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“Many viewers saw this vision as biased, as it addressed only Abdel Nasser’s flaws and neglected his virtues, while glorifying Mohammad Naguib with no reliable proof,” Shennawi told Al-Monitor. “Egyptian cinema suffered a lot in the era of Abdel Nasser, who exploited cinema to promote the ideas of the July 23 revolution and gradually root out any opposing ideas. Egyptian cinema started breaking free from those restrictions with the film ‘Al-Karnak’ [1975], which criticized Abdel Nasser’s era, and ‘Ahl al-Qima’ [People on the Top, 1981], against [President Anwar] Sadat’s Egypt.”

many Nasserists and supporters of the 1952 revolution have harshly criticized the film. Last month, Magdy Eltayeb, film critic for the newspaper Al-Qahira, posted on his personal Facebook page, “Diamond dust is poisonous. … [The film] adopted a stance against the 1952 revolution. … It showed excessive sympathy with the Jews to the extent that this has undermined this work’s aesthetic value as a film noir.”

A hit, “Diamond Dust” has so far earned 27.6 million Egyptian pounds ($1.5 million) at the box office.

The best rap and metal in the region succeeds because it manages to avoid both the kind of “extreme consciousness of doom” that leads to aesthetic nihilism, hyper-stylized violence and other forms of artistic “idle chatter,” while also avoiding the kind of surrender to the culture industry which leads even the most well-intentioned of mainstream artists to “collaborate with culture as its salaried and honoured nuisance” rather than challenge it directly from the margins.

the ultimate function of immanent criticism: to enable a positive synthesis, or irreducible hybridization of identities. Such identities can not be subsumed under any dominant ideology or political and economic narrative and therefore cannot serve to reinforce them

in the Middle East and North Africa region, in the years leading up to the current revolutionary moment, the growing popularity of metal and rap music represents a return of the aura to local music scenes. Both Benjamin and Adorno believed that a remnant, or perhaps better, specter of the original aura remained within works of art even in the mechanical/industrial age. This spector becomes visible in the kind of critical art represented by the groups discussed here, contributing to the continued “excessiveness”, “aesthetic deviance”, and “pointing elsewhere” towards cultural difference and a different future that characterize the best exemplars of the music

As Moe Hamzeh, leader of one of the most talented and successful Arab rock/metal groups, Beriut's The Kordz6, explains, while Arab rock or rap artists obviously want to be successful, the relative lack of interest in the two genres by Rotana and other Arab media conglomerates has been a blessing from an aesthetic perspective. It has saved them from the inevitable fate of all commercialized popular music, whether American hiphop and hair metal to Arab video-clip driven pop. At the same time, the lack of commercialization has made the public performance of the music, usually in small group settings or festivals geared specifically to fans of the genres, the crucial means of creating audiences and building solidarity among their communities of fans.

singers and rappers were actually smiling as they performed their music. And so were the crowds surrounding them. This is likely not the vibe Adorno imagined would surround the kind of immanently critical music he felt was necessary to wake people up to the false consciousness they had been mindlessly inhabiting. But it points to a crucial problem with Adorno’s musical aesthetic, at least form the standpoint of reception. The more abstract, atonal, and devoid of recognizable harmonies or rhythmic pulse a piece of music is, the harder it will be for it to inspire a large number of people. Once people are actually on the streets protesting rather than in their smaller subcultural gatherings, they need something catchier and more uplifting to sing along to than brutal vocals and rapid fire rhymes

Adorno did not think much of the aesthetic and political potential of folk music, which he tied both to nationalist and fascist sentiments. In its then present-day form (rather than traditional-historical form), he believed it to foster little more than a “pseudo-folk community,” particularly in its cultural and aesthetic historical trajectory in Germany. But in Egypt as in the United States, the music has played a more critical political role in struggles for political freedom and social justice.

the band’s popularity is inseparable from its dual role as a voice of protest and a regenerator of traditional styles of music that recently were in danger of disappearing completely because of a combination of market forces and government censorship

What the kind of joyful hybridity exemplified by the production style of Armada Bizerta and myriad other rap groups around the Arab and larger Muslim worlds (and across Africa) reveal is that even within one genre of music, such as hip hop, talented artists can create innumerable sonic tapestries to match, and help shape, the national mood—from dissonant anger to joyful creativity—as the political and cultural situation on the ground changes. Their flexibility is key to their function as the kind immanent critique Adorno and other critical theorists hoped would be able to “reliquify” the “congealed” ideologically bounded identities imposed by authoritarian regimes on their citizens

The joyful aesthetics of groups such as Amarda Bizerta, Emel Mathlouthi, Ramy Essam, and other artists at the heart of youth-inspired revolutions challenges Adorno’s belief that critical music in the age of mass reproduction and consumption has to be, essentially, hard to listen to in order to make the listener think and perhaps even motivated to take some form of action. It seems that while in the pre-Revolutionary period, when cultural expression was still heavily policed, this indeed was the case—thus the power and popularity of genres like metal and hardcore rap. But with the explosion of political, cultural, and artistic energy of the protests a new aesthetic dynamic was born that, at least as of the time of this writing, remains quite powerful. As important, by drawing people literally closer together, the music brings them closer to its critical and transformational aura, closing a circle that was broken, according to Benjamin, with the mechanical reproduction and commodification of musi a century ago

It remains to be seen whether Americans and Europeans, so used to providing the “original” music and culture which others have long sampled, will prove as adept as the “new generation” of Arab revolutionaries in adapting the tools and ideas of others to create their own cultural, political, and economic hybrids. But if the experience of the last year is any indication, without doing so there is little chance of the current wave of protests across the West producing the kind of large-scale transformation now underway, however problematically, in the Arab world.

In an August 15 case, six protesters faced charges of “insulting the military” before a military tribunal for chanting “antagonistic” slogans about Field Marshal Mohamed Hussein Tantawi, the de facto ruler of the country, in addition to charges of assaulting a police officer. The military court sentenced Hassan Bahgat to six months in prison in another case, 3779/2011, for insulting the military in Tahrir square on August 6

Abu Bakr, a lawyer representing victims in the Mubarak trial and a Kifaya activist, received her summons to appear before the military prosecutor on charges of “insulting the military” on August 16. During the questioning, the prosecutor showed her video footage from the July 23 demonstration in Abbasiya, Cairo, of a protester who, the prosecutor told her, was “insulting” the military. The prosecutor dropped the charges against her when he realized the footage was not of her. Lawyer Ahmed Ragheb told Human Rights Watch that this footage was not filmed by the media, which would suggest that the military is filming protesters during demonstrations.

The Mubarak government frequently used overly broad provisions in the penal code to crack down on legitimate criticism of the government’s human rights record or criticism of the political situation, trying editors, opposition leaders, and activists on charges of “insulting the president” or “insulting public institutions.” The military government and courts are using the same provisions.

Military prosecutors have summoned at least seven activists and journalists, including Mahfouz, to question them on charges of criminal defamation after they publicly criticized the Supreme Council of the Armed Forces (SCAF), the military leadership, or alleged abuses by the army. The labor activist and blogger Hossam al-Hamalawy was summoned after he said on television that he held the head of the military police, Gen. Hamdy Badeen, personally responsible for acts of torture by the military police.

The United Nations Human Rights Committee, the expert body that provides authoritative interpretations of the International Covenant on Civil and Political Rights, to which Egypt is a party, states categorically in its recently-issued General Comment No. 34, on Article 19 on Freedom of Expression, that, “States parties should not prohibit criticism of institutions, such as the army or the administration.” By this standard, article 184 of the Egyptian penal code, which criminalizes “insulting the People’s Assembly, the Shura Council or any State Authority, or the Army or the Courts,” is incompatible with international law and should be amended accordingly, Human Rights Watch said

lower-level officials self-censor dealings with critics of the administration abroad

“The reality in which political decisions or presidential pettiness directs top U.S. diplomats’ choices over whose human rights work is mentioned in the public sphere and whose is not is a really scary reality.”

She often debunks misinformation spread online and comments on major news events related to propaganda and election interference, including Brexit and the ongoing investigation by special counsel Robert Mueller into links between the Russian government and Trump’s campaign. She has regularly tweeted criticism about Trump’s sharp political rhetoric and attacks on the press

After first being notified she would get the award, Aro filled out forms and questionnaires at the request of officials and cancelled paid speaking engagements to travel to Washington to attend the March 7 ceremony in Washington. The State Department also sent her an official invitation to accept the award and planned an itinerary for a corresponding tour of the United States, complete with flights and high-profile visits to newspapers and universities across the country.

In 2014, Aro pursued reporting on a Russian troll factory in St. Petersburg that aimed to alter western public opinions. Long before the U.S. elections in 2016, which propelled Russian disinformation campaigns to the spotlight, she unearthed evidence of a state-sanctioned propaganda machine trying to shape online discourse and spread disinformation. After she published her investigation, Russian nationalist websites and pro-Moscow outlets in Finland coordinated smear campaigns against her, accusing her at times of being a Western intelligence agent and drug dealer, and bombarding her with anonymous abusive messages. She also received death threats.

reserved the right to seek damages, due to Aro having to cancel paid speaking events

Long committed to a free media, Mustafa Amin was imprisoned for six months in 1939 for an article in Akher sa‘a (Last Hour) magazine deemed critical of King Faruq. An advocate of democracy and Western liberalism, he was arrested in 1965, tried secretly in 1966, and convicted of being a spy for America and smuggling funds. Sentenced to a life sentence, he spent nine years in prison before being pardoned by Nasser’s successor, President Anwar Sadat. Ali Amin, accused by Heikal of working for British and Saudi intelligence, went into exile in 1965.

Room for expression existed mainly in the literary pages of al-Ahram, where writers under Heikal’s wings, like Naguib Mahfouz, could publish works of fiction that could be read as challenges to the status quo.[5] As far as the press was concerned, censorship was directed at politically oriented news and commentary rather than the literary sections

During the conflict, as the Egyptian army, under Field Marshal Abd al-Hakim Amer’s command, was hastily retreating from Sinai, broadcast outlets aired invented reports of fabulous victories against the Zionist foe. At no other moment did the state media prove so woefully deficient, contributing to a deep sense of public betrayal.

The speech was written for him by prominent journalist Mohamed Hassanein Heikal and tactfully framed a romp of Arab armies as a “setback,” displaying Heikal’s knack for being both a propagandist and political powerbroker.   It was a moment that brilliantly served to shore up Nasser’s support. Egyptians took to the streets demanding that their leader stay in power. “The People Say ‘No,’” declared Akhbar al-youm (News of the Day) in large red writing. In smaller black lettering the headline read, “The Leader Discloses the Whole Truth to the People.” It is difficult to say how populist and genuine the appeal was and how much of the public display of support for Nasser was behind-the-scenes political machinations of the regime and its media. While Nasser did stay in power, it was only later that Egyptians could comprehend the true extent of the defeat—especially in light of official propaganda—and the institutional failures that placed the whole of Sinai under Israeli control.

slogans shouted and scrawled on building walls that demanded: “Stop the Rule of the Intelligence,” “Down with the Police State,” and “Down with Heikal’s Lying Press.”

Student periodicals posted on the walls of the campuses emerged as the freest press in Egypt. Nasser for the first time became the object of direct criticism in the public space. A campaign against student unrest was waged in the state-owned media, which labeled the activists as provocateurs and counter-revolutionaries goaded by foreign elements

“A centralized editorial secretariat, called the Desk, was founded, as well as the Center for Strategic Studies and the Information Division. To his detractors, these innovations appeared to be spying sessions of an extensive empire dedicated to intelligence gathering

Nasser appointed Heikal to the post of minister of information and national guidance, a role he assumed for six months in 1970 until Nasser’s death. Yet the self-described journalist confided his frustration of being assigned a ministerial post, perhaps intended to distance him from the publishing empire he built, to a colleague, the leftist writer Lutfi al-Khouli, at his home. The encounter was surreptitiously recorded by the secret police, leading to the arrest and brief imprisonment of al-Khouli, and Heikal’s secretary and her husband, who were also present. “Now, Nasser’s regime had two aspects: it had great achievements to its credit but also it had a repressive side. I do not myself believe that the achievements . . . could have been carried out without some degree of enforcement,” Heikal wrote in The Road to Ramadan. “But after the 1967 defeat the positive achievements came to an end, because all resources were geared to the coming battle, while repression became more obvious. When Nasser died the executants of repression took it on themselves to be the ideologues of the new regime as well. They held almost all the key posts in the country. The people resented this and came to hate what they saw as their oppressors.”

after his increasing criticism of Sadat’s handling of the October 1973 War and appeals to the United States to address the impasse, Heikal was removed from al-Ahram in 1974. He remained a prolific author. In May 1978, Heikal was one of dozens of writers accused by the state prosecutor of defaming Egypt and weakening social peace and was subject to an interrogation that extended three months

Sadat attempted to bring the dissident cacophony into line through the mass arrest in September 1981 of more than 1,500 intellectuals, writers, journalists, and opposition elements of every stripe. Among those arrested were leading members of the Journalists’ Syndicate and prominent figures like the political writer Muhammad Hassanein Heikal and novelist Nawal El Saadawi. Sadat’s crackdown against his opponents culminated in his assassination by Islamic militants on October 6, 1981 during a military parade to commemorate the start of the 1973 War. Soon after Hosni Mubarak assumed power, Heikal was released from prison

When Dream aired the lecture Heikal gave at the American University in Cairo, direct pressure was placed on the owner’s business interests, and the veteran journalist found a new forum on pan-Arab satellite broadcasting. The influential writer has made opposition to Gamal Mubarak’s succession a staple of his newspaper columns.

With the rise of satellite television, Qatar’s Al Jazeera commanded audiences not only with news but with popular discussion programmed, like Ma‘ Heikal (With Heikal), a program by Heikal that began the year after the 2003 invasion of Iraq, and which was watched by the Arab public with eager interest. Seated behind a desk and looking into the camera, Heikal gave his narrative of historical events and commentary on Middle Eastern and world affairs, exposing the intrigues of regional and global powers from his perch, having privileged access to leaders, diplomats, and decision makers. He has been a critic of Saudi diplomacy, its ballooning regional influence given the power of petrodollars, and its confrontation with Iran. Saudi pundits have consistently taken potshots at Heikal.

A couple of months before Morsi’s ouster on July 3, 2013, Heikal was contacted by Morsi’s defense minister Abd al-Fattah al-Sisi for a meeting, which had led to speculation that the Heikal devised the behind-the-scenes scenarios for an elected president’s removal as the dominant political player, the Muslim Brotherhood, was sinking in popularity. After Morsi was expelled from office, Heikal suggested to the military leader that he seek a popular mandate to lead the country, mirroring Nasser-style populism. Attired in full military regalia, al-Sisi at a July 24, 2013 graduation ceremony of the naval and air defence academies, broadcast live, warned that national security was in peril and summoned nationwide rallies two days later. Heikal supported al-Sisi’s bid for the presidency viewing him as the candidate born of necessity.

"President Biden seems incapable of using the one policy tool that may actually produce a change in Israel's actions that might limit civilian deaths, which would be to condition military aid that the United States provides to Israel,” Clifton added. He partially attributed the inability of the U.S. government to rein in Israel’s war actions to the “lobbying and advocacy efforts underway.”

Fisher repeatedly noted the need to offer accurate and nuanced information to rebut critics of Israel's actions. Yet at times, he offered his own misinformation, such as his claim that "anti-Israel" human rights organizations like Amnesty International and Human Rights Watch "didn't condemn the October 7th massacre."

J-Ventures has also veered into an unusual kind of philanthropy: shipments of military supplies. The group has attempted to provide tactical gear to Israel’s equivalent of the U.S. Navy SEALs, known as Shayetet-13, and donated to a foundation dedicated to supporting the IDF’s undercover “Duvdevan” unit, which is known for infiltrating Palestinian populations. Many of the shipments intended for the IDF were held up at U.S. airports over customs issues.

Israel would soon lose international support as its military response in Gaza kills more Palestinian civilians, noted Schwarzbad, who stressed the need to refocus attention on Israeli civilian deaths. “Try to use names and ages whenever you can,” she said. Don’t refer to statistics of the dead, use stories. “Say something like, 'Noah, age 26, was celebrating with her friends at a music festival on the holiest day of the week, Shabbat. Imagine if your daughter was at Coachella.’”

The Israel-based venture capitalist outlined three categories of people for whom outreach, rather than attacks, is the best strategy. The first group is what he dubbed “the impressionables,” who are "typically young people, they reflexively support the weak, oppose the oppressor," but "are not really knowledgeable." For this category of people, the goal is not to "convince them of anything," but to "show them that it's much more complicated than it seems." Seeding doubt, he said, would make certain audiences think twice before attending a protest. "So it's really about creating some kind of confusion,” Fisher continued, “but really, just to make it clear to them that it's really a lot more complicated."

The final group consists of those who are "reflexively pro-Israel, kind of ‘Israel, right or wrong.’" Members of this group "are not actually very knowledgeable," so they needed to be equipped with the right facts to make them "more effective in advocating for Israel,” Fisher said.

One participant even suggested that they appeal to the university’s “woke” aversion to exposing students to uncomfortable ideas.   The participant drafted a sample letter claiming that Tlaib’s appearance threatened ASU’s “commitment to a safe and inclusive environment.” The following day, ASU officially canceled the Tlaib event, citing “procedural issues.”

efforts to discredit HRW stem directly from its outspoken criticism of Israel’s record in the occupied territories and its military conduct. An HRW report released the same day as Fisher’s remarks cited the World Health Organization’s conclusion that the IDF had killed roughly one child in Gaza every 10 minutes since the outbreak of violence in October.

members of the J-Ventures group chat also internally circulated a petition for Netflix to remove the award-winning Jordanian film ‘Farha,’ claiming that its portrayal of the actions of IDF soldiers during the 1948 displacement of Palestinians constituted “blood libel,” while another said the film was based “antisemitism and lies.”

The group, which also includes individuals affiliated with the influential American Israel Public Affairs Committee (AIPAC), has tirelessly worked to fire employees and punish activists for expressing pro-Palestinian views. It has also engaged in a successful push to cancel events held by prominent Palestinian voices, including an Arizona State University talk featuring Rep. Rashida Tlaib, a Michigan Democrat who is the only Palestinian-American in Congress. The group has also circulated circulated a push poll suggesting Rep. Tlaib should resign from Congress and provided an automatic means of thanking Rep. Dan Goldman, D-N.Y., for voting for her censure.

One member noted that despite the controversy over a scene in the film in which Israeli soldiers execute a Palestinian family, Israeli historians have documented that “such actions have indeed happened.” The critique was rejected by other members of the group, who said the film constituted “incitement” against Jews.

a variety of automated attempts to remove pro-Palestinian content on social media

Over the last two months, dozens of individuals have been fired for expressing opinions related to the war in Gaza and Israel. Most have been dismissed for expressing pro-Palestinian views, including a writer for PhillyVoice, the editor of ArtForum, an apprentice at German publishing giant Axel Springer, and Michael Eisen, the editor-in-chief of eLife, a prominent science journal. Eisen’s offense was a tweet sharing a satirical article from The Onion seen as sympathetic to the plight of Palestinians in Gaza.

The WhatsApp chats provide a rare look at the organizing efforts behind the broad push to fire critics of Israel and suppress public events featuring critics of the Israeli government. The scope is surprisingly broad, ranging from investigating the funding sources of student organizations such as Model Arab League, to monitoring an organizing toolkit of a Palestine Solidarity Working Group – “They are verrrry well organized”, one member exclaimed – to working directly with high-level tech executives to fire pro-Palestinian employees.

Last year, the Israeli government revoked funding for a theater in Jaffa for screening the film, while government figures called for other repercussions to Netflix for streaming it.

Lior Netzer, a business consultant based in Massachusetts, and a member of the J-Ventures WhatsApp group, requested help pressuring the University of Vermont to cancel a lecture with Mohammed El-Kurd, a Palestinian writer for The Nation magazine. Netzer shared a sample script that alleged that El-Kurd had engaged in anti-Semitic speech in the past.The effort also appeared to be successful. Shortly after the letter-writing campaign, UVM canceled the talk, citing safety concerns.

The WhatsApp group maintained a special focus on elite universities and white-collar professional positions. Group members not only circulated multiple petitions to fire professors and blacklist students from working at major law firms for allegedly engaging in extremist rhetoric, but a J-Ventures spreadsheet lists specific task force teams to "get professors removed who teach falcehoods [sic] to their students." The list includes academics at Cornell University, the University of California, Davis, and NYU’s Abu Dhabi campus, among others.

Many of the messages in the group focused on ways in which to shape student life at Stanford University, including support for pro-Israel activists. The attempted interventions into campus life at times hinged on the absurd. Shortly after comedian Amy Schumer posted a now-deleted satirical cartoon lampooning pro-Palestinian protesters as supporters of rape and beheadings, Epstein, the operating partner at Bessemer Ventures Partners and member of the J-Ventures WhatsApp group, asked, “How can we get this political cartoon published in the Stanford Daily?"

The influence extended beyond the business and tech world and into politics. The J-Ventures team includes advocates with the most powerful pro-Israel lobbying organization, the American Israel Public Affairs Committee, better known as AIPAC. Officials in the J-Ventures group include investor David Wagonfeld, whose biography states he is “leading AIPAC Silicon Valley;” Tartakovsky, listed as “AIPAC Political Chair;” Adam Milstein, a real estate executive and major AIPAC donor; and AIPAC-affiliated activists Drs. Kathy Fields and Garry Rayant. Kenneth Baer, a former White House advisor to President Barack Obama and communications counsel to the Anti-Defamation League, is also an active member of the group.

Other fundraising efforts from J-Ventures included an emergency fund to provide direct support for IDF units, including the naval commando unit Shayetet-13. The leaked planning document also uncovers attempts to supply the mostly female Caracal Battalion with grenade pouches and to donate M16 rifle scope mounts, “FN MAG” machine gun carrier vests, and drones to unnamed IDF units. According to the planning document, customs enforcement barriers have stranded many of the packages destined for the IDF in Montana and Colorado.

the morning after being reached for comment, Hermoni warned the WhatsApp group against cooperating with our inquiries. “Two journalists … are trying to have an anti semi[tic] portrait of our activity to support Israel and reaching out to members,” he wrote. “Please ignore them and do not cooperate.” he advised. Shortly thereafter, we were kicked out of the group

Victory on the “media battlefield,” Hoffman concluded, “eases pressure on IDF to go quicker, to wrap up” and “goes a long way to deciding how much time Israel has to complete an operation.”

he hoped that his prosecution would “throw the spotlight on the cases of others unjustly detained in Egypt, especially the jailed journalists." Since the military takeover of the country in July 2013, tens of thousands of political opposition figures have been arrested and detained as part of a sweeping security crackdown on dissent that has targeted Muslim Brotherhood members and supporters as well as secular activists, researchers, journalists and intellectuals

Balshy on April 4 published a list of some 40 journalists in Egypt who were either imprisoned or under threat of being detained

While there has hardly been any noise over the jailing of journalists with alleged links to the Muslim Brotherhood, the verdicts against Naaot and Nagy and the arrest warrant against Balshy provoked outrage in Egypt. After an outcry in Egyptian media over the conviction of Naaot, President Abdel Fattah al-Sisi last week urged parliament to review the country’s blasphemy laws, which critics have denounced as outdated and harmful. Meanwhile, in an outpouring of anger on social media over Nagy’s conviction, activists have campaigned for the novelist’s release using the Arabic hashtag that translates into #CreativityOnTrial.

Twenty-two rights organizations, six political parties and nearly 100 individuals signed a strongly worded petition condemning the warrant for Balshy’s arrest as “an attack on the media.”

Until recently, much of the Egyptian media and the majority of Egyptians had also rejected international criticism of the restrictions on the media in Egypt, perceiving the criticism as “part of the foreign conspiracy to destroy Egypt.” Lately however, there has been an almost abrupt turnabout with more journalists — including regime loyalists and those who had previously practiced self-censorship — becoming increasingly vocal in their criticism of “the muzzling of journalists through intimidation tactics” and “the unfair detention of writers and researchers.”

The regime clearly has not learned the lesson from Mubarak’s unplugging of the Internet during the 2011 uprising — a move that fueled the anger against the former dictator, leading to his ultimate overthrow. The government must acknowledge that the right to information and freedom of expression are basic human rights.

Youssef, who has drawn inspiration from U.S. comedian Jon Stewart, rose to fame with a satirical online show after the 2011 uprising that toppled autocrat Hosni Mubarak. His popularity skyrocketed when his TV program took aim at Mursi, drawing the ire of his government. Youssef was investigated on allegations of insulting Islam and the president. Critics of the Mursi government saw this as an attempt to stifle dissent. The charges were ultimately dropped. Egypt's army-backed leaders now face even harsher criticism from local and international human rights groups. Whether Youssef will be allowed to stay on air if he keeps up his sharp commentary was another topic of the broadcast. "Second episode?" Youssef asked before bursting into laughter.

Egypt’s political system is not, and has not been, absolutely authoritarian. In quasi-authoritarian states, journalists are often allotted some room to manoeuvre. Even under the Mubarak dictatorship, occasional criticism of the government was allowed, provided that certain “red lines” were not crossed

It remains highly unlikely, for instance, that journalists will attempt to critically examine the Egyptian military’s role in politics, or suggest that police should be held accountable for atrocities committed against the Muslim Brotherhood

the Sisi government is pushing back against the recent wave of criticism. In addition to the aforementioned arrests of writers, the government has arrested dozens of Facebook page administrators and, most recently, placed investigative journalist Hossam Bahgat on a no-fly list

n a reference to anti-government media coverage, Sisi condemned what he sees as attempts to bring down the government, saying he will “remove from the face of the earth” anyone who attempts to do so. In a direct reference to critical news coverage, Sisi instructed Egyptians to listen only to him, and avoid those who attack the government. Sisi shouted, “Please, do not listen to anyone but me! I am dead serious! Do not listen to anyone but me!”

The effects of these suspensions was not just hiding a set of tweets critical of the government, but completely disabling the influence network of Egypt’s dissidents. This is potentially the first documented politically motivated mass shutdown of twitter accounts at a time when online interaction was high and translated to possible action on the ground

accusations are not limited to Egypt but the entire region who have a sense that being critical of their governments was met with punitive measures by Twitter against them

many of those suspensions had a common denominator: being critical of the Egyptian government

suspensions seemed to have happened around late September and lasted from one day to a few days. In many cases Twitter had responded that they had suspended the accounts by mistake. The accounts affected varied from having a few followers to hundreds of thousands

a trending anti-Sisi hashtag disappeared suddenly in July 2018, and then later on in 2019. It didn’t help either to find that an officer in the British Army information warfare unit was head of editorial in Twitter for the MENA region.

I interviewed @OfficialAmro1, a user affected by mass suspensions with over 265K followers and 115K tweets. He was suspended without cause and added, “I don’t even curse.”To which I foolishly replied, “Cursing would not suspend your account, particularly if directed against a public figure. Incitement will.”“No, now it does,” he replied. He also added that if you criticize a figure loyal to the Arab regimes, you can get your account locked or suspended.

The 'hateful conduct' policy as defined by Twitter states: You may not promote violence against or directly attack or threaten other people on the basis of race, ethnicity, national origin, sexual orientation, gender, gender identity, religious affiliation, age, disability, or serious disease.Analyzing the message contents that were flagged for hateful conduct I saw that most did not violate Twitter’s rules. Soon I began to discover that what @OfficialAmro1 had told me was true. The content I was seeing contained profanity. But that wasn’t the whole story.Arabic curse words are used often. I sampled around a little under 50 claims, with over 30 screenshots that contain Twitter’s email identifying the violating tweet. It was clear that profanity alone was not causing the suspensions.

Tragically funnier still are those who were joking around with their friends using their usual language that has profanities @ism3lawy_ ended up cursing Egypt’s Zamalek football club and for that his account was suspended permanently along with that of one of his friends. In a separate conversation, his friend @EHAB_M0 was also joking around with his friends and eventually got a permanent suspension.

Within seconds of my post, the algorithm identified the curse words and locked my account for 12 hours. It was my first violation ever. The irony of documenting this as a reply to the platform’s account is probably lost on them.

the most dangerous and disconcerting of my findings is that the appeal system in Twitter for MENA is broken.

Even things like talking about prostitution can get you banned

There is an element of guardianship that is present in despotic Arab regimes, and that moral guardianship is reflected in the algorithm by Twitter as was shown through the numerous examples above.

With my limited access to Twitter’s data, I have found nearly 20 accounts probably wrongfully and permanently suspended. I imagine hundreds or even thousands more have been kicked off the platform.

“Thank you for trying to help make Twitter a free space once again.”

"Ironically, government supporters themselves don’t read pro-government newspapers. Best-selling newspapers lost their circulation after they were seized by government-friendly businesspeople."

Ismail Caglar, an analyst at Ankara-based conservative think tank SETA, says Turkey’s rising profile in the region attracts foreign interest. Foreign companies make media investments in Turkey to propagate their point of view and take part in domestic political debates, he said

A report by US government-funded think tank the Rand Corporation said last year that Sputnik Turkiye and other Russian media outlets were trying to undermine NATO by fomenting mutual suspicion between Turkey and its Western allies, enlisting Ankara’s support and impeding its opposition to Russian actions in the Middle East.

Sputnik Turkiye published an article on 2 December 2015 with the headline “Russia: Erdogan and His Family Directly Involved in ISIS’s Illegal Oil Shipment in Syria”. Turkey later banned Sputnik Turkiye’s website and revoked its bureau chief’s work permit and visa, but Sputnik Turkiye radio continued to broadcast. Following the rapprochement between two countries in 2016, Sputnik Turkiye’s website began to freely operate again. Its Twitter account has roughly 600,000 followers.

"As Turks look for fresh perspectives and alternate sources of information in a tightly controlled media environment, Sputnik Turkiye draws readers in through its shockingly open coverage on domestic issues,"

Other outlets, such as Germany's Deutsche Welle Turkce, have also taken a generally critical line. Prominent journalist Nevsin Mengu, whose newscasts on YouTube are watched by thousands of Turks, has recently joined its ranks.

BBC Turkce, which has been broadcasting since 1939, is known for an editorial style perceived to be critical of the current Turkish government. 

“There is this sense that stories edging on activist journalism have been regularly published because they think it will generate traffic,” 

BBC Turkce has more than 3 million followers on Twitter.

Caglar, the SETA analyst who is also preparing a report on the subject, criticised BBC Turkce for being opaque about its staffing and operational information. “They didn’t even want to acknowledge with how many people they have in their staff.”

Ali Duran Topuz, the editor-in-chief of independent news portal Gazete Duvar, told MEE that the current media structure in Turkey made it easier for foreign-owned outlets to operate. “It could be also financially profitable for the investors. Fox, for example, is mildly criticising the government and it posts profit. Because of large numbers of unemployed journalists, the labour cost is also very low,"

According to one survey, the majority of Africans welcome the Chinese involvement, but critics, such as the Senegalese author Adama Gaye, have warned of a new form of colonialism

China has thrown its support behind diplomatic initiatives and has contributed around 2,500 troops to UN peacekeeping missions in Congo, South Sudan and Mali. China is also helping with efforts to combat the Ebola epidemic and it even funded the construction of the African Union headquarters in Addis Ababa. The country has also established 49 Confucius Institutes across the continent, which promote the Chinese language and culture. At the heart of China's Going Out policy is a media offensive launched in March 2018, an initiative coordinated by the broadcast group Voice of China and carefully monitored by Communist Party censors. In addition, the state-run news agency Xinhua was expanded and now claims to be the largest news wire in the world.

Every year, 1,000 African journalists take part in training programs in China and Chinese investors have been investing heavily in African media outlets. The TV station StarTimes now broadcasts its paid offerings in 30 African countries and declares itself to be the most influential digital channel on the continent.

it is the only television station in the world that broadcasts in all six official UN languages. It has 79 million Facebook followers, which is roughly as many as the BBC and CNN combined

CGTN employs around 150 people, including journalists from China, South Africa, Britain, Nigeria and Kenya, yet even when promised anonymity, nobody initially agreed to speak with DER SPIEGEL. "They're afraid of Liao," an employee would later say.

"We don't produce independent journalism, but pure propaganda by order of the Communist Party." He says the goal is that of presenting the most harmonious image possible of China's activities in Africa, including construction sites full of smiling workers and positive coverage of massive endeavors like dams and other mega-projects along with humanitarian aid contributions.

He shows a text message that he recently received from the boss: "No reports on the chaos!" The reference was to political disturbances in a country in Africa.

particularly sensitive texts have to be reviewed in Beijing and if the censors disapprove, the stories are killed. "Criticism of the government, human rights issues or analysis of the growing amount of African debt held by the Chinese are all taboo,"

In September, the journalist Azad Essa reported on China's oppression of the Uighurs, a Muslim minority in China, and was fired afterward. His employer, Independent Media, is the second-largest media outlet in South Africa. And since 2013, a Chinese investor has held a 20-percent stake

"We have good relations with the Chinese, even if they would rather stick to themselves." Mwaura is a 40-year-old Kenyan reporter who works for the Xinhua news agency and his view of the situation is much less dark. He believes that local media outlets poison relations with the Chinese because they don't understand Chinese culture and are still under the influence of British colonial attitudes. Mwaura says China's involvement in Africa is a win-win scenario that helps bring the continent forward. Claims that China is conquering Africa, he says, are just "stupid chatter" from bloggers who are on the payroll of Western embassies. He views his task as that of providing more optimistic coverage to counter such "negativity."

Mwaura says he can write about whatever he wants, but adds that his supervisors ensure that reports are "politically correct," meaning that they reflect the communist worldview. After all, he says, "we are working on behalf of the geopolitical interests of the Chinese state."

IranDisinfo has repeatedly posted and retweeted attacks on Washington Post columnist Jason Rezaian, who had been imprisoned by the Iranian government for more than a year, simply for condemning Trump's "Muslim ban".

charged with "causing noises and disturbances to the public" and "accusing public officials of crimes related to their jobs without furnishing proof of guilt" under Articles 316 and 128 respectively of the Penal Code

Another female blogger and political activist, Hajer Awadi, posted a video on her Facebook page on 12 April where she spoke about her documentation of the government's corruption and poor distribution of basic foodstuff in her region, Le Kef, in the North West of Tunisia. In the video, she also alleges that the local police assaulted and threatened to arrest her and her uncle when they went to complain about corruption.

charged them with “insulting a civil servant” under article 125 of the penal code and “causing noises and disturbances to the public” under article 316 of the penal code. They face up to a year in prison and a fine

Tunisia's 2014 Constitution guarantees the right to freedom of expression under Article 31.  Tunisia is party to the International Covenant on Civil and Political Rights (ICCPR), which also guarantees the right to freedom of expression

a series of shared behavioral patterns. The personas identified by The Daily Beast were generally contributors to two linked sites, The Arab Eye and Persia Now; had Twitter accounts created in March or April 2020; presented themselves as political consultants and freelance journalists mostly based in European capitals; lied about their academic or professional credentials in phony LinkedIn accounts; used fake or stolen avatars manipulated to defeat reverse image searches; and linked to or amplified each others’ work. 

In February, two websites, The Arab Eye and Persia Now, were registered on the same day and began to acquire a host of contributors. 

both sites share the same Google Analytics account, are hosted at the same IP address, and are linked through a series of shared encryption certificates

Persia Now lists a non-existent London mailing address and an unanswered phone number on its contact form. The apparent editors of the outlets, Sharif O'Neill and Taimur Hall, have virtually no online footprints or records in journalism.

They’re critical of Qatar and, in particular, its state-funded news outlet Al Jazeera. They’re no big fans of Turkey’s role backing one of the factions in Libya’s civil war

constant editorial lines like arguing for more sanctions on Iran or using international leverage to weaken Iran’s proxy groups in Lebanon and Iraq. The personas are also big fans of the United Arab Emirates and have heaped praise on the Gulf nation for its “exemplary resilience” to the COVID-19 pandemic, its “strong diplomatic ties” to the European Union, and supposedly supporting gender equality through the Expo 2020 in Dubai.

criticizing Facebook for its decision to appoint Tawakkol Karman, a 2011 Nobel Peace Prize laureate, to its oversight board. Media outlets in Saudi Arabia, Egypt, and the United Arab Emirates have criicized the appointment of Karman, a former member of the Muslim Brotherhood affiliated Islah Party in Yemen, for her association with the group.

None of the Twitter accounts associated with the network ever passed more than a few dozen followers, but a few still managed to garner high profile endorsements for their work. An article by “Joyce Toledano” in Human Events about how Qatar is “destabilizing the Middle East” got a shout-out from Students for Trump co-founder Ryan Fournier’s nearly million-follower Twitter account and French senator Nathalie Goulet high-fived Lin Nguyen’s broadside about Facebook and Tawakkol Karman.

All of the stolen avatars were mirror image reversed and cropped from their originals, making them difficult to find through common Google reverse image searches

On her LinkedIn page, “Salma Mohamed” claimed to be a former reporter for the AP based in London, though no public record of an AP journalist matching Salma Mohamed’s description is available.

Another persona, Amani Shahan, described herself in bios for Global Villages and Persia Now as being a contributor to and “ghostwriting articles” for The Daily Beast. No one by that name has ever written for The Daily Beast and The Daily Beast does not employ ghostwriters. (Shahan also referred to herself with both male and female pronouns in different author bios.) 

In the New York Times, less than 2 percent of the nearly 2,500 opinion pieces that discussed Palestinians since 1970 were actually written by Palestinians. In the Washington Post, the average was just 1 percent.

While three of Said’s op-eds discussing Palestinians ran in the New York Times in the 1980s, from the 1993 signing of the Oslo Accords until his death in 2003, the newspaper ran only a single letter to the editor authored by him in January 1997, in which Said criticized the Oslo framework. During that time, Said’s opinion pieces explaining Oslo’s fatal flaws appeared in The Guardian, al-Ahram Weekly, and even the Pittsburgh Post-Gazette. Yet readers of America’s “newspaper of record” were not able to hear from one of the country’s most eloquent and prescient Palestinian critics of the “peace process” narrative.

During the 1990s, Thomas Friedman wrote 33 columns discussing Palestinians; William Safire wrote 24, Anthony Lewis wrote 39, and A.M. Rosenthal penned 56. While they differed on various aspects of Oslo, none of them questioned the framing that “peace” was the ultimate goal, that Rabin was “a man of peace,” and that Palestinians who opposed Oslo were in fact opponents of peace.

I had expected to find relatively few opinion pieces by Palestinians, and I was correct. But what surprised me was how much Palestinians have been talked about in major U.S. media outlets over the decades. Editorial boards and columnists seem to have been quite consumed with talking about the Palestinians, often in condescending and even racist ways — yet they somehow did not feel the need to hear much from Palestinians themselves.

a month before his assassination, Rabin reassured fellow Knesset members that the state Palestinians desired would be “an entity which is less than a state.” And they would not know that, in those same remarks, Rabin made clear that Israel’s borders would be “beyond the lines which existed before the Six Day War,” along with a “united Jerusalem, which will include both Ma’ale Adumim and Givat Ze’ev [West Bank settlements], as the capital of Israel, under Israeli sovereignty.” This is the Rabin that Palestinians know all too well.

in 1999, Said wrote that the Oslo process “required us to forget and renounce our history of loss, dispossessed by the very people who taught everyone the importance of not forgetting the past.”

In 2020 so far, the New York Times has run 39 opinion pieces in its print and online platforms that discuss Palestinians; only three were actually penned by Palestinians

It is not just Palestinians: Black, Indigenous, Latin American, Asian American, and other people of color face ongoing racism in the newsroom, making it more difficult for alternative perspectives to make their way into these influential pages

Alternative news outlets (including +972 Magazine), along with many Palestinians on Twitter and other social media sites, are providing fresh perspectives that we can follow, engage with, and share. The avalanche of tweets and comments highlighting Rabin’s violent legacy is just one example of this. And as more Americans receive their news from social media (including politicians), those wanting Palestinian perspectives now have a much easier time getting them.

“There’s this conceit,” he says, “that archaeologists - gung-ho western, bearded, white, elite, cis-gendered, ostensibly heterosexual - go to Egypt and ‘discover’ Ancient Egypt because the people, ordinary Egyptians, are too stupid.” He adds: “Ancient Egypt was never ‘lost’.”

The “standard colonial narrative”, he says, portrays Egypt as “brilliant - a proto-British empire”. Egyptologists used terms like ‘empire’ and ‘viceroy’ to describe the government of the Pharaohs. Students were taught that “the Ancient Egyptians had a ‘Viceroy of Nubia’ - where the hell is the term ‘viceroy’ coming from?” Price asks. “It’s from the British experience of empire”. This explains why many British academics put Egypt on a pedestal as the greatest of all ancient civilisations.

in the imperial age when Britons were travelling to India they would go through the Suez Canal. “You might take a few days and go and visit Egypt. So it’s colonial high noon,”

British archaeologist Howard Carter led the dig that opened Tutankhamun’s tomb in 1922 - an event which turbo-charged interest in Egyptology and had a huge cultural impact on world, even leading to the creation of movies like The Mummy starring Boris Karloff in 1932. “Some early exhibitions quite literally feel like the spoils of empire,” says Price. “In some cases, it’s literally the spoils - like the Rosetta Stone which was seized from the French.”

Price is chair of the board of trustees with the Egypt Exploration Society (EES) - an organisation, he says, which is “doing a lot of work of self-criticism, self-reflection and self-critique”. The EES, which was established in 1882 at the height of empire and just prior to the British invasion, is now “attempting to unpack colonialism in Egypt”.

“the British and French cooked up a system” called ‘finds-division’ or ‘partage’. “Notionally,” he says, “the best 50% of things that come out of the ground go to the National Collection in Cairo, but then up to 50% of what is thought to be ‘surplus to requirements’ or duplicate can leave with archaeologists. So that’s how Manchester has 18,000 objects from Egypt and Sudan - mostly through finds-division.

It was legal between the 1880s and 1970s, but it was at a time when mostly the Egyptian government was controlled by the British and French, and the Egyptian government had to repay the massive debt of building the Suez Canal.

“some people will tell you, some well known Egyptologists, that you should burn copies of ‘A Thousand Miles Up the Nile’ because it contains racist material. But the society is actually working on a critical re-edition, where there’s a new introduction to put the book in context. I firmly believe, and the trustees firmly believe, you can’t just bury the past. You’ve got to try and face it and constructively critique it. I’m not arguing for cancelling anyone. I’m not arguing for trying to ignore it. I’m saying ‘let’s have a conversation’.”

Unlike many nations which had art looted by western powers, Egypt “isn’t particularly interested” in the repatriation debate except when it comes to “a few very exceptional objects like Nefertiti’s Bust and the Rosetta Stone”. Price adds: “Repatriation can sometimes be a bit of an echo chamber for western [people]. It doesn’t necessarily relate always to the concerns of indigenous groups, or people who live in places like Egypt.”

There’s a funny attitude, where Scots kind of distance themselves and say, ‘oh well, you know, we were colonised first. The English came in, and we’re the victims’. Based on my work on the history of colonialism in Egypt, Scottish people are more than well-represented. They are disproportionately represented in the cogs of the imperial project with Scottish diplomats, engineers and soldiers … There’s a sense that empire was ‘done to’ Scotland, when in fact Scotland ‘did’ empire to other people … We put this stuff on the English and say it was the English … Scots appear surprisingly commonly in the imperial machinery in Egypt.

Price has little time for the use of the word ‘woke’ as an insult, as to him it simply means trying to do the right thing professionally. He adds that he feels “fortunate” that Manchester Museum, where he works, is also having the same “conversations” about confronting the legacy of the past.

British egyptology is “more open” to change, Price says than most other western nations with a history of the discipline. “We’re on the winning side of the argument. The tide has turned. You cannot pretend you can enjoy your secluded cocktail terrace in the middle of Cairo and not expect to hear critical evaluation of colonial experiences.”

Most of the workers who built the pyramids weren’t slaves - they were paid for their efforts, he points out. The slave stories of the Bible, though, lead to “another form of colonialism - Orientalism”, which depicts the rulers of the east as either exotic and mysterious or brutal and cruel. The notion of “the Oriental despot comes from the Bible: Pharaoh as a despot … The way in the Bible, that the pharaoh is cast as a baddie, reverberates”.

Price is also incensed by the current pseudo-science trend for conspiracy theories claiming that aliens built the pyramids - the type of unfounded material aired on over-the-top documentaries like ‘Ancient Aliens’. “It’s racist,” he says, “very racist.” He notes that there’s a hashtag on Twitter called ‘CancelAncientAliens’. The wild alien theory is “based on the assumption that ancient people were too stupid to have [built the pyramids] themselves and so it had to be some outside force. So to be clear in the interests of global parity and justice: the ancient Egyptians were an African people who built absolutely stunning monuments. Get over it.”

There is no simple answer, or history - and I think we insult museum audiences if we assume they want an overly simplified story. ‘Ancient Egypt’ is undoubtedly one of the most popular parts of a museum. By asking questions about how colonialism formed our idea of what ‘Ancient Egypt’ was, not just how it got to be in cities like Glasgow and Manchester, I think we can begin to address questions of global inequality.

“Egypt more than Greece, Rome or other parts of the world, has existed as both ‘Oriental other’ and ‘western ancestor’ - that is why the colonial dialogue is so intense - and Egyptology is, in a sense, the exemplary ‘colonial discipline’, just as the British Consul Lord Cromer [consul-general in Egypt from 1883] said Egypt should be the exemplary colony.

Originally from the northwestern Kurdistan province, Amini was on a visit with her family to the capital Tehran when she was detained on Tuesday.

In her hometown of Saghez, where her body was laid to rest on Saturday, some residents hurled stones at the governor's office and chanted slogans against the authorities

The day after her funeral, nearly all Iranian press dedicated their front pages to her story on Sunday.

Filmmakers, artists, athletes, and political and religious figures have taken to social media to express their anger against the morality police, both inside and outside the country.

Grand Ayatollah Assadollah Bayat Zanjani, a cleric seen as close to the reformists, denounced what he said was "illegitimate" and "illegal" actions behind "this regrettable incident"."The Koran clearly forbids the use of force" to enforce religious and moral values, he said.

Two-time Oscar-winning film director Asghar Farhadi said that "Mahsa now is more alive than we are" because "we are silent in the face of such boundless cruelty. We are complicit in this crime."

"The hair of our girls is covered with a shroud," several footballers on Iran's national team wrote in a joint story they shared on Instagram.

Among the 1930s cultural and intellectual figures given place of pride are Albert Einstein, Pablo Picasso and John Steinbeck. Guernica is reproduced in an inset about Picasso, illustrating the artist’s hatred of war. (47) A lengthy excerpt from the Grapes of Wrath concludes with Steinbeck’s denunciation of depression-era America: “And money that might have gone to wages went for gas, for guns, for agents and spies, for blacklists, for drilling. On the highways the people moved like ants and searched for work, for food. And the anger began to ferment.”

The book places added emphasis on the harsh terms imposed on Germany at Versailles. Prefiguring the later treatment of Al Qaeda terrorism, the intention appears not so much to justify Nazism, but rather to present injustice as the causal force behind violence and cruelty in world politics.

the Holocaust instead appears here as one among several examples of Western barbarity

The foundation of the UN is immediately followed by a discussion of Israel under the heading “Imperial Powers in the Remaking of the Middle East.” (80-81) The Palestine problem, students learn, is the principal cause of conflict in the region. It began when the Ottoman Empire, “the biggest obstacle to the foundation of a Jewish state,” grew weak, leading to the creation of Israel.

Next comes a discussion of the post-war financial order and the International Monetary Fund. Students learn that “the IMF’s standard formula, which recommends austerity policies for countries in economic crises, generally results in failure, chaos and social unrest.” (81-83) An excerpt, which students are then asked to discuss, explains how the IMF prescribes different policies for developed and developing countries.

only in the context of the Cold War origins of the EU does the book engage in any explicitly religious clash-of-civilizations style rhetoric. The idea of European unity is traced back to the Crusades, while a quote about the centrality of Christianity to European identity appears under a dramatic picture of Pope Francis standing with European leaders. (112) The next page states that the EU’s treatment of Turkey’s candidacy, coupled with the fact that “all the countries within it were Christian” had “raised questions” about the EU’s identity.

Early Cold War era decolonization also provides an opportunity to celebrate Atatürk’s role as an anti-imperialist hero for Muslims and the entire Third World. (122-123) “Turkey’s national struggle against imperialism in Anatolia struck the first great blow against imperialism in the 20th century,” the authors write. “Mustafa Kemal, with his role in the War of Independence and his political, economic, social and cultural revolutions after it, served as an example for underdeveloped and colonized nations.” Atatürk himself is quoted as saying, in 1922, that “what we are defending is the cause of all Eastern nations, of all oppressed nations.” Thus, the book explains that “the success of the national struggle brought joy to the entire colonized Islamic world, and served as a source of inspiration to members of other faiths.” The section ends with quotes from leaders such as Jawaharlal Nehru, Muhammad Ali Jinnah, and Habib Bourguiba about how Atatürk inspired them in their own anti-imperial struggles or was simply, in Nehru’s words, “my hero.” An accompanying graphic shows Atatürk’s image superimposed over a map with arrows pointing to all the countries, from Algeria to Indonesia, whose revolutions were supposedly influenced by Turkey’s War of Independence.

Amidst the polarization of the Erdoğan era, what is striking in this book is the authors’ efforts to weave together the conflicting strands of Turkish political history into a coherent narrative. Illustrating Ernst Renan’s argument about the role of forgetting in nation-building, this account glosses over the depth of the divisions and hostility between rival historical actors, presenting them as all working side by side toward a common national goal

The authors also offer a balanced treatment of the fraught domestic politics during the period from 1945 to 1960 when Turkey held its first democratic election and experienced its first coup. (138-142, 144-146) They focus their criticism on the negative impact of U.S. aid, arguing that Washington intentionally sought to make Turkey economically and politically dependent, then sponsored a coup when these efforts were threatened.

The narrative of national independence also helps smooth over Turkey’s Cold War domestic divides. Students are introduced to the ‘68 Generation and left-wing leaders likes Deniz Gezmiş as anti-imperialists protesting against the U.S. Sixth Fleet in support of a fully independent Turkey. (185-186)[9] In this context, Baskin Oran’s work is again cited, this time quoting Uğur Mumcu on the role of “dark forces,” presumably the CIA, in laying the groundwork for Turkey’s 1971 coup.

The book also offers a relatively neutral treatment of political activism during the ensuing decade, suggesting that rival ideological movements were all good faith responses to the country’s challenges. On this, the authors quote Kemal Karpat: “Both right and left wing ideologies sought to develop an explanation for social phenomena and a perspective on the future. A person’s choice of one of these ideologies was generally the result of chance or circumstance.” (202) Thus the authors imply that while foreign powers provoked or exploited these movements, the individual citizens who participated in them can be given the benefit of the doubt. Interestingly, the book takes a similar approach in discussing the 2013 Gezi protests: “If various financial interests and foreign intelligence agencies had a role in the Gezi Park events, a majority of the activists were unaware of it and joined these protests of their own will.”

Turkey’s real struggle in the 21st century, as in the 20th, is against dependence on foreign technology

a book which begins with a portrait of Atatürk ends with a photo of the Bayraktar TB2.

the book’s biases are less in the realm of wild distortion and more reminiscent of those that plague ideologically infused nationalistic history education in all too many countries

its exaggerated critique of European imperialism may be no more misleading than the whitewashing still found in some European textbooks

At moments, Contemporary Turkish and World History is better aligned with recent left-leaning scholarship than the patriotic accounts many Americans grew up reading as well

Selçuk Bayraktar, the architect of Turkey’s drone program, said that as a student “I was obsessed with Noam Chomsky.” [16] During the 1980s and 90s, America sold Ankara F-16 jets and Sikorsky helicopters that were used to wage a brutal counterinsurgency campaign in southeast Anatolia. No one was more critical of this than left-wing scholars like Chomsky.[17] Now, Ankara is selling Bayraktar drones to Ethiopia, where they are being used to kill civilians and destroy schools in another violent civil war.

Turkey’s marriage of power projection and anti-colonial critique have been particularly visible – and effective – in Africa. Ankara has presented itself as an “emancipatory actor,” while providing humanitarian aid, establishing military bases, selling weapons across the continent.[13] In doing so, Turkish leaders have faced some of the same contradictions as previous emancipatory actors. In August 2020, for example, members of Mali’s military overthrew a president with whom Erdoğan enjoyed good relations. Ankara expressed its “sorrow” and “deep concern.”[14] Then, a month later, Mevlüt Çavuşoğlu became the first foreign official to meet with the country’s new military leaders. “Like a brother,” he “sincerely shared” his hopes for a smooth “transition process” back to democracy

Throughout the 20th century, America defined itself as the world’s premier anti-imperialist power, all while gradually reproducing many of the elements that had defined previous empires.[11] Today, it often seems that Turkey’s aspirations for great power status reflect the facets of 20th century American power it has condemned most vigorously

certain themes dominate Contemporary Turkish and World History. At the center of its narrative is the struggle for global hegemony, in military, economic, technological and artistic terms