gonzalez-Blanco, Dpto. de Literatura Española y Teoría de la Literatura, Universidad Nacional de Educación a Distancia The Slovenian Digital Humanities Landscape - A Brief Overview by Jurij Hadalin, Institute of Contemporary History, Ljubljana Some thoughts on Digital Humanities in Norway by Von Espen S. Ore, Dept. of Linguistics and Sca

Mellon Fndtn $ to study educational uses of content in the digital age, including "(i) student use, collection, and creation of diverse content (e.g. web pages, images, video, and audio); (ii) digital activity by other types of established institutions (e.g. public broadcasting; museums); (iii) educational content assembled and presented outside of any traditional institution, particularly on the internet (e.g. the Red Hot Jazz Archive; the Victorian Web); and (iv) grass-roots open source educational projects (e.g. Wikipedia; the online Samuel Pepys Diary)." Also addressing legal obstacles for good practices and effective use of digital media.

Archive and collection presentations for scholars, museums and libraries from the Center for History and New Media - free, open source web-publishing platform. Can be used like a blog or to share collaborative work in digital scholarship. Used by Brown University's Center for Digital Scholarship

Drama in the Delta, Digitally Reenacting Civil Rights Performances at Arkansas' Wartime Camps for Japanese Americans 3D digital role-playing game reconstructing the 2 US concentration camps for Japanese Americans during World War II - players navigate two levels of racial segregation to experience rebellious performances from judo combat and blues music to kabuki plays and drag shows Project Directors: Dr. Emily Roxworthy (Theatre and Dance, University of California, San Diego) and Amit Chourasia (Head of Visualization Services Group, San Diego Supercomputer Center) Other universities involved: undergraduates from MIT and UC-SanDiego graduate students from UC-SanDiego historians from U Cincinnati, UVa, King's College (London), U Arkansas-LittleRock, UC-SanDiego

The CSU's Affordable Learning Solutions Campaign is designed to enable faculty to choose and provide quality educational content that is more affordable for their students. CSU students typically pay over $800 per year for their books. By reducing their expenses, we believe we can provide better access to a quality CSU learning experience. We are launching this campaign in 2010 and will be continuously improving the services to CSU faculty and students each semester. The Affordable Learning Solutions website is designed to: - Make it easy for faculty, staff, and students to find no/low cost course content that can substitute for more costly textbooks Enable faculty to be recognized for their efforts in reducing costs for students - Share practices for using no/low cost digital content in CSU courses - Support campuses in customizing their strategies to enable affordable learning solutions For example: As part of a three-year partnership with Nature Publishing Group (NPG), publisher of the world's leading scientific journal Nature, CSU faculty guided and advised the development of NPG's Principles of Biology - the first in a series of interactive "born digital" textbooks. The text will be incorporated into courses for students at the Los Angeles, Northridge and Chico campuses starting in the 2011/2012 academic year.

The University of Kentucky Libraries is committed to launching this repository in addition to maintaining the Kentuckiana Digital Library, leasing space in other repositories such as ArtStore or helping with homegrown repositories important to specific colleges, e.g., MDID for College of Design and College of Fine Arts .... Question: how does the KY Learning Depot initiative fit here? or an international LOs community with a vibrant peer-review process like MERLOT?

Randy Bass, Assistant Provost and English prof, Center for New Designs in Learning and Scholarship (CNDLS), Georgetown University worked with Malcoml Brown (Director of ELI) on Evidence of Impact project - "what are the conditions for the most meaningful learning inside and outside the formal curriculum?" and "How do emerging digital tools make it possible to see and capture evidence of meaningful learning in new ways?" Post-Course Era = end of self-contained course at center of curric

"MindTap - array of digital products and services LMS agnostic with "MindApps" to go across learning platforms - portability and customization by individual students as well as faculty

Mark Kornbluh and Douglas Oard interview - 81 mins

Cornell University's website on academic integrity, including a nice section on student rights for their own content created for class work.

Patrick R. Lowenthal and David Thomas take a strong stance in decrying the use of student-teacher electronic dropboxes for submission of student work. We all know that in the performance arts, students benefit from public critique - and as scholars we insist on this practice for ourselves, making sure we present "papers" at prestigious conferences. So, why expect our students to perform in the "real world" and be subject regularly to critique by the very public that should be supporting the funding of their education?

IU's IT VP and college CIOs "Information and Infrastructure Assurance" with the University Information Policy Office - including communication campaigns for the Digital Millennium Copyright Act and Filesharing at UI - great website with resources/info

An interdisciplinary journal about regions, places, and cultures of the American South and their global connections Southern Spaces combines innovative scholarship about real and imagined spaces and places of the American South with the tools of digital media. Realizing that few scholars are experts in website design, we are eager to work with authors, photographers and videographers in the process of producing image, sound, and video files for submissions. We are committed to assisting scholars at varying levels of technological proficiency. If you are interested in submitting materials to Southern Spaces, please create a new account on the site and then follow the instructions for submitting. A submission will not be considered if it has have been previously published or is concurrently under consideration by another journal or press. Copyright for essays published in Southern Spaces is retained by the authors. All images, video, and sound files associated with published submissions are securely archived by Emory University's Woodruff Library. If you choose to submit by post, we accept flash drives, DV tapes, CDs, or DVDs containing your manuscript, images, sound files, etc.

Openness as a literacy

Professor Jim Taylor, from the University of Southern Queensland, points out that the OER university will create a parallel learning universe to augment and add value to traditional models of delivery through open collaboration networks. "This is not theoretical speculation, it is entirely viable." said Jim Taylor. In this keynote address, Jim: Refers to the "gales of creative destruction" associated with technological change where old industry can be swept away and replaced by new ones. However, the OER university concept provides opportunities for "creative construction" for universities in a digital age. Demonstrates that conventional supply of education using traditional delivery methods will not the meet the demands for access to higher education. Consider, for example: the need for 18 million new teachers the doubling of post-secondary students in the next decade the need to build roughly one new university per week in India alone to meet the future demand for learning. Points out that we already have a critical mass of open access materials, but we don't have open curriculum, open student support, open assessment and open accreditation. Indicates that the OER university concept will provide a stairway to credible credentials based soley on OER.

A Report by the Digital Connections Council of the Committee for Economic Development, Washington DC - 2009 - includes definition of OER, issues re copyright, trends

9 week free, open and online course designed for higher ed community but may also be of interest to secondary educators or home schoolers. Expecting people to dedicate 3-10 hrs a week starting January 10 and running through March 13, 2013.

vs. Pearson, Cengage Learning, and Macmillan Higher Ed

"... massiveness and low teaching involvement during delivery stages is one the biggest challenges for MOOC design"