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Wind Repertory Project - 0 views

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    An extremely useful site to peruse free music for download in various categories like orchestral and chamber music parts. I have frequently used this for myself and students when faced with auditions that I/they need an "original" part to.
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    This is a great resource for all band directors. It contains articles, background, and lesson strategies for many compositions in the wind band repertoire. It also contains articles relevant to other ensembles, such as chamber groups. This site helps band directors plan ahead for their selection of reputable works in the band world.
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    This is a great resource for all band directors. It contains articles, background, and lesson strategies for many compositions in the wind band repertoire. It also contains articles relevant to other ensembles, such as chamber groups. This site helps band directors plan ahead for their selection of reputable works in the band world.
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PitchAnalysis.pdf - 0 views

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    This is a PDF file of the various pitch tendencies of wind instruments. Along with a sheet explaining the tendencies for each instrument, a blank worksheet is provided in order for students to fill out for their own understanding of the tendencies of their own instrument. This is valuable when focusing on intonation, balance, and blend within the wind band.
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Four Scottish Dances by Malcolm Arnold – Wind Band Literature - 0 views

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    This is a website dedicated to the famous wind band piece, "Four Scottish Dances," by Malcolm Arnold.
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Wind Soloist - 0 views

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    Seems like a fun website to have students play for 'fun'. Caution, some of the fingerings in the graphic are incorrect, although students can click on any pitch and be given the correct fingering.
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Fingering diagram builder - 0 views

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    Purpose of this resource: This resource is a custom instrument fingering chart generator. Musical Content: This website allows for the creation of custom fingering charts for standard band instruments, as well as world music instruments, keyboards, and wind controllers. There are options for standard, student, and professional model instrument charts, and each chart can be customized to include any combination of keyholes. Different colors can be used to fill in each chart. Other information: This website is maintained for current version web browsers, and is not currently compatible with internet explorer.
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BandMusic PDF Library | BandMusic PDF Library - 4 views

shared by jamluv2kik on 25 Jun 14 - Cached
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    Admittedly, I'm a total geek for the "old classics", but I find this website absolutely amazing! In about 3 minutes time I was able to locate about a half dozen pieces that I've been looking for at some point or another since I started teaching. I think there are resources that every band director could use here.
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    Music From The Golden Age Of The American Town Band The BandMusic PDF Library contains musical gems from the time of Gilmore, Sousa, Pryor, Liberati, Goldman, Reeves and other professional bands that were wildly popular in their day. In addition to touri
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    BandMusic PDF Library preserves and shares band music from the Golden Age of the American Town Band. If you are looking for public domain music to play with your school band, community band or other group, you'll find it here-marches, waltzes, rags, theater music, cornet solos, trombone features, and much more.
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    Purpose of this resource: The purpose of this resource is to provide access to wind ensemble and concert band repertoire in the public domain. Musical Content: This webpage contains thousands of works for concert band and wind ensemble. Works are categorized by graded difficulty, and contain full scores and parts. Other information: This is great resource for school music programs with limited budgets for purchasing music. It is also a good source for finding music that is not published any longer.
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    Public Domain town band music library. Would be great for so many things - especially playing marches at MPA that aren't overdone.
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    This is another invaluable resource of Public Domain compositions for the Band World. So many of the old marches and waltzes are out of print and difficult to come by, but this website has an extensive list of great works that are all public domain. A great resource not only for finding pieces to play, but also for doing some traditional score study.
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American Composers Forum | BandQuest - 0 views

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    The American Composers Forum BandQuest program brings some of the best living composers together to write music for school wind bands. Many works in the series incorporate a cross curricular element that connects to disciplines outside of music. 
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Thoughts on Intonation by Arthur Lehman - 0 views

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    This page was authored by Arthur Lehman who played euphonium in the President's Own U.S. Marine Band. The page discusses intonation issues facing wind bands. The purpose is to discuss causes of poor intonation and it also provides some diagnostic information. The page also contains links to professional recordings of euphonium players which could serve as a valuable resource to young low brass musicians. 
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Tony Garcia Articles - 0 views

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    This page is a collection of articles written by Tony Garcia, director of jazz studies at Virginia Commonwealth University. There are sections on jazz pedagogy, trombone pedagogy, and wind pedagogy, as well as music business and advocacy. Each article includes the site or journal where it was originally published.
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Wind Repertory Project - 0 views

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    A Wiki which sorts band music by grade, composer, and other information. Many works have their own page with details about the composer, program notes, and errata.
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Making a Masterpiece - 0 views

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    This site is a webquest on the making of musical instruments; specifically, the violin. While based on a string instrument, this is a great site for inspiration for creating a similar project for wind or percussion instruments.
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Effective Practice: An Investigation of Observed Practice Behaviors, Self-R...: EBSCOhost - 0 views

  • Although it exists in the larger context of music practice in general, the concept of deliberate practice requires sustained concentration and effort and is therefore somewhat distinct from unstructured activities engaged in for the sake of playing for fun.
  • Deliberate practice encompasses effortful, goal-directed, and intentionally structured activities.
  • When taken together, the findings suggest that those who took a more strategic approach toward practicing (e.g., breaking parts down and putting them back into context, identifying difficult spots) also achieved the highest performance scores.
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  • Although several lines of research (e.g., deliberate practice, mental practice, modeling, self-regulation) have begun to show links between general practicing approaches and achievement, relatively little is known about which specific behaviors are most effective in eliciting performance gains. Information regarding which behaviors are beneficial to school-age musicians is especially needed, given their often limited formal training and the scarcity of studies with this population. The purpose of this study was to examine relationships among observed practice behaviors, self-reported practice habits, and the performance achievement of high school wind players.
  • In general, the results of this study have shown that the quality of practicing that takes place may be more crucial to improvement than the quantity of time spent playing.
  • The results also have practical implications for music educators. Although the findings cannot be considered causal, the correlations between performance achievement and the behaviors repeat section, slowing, whole-part-whole, and skipping directly to or just before critical musical sections of the étude indicate that these may be particularly useful strategies for making improvement.
  • It may be that those who were more accustomed to practicing with specific musical or technical goals in mind were able to practice more effectively during the study
  • This suggests that teachers should guide students toward practicing with musical and/or technical goals in mind.
  • This could be done by assigning specific musical passages to students or by asking students to practice applying specific musical concepts (dynamic contrasts, vibrato, expressive tempo manipulation, etc.) to various pieces when working alone.
  • This suggests students may need to be trained to distinguish between efficient and inefficient practicing.
  • For example, teachers could demonstrate characteristics of inefficient practicing, such as repetition of errors and physical and/or mental fatigue, and warn students to guard against them. Conversely, teachers could also highlight characteristics of efficient practice, such as focusing on problematic passages and taking appropriate amounts of rest.
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    Well structured practice is the key to improvement
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Music Education Software | Music Prodigy - 0 views

shared by degreatmd on 16 Jul 15 - No Cached
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    Music Prodigy Core makes practice and assessments easier. Instant red note/green note evaluation as students play A comprehensive solution for all voices, strings, percussion, winds, guitar, piano (patented polyphonic pitch recognition system) All student levels, general music through university No external microphone required Includes thousands of music titles No training required Teacher classroom dashboard with pre-formatted student progress reports iPhone, iPad, Android phones and tablets, Windows PCs, Mac OS X, and Amazon Kindle Fire
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    A program that is built from the teacher's perspective, Music Prodigy provides students with an area to practice, using a built-in metronome.  Assessment is also available in this program.  As its name implies, you will build musical prodigies.
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1880s - Wind Band Literature - 0 views

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    This website includes a variety of band literature and long descriptions of them. It has tags to organize the music for searching by year, grade, and more. It is to help band directors choose and study music for their ensembles.
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BandMusic PDF Library | BandMusic PDF Library - 0 views

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    This website contains PDFs of wind band music that is available for free to download in the United States. The music is public domain or available via a Creative Commons license. This is very helpful with finding older music or replacing parts, especially with music that is out of print.
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    This band music library includes pieces that were written for American Town Bands. American Town Bands used to be so popular that almost every town in my region of Massachusetts had one. Sadly, these bands have been slowly dying out. Thanks to this website, you can find free music that those bands used to play and revive them with your ensembles.
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IMSLP/Petrucci Music Library: Free Public Domain Sheet Music - 0 views

shared by dluddy on 09 Feb 19 - No Cached
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    This website contains PDFs of music that is available for free to download in the United States. The music is public domain or available via a Creative Commons license. There is also an option to purchase some music. While bandmusicpdf.org is strictly for wind band music, IMSLP contains music for band and orchestra, as well as vocal and other instrumental works. This is very helpful with finding older music or replacing parts, especially with music that is out of print.
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    The International Music Score Library Project (IMSLP) is a great site to find timeless works of instrumental and vocal music. The site is free to use, but membership is available. The public domain site is easy to navigate and provides scores and recordings out thousands of composers and their music. Make sure not to click on advertisements and download something on accident in the free version. This site is a great resource for educators to find musical works from great composers that are no longer in print, and they is free.
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    IMSLP is a website where anyone can search music that is no longer under copyright law. Here you can find music from a symphony score to a Beethoven piano piece. This resource can be used by growing student-run ensembles that wish to perform classical music. I use this website when I want to practice bassoon repertoire or when I need to find another piece to practice on piano. This is also a great resource to show students how to properly find music with educated keyword searches through a public domain.
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From the front of the choir: 10 exercises guaranteed to get your singers listening more... - 0 views

  • hear the silence – every song starts from silence. Remind your choir. Ask them to stand in silence and focus on the sounds they can hear from outside the rehearsal room (wind, cars, children playing, dogs), then ask them to re-focus on the sounds from inside the rehearsal space (breathing, creaking floor, shuffling, throat clearing, doors banging).
  • sing the same note and disappear – choose a note that everyone can sing comfortably in the same octave for quite some time. Get everyone to stand very close together facing different directions. Mix the usual parts up. Everyone starts to sing on an ‘aw’ as a sustained drone. Tell the singers that after they’ve taken a breath they need to gently ease back into the overall sound. Ask them to match the quality and volume of all those around them. Tell them that you want them to disappear into the sound so it’s not possible to tell who is singing what.
  • stop conducting – one problem with a choir can be that the singers become so used to someone standing in front of them conducting that they stop taking responsibility for themselves and start to believe they can’t do it without that person guiding them. Without telling the choir, start a song off, gradually stop conducting, then walk off and listen. There will be an initial blip probably, but then they’ll manage fine and begin to listen more to each other. Repeat the exercise, but just give the starting notes and tell them they all have to begin together but without you bringing them in.
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    Sometimes students have trouble with understanding what to listen for while singing or don't pay attention to anything other than their own individual part of the ensemble. This blog describes creative a ways to enhance how students listen within the choral ensemble.
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Spring-Bulletin-2019.pdf - 0 views

  • Solo-Small Ensemble Regulations........18
  • Large Group Festival Regulations ........28
  • Edgewood-Colesburg
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  • West Central, Maynard
  • Kee, Lansing
  • C) Classes 4A/1A: April 6, 2019
  • Wind/Percussion entry clarifi cation: • Ensembles are restricted one player to a part • Ensembles may not be conducted • Choir entries may have multiple players on a part • Choir entries may be conducted
    • eperegrine
       
      Ensemble is different than a Choir Choir can have doubled parts and is conducted!
  • 2 1/2 minutes in length.
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    Iowa High School Music Association bulletin. Has all of the regulations for music events in the spring including solo and small ensemble and large group festival.
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Music Tech Teacher, Musical Instrument Families Reference and Sounds - 0 views

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    Visual and audio representation of musical instruments, separated by family. Especially useful for classes age 7+, when first discussing wind and brass; and for classes 11+ when discussing composition and instrument timbre.
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    Great resource for introducing young students to the instrument families. Provides a picture and sound file for many of the instruments in each family. along with a short description of the family.
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Summary of "Toccata For Band" - 0 views

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    This is a summary of "Toccata For Band" by Frank Erickson.
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