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justin41683

Conducting Masterclass - 0 views

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    The website contains great conducting tutorial videos. There are lecture videos as well videos of the clinicians conducting ensembles. There are also opportunities to view live concert. Many of the videos were gather by the CBDNA
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    The website contains great conducting tutorial videos. There are lecture videos as well videos of the clinicians conducting ensembles. There are also opportunities to view live concert. Many of the videos were gather by the CBDNA
band007

John Philip Sousa (1854-1932) - 0 views

shared by band007 on 24 Jun 15 - Cached
  • John Philip Sousa was born in 1854 in Washington, D.C. and died in 1932. He worked as a theater musician and conducted the U.S. Marine Band before starting his own civilian band in 1892. Sousa toured with his band for 40 years and was indisputably the most famous musical act in the world. He composed 136 marches, 15 operettas, 70 songs and many other pieces.
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    John Philip Sousa was born in 1854 in Washington, D.C. and died in 1932. He worked as a theater musician and conducted the U.S. Marine Band before starting his own civilian band in 1892. Sousa toured with his band for 40 years and was indisputably the most famous musical act in the world. He composed 136 marches, 15 operettas, 70 songs and many other pieces.
wlanxner

LSO Play - 0 views

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    This site provides an immersive experience for students to get the feeling of what it's like to play in an orchestra. You can view live performances from different camera angles, as if you are playing in the orchestra. They also include functions that allow you to switch views and explore facts about the different instruments and orchestral sections. This would provide a great visual support for active listening group activities in the classroom; the sound and video quality is excellent. This would also be tremendously helpful for students of conducting.
veanda

From the front of the choir: 10 exercises guaranteed to get your singers listening more... - 0 views

  • hear the silence – every song starts from silence. Remind your choir. Ask them to stand in silence and focus on the sounds they can hear from outside the rehearsal room (wind, cars, children playing, dogs), then ask them to re-focus on the sounds from inside the rehearsal space (breathing, creaking floor, shuffling, throat clearing, doors banging).
  • sing the same note and disappear – choose a note that everyone can sing comfortably in the same octave for quite some time. Get everyone to stand very close together facing different directions. Mix the usual parts up. Everyone starts to sing on an ‘aw’ as a sustained drone. Tell the singers that after they’ve taken a breath they need to gently ease back into the overall sound. Ask them to match the quality and volume of all those around them. Tell them that you want them to disappear into the sound so it’s not possible to tell who is singing what.
  • stop conducting – one problem with a choir can be that the singers become so used to someone standing in front of them conducting that they stop taking responsibility for themselves and start to believe they can’t do it without that person guiding them. Without telling the choir, start a song off, gradually stop conducting, then walk off and listen. There will be an initial blip probably, but then they’ll manage fine and begin to listen more to each other. Repeat the exercise, but just give the starting notes and tell them they all have to begin together but without you bringing them in.
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    Sometimes students have trouble with understanding what to listen for while singing or don't pay attention to anything other than their own individual part of the ensemble. This blog describes creative a ways to enhance how students listen within the choral ensemble.
eperegrine

Spring-Bulletin-2019.pdf - 0 views

  • Solo-Small Ensemble Regulations........18
  • Large Group Festival Regulations ........28
  • Edgewood-Colesburg
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  • West Central, Maynard
  • Kee, Lansing
  • C) Classes 4A/1A: April 6, 2019
  • Wind/Percussion entry clarifi cation: • Ensembles are restricted one player to a part • Ensembles may not be conducted • Choir entries may have multiple players on a part • Choir entries may be conducted
    • eperegrine
       
      Ensemble is different than a Choir Choir can have doubled parts and is conducted!
  • 2 1/2 minutes in length.
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    Iowa High School Music Association bulletin. Has all of the regulations for music events in the spring including solo and small ensemble and large group festival.
tashun717

SFS Kids: Fun & Games With Music! - 0 views

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    This site presents students with knowledge on famous composers, well-known literature, composing, instruments, timbre, beat patterns, and more in the form of Discover, Listen, Play, Perform, Conduct, and Compose.
Stephanie Gonzalez

SFS Kids: Fun & Games With Music! - 3 views

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    Great elementary music exploration site!
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    SFSKids is an interactive website for kids. This website offers listening, playing, performing, conducting and composing opportunities. 
gatorgirl1027

SFS Kids: Fun & Games With Music! - 0 views

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    The San Francisco Kids website offers students many musical activities from listening, performing, composing and even conducting. I think that my elementary music students would love this site, and that it would also work well on the SMARTboard in class. I think the visuals would keep students engaged, and excited about music learning.
mthomas8288

With These 2 Questions, You Can Conduct A Very Useful Piano Teaching Experiment | Teach... - 0 views

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    A resource that helps teachers to help their students recognize the students' strengths and weaknesses. Encouraging strengths in students instead of only identifying weaknesses can help build musical self-efficacy. The article is technically written for piano teachers, but could be applied to all music teachers.
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    A resource that helps teachers to help their students recognize the students' strengths and weaknesses. Encouraging strengths in students instead of only identifying weaknesses can help build musical self-efficacy. The article is technically written for piano teachers, but could be applied to all music teachers.
mthomas8288

All about music - The Method Behind the Music - 0 views

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    This is a website that contains information on music theory, how certain instruments work, conducting, the physics of sound, and music history. This would be a great resource for music teachers in all settings. 
veanda

Chris Russell: Inside a High Tech Choir Room « Choral Director Magazine - 0 views

  • The first thing I use is an app for iOS called Attendance2. Every kid is given a QR code, and when they walk into the room they scan in.
  • I like using SmartMusic, not only for projecting sight-reading exercises on the screen and running through them that way, but also for assessment of sight-reading skills.
  • In general, when you integrate technology you are trying to move into transformation, where you transform what you are doing to things you could never do before. The first entry level is substitution, where you are just substituting technology for something else. Then you augment your activities and improve on what you are doing.
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  • modification: that’s the whole new level of application where you can do something you never could do before.
  • he final step is when you have gone through those other levels and you are completely transformed with redefining: you are doing something you could have never possibly thought of before.
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    This interview makes an excellent argument for choosing iPads over Chromebooks, as well as addressing other district one-to-one directives. It also touches on some practical uses of technology in the choral classroom.
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    When integrating technology in the music classroom, teachers need to know exactly what having technology in music looks like. A representative from Choral Director Magazine conducts an interview describing how a teacher has integrated technology in his choir. He provides two examples such as SmartMusic to aid in sight-reading skills and Attendance 2 allowing students to take roll through QR codes as they walk in.
ajasinski

Home - League of American Orchestras - 0 views

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    League of American Orchestras is a site for educators, professional musicians and students can explore. Teachers can look at advocacy and the government to find out what is happening in legislation. There is a career center for teachers and professional musicians who are looking to perform. Everyone can learn about Learning and Leadership development of students and teachers. The Knowledge, Research and Innovation tab is great as it is the latest research happening. You can also find conferences, meetings, journals, conducting, composing and performing tab.
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    This site is a great resource for orchestra teachers. The purpose of this resource is to provide information about the current state of music programs and opportunities for orchestral students. The content of this site is mainly articles and registration links for different conferences. There are also links to webinars, fellowships, etc. as well as current issues revolving around orchestral music/education. Some sources particularly helpful for teachers are a link with interesting facts about orchestra and articles about how to reach out to bigger audiences. It offers a subscription for "Symphony" Magazine and provdes information about composing, conducting, and performing, all major elements or any music education program.
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    This website has resources for orchestra students. Students can find practice and performance tips, learn about local and famous orchestras and musicians, and find resources for their specific instruments.
dyhouck

Gustavo Dudamel : Dvorak - Symphony no. 9 - 4th movement - Allegro con fuoco - YouTube - 0 views

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    I know this isn't a "website", per se, but I need to share Dudamel conducting the fourth movement of Dvorak's "New World Symphony" since I just bookmarked the listening map. This is such a wonderful performance, and it demonstrates how crucial the conductor is in coercing a certain sound from the performers!
erygg2002

SFS Kids: Fun & Games With Music! - 3 views

shared by erygg2002 on 04 Apr 14 - Cached
    • tblenzo
       
      Excellent site.  Clear explanations of musical terms and processes for self-directed learning by approx. 3rd grade and older, and for younger children along with their parents (musically-trained or not) or teachers. Very friendly and accessible interface.
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    The graphics on this website are amazing- any child would enjoy browsing through and learning about musical instruments, composition, and composers. Also very neat is the game where you can "play" different musical instruments. The numbers on the computer keypad become notes in a scale!
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    San Francisco Kids is a website that is attractive and fun for children. There are lessons and interactive composing activities that are helpful and informative for kids who are new to music.
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    The San Francisco Symphony has a great website for kids that has some great activities. Students can explore music and composers throughout history. They learn interesting facts about composers and their music. They also get to listen to music. There are also fun games and activities for them to do.
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    I love using this website to teach about the orchestra. There are so many interactive activities that involve the orchestra, music theory, composition, conducting, and many other activities.
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    Site produced by the San Francisco Symphony. Includes music listening presentations, music games, and composition activities. Great for elementary general music and very child friendly.
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    A wonderful resource for young children from the San Francisco Orchestra. This website allows children to discover, listen, play, perform, conduct, and compose in a child-friendly format.
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    This is a website that covers musical composers and music instruments. I love using this site to help teach the instruments of the orchestra to my younger kids because it includes images and sound clips. There are also games that students can play and compose with instruments.
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    This is a great resource for listening, playing, and learning more about the instruments. It is suitable for young students (Pre-K to 3rd grade students). It does not require a subscription, but Adobe Flash Player should be installed.
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    This is owned and operated by the San Francisco symphony. It requires Adobe flash so desktop computers are suggested for use.
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    This is a website that i have used with my students, more so free time. Allowing to practice their skill but also have fun doing it as it relates to games. The purpose of this would be for students to explore having fun with music!.
hoctar

All-Star Orchestra | Partner content | Khan Academy - 0 views

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    The All-Star Orchestra, which is made up of "All-Stars" from various orchestras, produced content for Khan Academy. There is a wide-range of videos to watch from notes and rhythms, music history, conducting lessons, instrument demonstrations. This is a fantastic series with top musicians.
hoctar

San Francisco Symphony Kids: Fun & Games With Music! - 0 views

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    The San Francisco Symphony kids website is filled with Fun & Games with music. Children will be able to listen, play, perform, conduct, and compose. This is a friendly and interactive way to engage youth.
ntatarka

All Star Orchestra Education Links - 0 views

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    This page provides links to the All Star Orchestra education pages on Kahn Academy. Topics include masterworks, theory, instruments, and even conducting. This is a great resource to be used in the classroom.
philperez64

Banddirector.com - The #1 Online Resource for Band Directors! - 0 views

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    Resource for band directors 
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    Banddirector.com offers a multitude of resources for instrumental educators. Band directors can contribute articles on various topics including fund raising, trips, and marching drill. The forums on this website allow educators to share best practices across multiple settings. This website would be most useful for instrumental educators. 
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    This website is a fantastic resource for band directors. Their are resources for marching, travel, fundraising, conducting, and product comparisons just to name a few. This site has just about anything a band director will ever need.
jtaurins

Survival Tips for Junior High Band Directors - 0 views

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    This website contains resources related to surviving as a middle school band director, including conducting, grading, band warmup, and jazz education. There are lots of tips to be found here!
lemason

Performance: Low Brass - SBO - 0 views

  • It’s important to step back and think about how educators have influenced you, because your teaching philosophy depends on it
  • in the first stage, everyone teaches exactly as they had been taught. In the second stage, instructors adjust their style based on other expert teachers they’ve borrowed ideas from
  • I realized the students’ ability to read music or not read music was ultimately the teacher’s fault
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  • the students’ enthusiasm fuels two purposes: bravado and attention-seeking behavior.
  • Left uncorrected, this rowdy behavior can be a pain in a band director’s side.
  • One example of the use of fear would be my weekly summer camp challenges
  • The challenge could occur in any section of any piece and this was a very effective tool at getting me to practice
  • Over experience and time, after attending numerous workshops, reading about this subject, and conducting research, I’ve come to the conclusion that students can be pushed to learn out of desire rather than fear
  • calm classroom rather than a happy classroom
  • A calm classroom has a lot of structure in place: the procedures are practiced and understood, there are rules and consequences for inappropriate behavior, and students are aware that learning is often a messy business.
  • The secret to developing a mature attitude comes from a love of sharing music and teaching patience.
  • Students need to be reminded why they’re doing what they’re doing.
  • When we develop our procedures and rules for the year, I make it a deliberate point to explain why the items were deemed important.
  • Treat your students as young adults. Another way to think of it would be to treat them as you’d like to be treated
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    This articles contains thoughts on developing rules and procedures in the beginning band classroom. It discusses possible tactics to get the most out of your beginning band students.
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    This articles contains thoughts on developing rules and procedures in the beginning band classroom. It discusses possible tactics to get the most out of your beginning band students.
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