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ALA | - 17 views

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    "Reading is a foundational skill for 21st-century learners. Guiding learners to become engaged and effective users of ideas and information and to appreciate literature requires that they develop as strategic readers who can comprehend, analyze, and evaluate text in both print and digital formats. Learners must also have opportunities to read for enjoyment as well as for information. School library media specialists are in a critical and unique position to partner with other educators to elevate the reading development of our nation's youth."
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Department of Psychology | JMU - 10 views

  • If the new trend in textbooks is moving them to computer screens, the switch could have negative consequences as many suggest that people skim more, process more shallowly, and may retain less information when reading online, Daniel said.
  • he readers’ goals are different: Individuals reading an e-book for enjoyment aren’t required to pass a comprehension-based test afterward. While they found that learning is possible from both formats, learning from e-textbooks takes longer and requires more effort to reach the same level of understanding, even in a controlled lab environment. At home, students report taking even more time to read e-textbooks as well as higher rates of muti-tasking (e.g., Facebook, electronic chat, texting, email, etc.) than do their peers using printed textbooks.
  • In their preliminary findings, the scanning pattern produced when the student read a textbook showed consistent reading from line to line down the page. But the scanning pattern from reading on the screen was less intense.
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  • Daniel and Jakobsen argue that the information dense textbooks characteristic of natural and social science subjects are not a good fit for current e-textbooks, but there are exceptions for subjects like chemistry and math that include doing formulas and other activities. The liability, Daniel emphasizes, comes when math and chemistry teachers hope their students will learn the explanations, not just the formulas, “Students tend to skip the text and go straight to the formulas, especially if they are graded.”
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Teen/YA book reviews - 43 views

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    I've been reviewing books for teens for several years, and I hope you'll have a look. These are mostly teen fiction, but there is also nonfiction, adult books that have teen appeal and hi-lo books for English learners and other working on reading skills.
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iPad vs Kindle vs Netbooks vs Books: What's Best for Students? | AceOnlineSchools.com -... - 51 views

  • Textbooks
    • Todd Williamson
       
      Obviously talking about the collegiate level...middle school textbooks would be roughly $50 per class (~$200) and used for multiple years
  • 3G wireless for $130 plus $15 or $30 per month
    • Todd Williamson
       
      Also has wifi on all models
  • imagine not being able to listen to music or read an e-book while surfing the web
    • Todd Williamson
       
      By all accounts, the iPad will be running current iPhone OS 3.1 which does allow you to listen to music while doing other things...the rub will be creating a presentation in Keynote for iPad without direct access to the web for photos...or having to shut down Safari to check your Twitter client, etc.
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    I think a big miss on this article is any discussion of content creation capabilities of netbooks and iPad. Kindle and Dead Tree books don't allow extensive content creation, the iPad has limited capabilities, but netbooks open up a whole range of creative possibility. Also, it's obvious this article is geared toward college students, not middle or high school.
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Victor Reader Stream, the versatile, powerful DAISY player - 1 views

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    Download your favourite books and MP3s on your Stream and leave home with your library in the palm of your hand. This versatile, powerful DAISY-MP3 and NISO player lets you read and navigate through complex books, such as reference manuals and school books, as well as novels and magazines. You can also use its built in text to speech to read books in text format such as Bookshare. And thats not all there are many more functions, including an integrated microphone to record voice notes. No other DAISY player offers you so much in such a small package and at such an affordable price.
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MSP:MiddleSchoolPortal/Teaching With Trade Books - NSDLWiki - 41 views

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    ...benefits of using trade books is increasing student engagement. High quality trade books are written as to spark interest and create a desire to read. Many contain colorful, interesting illustrations, photographs, and diagrams, all of which draw students into the text and improve comprehension.
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Videos Book - 3 views

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    This is a great site to find audio and video versions of some children's classic books, many read by the authors. http://ictmagic.wikispaces.com/English
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Book: Developing Tenacity by @LucasLearn & @DrEllenSpencer - 2 views

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    "What are those key phrases you hear from frustrated teachers in the staffroom during breaks? Or on those rare occasions, you get to meet up with teachers from other schools on training courses? For me it is the following: 'They give up so easily,' 'Where is their stickability?' 'Why do they fear making a mistake?' However it is phrased, you get the gist, that pupils today have no resilience, they aren't prepared to keep going in the face of challenge or set back. They can't think their way around a problem. In discussions with staff within my own school (a large primary in an area of high deprivation in the north of England) I am frequently asked how we can help these children. As part of our school's SLT I have already supported staff to make daring changes to our curriculum but we still seem to be falling short of what we state in our vision; that we want our children to become resilient learners, confident individuals, critical thinkers and lifelong learners. (Traits that I am sure many schools up and down the land wish for their pupils to develop.) Why are our pupils struggling with 'resilience'? What opportunities can we, as a school, provide our children so that they develop these skills? After reading the blurb and the introductory pages, I was, as you can imagine, excited to delve further into this book to see if it could answer some of my questions."
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Book: How to be an Outstanding Primary Middle Leader by @ZoeParamour via @BloomsburyEd ... - 1 views

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    "When Zoë's book came up for review I put my hand up to read it straight away. I currently work as a Primary Middle Leader (Literacy Lead and EYFSCoordinator) in a larger than average primary school in the North of England. In the last two years, we have undergone a lot of changes, both internal due to staffing and curriculum and changes and external as we have become part of the largest MAT in the city. This has meant an increase in responsibility and accountability, not only for myself but other middle leaders who I have had the chance to meet with."
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E-Books and Whole Class Reading - Via Kindle - 0 views

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    Free Kindle download allows you to read book on IWB with whole class.
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Skype an Author - 3 views

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    The mission of the Skype an Author Network is to provide K-12 teachers and librarians with a way to connect authors, books, and young readers through virtual visits. Wouldn't it be great to invite authors into your classroom or library to video chat with students before, during, and/or after reading their books? We are growing a list of authors who want to make that connection with you via Skype. Visit our Skype Overview page to learn more about Skype.
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Litfy - E-books - 126 views

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    This is a great looking e-book site. View thousands of titles and read them online and on your portable device. You can also make notes on the pages. http://ictmagic.wikispaces.com/english
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"Where's the Writer" TETYC March 2014 - 43 views

  • “Responders Are Taught, Not Born”
  • We contend that student writers will see greater value in peer response if they develop tools that allow them to participate more actively in the feedback process. With teaching suggestions like those above, writers can learn how to re-flect on their experiences with peer response. They can also learn to identify their needs as writers and how to ask questions that will solicit the feedback they need.
  • We like to limit each mock session to no more than seven minutes of back and forth between respondent and writer.
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  • class suggests that the writer’s question
  • This becomes a teachable moment. When the respondent asks for assistance from the class, this break in the session becomes an opportunity for the class to assist the writer and the respondent. The writer appears stuck, not knowing what to ask. And the respondent appears perplexed, too.
  • we follow Carl Anderson’s suggestion to teach students how to ask questions about their writing through role-playing.
  • dynamic list that students freely update throughout the semester on the class classro
  • organize the questions within categories such as tone, content, evidence-based support, style, and logistics
  • The end result is a robust list of questions for writers to ask of their respondents.
  • in-class discussion about effective and less effective questions for writers
  • raft three to five questions they have about the assignment to ask of their peers as they prepare to write or revise their assignment. When appropriate, we can direct our students to the course text, where there are
  • : pointing, summarizing, and reflecting
  • Students’ comments often point to their struggle to position themselves in peer response.
  • “What would it take for you to be in-vested as writers in peer response?” Students’ typical responses include the following:>“I need to know what to ask.” >“I don’t know what to ask about my writing, except for things like punctua-tion and grammar.”>“Does the person reading my work really know what the assignment is? Bet-ter than I do?”>“I’m not really sure if I’m supposed to talk or ask questions when someone is giving me feedback about my work, so I don’t really do anything. They write stuff on my paper. Sometimes I read it if I can, but I don’t really know what to do with it.”
  • it is important to offer activities to ensure that both respondents and writers are able to articulate a clear purpose of what they are trying to accomplish. These activities, guided by the pedagogies used to prepare writing center consultants
  • devote more attention to the respondent than to the writer, we may unwit-tingly be encouraging writers to be bystanders, rather than active participants, in the response process.
  • , “Feedback: What Works for You and How Do You Get It?”
  • highlight the value of both giving and getting feedback:In 56 pages near the end of this book, we’ve explained all the good methods we know for getting feedback from classmates on your writing. . . . The ability to give responses to your classmates’ writing and to get their responses to your own writing may be the most important thing you learn from this book. (B
  • we question whether textbooks provide emergent writers with enough tools or explicit models to engage actively in peer response conversations.
  • While such questions are helpful to emerging writers, who depend on modeling, they lack explanation about what makes them “helpful” questions. As a result, emerging writers may perceive them as a prescriptive set of questions that must be answered (or worse, a set of questions to be “given over” to a respondent), rather than what they are intended to be: questions that could advance the writer’s thoughts and agenda.
  • this information is limited to the instructor’s manual
  • llustrates the difference be-tween vague and helpful questions, pointing out that helpful questions
  • You will need to train students to ask good questions, which will help reviewers target their attention.Questions like “How can I make this draft better?” “What grade do you think this will get?” and “What did you think?” are not helpful, as they are vague and don’t reflect anything about the writer’s own thoughts. Questions like “Am I getting off topic in the introduction when I talk about walking my sister to the corner on her first day of school?” or “Does my tone on page 3 seem harsh? I’m trying to be fair to the people who disagree with the decision I’m describing” help readers understand the writer’s purpose and will set up good conversations. (Harrington 14, emphasis added
  • uestions” when soliciting feedback (like the advice we found in many textbooks), she also provides explicit examples for doing so
  • he most explicit advice for writers about ask-ing questions and, in effect, setting up good conversations is buried in an instruc-tor’s manual for The Allyn & Bacon Guide to Writing. In thi
  • “Getting Response” chapter later in the book, they will benefit from the textbook authors’ instructions that they should in fact use questions that will help them solicit their feedback
  • dependent on what parts of the textbook they choose to read
  • point writers to a specific set of questions that they should ask of their respondents. Such instructions take a notable step toward shifting the locus of control from the respondent to helping writers engage their peers in conversation.
  • there is no mention that writers might use them for purposes of soliciting feedback.
  • we see an opportunity for modeling that is not fully realized.
  • we argue that Faigley offers respondents specific examples that empower them to actively engage the process and give feedback. We contend that emergent writers need a similar level of instruction if they are to be agents in response.
  • textbook authors offer few examples for how to get specific feedback
  • Peter Elbow and Pat Belanoff ’s first edition of A Community of Writers published in 1995, in which eleven “Sharing and Responding” techniques, d
  • we worked to understand how textbooks highlight the writer’s role in peer response.
  • We wanted to know what books tell writers about asking questions
  • lthough we do not discount the importance of teaching respondents how to give feedback, we argue that writers must also be taught how to request the feedback they desire.
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    Writer's role in soliciting feedback during peer edit. Suggestions for modeling and training.
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Direct Object Pronouns - 0 views

    • Erin DeBell
       
      I identify the Direct Object by finding the "main" verb of the sentence, the action verb.  In the highlighted sentence to the right, what is the main (or only) verb? HIT. To identify the D.O., ask yourself WHO or WHAT is being hit in this sentence? The ball.  Your Direct Object is THE BALL. What is the action verb in the next sentence? READS.  Ask yourself the question... Who or what is getting read? The BOOK.  So the book is your D.O.   It's as easy as that.  If you can identify the main/action verb, you can identify the D.O.
  • Example 1
  • bought
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    • Erin DeBell
       
      What is the action verb in the first sentence? BOUGHT. What got bought in the sentence? FLOWERS. FLOWERS is your D.O.
  • When the pronoun replaces the name of the direct object, use the following pronouns:
  • me (me) te (you-familiar) lo, la (him, her, it, you-formal) nos (us) os (you-all-familiar) los, las (them, you-all-formal)
    • Erin DeBell
       
      PLACEMENT.  Important.  Where do you put the pronoun once you figure out what it is?
  • Look at how Spanish and English are different. "Lo tengo" and "La tengo" BOTH mean "I have it."
  • direct translation doesn't work so well:
  • La como.
  • This is completely incorrect!
  • Learn to translate groups of words, rather than individual words. The first step is to learn to view two Spanish words as a single phrase.
  • Just as no one has ever learned to ride a bicycle by reading about it, neither will you learn to use direct object pronouns simply by reading this lesson. The key to success, as always, is to practice, practice, practice.
    • Erin DeBell
       
      Do you feel like you understand Direct Objects?  Are you frustrated?  If so, how much have you practiced?  How many sample exercises have you done? If you read and take notes on a good explanation and then do some exercises, you will feel much more confident with the topic. 
    • Erin DeBell
       
      Try this simple, extremely helpful exercise: http://www.studyspanish.com/practice/dopro1.htm
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Five reads for September - The Learner's Way - 7 views

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    For teachers in Australia, the long Term Three is drawing rapidly to a close. Indeed as I write this just ten days remain before a two-week break. This is the perfect time to consider a holiday reading list. Just enough time to raid the school library or place an order with your favourite book store. Here is what's currently occupying space on my nightstand. 
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Holiday Reading List - The Learner's Way - 11 views

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    With summer in the southern hemisphere, long days combined with school holidays for school teachers create the perfect opportunity to relax with a good book. Here are five great reads that might spark some curiosity and keep the brain working over the break.
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Reading A-Z: The online reading program with downloadable books to print and assemble - 22 views

    • serausch
       
      This is a great resource for students to use at home or at school for practice with listening to reading, reading, and answering comprehension questions about their reading
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Common Core Reading: Difficult, Dahl, Repeat : NPR Ed : NPR - 42 views

  • Ms. Wertheimer warms them up with a text-dependent question: "Are all of these native peoples nomadic?"
    • Matt Renwick
       
      "Warms them up" - That is not the descriptor I would use for that question.
  • "On page 6, paragraph 2," he says, "the first sentence: 'The Haida and Tlingit of the Northwest built permanent wooden homes called longhouses.' "
    • Matt Renwick
       
      How is this any different than the outdate practice of call and answer?
  • seems to engage the kids
    • Matt Renwick
       
      Because the hands shot up?
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  • tiring work for the kids
    • Matt Renwick
       
      Why is it tiring? Shouldn't it be invigorating?
  • dives into the packet
    • Matt Renwick
       
      An oxymoron if I every saw one.
  • It's a way of labeling books based on the skill needed to read them.
    • Matt Renwick
       
      Or a way of labeling students, at least indirectly.
  • kids here have leveled libraries
  • counterbalance to the tough stuff
    • Matt Renwick
       
      Kids will challenge themselves, when the text invites learners to challenge it. The requires provocative reading.
  • seems to engage the kids
  • d. Or, to
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Proofread for Project Gutenberg - 41 views

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    Distributed Proofreaders (DP) provides a web-based method to ease the conversion of Public Domain books into e-books. By dividing the workload into individual pages, many volunteers can work on a book at the same time, which significantly speeds up the creation process.
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