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Any image of cigarettes in movies aired on television must be blurred, even the smoke. The censored imagery has come to include drinks and bare female breasts. Subscription TV channels have also adopted the practice, blurring images of tobacco, alcohol, breasts and buttocks, despite their subscribers paying for a private service.

let's entertain the idea that Erdogan may be justified in associating smoking and drinking with literature, poetry and cinema in Turkey. Not so, according to scholars in the field.

When I use the term “Afro-Arab,” it is just my American lingua, not an actual term that Arab thinkers are trying to adopt or even consider. It is the kind of term you find in US academia but not in Arabic letters or political discussions. Even on the e-margins, young East and North Africans have been embracing their Africanness in opposition to Arabness, often citing Arab racism and exclusionary politics as reasons to depart from that historical bond.

I noticed how often Arab writers, including those North and East African, seem at ease when othering Africa—the bordered continent is harder for them to grasp than an imaginary “Arab World” made up by the French, and later appropriated by Arab nationalism. Moreover, the wildly inaccurate treatment of black experiences and cultures as one sum; from Zanzibar and Lagos to Havana and Detroit.

the Arab-Afro encounter seems more connected to the Americas and France, than to Africa itself

translations, references, and intertextual conversations, even by black Arabs, look toward Aime Césaire, Frantz Fanon, as well as African-American literature, and the civil rights era.

From one panel title “Black writer, White reader,” in a nod to Fanon, it was clear how the Arab fixation on black skin functions as an erasure of race, therefore assuming Arab is White

Arab writers, in the aftermath of the Iraq war and its apolitical introduction of identity politics into the region, have found an opportunity in writing about these groups which could get them translated and serve as primary literature for western academics and NGOs alike. Their white translators whisper to me “oh my god, this shit is racist” sometimes mediating in the process to clean up the language

The first story in the compilation is by Gaza resident Sama Hassan, titled “No." It tells the story of a woman whose husband repeatedly rapes her, sometimes until she is bleeding, but she cannot utter the word “No." “… Over and over he cut into her flesh, which grew increasingly tough until she emitted a groan of pain. … You are nothing but the family’s property, was the first grating thought. Hands and womb, hands and womb." I told Burbara that the story had shocked me. I put the book aside and could not continue reading for a few days. “We put ‘No’ first on purpose,” she explained. “We wanted readers to feel and tell themselves, ‘Wow, what is she telling us? How will we learn more about the women in Gaza who are not heard.’”

Given the nationalistic climate in Israel, with a prime minister who incites hatred of Arabs, I asked Burbara how many Jewish Israelis she thought would read the book. “That is the million-dollar question,” she answered. “But I believe that if you start to drip water on a stone, it digs into its surface and leaves a mark. 'Amputated Tongue' is the first rain that will drip onto the Israeli stone and dig into it deeper and deeper.”

Even those who are not leaving often favor foreign languages over MSA. They see foreign languages as more functional, prestigious, and likely to guarantee them a job. Youth across the region often work entirely in a foreign language and are not comfortable in MSA

Censorship drives intellectuals abroad

Syria, once known for its Arabic academy for the study and development of the language, as well as for the fact that its entire education system up through university was in Arabic, is now destroyed. Refugees find themselves in countries where Arabic is not used in education. Even neighboring Lebanon uses English and French in its education system.

it is not contradictory to say that functional literacy is on the rise, but that access to and use of MSA—such as sophisticated literature and academic texts—is on the decline. The Arab world is now publishing only between 15,000 and 18,000 books annually, as many as Penguin Random House produces on its own. Egypt was once the largest producer of books with an output between 7,000 and 9,000 per year. Although its output was previously on the rise, it dropped by a whopping 70 percent after the 2011 revolution, and as of 2016 was only "showing signs of recovery."

With the depletion of educated classes, MSA is more and more limited to political and religious contexts, which are often associated with oppressive and conservative systems

the most popular TV shows and movies are done in the vernaculars. On social media, dialect dominates, though MSA is also used.

much of the media (articles and videos) that talk about MSA’s decline are in English

Local identities are not necessarily national identities, but are often subnational, so rather than showing strong national cohesion, it shows the failure of the Arab states to unite their populations.

In the past, when their economies were stronger, Arab states were able to build an educated class that was comfortable with MSA.

Hossam Abouzahr is the founder of the Living Arabic Project, a platform devoted to making Arabic more accessible by developing dictionaries for Arabic colloquials and MSA

One striking difference between the Israeli state books on the one hand, and the ultra-Orthodox and Palestinian books on the other, is their willingness to engage in self-criticism. For the Israelis, this is an evolution that began in the late 1990s, after many historians began to re-evaluate early Israeli history, and a left-wing member of the Knesset became education minister. Israeli state textbooks began to admit that some Palestinians left their land within Israel because they were expelled. And they began to make reference to the Arabic name for Israel’s War of Independence in 1948: the Naqba, or Catastrophe. They also began ask Israeli Jewish students how they would have felt about Zionism if they’d been in the place of the Palestinians. There is still far less of this in either the ultra-Orthodox or Palestinian books. For example, the Palestinian texts don’t deal in any significant way with the Holocaust or its relationship to the founding of Israel.

just how politicized the teaching of history and geography has become for Israelis and Palestinians—with both sides at times quite literally wiping each other off the map. Not that Israelis and Palestinians are alone on this score. Think of Cyprus, where for decades Greek and Turk Cypriotes did not consider themselves part of a single people, or Northern Ireland, where even the name used to describe the territory continues to be highly charged. (Is it a province? A state? A region?) The process of ending such misrepresentations, the authors of the study find, is therefore “exceedingly difficult and requires deliberate and courageous effort.” It also takes time.

Palestinian textbooks are still in their first generation

Sociologist Sammy Smooha of Haifa University, who conducts an annual survey of Arab and Jewish relations, says that the goal now should be to write textbooks that do more to expose each side to the other’s narrative. “You have to engage with the other side’s arguments in a serious manner and not just build up a straw man in order to break it.” Eyal Naveh, a professor of history at Tel Aviv University and the author of several textbooks for middle-school and high-school students, agrees. “If you ignore it, it’s as if it doesn’t exist,” he said.

a book called Side By Side that included a “dual narrative” of all major events in the region since 1917, through the Second Intifada in 2000. Naveh calls the book “a successful failure:” Though it had been lauded by the international press and continues to sell abroad, the book was banned by both the Israeli and Palestinian education ministries. Naveh now believes that getting such a textbook to become part of the Israeli and Palestinian curricula is “impossible.”

This helps us to understand why western analysts keep misreading the motivation behind Putin’s actions. His reality is very different from the reality in which these analysts live. His goal is primarily to “recollect Russia’s historical territories” (which specific version of historical Russia he has in mind is for us to rediscover in the next episodes)

the concept of cultural clash has been deeply ingrained in the minds of today’s Russians

Surveys show that 88 percent of Kiev’s Euromaidan participants came from outside of the capital. Of those only half originated from the country’s western regions, while the other half came from the central and eastern Ukraine. Specifically as many as one fifth (20 percent) of protesters came from the eastern regions alone

country-level data is also against the Ukrainian cultural divide concept. A survey from the Razumkov Center, shows that as of late December 2013 an absolute majority of the population in both the Center (two thirds) and West (80 percent) of Ukraine supported the Euromaidan; this is in contrast to about 20-30 percent in the East and South. However, the share of population that did not express support for the Euromaidan protests remained undecided regarding the alternative option: not supporting the Maidan did not automatically equal supporting the Russian vector or Yanukovych

the preponderance of pro-Russia oriented media in the Russian-speaking East

these media actively emphasized the cultural divide. If anything, the notorious divide exists primarily within Eastern Ukraine alone

But how should we interpret these figures? In the West, where the Muslim world is often seen as a place that doesn’t “do” sex, stories that reveal supposedly traditional societies to be hotbeds of depravity gain wide traction in the media as amusing exposes. Religious conservatives in the Arab world meanwhile draw on evidence of a growing porn habit as proof of the “corrupting” influence of Western values, and the need to return to the supposedly pristine morals of the past. For example, the leading Saudi Internet “expert”, Dr Mishal bin Abdullah al-Qadhi, regularly warns that porn sites are part of an insidious Western plot. “The people of the West”, he wrote, in one particularly damning diatribe, “with their corrupt values, reprehensible principles and pernicious sicknesses, are not content to reveal their vices and sins […] to themselves alone, but continuously strive to spread these afflictions and sicknesses to the lands of Islam.”  In reality, both reactions rely on ahistorical ideas about the role of sex in Arab society. Instead, as the writer and academic Shereen El Feki, author of Sex and the Citadel, points out in a discussion with Raseef22, there really is nothing shocking about the revelation that Arabs watch porn. Before the twentieth century and the rise of the modern state, Arab culture had a long tradition of erotic imagery in literature and music. Medieval books such as The Perfumed Garden and the Encyclopaedia of Pleasure may have had a factual purpose, but they were also read for pleasure. “They are meant to arouse,” explains El Feki, “they are pornography. These notions of pornography as some sort of alien entity to Arab culture are completely untrue.”

Sexual desires are a universal phenomenon, and when conventional means to fulfilling those desires are restricted – for example through strict rules about pre-marital sex and an accompanying range of socio-economic impediments to getting married – it is hardly surprising, that people turn to their computers for help.