Social scientists have a name for this sort of incessant online contact. They call it “ambient awareness.” It is, they say, very much like being physically near someone and picking up on his mood through the little things he does — body language, sighs, stray comments — out of the corner of your eye
This is the paradox of ambient awareness. Each little update — each individual bit of social information — is insignificant on its own, even supremely mundane. But taken together, over time, the little snippets coalesce into a surprisingly sophisticated portrait of your friends’ and family members’ lives, like thousands of dots making a pointillist painting
A 2008 article in which the new kinds of digital relationships made possible through Facebook and other social media are discussed. Digital friends have "ambient awareness" through news feeds, begging the question about kind of friendship and their authenticity.
United Methodists debate online communion and open a conversation about religion in the digital age. Interestingly, they are using a hashtag #onlinecommunion as one way of generating discussion.
I just thought this was an interesting example of how companies are beginning to digitize vs. produce things in print. They follow the consumers, and more and more are going online.
A librarian-hosted wiki about digital research tools. Looks like it mostly was produced around 2008 but still has much useful info, including categories of tools and reviews of these.
This indicates that no proof of copyright infringement must exist in order to block a Web site, just an assumption that a violation has occurred or will occur. Such broad language means that Web sites large and small, from YouTube to your next door neighbor’s blog, are in danger if accusations of copyright infringement are made against them.
Without any obligation to provide proof of wrongdoing, the bill creates the potential for abuse and…dare we say it…censorship.
The other side of the argument is, of course, that entertainment companies and copyright holders lose billions of dollars due to online piracy and illegal filesharing of copyrighted works.
People and companies that make a living on content and intellectual property have a very real need to protect their investments and creative assets. Measures such as DRM and ongoing legal battles don’t seem to have slowed down online piracy.
But are such extreme measures like the Digital Economy Bill really necessary to fight copyright infringement? Should the British government be allowed limitless power to block Web sites and Internet users?
faculty and students work on "knowledge problematics" not in rigid disciplines and departments, in which knowledge is produced and disseminated in ways that are multivalent, truly interdisciplinary, and conspicuously cognizant of their contingency?
"Knowledge problematics," "truly interdisciplinary;" I'd say this is the definiton of our class. Do you think all humanities classes should be like this class?
I suggest that we are seeing is the broad and deep
emergence of a new, third mode of production in the digitally networked
environment. I call this mode "commons-based peer-production," to
distinguish it from the property- and contract-based models of firms
and markets. Its central characteristic is that groups of individuals
successfully collaborate on large-scale projects following a diverse
cluster of motivational drives and social signals, rather than either
market prices or managerial commands.
project to digitize and categorize all of Locke's works into XML database. It is a little hard to navigate and search, but it is an interesting project to not.
it would also be a mistake not to take seriously the role of new communications media in understanding civic life. In democratic states, citizens need information about what challenges a government faces and what it’s proposing to do about it to be effective citizens. And citizens need to be able to connect with one another to discuss, debate and propose solutions. What a communications medium makes possible has a shaping influence on civic life.
In addition to discussing an important topic in digital culture, Paul Bills exemplifies here a new format for the academic essay: Storify used to curate content to make and to frame claims about a topic.
Here is the comment I left on the SlideShare website: This is super important stuff, thank you for sharing. In our digital age, a person's ability to market themselves on the web is a form of social capital. The more people follow us on Twitter, Facebook, and the blogosphere, the greater influence we can have. It makes me think about what happens in the book, 'Ender's Game' by Orson Scott Card. In the story, Peter and Valentine publish a lot of political commentary under aliases which eventually have a huge impact on world politics. Our future world may be run by those who can best market themselves and let their voice be heard.