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Mellon Fndtn $ to study educational uses of content in the digital age, including "(i) student use, collection, and creation of diverse content (e.g. web pages, images, video, and audio); (ii) digital activity by other types of established institutions (e.g. public broadcasting; museums); (iii) educational content assembled and presented outside of any traditional institution, particularly on the internet (e.g. the Red Hot Jazz Archive; the Victorian Web); and (iv) grass-roots open source educational projects (e.g. Wikipedia; the online Samuel Pepys Diary)." Also addressing legal obstacles for good practices and effective use of digital media.

Social networking to prioritize curriculum development from open content and chosen by community (student generated content such as notes and internet-based resources while instructor-based content can be course notes), and new groups of students/faculty can build on the work oand experiences of previous students ("start where others left off") - instructors can use learner analytics to encourage deeper learning - currently being used for English composition by Stanford, CA Polytech, USC, Babson, Sacramento State and San Luis Obispo

The CSU's Affordable Learning Solutions Campaign is designed to enable faculty to choose and provide quality educational content that is more affordable for their students. CSU students typically pay over $800 per year for their books. By reducing their expenses, we believe we can provide better access to a quality CSU learning experience. We are launching this campaign in 2010 and will be continuously improving the services to CSU faculty and students each semester. The Affordable Learning Solutions website is designed to: - Make it easy for faculty, staff, and students to find no/low cost course content that can substitute for more costly textbooks Enable faculty to be recognized for their efforts in reducing costs for students - Share practices for using no/low cost digital content in CSU courses - Support campuses in customizing their strategies to enable affordable learning solutions For example: As part of a three-year partnership with Nature Publishing Group (NPG), publisher of the world's leading scientific journal Nature, CSU faculty guided and advised the development of NPG's Principles of Biology - the first in a series of interactive "born digital" textbooks. The text will be incorporated into courses for students at the Los Angeles, Northridge and Chico campuses starting in the 2011/2012 academic year.

A terrific checklist for anyone looking to "build" a course: 1. Plan for 30 minutes 2. Develop content without technology (clarify goals, assumptions about students, objectives, assessments, learning outcome artifacts, sequencing, validation) 3. Implement your content using technology (inc prep to evaluate the efficacy of your course) 4. Pilot with your target audience

Fantastic browser add-on that pulls the Creative Commons license for CC content on websites and allows you to share that license information easily with the re-purposed content, as either html or plain text.

Includes video from UNESCO where Dr. Pongi asks planners of the OER university to find sustainable and scalable solutions to these key questions: - How can OER be best harnessed to train the millions of teachers needed? - What partnerships and interventions are necessary to support OER quality assurance and acceptance? - What specific types of OER content should we prioritise? - A wealth of content exists. How can an effective "clearing house" function that supports quality, cataloguing, information dissemination and other key tasks be operationalised? also Sir John Daniel, President and Chief Executive Officer of the Commonwealth, highlights two strategic questions for the planning of the OER university: - How can the "OER university" give students every element of possibility to draw on the rich environment of knowledge in their learning? -How can the "OER university" provide routes to credible certification so that learners and society can have confidence in the robustness in their knowledge and skills?

Emphasizing lecture capture tool as a cheaper way to gather presentational materials for students to access anytime/anywhere; touches on issue of intellectual property but no analysis; mentions in passing that most of the open material comes from one or two profs from University of South Florida; reminds us that foundational grants are crucial to large initiatives' success

a table of contents: 1. Three major OA announcements from the UK on the same day 2. Some recent history as context for these announcements 3. Basics of the new RCUK policy 4. Basics of the Finch recommendations 5. General agreement between the RCUK policy and Finch recommendations 6. Appreciation of the large-scale shift to OA in the UK 7. Some consequences for journals and authors 8. Responding to publisher fears of green OA 9. Objections and recommendations 10. Announcements from Europe the day after the UK announcements

vs. Pearson, Cengage Learning, and Macmillan Higher Ed

g11n provides a complete linguistic solution, covering the full range of services related to localizing a product and content to market efficiently with the required quality. Our marketing specialists play a predominant role in performing global research for trending markets and have an extensive approach towards translation to full linguistic support.

Co-founded by open education visionary Dr. David Wiley and education technology strategist Kim Thanos; finding quality content and mapping it to course learning outcomes; incorporating OER into academic strategy and curriculum decisions via consulting services; faculty training services; analytics and other outcomes to maximize student success

In October and November 2014, H-Soz-Kult publishes a series of essays on "The Status Quo of Digital Humanities in Europe". TABLE OF CONTENTS: Editorial: The Status Quo of Digital Humanities in Europe by Torsten Kahlert and Claudia Prinz, Humboldt-University of Berlin The Status Quo of Digital Humanities in Sweden: Past, Present and Future of Digital History by Thomas Nygren, HUMlab, Umeå University, Department of Education, Uppsala University and Department of History, Stanford University; Anna Foka, HUMlab, Umeå University; Philip I. Buckland, Department of Historical, Philosophical & Religious Studies, Umeå University From "Humanities and Computing" to "Digital Humanities": Digital Humanities in Portugal with a focus on Historical Research by Daniel Alves, Instituto de História Contemporânea, Universidade NOVA de Lisboa Digital Humanities in the Netherlands by Joris van Zundert, Huygens Institute for the History of the Netherlands, Royal Netherlands Academy of Art; Karina van Dalen-Oskam, Huygens Institute for the History of the Netherlands, Royal Netherlands Academy of Art and Sciences / University of Amsterdam The Status Quo of Digital Humanities in Greece by Helen Gardikas-Katsiadakis, Modern Greek History Research Centre, Academy of Athens The Past and Present of Digital Humanities: A View from Russia by Irina Garskova, Moscow Lomonosov State University Vernetzter Geist? Stand und Tendenzen der Digital Humanities in der Schweiz by Eliane Kurmann / Enrico Natale, infoclio.ch A historical perspective on the digital humanities in Spain by Paul Spence, Department of Digital Humanities, King's College London; Elena Gonzalez-Blanco, Dpto. de Literatura Española y Teoría de la Literatura, Universidad Nacional de Educación a Distancia The Slovenian Digital Humanities Landscape - A Brief Overview by Jurij Hadalin, Institute of Contemporary History, Ljubljana Some thoughts on Digital Humanities in Norway by Von Espen S. Ore, Dept. of Linguistics and Sca

Cornell University's website on academic integrity, including a nice section on student rights for their own content created for class work.

4 Steps that Chris Rice also uses in his EADs at UK: Meet (are we listening? reach out to students to understand their learning preferences and motivations for taking a course) Show (did we do it? develop learning solutions based on today's students and validate through interative process to ensure ideal product mix) Test (do you like it? gain faculty approval to finalize the product and content mix specific to each discipline) Work (are you in? publish the student-tested, faculty-approved teaching and learning solution) Rest (are you kidding? our research never ends, continual feedback from students ensures that we keep up with their changing needs)

Tom Caswell's presentation on Washington State Technical and Commity Colleges' Open Education initiative from the #elifocus11 session, Day 1.

Creative Commons produces an e-book with stories of open content and cc-licenses.

See this HASTAC page for related content, "Badges for Learning Research" Workshop is scheduled for 12 August 2014 for more information: https://sites.google.com/site/obie2014ws

"a model for open access (OA) publishing"

Started in 1997 by Thomas Luxon, English Prof at Darmouth College, supported by the college and the special collections archivists but also by State Farm Companies Foundation as well as Milton publications' editors. Currently all of Milton's poetry (in 4 languages) and selections of his prose - almost all are fully annotated and with introductions by his students.