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anonymous

Into the Archive | text2cloud - 34 views

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    A memoir project involving the discovery of a writer's journals and correspondence. Of interest, perhaps, to writing teachers working with autobiography, memoir, and memory.
Richard Bradshaw

DigitalBookIndex: THE 1930s: Federal Writers' Project (20TH c U.S. HISTORY) (e-Book, eT... - 13 views

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    WPA Writer's Project: Guides to the States
kristina ohrn

Writer's Digest - 101 Best Websites for Writers 2009 - 0 views

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    101 Best Websites for Writers - Improve your writing with help from Writer's Digest - 101 Best Websites for Writers
Susanna Livingston

Reading Strategy Songs - 131 views

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    The Learning Pad has great resources for Primary teachers- reading, writing, math- especially if you use the Reader's and Writer's Workshop
Jess Hazlewood

"Where's the Writer" TETYC March 2014 - 43 views

  • “Responders Are Taught, Not Born”
  • We contend that student writers will see greater value in peer response if they develop tools that allow them to participate more actively in the feedback process. With teaching suggestions like those above, writers can learn how to re-flect on their experiences with peer response. They can also learn to identify their needs as writers and how to ask questions that will solicit the feedback they need.
  • We like to limit each mock session to no more than seven minutes of back and forth between respondent and writer.
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  • class suggests that the writer’s question
  • This becomes a teachable moment. When the respondent asks for assistance from the class, this break in the session becomes an opportunity for the class to assist the writer and the respondent. The writer appears stuck, not knowing what to ask. And the respondent appears perplexed, too.
  • we follow Carl Anderson’s suggestion to teach students how to ask questions about their writing through role-playing.
  • dynamic list that students freely update throughout the semester on the class classro
  • organize the questions within categories such as tone, content, evidence-based support, style, and logistics
  • The end result is a robust list of questions for writers to ask of their respondents.
  • in-class discussion about effective and less effective questions for writers
  • raft three to five questions they have about the assignment to ask of their peers as they prepare to write or revise their assignment. When appropriate, we can direct our students to the course text, where there are
  • : pointing, summarizing, and reflecting
  • Students’ comments often point to their struggle to position themselves in peer response.
  • “What would it take for you to be in-vested as writers in peer response?” Students’ typical responses include the following:>“I need to know what to ask.” >“I don’t know what to ask about my writing, except for things like punctua-tion and grammar.”>“Does the person reading my work really know what the assignment is? Bet-ter than I do?”>“I’m not really sure if I’m supposed to talk or ask questions when someone is giving me feedback about my work, so I don’t really do anything. They write stuff on my paper. Sometimes I read it if I can, but I don’t really know what to do with it.”
  • it is important to offer activities to ensure that both respondents and writers are able to articulate a clear purpose of what they are trying to accomplish. These activities, guided by the pedagogies used to prepare writing center consultants
  • devote more attention to the respondent than to the writer, we may unwit-tingly be encouraging writers to be bystanders, rather than active participants, in the response process.
  • , “Feedback: What Works for You and How Do You Get It?”
  • highlight the value of both giving and getting feedback:In 56 pages near the end of this book, we’ve explained all the good methods we know for getting feedback from classmates on your writing. . . . The ability to give responses to your classmates’ writing and to get their responses to your own writing may be the most important thing you learn from this book. (B
  • we question whether textbooks provide emergent writers with enough tools or explicit models to engage actively in peer response conversations.
  • While such questions are helpful to emerging writers, who depend on modeling, they lack explanation about what makes them “helpful” questions. As a result, emerging writers may perceive them as a prescriptive set of questions that must be answered (or worse, a set of questions to be “given over” to a respondent), rather than what they are intended to be: questions that could advance the writer’s thoughts and agenda.
  • this information is limited to the instructor’s manual
  • llustrates the difference be-tween vague and helpful questions, pointing out that helpful questions
  • You will need to train students to ask good questions, which will help reviewers target their attention.Questions like “How can I make this draft better?” “What grade do you think this will get?” and “What did you think?” are not helpful, as they are vague and don’t reflect anything about the writer’s own thoughts. Questions like “Am I getting off topic in the introduction when I talk about walking my sister to the corner on her first day of school?” or “Does my tone on page 3 seem harsh? I’m trying to be fair to the people who disagree with the decision I’m describing” help readers understand the writer’s purpose and will set up good conversations. (Harrington 14, emphasis added
  • uestions” when soliciting feedback (like the advice we found in many textbooks), she also provides explicit examples for doing so
  • he most explicit advice for writers about ask-ing questions and, in effect, setting up good conversations is buried in an instruc-tor’s manual for The Allyn & Bacon Guide to Writing. In thi
  • “Getting Response” chapter later in the book, they will benefit from the textbook authors’ instructions that they should in fact use questions that will help them solicit their feedback
  • dependent on what parts of the textbook they choose to read
  • point writers to a specific set of questions that they should ask of their respondents. Such instructions take a notable step toward shifting the locus of control from the respondent to helping writers engage their peers in conversation.
  • there is no mention that writers might use them for purposes of soliciting feedback.
  • we see an opportunity for modeling that is not fully realized.
  • we argue that Faigley offers respondents specific examples that empower them to actively engage the process and give feedback. We contend that emergent writers need a similar level of instruction if they are to be agents in response.
  • textbook authors offer few examples for how to get specific feedback
  • Peter Elbow and Pat Belanoff ’s first edition of A Community of Writers published in 1995, in which eleven “Sharing and Responding” techniques, d
  • we worked to understand how textbooks highlight the writer’s role in peer response.
  • We wanted to know what books tell writers about asking questions
  • lthough we do not discount the importance of teaching respondents how to give feedback, we argue that writers must also be taught how to request the feedback they desire.
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    Writer's role in soliciting feedback during peer edit. Suggestions for modeling and training.
Cindy Edwards

Cure writer's block with writing prompts - writing tips character name generator - 69 views

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    Great site for creative writing prompts for your classroom!
Stephanie Fielek

Shared Writing - ReadWriteThink - 58 views

    • Stephanie Fielek
       
      Mini-lessons in Writer's Workshop-much of it is shared writing but how much of the discussion is about language and varied sentence structure?
anonymous

Believing in Tim Tebow - ESPN - 1 views

  • I've come to believe in Tim Tebow, but not for what he does on a football field, which is still three parts Dr. Jekyll and two parts Mr. Hyde.
Deven Black

Overcome Writer's Block, Suggestions To Get You Writing Again. - 66 views

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    Writer's Block can stop your creative efforts in their tracks and overcoming writer's block is a tough task. WEbook is here to help you overcome this creative hurdle. Use our 911 Writers Block for helpful suggestions and ideas to get the creative juices flowing again.Share: 
izzoclix

Worksheet: Logic of the Writer's Argument - 43 views

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    Not available unless able to login?
anonymous

Shift to the Future: What Kids Say About Blogging - 6 views

    • anonymous
       
      Writing becomes authentic and important because it is something that a 'real' audience is going to see!
  • The cool thing about this is that family members can far more easily be involved in her learning and in providing regular feedback than they could be if her writing was only contained in the traditional paper journal.
    • anonymous
       
      What an easy way to have parental involvement!  This would solve some of that issue of parents not knowing what their children are doing at school or what is going on when the child gets older and more close-lipped.
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    • anonymous
       
      Don't we ALL benefit from somebody interacting with us and commenting on our thinking?
  • Grandparents and other relatives rarely have an opportunity to observe or see what their grandchildren are doing in school. The student blogs also allows them to be a part of our classroom community.
    • anonymous
       
      What a wonderful way to connect to folks who are outside the realm of the classroom but still have an interest and care about the student!  :)
    • anonymous
       
      Looked at this class blog.  Wouldn't this be a wonderful exercise?  The teacher could blog, the students could blog on personal level but also have a class blog which is a place for inspiration for writing exercises (thinking like a language arts/writing/reading teacher here) when students don't have their own inspiration/focus for creative writing.   This blog would also be a great place to steal ideas!  :)
    • anonymous
       
      When I visit with teachers and suggest they have students create a web site or blog as an educational tool, often the teacher will tell me he/she doesn't have time to read/monitor that.  However, most teachers have students complete writing assignments and turn them in for a grade - lab reports, essays, reports, etc.  So, wouldn't this also be a way for students to create such assignments?
    • anonymous
       
      This article shows the versatility of the 3rd grade students' blogs - one reported on planet studied, one on animal, etc.  So, it wouldn't have to just be a place for creative writing/online writer's notebook!
Nancy Schmidt

Langwitches Blog » 21st Century PD- Practice What you Preach - 74 views

    • Nancy Schmidt
       
      Anyone have ideas on how to model 21st century skills in an environment which blocks many of these web2.0 tools?
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    Nancy: You need a phased attack. Phase one involves marshaling the technologies you do have handy to create communication with parents. Use Twitter for homework updates, essential questions about reading assignments, a "writer's tip of the day" etc. This is what I call a "tier 1" communication. This technology gives few details, but provides parents talking points during dinner conversation with their kids. Then use your website to add the major details, evaluation rubrics, blogging, etc. What I like to provide are "desktop" videos that capture you using or modeling Web 2.0 technologies, and their potential in the classroom. Post these on your website and say something like, "Blocked here at [your school] but you can perhaps use these tools at home..." When parents start to see the same text appear over and over as a caption or comment in your video, they just might get angry enough to go to the superintendent, or the IT "integration specialist" and say, "Enough! Give this teacher the tools she needs!" We're fighting this battle everywhere. Educators are being treated like children who don't have a clue. Keep fighting the good fight and good luck!
Ed Webb

The Trouble With Twitter - The Chronicle Review - The Chronicle of Higher Education - 0 views

  • To those who Twitter, the reporter who investigates a story before offering it to the public must also seem tediously ruminant. On Twitter, the notes become the story, devoid of even five minutes of reflection on the writer's way to the computer. I can see that there are times —an airplane landing in the Hudson, a presidential election in Iran—when this type of impromptu journalism becomes a necessity, and an exciting one at that. Luckily, reporters still exist to make sense of information bytes and expand upon them for readers—but for how much longer? I worry that microblogging cheats my students out of their trump card: a mindful attention to the subject in front of them, so that they can capture its sights and sounds, its smells and tactile qualities, to share with readers. How can Twittering stories from laptops and phones possibly replace the attentive journalist who tucks a digital recorder artfully under a notepad, pencil behind one ear, and gives full attention to the subject at hand?
  • I went home after the lecture and—hypocritically, I admit—updated my Facebook status and my blog to declare how much I despise Twitter.
  • Twitter serves as a source of links to longer news stories.
    • Ed Webb
       
      Which is one of its main uses in journalism. As Jay Rosen (@jayrosennyu) and others have put it, through services like Twitter and, indeed, Diigo we edit the web for one another. We can see it as acting as human filters, intelligent gatherers and sifters of information for the various networks in which we are nodes.
Beth Panitz

Writers Notebook - 95 views

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    Used it to get a simple diagram of the writering process.
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    Collection of lessons and resources for teaching writing from Citrus County Schools, Florida
Brianna Crowley

The 8 Minutes That Matter Most | Edutopia - 79 views

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    Starter and Closure ideas via AP Lit teacher
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    I start my English classes with "Observations". Students can state anything they have observed since the last class (as long as it's appropriate). We then explore how the observation can be used in writing. Not just as plot/narrative, but any aspect of English- as a metaphor, a character note- whatever we want to emphasize, and that the observation suggests. It not only gets kids past writer's block, but it promotes a mindset of finding the unique in the ordinary.
Steve Gall

Imagination Prompt Generator: Random Writing Blog Prompts, Writer's Prompt To... - 3 views

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    "Are you looking for some random writing prompts or story starters for your journal, blog, or other creativity-related project? Well then, you've come to the right place!"
Clint Heitz

ASCD Express 13.16 - The Keys to Content-Area Writing: Short, Frequent, and Shared - 17 views

  • Examine your students' background knowledge on a new topic of study by asking them to write about it. Pass out index cards and instruct students to fill only one side with their related thoughts and experiences. Provide a minute to write followed by a minute to discuss their ideas with a nearby partner. Collect the cards and set them aside until the end of the unit. Then, ask students to revisit their original notes and, on the backs of their cards, describe how their thinking has expanded or changed on this issue. The initial card writing gives you an insight into background knowledge, while the final card writing offers students insight into their thinking and learning.
  • If we continue to believe that we must collect and grade every piece of student writing, our exhaustion will result in students writing far less. Sure, if necessary, we can award points, checks, or stamps, but these should simply be records of whether the students gave a good-faith effort (full credit) or not (no credit), not grades that attempt to assess the writing (Vopat, 2009).
  • Offer students an intriguing content-area prompt. For example, if the topic was e-waste, you might ask students to write about the importance of e-devices in their own lives or you might project a photograph of a mountain of discarded, obsolete cell phones. Let students think and write for a minute or two. Then, working with a partner, have each student read aloud what they wrote and discuss their ideas. Another very social writing activity is written conversation. Starting in groups of three or four, students silently respond to a content-related prompt, writing for several minutes until most class members have about a third or half a page of writing. Then, within the group, students pass their papers to their right. Now, each student must read the previous writer's thoughts and expand the conversation by exploring ideas and asking questions. After a few minutes of writing, papers are passed again, and the conversation continues to blossom as more and more ideas and responses are added. When the paper returns to the owner after several passes, each student gets to read a very interesting conversation that began with their initial written response. Of course, this written conversation could continue as an out-loud discussion, as well.
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  • If you want students to be better readers, writers, and thinkers in every content area, then writing every day in every class is key. Be sure to make that informal and spontaneous writing short, frequent, and shared.
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    "Examine your students' background knowledge on a new topic of study by asking them to write about it. Pass out index cards and instruct students to fill only one side with their related thoughts and experiences. Provide a minute to write followed by a minute to discuss their ideas with a nearby partner. Collect the cards and set them aside until the end of the unit. Then, ask students to revisit their original notes and, on the backs of their cards, describe how their thinking has expanded or changed on this issue. The initial card writing gives you an insight into background knowledge, while the final card writing offers students insight into their thinking and learning."
Vivian Worley

7 Online Creative Writing Apps to Make Writing Enjoyable for Students - 106 views

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    Writer's block-sometimes it feels like less of a block and more of an insurmountable wall. Inspiration can seem to be a million miles away, with no hope of being reached. Thanks to the scores of online creative writing apps we can access today, it doesn't have to be that way anymore.
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