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Published in the first few months after the 2011 uprising, Ben Mhenni’s book is the most euphoric of the four testimonies. Much of the narrative is a celebration of the power of cyber dissidence, which Ben Mhenni defines as a combination of citizen journalism (blogging and filming events) and on-the-ground activism

While acknowledging how her parents’ history of resistance as members of the UGTT prepared her for a life of activism, Ben Mhenni attributes much of her political development to the “real-world” friendships she established with cyber dissidents in the Tunisian blogosphere.

This testimony is more chronological and personal than Ben Mhenni’s. It constructs the author’s life teleologically as a journey from bourgeois indifference in suburbia to grassroots activism in the country’s downtrodden interior. It also documents Ben Mbarek’s co-founding of the civil rights network, Dostourna, which marked her renewed faith in “the power of citizens.”

Like Ben Mhenni, Ben Mbarek celebrates the politicizing power of social media, crediting Facebook for encouraging the rise of citizen journalism, which sparked her political (re)awakening. As she argues, it was thanks to citizen journalists from besieged cities that she finally felt connected to the leftist cause long championed by her father.

Convinced that the stultifying bureaucracy of political parties made them incapable of meeting the demands of the leaderless Arab Spring revolt, Ben Mbarek sought to create autonomous regional cells of civil rights activists throughout the country. Their job would be to address each region’s specific political needs

As a professor of philosophy, Belhaj Yahia champions the values of the Enlightenment and believes in the vital importance of dialogue. Accordingly, her text probes the origins of the discord between Islamists and secularists, in order to understand the tensions marking the post-Ben Ali period

she analyzes the “schizophrenic” discourses of her diasporic family members and the “narcissistic wounds” of old dissidents, who are now mimicking Ben Ali’s authoritarianism. She also critiques the regional and class disparities perpetrated by the old regime

Belhaj Yahia believes she is the product of a moderate and worldly national education, which is currently under threat in Tunisia. She locates this threat in the state’s gradual abandonment of public education and the resurgence of conservative ideologies

Her book ends with a call for other Tunisians to publish their own self-reflections, in the belief that writing and reading autobiographical accounts can pave the way for more understanding between the different factions comprising Tunisian society.

Fakhfakh’s book is a fictionalized diary written between January 14, 2011, the day of Ben Ali’s ouster, and May 18, 2015

Each diary entry is comprised of two parts. The first part is a summary of national and regional events with a brief commentary from the author; the second part is a biography of a pioneering Tunisian woman

As the author notes throughout the book, state attempts to propagate an institutional-form of feminism have devalued women’s history

The author worries that women’s achievements are constantly erased, in order to accommodate the ego of male leaders, like Bourguiba. She is also concerned that the rise of political Islam may eventually obscure Tunisian women’s “legacy of freedom” even further

Fakhfakh embraces the narrative of “Tunisian exceptionalism,” in which Tunisian women are presented as the most progressive in the Arab and Islamic world. This nationalist mythology about Tunisian women is common, even among Tunisian intellectuals, and is used as a means of differentiating and elevating Tunisian women above Arab and Muslim women more broadly. The inherent divisiveness of this narrative is problematic, and is left unexamined in Fakhfakh’s book

When comparing the size of this negative association with other predictors of cognitive decline, watching television for >3.5 hours a day had a greater sized negative association (standardised beta = −0.034) than being in the lowest wealth quintile (as compared with the median quintile: standardised beta −0.027), while watching television for >7 hours a day had a greater sized association (standardized beta = −0.048) as being in the highest wealth quintile (compared with the median quintile: standardised beta = 0.043) or having no educational qualifications (standardized beta = −0.058).

associations between television viewing and verbal memory remained even when considering a range of variables relating to sedentary behaviours, suggesting that it is not just the sedentary nature of television watching that is responsible for its relationship with cognition.

Television involves fast-paced changes in images, sounds and action and, unlike other screen-based activities such as internet use and gaming, television is the most passive way of receiving such stimuli

television leads to a more alert but less focused brain

In addition to any potential cognitive stress created through the alert-passive interaction while watching television, the content of the programme itself can be stressful, such as through the depiction of graphic scenes, violence or the creation of suspense. Analyses of UK television from 2001–2013 (covering the country and much of the period of the data collection for the study reported here) have shown between 2.1 and 11.5 violent scenes per hour in UK soap operas, with 40% of these being categorised as moderate or strong violence22. It has even been proposed that the vividness of such experiences is greater than real-world experiences of events such as violence, conflict or disasters, as the drama is enhanced for entertainment purposes23. Chronic stress is known to lead to increased levels of glucocorticoids, which can have a direct effect on the hippocampus due to the presence of glucocorticoid receptors in that region of the brain. Consequently, stress has been shown to lead to atrophy of the hippocampus and impaired neurogenesis24, alongside impairments in cognition25.

excessive television could be linked with verbal memory through displacing other, cognitively beneficial activities such as playing board games, reading and engaging with cultural activities11,26. This theory implies that the relationship between television viewing and memory is not entirely down to television having negative effects per se, but rather television reducing the amount of time that people spend on more activities that could contribute to cognitive preservation

This study is not suggesting that watching television in older adulthood confers no benefits. Indeed, research with adults has suggested that TV dramas in comparison with TV documentaries can increase performance in tests of theory of mind, suggesting that television can enhance understanding of others27. Educational television can be an efficient way of learning when programmes are designed appropriately28. Television has also been shown to be a form of escapism from difficult life circumstances29. Further, research investing the effects of television viewing in the context of people’s daily lives has found that adults routinely report television as a means of relaxing30 (although this should be considered in relation to the potentially stress-inducing effects of television viewing discussed earlier). Nevertheless, this study suggests that watching substantial amounts of television is longitudinally associated with poorer verbal memory in older adults.

it remains unclear whether television viewing might affect other components of executive function

“Now, they are adding their own content like ‘Yossi is Mohammad’s neighbour’, about settlements, about co-existence,” said al-Shamali. “They have played with textbooks for Arabic, religion, history and any national references”.

In July, Israeli authorities revoked the permanent licenses of six Palestinian schools in Jerusalem, claiming that their textbooks incited against the Israeli state and army. They were given permission to operate for a year if the curriculum was edited. The eastern half of Jerusalem was militarily occupied by Israel in 1967 and illegally annexed. Some 350,000 Palestinians currently live in occupied East Jerusalem, with 220,000 Israeli living in illegal settlements among them.

The annexation of East Jerusalem is not recognised by any country in the world, apart from the United States, as it violates international law that outlines that an occupying power does not have sovereignty in the territory it occupies.

In 2009, the Jerusalem municipality adopted a master plan intended “to guide and outline the city’s development in the next decades”. The vision, as stated in the plan, is to create a Jewish demographic majority, with Israeli Jews making up 70 percent of the city, and Palestinians only making up 30 percent. This was later amended to a 60:40 ratio.

the Israeli army has files on the vast majority of potential targets in Gaza — including homes — which stipulate the number of civilians who are likely to be killed in an attack on a particular target. This number is calculated and known in advance to the army’s intelligence units, who also know shortly before carrying out an attack roughly how many civilians are certain to be killed

“The numbers increased from dozens of civilian deaths [permitted] as collateral damage as part of an attack on a senior official in previous operations, to hundreds of civilian deaths as collateral damage,”

another reason for the large number of targets, and the extensive harm to civilian life in Gaza, is the widespread use of a system called “Habsora” (“The Gospel”), which is largely built on artificial intelligence and can “generate” targets almost automatically at a rate that far exceeds what was previously possible. This AI system, as described by a former intelligence officer, essentially facilitates a “mass assassination factory.”

“The emphasis is on damage and not on accuracy,” said IDF Spokesperson Daniel Hagari on Oct. 9.

“I remember thinking that it was like if [Palestinian militants] would bomb all the private residences of our families when [Israeli soldiers] go back to sleep at home on the weekend,” one source, who was critical of this practice, recalled.

there are “cases in which we shell based on a wide cellular pinpointing of where the target is, killing civilians. This is often done to save time, instead of doing a little more work to get a more accurate pinpointing,”

Over 300 families have lost 10 or more family members in Israeli bombings in the past two months — a number that is 15 times higher than the figure from what was previously Israel’s deadliest war on Gaza, in 2014

“There is a feeling that senior officials in the army are aware of their failure on October 7, and are busy with the question of how to provide the Israeli public with an image [of victory] that will salvage their reputation.”

the increasing use of AI-based systems like Habsora allows the army to carry out strikes on residential homes where a single Hamas member lives on a massive scale, even those who are junior Hamas operatives. Yet testimonies of Palestinians in Gaza suggest that since October 7, the army has also attacked many private residences where there was no known or apparent member of Hamas or any other militant group residing. Such strikes, sources confirmed to +972 and Local Call, can knowingly kill entire families in the process.

“Hamas is everywhere in Gaza; there is no building that does not have something of Hamas in it, so if you want to find a way to turn a high-rise into a target, you will be able to do so,”

at least until the current war, army protocols allowed for attacking power targets only when the buildings were empty of residents at the time of the strike. However, testimonies and videos from Gaza suggest that since October 7, some of these targets have been attacked without prior notice being given to their occupants, killing entire families as a result.

As documented by Al Mezan and numerous images coming out of Gaza, Israel bombed the Islamic University of Gaza, the Palestinian Bar Association, a UN building for an educational program for outstanding students, a building belonging to the Palestine Telecommunications Company, the Ministry of National Economy, the Ministry of Culture, roads, and dozens of high-rise buildings and homes — especially in Gaza’s northern neighborhoods.

there is ample evidence that, in many cases, none were military or political operatives belonging to Hamas or Islamic Jihad.

for the most part, when it comes to power targets, it is clear that the target doesn’t have military value that justifies an attack that would bring down the entire empty building in the middle of a city, with the help of six planes and bombs weighing several tons

Although it is unprecedented for the Israeli army to attack more than 1,000 power targets in five days, the idea of causing mass devastation to civilian areas for strategic purposes was formulated in previous military operations in Gaza, honed by the so-called “Dahiya Doctrine” from the Second Lebanon War of 2006.

“We are asked to look for high-rise buildings with half a floor that can be attributed to Hamas,” said one source who took part in previous Israeli offensives in Gaza. “Sometimes it is a militant group’s spokesperson’s office, or a point where operatives meet. I understood that the floor is an excuse that allows the army to cause a lot of destruction in Gaza. That is what they told us. “If they would tell the whole world that the [Islamic Jihad] offices on the 10th floor are not important as a target, but that its existence is a justification to bring down the entire high-rise with the aim of pressuring civilian families who live in it in order to put pressure on terrorist organizations, this would itself be seen as terrorism. So they do not say it,” the source added.

Previous operations have also shown how striking these targets is meant not only to harm Palestinian morale, but also to raise the morale inside Israel. Haaretz revealed that during Operation Guardian of the Walls in 2021, the IDF Spokesperson’s Unit conducted a psy-op against Israeli citizens in order to boost awareness of the IDF’s operations in Gaza and the damage they caused to Palestinians. Soldiers, who used fake social media accounts to conceal the campaign’s origin, uploaded images and clips of the army’s strikes in Gaza to Twitter, Facebook, Instagram, and TikTok in order to demonstrate the army’s prowess to the Israeli public.

since October 7, Israel has attacked high-rises with their residents still inside, or without having taken significant steps to evacuate them, leading to many civilian deaths.

evidence from Gaza suggests that some high-rises — which we assume to have been power targets — were toppled without prior warning. +972 and Local Call located at least two cases during the current war in which entire residential high-rises were bombed and collapsed without warning, and one case in which, according to the evidence, a high-rise building collapsed on civilians who were inside.

According to intelligence sources, Habsora generates, among other things, automatic recommendations for attacking private residences where people suspected of being Hamas or Islamic Jihad operatives live. Israel then carries out large-scale assassination operations through the heavy shelling of these residential homes.

the Habsora system enables the army to run a “mass assassination factory,” in which the “emphasis is on quantity and not on quality.” A human eye “will go over the targets before each attack, but it need not spend a lot of time on them.” Since Israel estimates that there are approximately 30,000 Hamas members in Gaza, and they are all marked for death, the number of potential targets is enormous.

A senior military official in charge of the target bank told the Jerusalem Post earlier this year that, thanks to the army’s AI systems, for the first time the military can generate new targets at a faster rate than it attacks. Another source said the drive to automatically generate large numbers of targets is a realization of the Dahiya Doctrine.

Five different sources confirmed that the number of civilians who may be killed in attacks on private residences is known in advance to Israeli intelligence, and appears clearly in the target file under the category of “collateral damage.” 

“That is a lot of houses. Hamas members who don’t really matter for anything live in homes across Gaza. So they mark the home and bomb the house and kill everyone there.”

On Oct. 22, the Israeli Air Force bombed the home of the Palestinian journalist Ahmed Alnaouq in the city of Deir al-Balah. Ahmed is a close friend and colleague of mine; four years ago, we founded a Hebrew Facebook page called “Across the Wall,” with the aim of bringing Palestinian voices from Gaza to the Israeli public. The strike on Oct. 22 collapsed blocks of concrete onto Ahmed’s entire family, killing his father, brothers, sisters, and all of their children, including babies. Only his 12-year-old niece, Malak, survived and remained in a critical condition, her body covered in burns. A few days later, Malak died. Twenty-one members of Ahmed’s family were killed in total, buried under their home. None of them were militants. The youngest was 2 years old; the oldest, his father, was 75. Ahmed, who is currently living in the UK, is now alone out of his entire family.

According to former Israeli intelligence officers, in many cases in which a private residence is bombed, the goal is the “assassination of Hamas or Jihad operatives,” and such targets are attacked when the operative enters the home. Intelligence researchers know if the operative’s family members or neighbors may also die in an attack, and they know how to calculate how many of them may die. Each of the sources said that these are private homes, where in the majority of cases, no military activity is carried out.

According to the doctrine — developed by former IDF Chief of Staff Gadi Eizenkot, who is now a Knesset member and part of the current war cabinet — in a war against guerrilla groups such as Hamas or Hezbollah, Israel must use disproportionate and overwhelming force while targeting civilian and government infrastructure in order to establish deterrence and force the civilian population to pressure the groups to end their attacks. The concept of “power targets” seems to have emanated from this same logic.

The bombing of family homes where Hamas or Islamic Jihad operatives supposedly live likely became a more concerted IDF policy during Operation Protective Edge in 2014. Back then, 606 Palestinians — about a quarter of the civilian deaths during the 51 days of fighting — were members of families whose homes were bombed. A UN report defined it in 2015 as both a potential war crime and “a new pattern” of action that “led to the death of entire families.”

according to the Committee to Protect Journalists, by Nov. 29, Israel had killed 50 Palestinian journalists in Gaza, some of them in their homes with their families

The intelligence officers interviewed for this article said that the way Hamas designed the tunnel network in Gaza knowingly exploits the civilian population and infrastructure above ground. These claims were also the basis of the media campaign that Israel conducted vis-a-vis the attacks and raids on Al-Shifa Hospital and the tunnels that were discovered under it.

Hamas leaders “understand that Israeli harm to civilians gives them legitimacy in fighting.”

while it’s hard to imagine now, the idea of dropping a one-ton bomb aimed at killing a Hamas operative yet ending up killing an entire family as “collateral damage” was not always so readily accepted by large swathes of Israeli society. In 2002, for example, the Israeli Air Force bombed the home of Salah Mustafa Muhammad Shehade, then the head of the Al-Qassam Brigades, Hamas’ military wing. The bomb killed him, his wife Eman, his 14-year-old daughter Laila, and 14 other civilians, including 11 children. The killing caused a public uproar in both Israel and the world, and Israel was accused of committing war crimes.

Fifteen years after insisting that the army was taking pains to minimize civilian harm, Gallant, now Defense Minister, has clearly changed his tune. “We are fighting human animals and we act accordingly,” he said after October 7.

The Israel they represent is more religious and less beholden to the values and inheritances of the old, Europeanized elite and its dwindling left

This month, the left-leaning daily Haaretz highlighted internal discussions in the ministry about what artistic works might be considered “politically undesirable” for high-school students. Among the criteria, the newspaper said, were whether artists would perform in West Bank settlements and declare loyalty to the state and to the national anthem, something that is particularly problematic for Israel’s Arab citizens.Internal discussions are not policy, but even this report drew stinging responses, with Oded Kotler, a prominent Israeli actor and director, comparing Israel to the Soviet Union and telling Israel Radio, “There’s a real culture war underway here, but the war from that side of the political map is a harbinger of zealotry, darkness and coercion.”Mr. Kotler infuriated the government and the political right last summer when he compared its supporters to “cud-chewing cattle.” That was in response to Ms. Regev’s effort to freeze state funding for an Arab theater in Haifa because of a play about a Palestinian prisoner who murders an Israeli soldier. The production, “Parallel Time,” had enraged the right and Mr. Bennett banned school trips to see it.

Mr. Bennett, for his part, overruled ministry experts to ban from high-school reading lists a novel about a romance between an Israeli woman and a Palestinian man, apparently out of fear that it promotes assimilation. The romance takes place abroad; the pair splits up when they return home, to Israel and the West Bank. Mr. Bennett said the novel, “Borderlife,” by Dorit Rabinyan, disparaged the Israeli military, and the head of his ministerial committee said it “could incite hatred and cause emotional storms” in classrooms.The debate about the book actually increased its sales, something Ms. Rabinyan credited in an interview to “the strength of Israeli democracy.”

The novel begins with the Israeli woman, who is Sephardic, coming under suspicion of terrorism in New York over her “Arab” appearance and because she writes from right to left. “This is the bond that connects her to the Palestinian,” Ms. Rabinyan explained. “I don’t consider my Israeliness to be hegemonic.”

by being posited as films that inform, educate and explain what is going on here to audiences over there, these films become central to a pre-existing East-West dynamic—a sphere of knowledge production and image-making that tries to translate the orient to an elsewhere

These are discourses that seek to “save brown women from brown men” or brown liberal men from oppressive brown regimes, or basically to save the Arabs from their Arabness, with all the cultural stereotypes such a term entails.

The problem with these films is that they ignore the interconnectedness of “developed” and “developing” countries, of authoritarianism in the Middle East and liberal democracies in the west, of Islamic fundamentalism and the Cold War, and of metropolitan centers of global capitalism and the dispossession of millions all over the world. The problem gets even more complicated when entitlement and ability to represent becomes unquestioned.

These films portray living stereotypes of actual people, focusing on the elements of their lives that are ‘interesting’ only in so much as they tell us something about clichéd versions of Egypt, Tahrir, Islam, women, art and war, conflict, poverty, dispossession and resistance. These topics are not interesting for those who live in war, conflict, poverty and dispossession, those for whom Tahrir was not a spectacle and resistance is a complicated act. In such a context these issues might be relevant, but they are only interesting somewhere else.

I am skeptical of the act of representation itself, the provision of ready-made, easily translatable narratives about 2011 as if the revolution was a thing, and as if "Arabness" is also a thing. If postmodernism declared the death of the meta-narratives—teleogically oriented, totalizing worldviews that tend to put in a claim for the universal and promise utopian resolutions that are yet to occur—Arab Spring documentaries lie on the opposite side of the spectrum. The conditions of their existence, profitability, visibility and circulation depends first and foremost on their claims to a certain truth about “what really happened” over there. But neither the "Arab Spring" nor the "Arab World" can be explained through the sum of their parts. They are constructed, time and time again, through the very narratives that eclipse alternative imaginaries, historical renditions or analyses by foreclosing the realm of imagination all together.

The best rap and metal in the region succeeds because it manages to avoid both the kind of “extreme consciousness of doom” that leads to aesthetic nihilism, hyper-stylized violence and other forms of artistic “idle chatter,” while also avoiding the kind of surrender to the culture industry which leads even the most well-intentioned of mainstream artists to “collaborate with culture as its salaried and honoured nuisance” rather than challenge it directly from the margins.

the ultimate function of immanent criticism: to enable a positive synthesis, or irreducible hybridization of identities. Such identities can not be subsumed under any dominant ideology or political and economic narrative and therefore cannot serve to reinforce them

in the Middle East and North Africa region, in the years leading up to the current revolutionary moment, the growing popularity of metal and rap music represents a return of the aura to local music scenes. Both Benjamin and Adorno believed that a remnant, or perhaps better, specter of the original aura remained within works of art even in the mechanical/industrial age. This spector becomes visible in the kind of critical art represented by the groups discussed here, contributing to the continued “excessiveness”, “aesthetic deviance”, and “pointing elsewhere” towards cultural difference and a different future that characterize the best exemplars of the music

As Moe Hamzeh, leader of one of the most talented and successful Arab rock/metal groups, Beriut's The Kordz6, explains, while Arab rock or rap artists obviously want to be successful, the relative lack of interest in the two genres by Rotana and other Arab media conglomerates has been a blessing from an aesthetic perspective. It has saved them from the inevitable fate of all commercialized popular music, whether American hiphop and hair metal to Arab video-clip driven pop. At the same time, the lack of commercialization has made the public performance of the music, usually in small group settings or festivals geared specifically to fans of the genres, the crucial means of creating audiences and building solidarity among their communities of fans.

singers and rappers were actually smiling as they performed their music. And so were the crowds surrounding them. This is likely not the vibe Adorno imagined would surround the kind of immanently critical music he felt was necessary to wake people up to the false consciousness they had been mindlessly inhabiting. But it points to a crucial problem with Adorno’s musical aesthetic, at least form the standpoint of reception. The more abstract, atonal, and devoid of recognizable harmonies or rhythmic pulse a piece of music is, the harder it will be for it to inspire a large number of people. Once people are actually on the streets protesting rather than in their smaller subcultural gatherings, they need something catchier and more uplifting to sing along to than brutal vocals and rapid fire rhymes

Adorno did not think much of the aesthetic and political potential of folk music, which he tied both to nationalist and fascist sentiments. In its then present-day form (rather than traditional-historical form), he believed it to foster little more than a “pseudo-folk community,” particularly in its cultural and aesthetic historical trajectory in Germany. But in Egypt as in the United States, the music has played a more critical political role in struggles for political freedom and social justice.

the band’s popularity is inseparable from its dual role as a voice of protest and a regenerator of traditional styles of music that recently were in danger of disappearing completely because of a combination of market forces and government censorship

What the kind of joyful hybridity exemplified by the production style of Armada Bizerta and myriad other rap groups around the Arab and larger Muslim worlds (and across Africa) reveal is that even within one genre of music, such as hip hop, talented artists can create innumerable sonic tapestries to match, and help shape, the national mood—from dissonant anger to joyful creativity—as the political and cultural situation on the ground changes. Their flexibility is key to their function as the kind immanent critique Adorno and other critical theorists hoped would be able to “reliquify” the “congealed” ideologically bounded identities imposed by authoritarian regimes on their citizens

The joyful aesthetics of groups such as Amarda Bizerta, Emel Mathlouthi, Ramy Essam, and other artists at the heart of youth-inspired revolutions challenges Adorno’s belief that critical music in the age of mass reproduction and consumption has to be, essentially, hard to listen to in order to make the listener think and perhaps even motivated to take some form of action. It seems that while in the pre-Revolutionary period, when cultural expression was still heavily policed, this indeed was the case—thus the power and popularity of genres like metal and hardcore rap. But with the explosion of political, cultural, and artistic energy of the protests a new aesthetic dynamic was born that, at least as of the time of this writing, remains quite powerful. As important, by drawing people literally closer together, the music brings them closer to its critical and transformational aura, closing a circle that was broken, according to Benjamin, with the mechanical reproduction and commodification of musi a century ago

It remains to be seen whether Americans and Europeans, so used to providing the “original” music and culture which others have long sampled, will prove as adept as the “new generation” of Arab revolutionaries in adapting the tools and ideas of others to create their own cultural, political, and economic hybrids. But if the experience of the last year is any indication, without doing so there is little chance of the current wave of protests across the West producing the kind of large-scale transformation now underway, however problematically, in the Arab world.

filtering at the keyword level results in overblocking, as banning the use of certain keywords to search for Web sites, not just images, prevents users from accessing—based on Microsoft’s definition of objectionable content—legitimate content such as sex education and encyclopedic information about homosexuality.

The current approach uses a region-wide standard for filtering content as opposed to the more targeted, granular, and country-specific policy. A more targeted approach—either country-based or preferably, defined by the user—is more generally consistent with minimizing the impact on freedom of speech. Through its involvement in the Global Network Initiative, Microsoft has signaled its willingness to be at the forefront in protecting freedom of expression around the world. It is difficult to reconcile this position with Bing’s current filtering standards.